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I was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense. The rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations ec…
Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets. On a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string. I designed the two recent aeolian instruments heard on this al…
Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …
Billy Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards. Drawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devise…
Burning Love Jumpsuit were an Underground Irish band of movie obsessive shut ins who had access to a computer. They were active between 1991 – 2002. A three-piece of proto-edgelords, (D.F. Dresden, Smiley, J. Bassetti) Burning Love Jumpsuit jammed and sampled their way to notoriety in the 1990s, making experimental music that was equal parts thought-provoking funk and stroke-inducing gunk. A penchant for sleazy Americana, obscure movies and exploitative daytime telly inspired a pool of samples t…
'Black' is a musical eulogy to Amy Winehouse, a heartfelt memorial to a sorrowful demise. Its an album of predominantly beatless ambience possessed by the ghost of 'Back to Black'. Fragmented moods and hypnotic drones melt together as its circular beauty is set adrift, floating away into an endless void, where the original only remains in spirit alone. It doesn’t make particular sense why I was drawn to this idea and compelled to immerse myself in the original song, and her life in general, but …
*2024 stock. 50 copies limited edition* This is the fourth studio album of Kryptogen Rundfunk and the first one since the project moved from Russia to the Netherlands. Six tracks full of weird trademark radio noises and interceptions, heavy bass drones and piercing high frequencies, abstract electronic signals and quirky samples. These layered compositions are slowly building up, creating thick mesmerizing walls of sound, yet at the same time leaving room for a bit of flippancy. An uneasy ride f…
*150 copies limited edition* Tilwin (meaning 'colouring' in Maltese, Robert's native tongue) started being written during the summer of 2023 and was concluded on the last day of that year. The album reflects some major life events Robert Farrugia encountered throughout that same year. Tilwin is an attempt at embracing a period of lows and highs, an effort of encapsulating these experiences within recordings. Each event described here is coloured in Robert's mind by a 'hue', that was then reflect…
*2024stock. 50 copies limited edition* Ether, in the literary sense, can be defined as 'the clear sky; the upper regions of air beyond the clouds.', or more informally as 'air regarded as a medium for radio'. Music, as well as the inspiration for it, are ephemeral in nature. In making this album, I often thought about the manner in which the sounds and patterns that form a piece of music are brought in to existence from nothingness. They drift into the listener's space, evolve over time, and dri…
On his third album as Etelin, Alex Cobb explores the intricacies of separation and belonging using field recordings and electronics, reconfiguring the dividing line between what is artificial and natural in the process. Maintaining a sense of playful reverence and lurking melancholy in its glitchy pastoralism, Patio User Manual hums with a meticulous and singular energy. From the loops and static pulses of "The Chemistry of Cobalt" to the tension and release of "Electrical Sailing," the listener…
2024 stock. This volume published by Yilmaz Dziewior and Katrin Sauerländer is the first in the Museum Ludwig's new series "In their own words." The series is dedicated to contemporary artists who, in addition to their visual oeuvre, have produced texts that take an independent approach to the concerns of their times and presents, above all, approaches that have proved influential and continue to inform current debates.
Valie Export is regarded as one of the most important international pioneers…
2024 stock. Gerald Cleaver is best known for his career as a top jazz drummer, however, his memories of growing up in Detroit inspired him to create his latest project Signs. This debut as an electronic musician and composer came about in his Brooklyn studio through a long process of looking to translate what he heard, into a new language. Cleaver was born and spent most of his life in Detroit, where he experienced, and was influenced by, the legendary development and blossoming of the Motor Cit…
*2024 repress* Lilith Records present a reissue of Caetano Veloso's Caetano Veloso (Irene), originally issued in 1969. Although Veloso had already been thrown in jail once for his criticism of Brazil's military regime, he continued to speak out against it on Caetano Veloso (Irene), with tracks like Irene, (about a machine gun-toting outlaw celebrated by the left). No wonder he would soon find himself in political exile in the UK. The general tone of the album is in keeping with its dire message …
Death Is Not The End's mixtape-style selection of clips from tapes recorded live at soundsystems playing during London's Notting Hill Carnival between 1984 and 1988, originally broadcast on NTS Radio in August 2018, is the latest to be committed to cassette as part of their 10th anniversary series. Featuring sounds from the likes of Jamdown Rockers, Saxon, Java Nuclear Power, Killerwatt Turbotronic, Stereograph, Sir Coxsone, Volcano Express and more.
Audio sourced with the indefatigable efforts …
In his most recent solo release, "The Devil And The River: Volume One", recorded live in his rural New Mexico studio, William Fowler Collins tremolo brushes his electric guitar using a calligraphy brush, playing a single chord with no overdubs to produce two compelling side-long pieces of music. Ever present are the minimalist widescreen reflections of the high desert environment in which he lives, with the two sides giving the impressions of a sun rising and then a sun setting over the vast and…
In the 1970s, Tucker Zimmerman made some low-key acoustic guitar records in England. He was raised in California, and sang like it. And between those two circumstances, Zimmerman happens to have sat in with a whole lotta famous people; The Spiders From Mars, guys from Yes and Traffic and T Rex, Mary Hopkin, Paul Butterfield, Aynsley Dunbar, Ricky Fataar, and plenty more. The seriously famous are always moving along to whatever's new. But Zimmerman has kept his hand in. There were a couple record…
Other Minds is pleased to present …we return to ground…, a new recording by Irish composer Karen Power and Quiet Music Ensemble. This double CD features three of Power’s large-scale pieces pairing natural sounds with musical instruments, written for and with Quiet Music Ensemble over an 8-year period. Beginning with instruments of ice in 2015, Power's experience of pairing natural sounds with musical instruments has evolved into a transformative body of work. Her approach to composition, creatin…
*100 copies limited edition* We’re extremely delighted to present you a new album by DUP SYS, one of Osaka’s finest ambient acts. The nine tracks on “Pure Materials” sound like an updated version of John Hassel’s idea of 4th world music. Put your headphones on and feel fully immersed in DUP SYS’ rich sounding combination of field recordings and evocative soundscapes.
An inevitable and sensible split release between two of today's most unconventional projects, both consistently pushing the boundaries of contemporary Harsh Noise by fearlessly incorporating limitless experimentation drawn from tried-and-true tape music techniques, as well as aspects of electroacoustic and free improv.Both artists have a tendency to collect seemingly random and bizarre sources that are then crammed together into an elaborate found sound collage akin to a sonic puzzle. Each part …
Tip! *Very much needed repress!* An incredible record from the legendary Yugoslavian composer Janko Nilovic, often hailed as the best LP in his vast catalogue, as well as one of the most accomplished French library ever made in France. Recorded in 1972 for the Montparnasse 2000 Radio/TV/Film library, 'Rhythmes Contemporains' showcases the most accomplished French musicians of the time, utilising a 45-piece orchestra to work on these sessions, which explains the spectacular sounds and huge dynami…