New Arrivals
Live in Japan - Part one
Two seperately released live albums form Fenn O'Berg, featuring recordings taken from their 2009 Japanese tour. It features Christian Fennesz, Jim O'Rourke, and Peter Rehberg. Both recorded during the group's 2009 Japanese performances.
Historische Aufnahmen
Musician, composer and radio producer Felix Kubin has spent the last 5 years investigating, tracking down and collecting a stunning selection of hitherto neglected recordings from archives and private collections. With an eye for the antique curiosity, and an ear for the curious dusty beauty of abandoned transmissions from the past, he is now proud to present this first collection of historical recordings. The recordings presented here offer many and diverse pleasures from the analogue rea…
Cult Cargo: Grand Bahama Goombay
The second in our series of exploration of the panAmerican funk experience, Cult Cargo: Grand Bahama Goombay is a deep overview of Funky Nassau’s redheaded sister city, Freeport, GBI. From 1969-1976 Frank Penn’s GBI studio and label cranked out a dozen LPs and twice as many singles infected with the Miami sounds drifting in over the 100 mile strait. The catalog is a fruity blend of rake and scrape, bush, junkanoo, calypso, reggae, and of course, goombay, wi…
Home
Home is a collection of folk songs recorded at the end of 2007 and beginning of 2008. Recorded in various places in various parts of the world, it is an album about finding a home. Written, performed, recorded, and produced by Peter himself and mixed with his good friend and sound wizard from Efterklang, Mads Brauer.
Confrontations
Vinyl Edition of 750. Another crucial keystone in the occult arc de triomphe of Kansas City composer’s deepening discography! X-filed highway cover artwork designed by Dionysian visualist Tim Goodwillie.Kansas City’s Goblin king of neo-Giallo, brood-blooded dark fantasy soundtracking returns with his third official full-length, two years after the badass psychodrama of Prophecy of the Black Widow. The time betwixt was well spent, on tours (Europe twice, including the Mogwai-curated All To…
Body EP
You either loved or hated Autre Ne Veut's electrifying 2010 album for Olde English Spelling Bee, and we loved it - as we made abundantly clear at the time. Since its release, ANV has been reasonably quiet, most recently seen turning up on Mordant Music's Variables II 12"; but he's been putting his time to good use it seems, crafting this killer four-track EP for Hippos In Tanks. 'Sweetheart' finds our man warbling and whining in that unmistakable multi-tracked falsetto of his, against a r…
Decaying ships
The road is long, sweaty and tense when your shoes are made of metal and you have to walk through a labyrinth with a magnetic floor to reach a brown sea full of hungry lobsters. The ship is waiting though, and the tension is building up heavily with every spin of this record, heavy meditative aircraft static blurr slowing down your usual codeine rhythm! modular synth carpets at its nastiest! you'll be purring when you're on the actual boat.. thick like your mommy's wallet, yet sparse droning tha…
The Effective Disconnect
From Brian McBride: When George and Myriam approached me to compose for their film they suggested I concentrate on four different themes: the gloriousness of the bees, the endurance and hardships of traditional beekeepers, pesticides and the holistic nature of non-industrial agriculture. I was especially intrigued with the idea of combining some of their mournful aspirations with something more serene. Composing began in May of 2009. I had decided to start fresh not using anything that I …
Friday Group
From out of the Great Republic of Texas, and a new side project from Tom Carter (Charalambides) and Brian Smith (Iron Kite) rises a lone star called Friday Group. In a seemingly appropriate gesture, the opening scherzo of droney solo guitar twang blows dusty debris across the speakers, as if a small sand storm in a remote part of Amarillo. With wind wrestling loose gutters and flat chimes, the first movement is almost a weird paean to Ry Cooder's desolate Paris Texas score. Axe attacks ho…
Dums Will Survive
RFTO Bandwagon have just released their first full-length LP entitled Dums Will Survive on Dull Knife Records this month. Coming latently on the heels of their excellent New Jack 7" on the same imprint from last spring, RFTO Bandwagon continue with their mark of gritty folk-pop, and often sway into the weirdo territory of the genre with songs the grip the edges of so many sounds, and yet stay held together with beautifully frayed strands of brilliant songwriting. The title track on the a-side (t…
Debris
Field recordists Douglas Quin and Cheryl Leonard have gone to great lengths to capture their Arctic and Antarctic field recordings, spending countless frigid days with frozen fingers trying to hold tightly to hydrophones dangling amidst the ice floes and slushy waters. It's no wonder those two present their work in such an unadulterated fashion when the work came at such cost and at such peril. But Jana Winderen is far more creative in her approach to field recordings, only too happy to …
Red Horse
Red Horse is the blistering free-post-everything project of drummer/multi-percussionist Eli Keszler and guitarist/mad-scientist Steve Pyne. While both musicians are active in a number of different projects (you probably wouldn't believe Pyne's day job even if we told you), Red Horse catches them working with a distilled sense of focus and is for many their breakthrough project. Red Horse (not to be confused with the similarly-titled debut) is the duo's second album, and follows the rush of…
Brand
“Brand” is the new trio of Gary Smith (guitar), Silvia Kastel (voice and synth), Ninni Morgia (guitar). On this recording Gary Smith produces the playing for which he’s considered a master of avant guitar: multiple layering, complex grainy textures, dense counterpoint, influences of birdsong. Fused with the guitar of Ninni Morgia, which floats between minimal movements of primordial electronics, pre-war slide blues and Hendrix-esque feedback. Over, and blending with them, Silvia Kastel’s mo…
Always Wrong
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
Smoke Song
Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
Live In San Francisco
Astromero is the psychedelic synth-noise project of Japanese pioneer Hiroshi Hasegawa (Astro,CCCC), and LA's Damion Romero (Speculum Fight). Side A is a Live show in San Francisco, a total scorcher with an immense level of energy where shifting walls of synthetic sound produced by Hasegawa are complemented by the signature rumbling low end frequencies coming from Damion's custom electronics. Side B is a new studio track, full of brain melting tones and showing the more compositional side of this…
Suite The Hen's Teeth
*Exquisite black and silver silk screen printed cover. Limited edition** Oh man, this match-up must be a dream come true for at least a handful of freaks, somewhere, us included! The tenth release on Jozef Van Wissem's Incunabulum imprint sees the label curator jamming with LAFMS legends, Smegma at the Pink House in Portland, 2010, infusing his 13-course swan neck baroque lute into their uncontainable free improvisations in eight parts. They appear to be entirely respectful of each others space,…
In Psychic Defense
“In psychic defense” is the last work of Clay Ruby as Burial Hex. With this record Burial Hex faces a new chapter in his music where noise, post-punk, a wise use of the rythm, experimental wave and dark melodies match together in a perfect balance. The record is elaborated as a protection spell in psychic self-defense, and the lyrics are from an old hymn to the Archangel Michael, always been seen as a leader and protector of the faithful. This one sided also confirms the collaboration betw…
Barbecue Bob in Fishtown
Guitarist /composer Glenn Jones claims a lengthy and rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar". Aside from being seduced by punk in its latter-70's heyday and brandishing the electric for a large portion of his career (including 20 years as a founding member of post-rock instrumentalists Cul de Sac), it was the acoustic steel-string and the seemingly multi-directional genres born from Fahey's homespun Takoma imprint that informed much…
Occupied With The Unspoke
Golden Retriever was started in 2008 by Jonathan Sielaff and Matt Carlson whose paths first crossed in the early 00’s when Sielaff and Carlson were in experimental pop bands that frequently worked together, Au and Parenthetical Girls respectively. Through collaboration, they developed a deep understanding of each other’s musical voice and sensibilities. After exchanging a few solo recordings, it became clear that they had remarkably similar aspirations for and theories on music, th…