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Sven-ke Johansson : accordion, vocals. Axel Dörner : trumpet. Mats Gustafsson : saxophone. Per-ke Holmlander : tuba, trombone. Sten Sandell : piano. Matthias Bauer : double bass. Raymond Strid : percussion. Die Harke und Der Spaten [The Rake and the Spade] is a musical stage play with 8 scenes, for one singer/speaker and a musical ensemble. The tools - the rake and the spade - are presented during the performance in differente positions, serving as the starting point for the scenes, reco…
the pure union musician, was the sawtooth performer with the occupation musician who serves the oboe player of the los angeles symphony. it attends the musician of the band companion in the back, announcing the extremity of sawtooth performance with the transcendent tech which is lined to the beauty consciousness and professional ability of western classical music. the elegant solo album 1985 indicates one direction of sawtooth music. the japanese first appearance. the booklet attachment of valu…
Mid-70’s album of instrumental Appalachian fiddling (with guitar and bass accompaniment) by a guy who, after a grisly gun-related injury, developed a between-the-legs bow technique. Mr. Smith was a repository of would-be lost traditional tunes, and his unique, microtonal playing only makes these gems all the more precious. For fans of the Anthology of American Folk Music and/or Jandek.
1st live album by Norway's Geir Jenssen - recorded in 2007 by Chris Watson & mastered by Touch stalwart BJNilsen. In the early 1990s, he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic & enduring. Here, he incorporates samples of field recordings by Jony Easterby & trumpet by Anders Karlskas, invoking a sparser, more arresting sound.
Third full length release for 2009, coming hard on the heels of Bright Failing Star and Snow Blind. Recorded in tandem with Snow Blind in London during July 2007, covering themes based on seasonal changes and mood swings. Where Snow Blind was harsh, unrelenting and a little pissed off, An Angel Fell Where The Kestrels Hover shows a more reflective and melancholic approach. Comes in a beautiful book-sized wallet designed by mondii featuring photography by PW. Full details and interview here.
All music by Charbel Haber, recorded mixed and mastered by fadi tabbal at tunefork studios on the 16th and 17th of January 2012. all track titles are taken from roberto bolaño's novel 'nazi literature in the americas'. artwork and design by mazen kerbaj. produced in lebanon by al maslakh
Certain places are more horrifying than others, closer to the source of primordial terror, be it the netherworld, the glacial outerspace of Lovecraftian ancient evil or simply the subconscious. Such places are sources of myth and awe. For their second album, Owwl tapped into these sources. Dark Places channels the world's sinister sites. The results are minimally shifting walls of drone, oppressive and entrancing like stars in a forlorn place or the historic pitfall of ground drenched with…
This is the long awaited debut release of Streifenjunko. “No Longer Burning” presents the two Norwegians Espen Reinertsen (saxophone) and Eivind Lønning (trumpet) in 9 extraordinary pieces. Both musicians have background from all kinds of collaborations in jazz, rock and more contemporary projects such as Trondheim Jazzorkester, Christian Wallumrød Ensemble (Eivind), and the recent release: “Varianter av døde trær” with Tetuzi Akiyama and Martin Taxt on SOFA. Streifenjunko is/has also collaborat…
Earlier this year The Ex toured with a wonderful brass section, which comprised saxophonists Mats Gustafsson and Ken Vandermark, trumpeter Roy Paci and trombonist Wolter Wierbos, fleshing out the core quartet. Thrilling as that show was, however, the horn section were deployed firmly in counterpoint to the Ex’s rhythm throughout. Lean Left is another matter entirely. Recorded live in Amsterdam in March 2008, it’s an exhilaratingly vivid and spontaneous workout focused on just two or three…
Format: Glass-mastered CD. Packaging: Recycled Chipboard Sleeve. 33 bays was recorded in October 2009 in Kyoto, during a Japan tour by the duo of Tim Olive and Alfredo Costa Monteiro. Recorded live in the studio with no overdubs, the two untitled tracks were chosen from a number of pieces captured over several days, showcasing the duo's attunement and dramatic sense of structure. Olive (one-string electric guitar) and Costa Monteiro (electro-acoustic devices) produce a rough, feral music …
Through their use of low tech means and focusing on the blending of guitar noise and electronic voice processing, Lovesliescrushing can be seen as the early 'missing link' between the likes of Slowdive and Fennesz. Their output has been consistently and beautifully crafted... works that contain an element of sonic mystery and still sound timeless. Lovesliescrushing is an important, if perhaps overlooked, point in the timeline of contemporary electronic music. - Richard Chartier.Loveslies…
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European free jazz, delivered in1967 by the saxophonist's first classic trio featuring drummer Sven-Ake Johansson and bassist Peter Kowald. Initially issued in a tiny private run on Brötzmann's own BRO label -- silkscreened cover designed by Brötzmann, with h…
Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along ancient routes of communicat…
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Now-Again Records, in conjunction with Jazzman Records, presents an expanded version of the compilation that introduced many listeners to the sound of the unsung musicians who - in the midst of the Vietnam War and the fallout of the Civil Rights struggle - created some of the most beautiful spiritual and meditative music of the 60s and 70s. The music was at times funky, at times contemplative, but it always strived to say something about the world in which the musicians lived.
Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
Revisiting the treasures of Polish Radio studios (Polish Radio Experimental Studio, NEAR), the label offered Bolt miniaturized components of the composer Eugeniusz Rudnik (1933) to Lenar DJ (Marcin Lenarczyk) which reworks the way lo -fi in his studio (both guitar and bass amps, turntable, sampler loopers). Astonishing when one feels ownership playback via speaker which adds a paste, color these miniature electroacoustic "Nobody knows how many miniatures have been conceived by Rudnik. But one th…
Comprised of pieces from the band's original score for F.W. Murnau's 1927 silent masterpiece "Sunrise: A Song of Two Humans", My Education has discovered the perfect forum for which to flex their compositional muscles, achieving ever-transcendent musical heights in the process. This original score was perfected over the last two years through live scoring to the film, performed at sold out shows throughout the USA. Just as the music provides new context to the film as a live accompaniment…
A stunning series of duo improvisations from two of the world's finest string players, whose shared dynamism and intensity of purpose produces fluid, powerful music that ranges from dense viscosity to swift effervescence.With all-strings improvisation there's often a danger of pseudo-classicism, of sounding vaguely like modernist chamber music, replete with refined flourishes and familiar motifs. Edwards and Lee don't just avoid this but go nowhere near it, heading off in another direction entir…