New Arrivals

*100 copies limited edition* U.S. style power electronics from Italy.

Nice Music presents, from the artist well-known in drastic DIY thrills circles as People Skills, the debut release under the endonym S.B.A. (or Samael B. Aaens). Shotput through a career of recordings for prestigious underground pillars - Siltbreeze, Blackest Ever Black, Kashual Plastik, Altered States Tapes, Regional Bears and I Dischi Del Barone, yet for the first time ever, S.B.A. touches home, unleashing a series of recordings using his distant glowing beacon 'Heresy Museum' as the pivot poi…

"After six minutes, time flips into reverse. The sounds of Ramsgate start running backwards. Cackles of seagulls are sucked back into tiny throats, while the distant yelps of school playtime turn giddy and abrupt, doubtless punctuating games of backward hopscotch. Central to the piece is the steady tick of the steam-age turret clock at St George’s Church, which was installed almost two centuries ago. When ticking runs forward, it seems to gift a divine guarantee to the formidable flow of time; a…

"Impassable moments lingering in the present,” utters Beth Robertson, the soft spoken voice cresting over a jostle of harmonics, creaks and knocks. “Existing just after us but before her. Everything lingers.” It’s inevitable that a record inspired by gigantic mounds of waste should be rich in the residue of the past, yet it’s striking to hear these atmospheres crackle with future-facing anticipation. Out of the sounds salvaged and recycled from previous performances at Tokoro Studio, we hear all…

The album ‘November 89’ comprises a selection of very early GAS tracks, some of which date back to the late 1980s. They were first released in 2008 as a CD insert in the art book ‘Wolfgang Voigt GAS’, published on Raster-Noton. Just like the photographs in the book, these pieces are early precursors that would evolve in the ensuing years with the albums ‘Zauberberg’ and ‘Königsforst’ into a style-defining, audiovisual “Gesamtkunstwerk” (total work of art) comprising hypnotically focused forest i…

The album “St. John Green” is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era, the record perfectly captures the musical and cultural atmosphere of the late 1960s. The album blends various elements typical of psychedelia with sonic experimentation, garage lysergic influences and a free-spirited approach to songwriting.

The duo of Camila Nebbia and Chris Corsano brings together two fiercely creative voices from the international improvised music scene. Nebbia’s searching tenor saxophone lines meet Corsano’s explosive, highly textural percussion in a set of spontaneous exchanges of raw expression. Their music moves fluidly between delicate detail and surging intensity, driven by deep listening and fearless experimentation. The result is a striking dialogue where every gesture reshapes the sonic landscape in real…

On Distractions for Trumpet & Ajaeng two radically distinct instrumental traditions converge in a study of texture, fragility, and focus. Kelley’s whisper-quiet trumpet tones and microscopic bursts of air intertwine with Kim’s bowed ajaeng, its coarse, resonant grain stretching and splintering in real time. The result is a taut, immersive dialogue that transforms subtle gestures into seismic events and invites listeners into a heightened space of deep listening and unpredictable detail.

Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family…

All songs by Felix-Florian Tödtloff. Recorded April 2025 in Berlin, Germany. Field recording on Federaun from Villach, Austria, August 2025.

*50 copies limited edition* Chaparral is a collection of field recordings, drones recorded on trumpet and trombone, feedback from a metal sheet and mixer, and various samples, including heartbeat, bells, and pencil on paper. The three pieces came together over the course of December 2025 to March 2026, drawing from improvised material and found sounds, combined to gradually create a sense of structure. The work is concerned with Nev Wendell’s relationship to the city she lives in at this point i…

*2026 repress* 1973s brilliant Celestial Ocean, by the legendary Swiss krautrock band Brainticket, is a concept album that details an ancient pharoahs journey into the afterlife (substitute the word "journey" for "trip" and youll get what they were driving at). However, Brainticket were not mere products of their time, they explored some truly compelling musical territory and produced a superlative blanket of sound-featuring a pioneering mix of early synthesizers, flute, zither, sitar, and male …

*2026 repress* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Ro…

*2026 repress* Brazilian singer, poet, guitarist Joao Gilberto made his 1959 debut with the now legendary LP, 'Chega de Saudade', a new sound and acknowledge as the first bossa nova album, a genre that swept the world in popularity and taken up by such artists as Stan Getz, Charly Byrd, Astrud Gilberto, Frank Sinatra, Quincy Jones, and countless others. Presented here is essentially a themed compilation of some of his best songs, including tracks from his acclaimed debut LP, 'Chega de Saudade'.

*100 copies limited edition* First public release by Pittsburgh / WV area noise artist. Weird, tape-centric stuff. a f ish -- wears a hat, hiccup as usual, the expect ed ; uun til, some thing other th an. Packaged in foldover bag with inserts and packing tape / xerox banderole affixed to tape

Mystery Hearsay / Mike Honeycutt was a major node of the 80s cassette culture network, his radio program in Memphis TN being a touchstone for home taping artists of a similar caliber to Don Campau‘s “No Pigeonholes”, RRRadio, or Schimpfluch’s “Psychic Rally”, all of which featured MH as an active participant. He also collaborated and traded extensively with the likes of Zan Hoffman (Larb), Minóy (Life Of Work), Swinebolt 45, and Agog. Audio and video works by Mystery Hearsay were distributed pri…

Further exploits from Lisa Suckdog with five more issues published between 1993 - 1994. This collection includes some of the zine’s most notorious interviews with the likes of Lydia Lunch, Fabio, Kim Gordon, Boyd Rice, and Courtney Love. Plus other sensational articles such as “Portland’s Nude Bomb”, "World Pork Expo '93", “Spastic Invasion”, “Killer Bears And Me”. 192 pages

Other:M:other is a trio from Austria, consisting of Judith Schwarz (extended drums), Jul Dillier (prepared piano) and Arthur Fussy (modular synthesizer). Judith is a drummer and composer and internationally well known with bands like Chuffdrone, Little Rosies Kindergarten or the duo Hofmaninger/Schwarz. Arthur is a sound designer, composer and engineer. He also works for theatre productions in Austria, Germany and Switzerland. Jul describes himself as a sound poet. He works as a solo artist, per…

Sewer Election is an act which at this point requires no introduction - a mainstay of the Swedish and International noise community for decades. "Cadavres Électroniques" is a new collaboration between Sewer Election and Aziza - a hidden gem in the Gothenburg underground that emerged out of the scene around Longest Night a few years back, creating pitch black, cold and slow moving ambient music reminiscent of Maurizio Bianchi at his bleakest (read: Endometrio and such). A surreal blend of rudimen…

"Drift was a relatively short-lived project created by Gabriele  Giuliani. Better known through his notorious nom de plume, Dead Body Love. Within the course of only a few short years, Drift released a dozen sought after releases on such legendary imprints as Slaughter, Old Europa Cafe, SSSM, Harmonie, and his own Less Than Zero, before fading behind the curtains Exile was not only the debut release by Drift, but also the beginning to a trilogy of cassettes released on Slaughter Productions. It …

"Second in the trilogy of Drift albums released on SlaughterProductions, The Beyond takes on a minimal yet darker approach, sheding the dense cavernous aspect of the preceding album, Exile. Replaced, is a more introspective Autumnal Dark Ambient style, which will become Drift's trademark on following releases. However, Gabrielle Giuliani never abandons the isolationist atmosphere he previously established. The result is a masterwork in Ambient Industrial Noise.  Winds howl, rain soaked leaves ar…

"On Earthquake, the third and final cassette released on Slaughter Productions, Drift takes on a slightly different angle to the previous  two cassettes. Where as The Beyond and Exile were firmly planted in pitch black ambient territory, the desolation on Earthquake is Saharan. Bright, Sirocco, and sun scorched. Afterall, who said Dark Ambient needs to be cold? In a sense, the listener is transported to an abandoned archaeogical dig while faint middle eastern tones waver in and out of the surfac…

On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.

2026 stock. Very last copies around. Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and lost. This incredible movement, kick-started by Halim El-Dabh, Pierre Schaeffer, and Pierre Henry, shortly after magnetic tape became widely available following the Second World War, was quickly adopted by many of the most noted composers of the day,…

Caught at the exact moment the young trumpeter steps fully into his own. Recorded July 2, 1962, at Rudy Van Gelder's studio, released in 1963 on Impulse!, this is Hubbard with technique to burn but warmth to match - every line sculpted, every phrase rhythmically alive. Around him a ridiculous cast: John Gilmore (yes, the Sun Ra tenor man) shadowing Hubbard's lines with that crooked, unmistakable tone, Curtis Fuller and Tommy Flanagan filling out the harmony, Art Davis and Louis Hayes locking dow…

Created by correspondence between Christchurch and London, Nebular pairs Roy Montgomery's decaying post-rock, folk and drone guitar with Martha Skye Murphy's wordless, glossolalic voice. Stems traded by email at nocturnal hours, raw emotion launched into a time capsule for the stars.

Harold Ousley’s The Kid! is a superb example of early-1970s soul-jazz and jazz-funk, putting the spotlight on the saxophonist’s distinctive tone and commanding presence. From the first notes, the album radiates energy and character, marrying dynamic phrasing with a deeply confident sense of swing. The record thrives on infectious grooves, a tightly locked rhythm section, and spirited improvisation that keeps the music moving at every turn. Seamlessly blending the worlds of jazz, funk, and soul, …

In the years after independence, Tunisia made an unlikely bet: tourism. Beach resorts rose along the coast, each one trying to outshine the next, and each one needing a band to entertain their guests. A whole generation of musicians grew up on those hotel stages - sharing bills with James Brown, Claude François and the Mingus Dynasty - and what came out of it was a small revolution. Funk played on Tunisian instruments. Disco with an oud in it. Reggae carried back from the island of Kerkennah. A …

French composer Sylvain Bombled aka Mayerling is back on HITD with ‘Finis Terrae’, marking the project's first album in 8 years. In the winter of 2025, the musician came up with these five pieces while in solitary retreat on the northern coast of Ouessant, the westernmost island of metropolitan France. The rough weather, the awe-inspiring beauty of the surroundings and the majestic grandeur of the natural elements play a pivotal role in each composition, allowing Mayerling to delve into his inne…

*300 copies limited edition* Anybody paying attention to what’s been happening at Lumberton Trading Company during recent months should have noticed that Modelbau had a collaborative CD with Bass Communion released in late March. Meshing abstract electronics with ambient textures, field recordings and a more electroacoustic setting, 'Analysis Reveals Nothing of Substance' brought together the minds of Frans de Waard and Steven Wilson into a space that proved their own slightly different takes on…

Princess Mononoke (1997) is set in a mythic late-medieval Japan of iron foundries and forest gods. The young prince Ashitaka, cursed while killing a boar god maddened by hatred, travels west and finds himself caught between the people stripping the forest and the wolf-raised girl San who defends it, a story Hayao Miyazaki refuses to resolve into simple sides. Joe Hisaishi's music met that scale with his grandest and grimmest writing for Miyazaki to that point. The film score, recorded with the T…

Moses Yoofee Trio, the Berlin group of pianist Moses Yoofee, drummer Noah Fürbringer and bassist Roman Klobe, came up through clips of their jams posted online, which drew a following and led to the 2023 mini-album Ocean on LEITER and a German Jazz Prize for live act of the year. Their 2025 debut album proper, MYT, expanded the improvised concept with fuller arrangements, landed on year-end lists and a German Jazz Award nomination, and sent them touring through Asia, the US and Europe. Chasing L…

Sharper Than A Needle unfolds as a sound space where textile machines transform into instruments. Silky basslines, delicate thread-like melodies, and a pulsating sewing machine synthesizer reveal surprising new tonal colors between noise, sound art, and experimental pop, as every movement of needles and every turn of spools takes on musical meaning. The project was initiated by Stephanie Müller and Klaus Erika Dietl, known for work such as Sewicide and beißpony, and for the international collect…

“If stained glass windows could sing they would sound like Josephine Foster, and her interpretations of the songs of Víctor Herrero are as artful and finely detailed as motes of dust falling through shafts of light in the libraries of your childhood, engrossing in their restraint. Josephine's naked voice an echoing truth in repose against the existential question mark of Víctor’s guitar. In a world that can feel bewildering and relentless, this music is shelter. Adormidera is the sound of a hypn…

Futuro Ancestrale, the ensemble around saxophonist, composer, and multi-instrumentalist Giuseppe Doronzo, was born from the idea to combine contemporary improvisation and non-western music traditions. In Elsewhen, electronics play a central role along with ancestral instruments borrowed from Chinese, Albanian or Chadian traditions. Doronzo's concept of convoking those sounds and cultures in the same musical space is a way to celebrate, and to create a vibrant dialogue between histories.

Library of the Occult gathers, on a single 12", the two remixes that close Magick Knives' debut album: Justin Robertson and Hawksmoor each taking the desert band into a different shade of after-dark.

On Long Live Brown Wimpenny, Brown Wimpenny turn the folk revival into a street‑level commons: an 11‑piece, multi‑city collective collapsing the gap between stage and floor with roaring, communal takes on songs that belong to everyone and no one.

John Paul Bohon's Terlingua is teeming with electronic life, a record that quite literally synthesizes the veteran musician and engineer's tactile approach to sound and has resulted in a mind-expanding work possessing impossible warmth. Terlingua is equally reminiscent of the languid, electronics-focused psych of legendary forebears like Cluster and Can alongside the ecstatic sprawl of contemporaries like Bitchin Bajas and Kaitlin Aurelia Smith. Bohon constructs entire worlds on these seven trac…

Lero Lero is a collective of artists gathered around a shared core: the Sicilian Sound Archive of the twentieth century. The melodies it preserves, remnants of a magical world now almost entirely lost, are revived with a critical spirit and a contemporary sensibility. It is an act of reclaiming, reworking, and giving back to the community a heritage that has long remained suspended in time. In the voices of farmers, shepherds, and washerwomen, in songs of indignation and in lullabies, one can gl…

300 copies only. 2xLP Picture. Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP p…