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Since 2009 Grant Evans has been peering ever deeper into the kosmische abyss with his records as Nova Scotian Arms for Aguirre, Preservation and Hooker Vision. He's also known for the lush Quiet Evenings releases with his wife, Rachel Evans (Motion Sickness Of Time Travel), but in solo flight his sound is more wide-eyed, exploratory, reaching heady new climes on 'Cult Spectrum', arguably his most vivid vision yet. Perhaps it's thanks to an exquisite mastering job by Lawrence English, but …
This eagerly awaited new LP from Prurient begins with a blood-curdling scream - but thereafter all expectations are defied. If like us you've always been fascinated by the more reflective, electronic side of Dominick Fernow's catalogue - thus far restricted to the odd album track, his work with Cold Cave and a couple of choice side projects - then all your Christmases have come at once. Reportedly inspired by long drives around mainland Europe listening to minimal techno, Bermuda Drain pu…
'Imagine the moment before the origin of the Universe, when nothing yet existed. According to the standard theory, our universe sprang into existence as 'singularity', a zone of infinite density, which is also what is thought to exist at the core of the 'black hole'. The result of its expansion is what we call the 'Universe' and it is also what this album is all about. The gate was opened one night in May, in a basement of Northampton, Ma. by Paul Flaherty on saxophone and Weasel Walter on drums…
Lisca Records is a no form music label dedicated to sounds generated by environmental saturation and reflection. This is the debut LP from the Tuscan drone / post-industrial / experimental quartet of Andrea Borghi, Filippo Ciavoli Cortelli, Alberto Picchi and Nichola Quiriconi. Limited to just 150 copies in special handmade packaging.
Brand new LP from Kawabata Makoto, his second for Blackest Rainbow following on nicely from where 2008's 'Rainbow Of Love' left off. White Summer of Love Dreamer continues to develop Kawabata's experimentation into psychedelic drone music using a variety of instruments. Across the two tracks on this LP, Kawabata seamlessly uses acoustic guitar, electric guitar, bouzouki, sarangi, tambura, organ, hurdy-gurdy, electronics, field recording, and his voice to create a stunning soundscape of hazy summ…
This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
Roy Brooks ! what can i say about one of the greatest jazz drummers ?! a man who paid his dues, who lived an hard life...who's Detroit Jazz ! started to play in the 50's with Yusef Lateef, spent 5 years with Horace Silver doing the hard and the bop, then with Dexter Gordon, Lee Morgan, Jackie McLean, two years with Mingus, played with Max Roach M'Boom... plus many others... in the 80's he formed The Artistic Truth & The Aboriginal Percussion Choir... the rec. on this album is even more precious …
The Slaves may well have gone and made one of the standout debuts of the year - a layered mass of ethereal vocals most reminiscent of Grouper with a brutal, doom-stricken underbelly that at turns sounds like My Bloody Valentine, Sunn O))) and Slowdive, massively recommended if you're into any of the above and available in a limited edition run of 500, with initial copies on pure white vinyl* The Portland, Oregon duo of Barbara Kinzle and Birch Cooper, aka The Slaves, operate in the void …
The second LP in the RRR Foley Artist Series. Another great noise-wall record from The Rita. Two sound sources, one for each side. Because each side is a completely separate sound source, lets consider it a split LP.
When the shoe drops on the first bars of the USA is the Monster's new full length, it becomes clear some changes have occured since the last record, Sunset at the End of the Industrial Age. Buttery synth and elaborate vocal harmonies combine to levitate hairpieces at least a wee bit. This is the perfect synthesis of the pastoral wanderings circa thier second full length record, Wohaw, and the punk spunk junk of their first and third full lengths. The band is still a New York two-piece tribe of N…
"Crazy 3-way collaboration from some of America's best underground musicians. Charalambides' Tom Carter is joined by Shawn McMillen, sometime member of Warmer Milks and Ash Castles On The Ghost Coast, with the added power of Starving Weirdos. This two track collaboration has been around since 2007 and it landed in my mailbox a few months back, and man, it's a real beauty. Side A is a total hypnotic slice of ravaged drone, the four musicians seamlessly blend their own styles of underground bliss …
Starfucker’s highly regarded full-length LP Reptilians was originally titled “Heaven’s Youth”. Like most artists, song ideas, the album concept and even the artwork continued to evolve. The band changed the title, continued to edit and develop the songs until the final version (Reptilians) was released in 2011. The original versions of the songs, that were until now only heard by the band, are being released for the first time in a very limited edition of white vinyl. Heaven’s Youth (Re…
Great & rough Split-LP with both sides recorded 1996. Beast People (Dilloway, Harper, Young ?) with tracks pulled off very rare tapes. Schimpfluch side features collage of (previously unreleased) R&G studio material and Schimpfluch Group-Actions performed live. Highly recommended! Edition of 300 copies with cover-art & photography by Rudolf Eb.er.
The idea for the Coil Sea record came about after Arbouretum had finished our Summer 2009 European tour. The band had some time off, and I thought it would be interesting to put a session together consisting of musicians that I knew and had played with, but hadn't all played with each other. The goal was to create improvised music without much in the way of set ideas or editorial input from my end, and to hope that we could, over the course of the session, become comfortable enough playing…
After the runaway success of the Akita/Gustafsson/O'Rourke LP One Bird Two Bird (DEMEGO 016LP), Swedish sax legend Mats Gustafsson returns to Editions Mego with another storming collaboration. Now a resident of Vienna, he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result. A dense fog of sound comes from all directions, but whereas the general impetus is a full-on attack, the trio finds enough restraint to create a deepe…
The album resonates a future sound vision that can only come from an old soul destined to further pave the paths laid by electronic & minimalist pioneers. Undeniably pure processes of creating & sustaining sound visually, sonically & otherwise brings a mathematical & scientific accuracy that hasn't been seen since the days of lovely music ltd. or GRM. Brilliant textures & audio hallucinogenic time/space wormholes create infinite listening possibilities
Great 2nd full-length collaboration between Lee Counts, Matt Franco (of Air Conditioning, Holy Family Parish), and Jason Crumer. Acoustic and processed power tools on scrap metal. This record is more spare and moody than their first, lush and industrial, elegiac sanders and spareness building up and blasting away from somber to near rapture.
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
Incredible, seemingly out-of-left-field debut release from tashi wada, a west coast composer perhaps best known as the accomplice / son of yoshi wada ...a gorgeously executed display of upper-harmonic-series movement & the psycho-acoustic properties of carefully controlled tuning systems (a medal has assuredly already gone out to violinist marc sabat for his performance here ; channeling the painstaking adherence to micro-tonal accuracy of phill niblock’s music ... only in a real-time, live-play…
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…