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"In the fading days of autumn in 2010, Taylor Deupree and Marcus Fischer, having become acquainted only earlier that year, set out on the sort of cross-country collaboration typically executed via technology and the web. However, having made a few rough sketches, they became disenchanted by the Internet and the machines between them, and quickly realized that the only way forward was via a plane ticket. Marcus left Portland for New York in February of 2011. The two met face-to-face for th…
the follow-up to eyes like saucers' _still living in the desert..._ and the aan/e.l.s. collaboration, _kristallivirta_. oddly evocative of early folkways and nonesuch "field recordings,"_parmalee..._ explores the potentialities of autistic, automatic-composition through the employment of relatively primitive acoustic instrumentation and primitive electronics (homemade oscillators, fuzz, and casiotone). the resulting product is a unique foray into structurally defiant, yet intrinsically organic e…
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
Not sure you could gather four bigger names from the drone metal inner circle to record a pair of splits. Hats off to Hydra Head. Both new splits come with awesome artwork from Aaron Turner, and this Torche / Boris split comes with a pretty fucking sweet t-shirt option. Don’t try and tell me you haven’t been dreaming of wearing Wata on your chest. This one hasn’t sold out of black vinyl quite yet
This is the official debut of the Opalio brothers' new project called MUSIC FOR PHANTOMS. It is a totally acoustic and a very ambitious project dedicated to "total quietness", recorded in the mountains and ONLY during the night. This is the most haunted music you can ever imagine, created playing exclusively wooden instruments: a classical guitar, and an acoustic guitar; all instrumental. This music makes you taste the distant echoes coming f…
S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
'The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7' marks the first time that Esposito's works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, it's the very first appearance of Drumm on a 7' platter. Michael Esposito is an experimental artist and long…
This volume presents Violette's recent two-part exhibition at Barbara Gladstone and Team galleries in New York in 2007, and includes a 12-inch LP of his five-channel audio installation for Gladstone. Recorded at Team Gallery, it was composed and performed by frequent collaborator Stephen O'Malley of Sunn O))) with vocals by Attila Csihar.
Awesome box-set includes the lps "tesis" and "antisesis", an additional '7 and 50-pages booklet, 23 tracks. "síntesis" was el aviador dro y sus obreros especializados' second album. also featured here is the great (and quite different) 12" version of "selector de frecuencias" (dro-020, 1982), the complete "amor industrial" 12" (dro-040, 1983) and "vortex" 12" (dro-074, 1984).
7" vinyl was the quintessential format for popular music. Today, it is an undervalued and mostly promotional medium, used as a fetishistic signpost for a time of musical authenticity and a "healthy" popular culture. Two tracks from Biosphere originally recorded for Hågogaland Teater, Tromsø, Norway in 2006 and remastered in 2011. Part of the Touch Sevens series, cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
First solo album from bass player extraordinaire Michael Francis Duch, exploring 1960’s experimental works as vehicles for contemporary improvisation. Duch is a highly generous musician and improvisor. This is equally audible as he moves in the outskirts of reductionism, flirts with noise, engages in the domain of contemporary composition or happily endulges in the joys of free jazz. Mixing a keen and exploring sense of sound with firm and insisting formal thinking, he approaches his bass …
In this work I am approaching the analogue synthesizer Yamaha CS-40M. I built up the research in a journalistic kind of way. At first I made a plan of procedures, gave myself a problem formulation. In my first step I was looking for sounds that represent the „soul“ of this instrument. The next step was abstracting these sounds without losing the specific character of the instrument. An unconventional click sound was the result. This sound was then fed with additional information, fie…
Stunning collection of works from 1998 to 2008, MY CAT IS AN ALIEN's first decade of adventure in outer space and modern music. All ultra-rare and long-out-of-print material from space brothers Maurizio and Roberto Opalio finally available for the first time in digital format, including a previously unreleased gem entitled 'Where The Lines Go To Sleep' (2004).Starting from MY CAT IS AN ALIEN's 1999 first milestone 'Landscapes Of An Electric City' (originally spread throughout the world by Thurst…
Edition of 500 copies 4xCD box from Lasse Marhaug’s Pica Disk label that works as a career retrospective for Mr Yasutoshi Yoshida’s Government Alpha project. Spanning the years 1992-1999, the box gathers previously unreleased early material alongside limited edition cassettes, lathes and CD-Rs. In the booklet that accompanies the set (which also includes full-colour reproductions of Yoshida’s amazing collages) Yoshida cites Nurse With Wound and Accept (!?) as his formative influences and the ear…
LAST COPIES...Incredible 25-minute percussion and bass variations from Japanese uber-producer Aoki Takamasa, new on Raster Noton!* Hugely respected percussive technician Aoki Takamasa has released a stream of rhythmic electronic expressions on labels like Fat Cat and Progressive Form since 2001. This is his first set of productions for the Raster Noton imprint, released as part of their 'Unun' series, after previous installments from Grischa Lichtenberg and NHK. 'RN-Rhythm-Variations' explores b…
In many ways, O, released on Thrill Jockey after a nine-year break, was a second debut album for Markus Popp aka Oval. A radical break with old concepts and methods, a new beginning. While Popp's artistic approach in the 1990s and early 2000s was more of a structural, theoretical nature, O was just about the music itself. Themes such as the means of production, limitations, dogma and concept took a back seat to a musical sensibility. Instead of writing new software to synthesize and process soun…
PREORDER, 3xLP box edition + tshirt "Much of the music included in this set is exclusive to this vinyl version of ‘Miscellany’. Andrew Liles has compiled a comprehensive anthology including as much varied, interesting and unreleased material as possible. He spent many an afternoon sifting through piles of cassettes seeking the oldest and arguably most definitive pieces of music from literally hundreds of hours of tape.The earliest recordings on these discs date back to 1984. ‘Find a New Husband’…
AWSOME!! The Time Machine project was conceived in order to find a simple and immediate way to work with rhythm. I built two cheap and imprecise, almost-square wave oscillators with a wide range of frequencies. These oscillators can sweep and cross-modulate from rare pulse to high audio signals. I use a mixer to create feedback between the filters, CV and audio signals and simply record the output; there are no overdubs.' Renato Rinaldi studied drama, composition and electronic music. Afte…
The seventh album from Montreal's harbinger of blackmetaldoompsychedelia appears on Important. Of the two sides of Aun's bi-polar output this falls into the cataclysmic doom zone, full of downtuned scorched-earth riffage and ominous ambience. The inclusion of drummer Away from Voivod lends a thunderous motorik propulsion to 'Falcon' and punctures 'Broken Bill' with neck snapping weight. For fans of Earth, Sunn 0))), Pelican, Gnod - Recommended.
Complete set, originally published between 1965 and 1967, the Great Bear contributors were a who's who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on v…