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Franz Hautzinger (quartertone trumpet), Masahiko Okura (reeds) and Tetuzi Akiyama (tape delayed electric guitar). Recorded in Tokyo, 2004.A rebus is "a representation of a word or phrase by pictures or symbols", as you probably all know. Just wondering what the words might be then, on listening to this remarkably active (in its discreet lowercase way) trio outing from trumpeter Hautzinger, saxophonist Okura and guitarist Akiyama. EAI is, after all, supposed to be slow and spacious (think Hautzin…
Michael Bullock (contrabass & feedback), Mazen Kerbaj (trumpet), Vic Rawlings (cello & surface electronics). “Mary Staubitz emailed me asking, “do you and Vic want to play with this guy from Lebanon?” Mary was booking a series of noise shows at the Midway Café in Jamaica Plain, MA, and had been contacted, apparently out of the blue, by “this trumpet player from Beirut.” She wanted to help him out but wasn`t sure what to do, since none of us in Boston really knew anything about him. Vic and I hav…
"Clivages is Univers Zero's first new studio album in over five years. They have spent the last five years performing at prestigious rock and new music festivals throughout Europe and North America and ever-widening their audience. Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizabl…
Ap'strophe is the duo of Ferran Fages (acoustic guitar) and Dimitra Lazaridou Chatzigoga (zither). Recorded by Christian Pallejà at Maik Maier studios in Barcelona, december 2008. Mixed and mastered by Ferran Conangla. With their music they investigate the perception of the distinctive timbre of the guitar and the zither alongside the differences and similarities of their string instruments.
NEW SERIES FRAMEWORKAn extension of our CONCRETE ELECTRONICS NOISE,a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers.Benjamin Thigpen, nomad, born in the United States, immigrated to Paris at the age of 31. He studied music, literature, philosophy and esthetics. He now composes in European studios such as GRM, EMS, Visby and STEIM, as well as in his bedroom and in the train. After six years as a …
Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…
A high point in Konstruktivist's career, "Glennascaul" was originally released on Nigel Ayers' Sterile Label in 1985. Produced and mixed by Chris Carter of Throbbing Gristle, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. "Glennascaul" is proto electro at its very best, with Glenn Wallis's unique vocal style on top. For this, the first ever edition on CD, we have remastered the or…
The collaborative efforts of Athens native Savvas Ysatis and New Yorker Taylor Deupree were well known in the early and mid 1990s through their work as SETI, Futique, and Arc, as well as their soundtrack to Japanese architect Toyo Ito's famed Tower of Winds building in Yokohama, Japan. After going their separate ways, Ysatis to recording for Tresor in Berlin, and Deupree to founding the 12k label, they have united again for their first project in nearly 10 years.
Almost all of Ysatis and Deupree…
"It's a great summer for music, with some excellent albums just released - and more reviews to come ... Let's start with the great David S. Ware and his new quartet, a great quartet, with William Parker playing the bass as on all other David S. Ware albums, with Cooper-More on piano instead of Matthew Shipp, and with Muhammad Ali on drums (the latest in a long list, with Susie Ibarra, Guillermo E. Brown, Warren Smith, Whit Dickey, Hamid Drake, ... and quite a phenomenal list at that).It is no do…
The first ‘proper’ widely-available album from Portugese composer and pianist Tiago Sousa, ‘Walden Pond’s Monk’ balances itself on the idealism and revolutionary spirit of Henry David Thoreau. While this might be initially hard to hear in an album of mostly solo piano, as the songs seep into the soul it becomes easier and easier to decode Sousa’s messages. There is a mourning, but hopefulness to these compositions, and in contrast to solo piano records from Gonzales or Goldmund it feels like an …
Experimental tape recordings by Rodger Stella from the early to mid nineties. Psychedelic analog noise and drone consisting of tape manipulation, obscure electronics, shortwave, field recordings and acoustic delay. Edited by Dan Johansson.
It is the continuation of a body of work intertwining instrumental and electronic music following the acclaimed 2004-2008 work les arbres (Mention, Prix Ars Electronica 2009). The mixture this time is more edgy : a rich and complex electronic sound composition alongside the folk inspired guitar played by Simon Trottier (member of the extraordinary haunted blues band Timber Timbre). After 2 albums of improvised folktronica with Simon Trottier, Nicolas Bernier decided to explore that singu…
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
"Which brings me to Radian with long player 'Chimeric'. The post rock button has genuinely been pushed. This record offers a lot to bearded, stand with your arms folded at gigs nodding types. They have quite a claustrophobic quality.With vibraphone and introverted samples dominating proceedings, but does not seem to move above brooding pace, which gives it a soundtrack effect. The cover is really poncey as well its a broken vase with dying flower petals strewn about the place.Its probably meant …
One person says, sings or recites in any language. After the first minute, a second person joins the first one and they say, sing or recite in any language. After the two minutes, a third person joins the first one and the second one, and they all say, sing or recite in any language. And so on...The 'Zaj concert for 30 or 60 voices' from Esther Ferrer (member from group ZAJ since 1966) dated at the beginnng of the eighties in Spain under the aegis of Franco's system. The Concert has been…
Bertrand Denzler tenor saxophone. Recorded by Christophe Hauser on february 21st, 2010. 'As well as being part of such improvisation ensembles as Hubbub, Trio Sowari and Propagations Sax Quartet, Bertrand Denzler, who plays the tenor saxophone, also records solo music. Each of the three lengthy pieces on Tenor use a single note which are subsequently layered. Not by repeating them on the computer, like say Phill Niblock would do this, but by adding small variations in how he plays them. In Filte…
A beautiful set of compositions from saxophonist Roscoe Mitchell, presenting works recorded in the 2000s with performers including Thomas Buckner, Stephen Rush, Nils Bultman, William Winant, &c - "In the 45 years since he recorded Sound, Roscoe Mitchell's music has steadily evolved and diversified, making the idea of a comprehensive one-disc survey an impossibility. However, as much as any album, the both/and nature of Roscoe Mitchell's music is vividly represented on Numbers." -Bill Shoemaker, …
Four years after the release of their debut album Outflow, Japan’s Small Color, a duo comprised of Rie Yoshihara (aka Trico!) (accordion, voice, vintage keyboard instruments) and Yusuke Onishi (guitar, banjo, bass, programming and production) are back with the beautifully polished In Light. This album marks what some may consider a departure for 12k: sublime and gentle, minimal, acoustic J-pop, which once may have been destined for the now-defunct Happy label, but can now sit comfortably beside …
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz
A soft immersion, leaving the surface behind,knowing that on the inside, wide horizons are waiting.In the mines of matter: laboring and exploring, searching and will-o‘-wisping, but always with compass and sextant at hand.Ample discoveries are the prize – never boastfully on display,but tended with archeological care: larger molecular aggregates, atoms, elementary particles; interacting or alone.A journey, seemingly documenting itself through close observation. Land surveying through experiencin…