New Arrivals
Fower
Ernesto RODRIGUES (viola), Neil Davidson (acoustic guitar), Guilherme RODRIGUES (cello) and Hernâni Faustino (double bass). Recorded in Lisbon 18-11-07. Neil Davidson has taken his acoustic guitar on many fascinating sonic adventures, forever pushing the language of sounds possible with this instrument to new places. Here he joins a group of musicians from Portugal led by the rather legendary Ernesto RODRIGUES on viola and also featuring his son Guilherme RODRIGUES on 'cello and Hernani Faustino…
In Celebration Of Knowing All The Blues Of The Evening
Phantom Limb & Earth’s Hypnagogia is the project of Jaime Fennelly (of Peeesseye, Evolving Ear Records) and Shawn Hansen (who also has releases on Evolving Ear). The two join their forces here for an epic ride through the volatile moments of twilight. A synaesthetic kind of excursion, inspired by the deepening shades of light and dramatically rendered through the warm, swelling tones of Farfisa organ and analog synthesizer. In Celebration... in all its moody and cinematic drive could be the quin…
Electric Fruit
"Electric Fruit" alludes to the vexing encounter between nature and technology, one of the most complex issues that we face as a global society. The album brings together a powerhouse of innovators—Weasel Walter, Mary Halvorson and Peter Evans—to emphatically capture, question and explore the throes of this crucial contradiction. "Electric Fruit" is a stirring and potent recording of the dangerous confrontation between the innate and the artificial, the organic and the robotic. Each member of th…
Vintage Duets
On Vintage Duets, Anderson is joined by Steve McCall, a drummer who touched many listeners with his style and sensitivity, especially as a member of the group Air. McCall worked with Anderson at various points from early in his career. Recorded on 11 January 1980 at Soto Studios. (label)
Complete Works for Flûte and Clarinet
The Complete Works for Flute and Clarinet: In both original works and transcriptions, the Ebony Duo explores Scelsi’s use of special sound colors and his coloring of sound. Transcriptions especially prepared by the clarinetist (and pianist) Michael Raster provide the basis for some of the works on the present album. Yet Scelsi’s original intentions incurred no damage as a result of this recrafting. To the contrary! “The formidable technical demands that playing on two strings with in part opposi…
Somnambulance to Dream General
"Somnambulance" is a reworking of an album of odd and obscure tracks that was released in a microscopic edition on CD-R before. For this CD, Mr. Liles has provided his funniest and possibly most controversial artwork as of yet. You get an hour of music of many different styles: Andrew Liles' trademark of eerie and spooky sounds is there; also electronics and a whole range of instruments are placed in between sketches and longer tracks. And if all this weren't enough, you get three bonus tracks t…
We Who Had Left
Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…
The source
“A 4000 year old rock band" W. S. Burroughs. Recognised internationally, Jajouka goes back up to the late Rolling Stone Brian Jones, across his collaboration of 1968, but also to Paul Bowles, Brion Gysin, and William S.Burroughs which had already established their residences for some years together with these musicians of the mountains of Rif. "The Source" is the new record of The "true" Master Musicians of Jajouka and it goes back to the origins of their sacred music. Bachir Attar, last …
Soil Creatures
The name under which Melbourne singer, songwriter and multi-instrumentalist Paddy Mann records and performs, Grand Salvo has quietly and unassumingly developed a body of work that has inspired both hardcore devotion and more recently, wider recognition, stemming from his previous album, Death. The ambitious fairytale orchestration received rave reviews from all over the country. With Soil Creatures, Grand Salvo has returned with no less scope but sits within quieter surroundings. This gorgeous s…
Retro vulva 2003
A Chilean band living in Paris, who do a really fuckeded up punk rock influenced equally by Captain Beefheart, Os Mutantes, and Caroliner. Limited to 300 copies.
Perdition Hill Radio
2nd full-length from self-styled black ambient guitar overlord. Like Earth's seminal "Hex" before it, this invokes the ghosts of a lost America & drags the rotting carcass of country music through a swamp of noise & drone. The chugging, blown-out treble & isolated darkness of Xasthur is all present & correct, but there are also echoes of William Basinski & Deaf Center hidden amongst the clouds of radio static.
Drones
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…
Very Urgent
Originally released on Polydor in 1968. During this year, The Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Very Urgent, their eagerly-awaited debut recording, was a joyful call of intent. The album mixes simple but utterly unstoppable tunes and exhilarating horn charts -- immediately establishing a vitality and exuberance that would continue to define the group. Nevertheless, their evident preference f…
Cellos
The association between Ulrich Mitzlaff and Miguel Mira promises an unforeseeable sound meeting. The specific, personal and different ways of their distinguished expression is the base for their very dynamic and interactive music. They create sounds where the improvisation moves with great fluency between the establishing of textures and abstract musical ideas and the switching in the musical discourse to singular, rhythmic and melodic affirmations. They construct the sonar explorations using th…
Natsu No Sebone
Alto saxophonist Masayoshi Urabe and percussionist Toshi Ishizuka recorded this extended improvisation at Tokyo's Apia Club, quietly ferocious music with a unique physicality. "Thrilling, blood-shaking, soul-scraping and defiantly non-sexless improv set from two Japanese titans. Recorded live at the Apia club in Tokyo in December last year, this set showcases Urabe's uniquely physical approach to improvisation -- ferociously concentrated, contorted, sweating and eruptive with physical power. Hi…
featuring Ginsberg, Hentz, Irmler
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
Ethnic Expressions
Easily one of the most coveted and sought-after of all jazz LPs is the elusive Holy Grail that is Roy Brooks' Ethnic Expressions. It's not just rarity that makes a record of this nature so desirable, nor is it the compelling music within -- sometimes, like a Van Gogh or a Picasso, it's the personality of the artist himself that's inexorably entwined with the record itself that lends a fascinating, mesmeric and mythical quality that simply can't be contrived. The sixth release in Jazzman's …
Luminous Night
CD edition: Luminous Night is the first set of new Six Organs Of Admittance material to leap forth from Ben Chasnys' cerebral cortex in 18 months, and what a joy it is. With the release of odds-and-sods collection RTZ earlier in the year there to bridge the gap between 2007s Shelter From The Ash it doesn't seem like he's been away for long per se but for serious Chasny-heads a new album is something to get pretty excited about and with his other musical outlet Comets On Fire either on extended h…
New Egypt
"This latest in the ever-popular Latitudes series comes from Drag City avant-folkists White Magic, who have turned in a single ten-minute piece based on Eastern harmonies, delay loops and a tranced out approach to jamming that verges on Sunburned Hand Of The Man territory. For the vast majority of its duration 'New Egypt' relies upon a central three-note piano riff, which soon accumulates layer after layer of various other instrumental sources while seemingly improvised lyrics haunt the song thr…
Making Words
Realized at the Lutheran Church of the Messiah in Brooklyn, New York, April of 2010.Recorded live, mixed, and mastered by Adam Diller.Featuring the invaluable contributions of: Ann Adachi (flute), Adam Diller (tenor saxophone), Tucker Dulin (trombone), Kenny Wang (viola), Andrew Lafkas (bass, composition), Margarida Garcia (electric guitar), Gill Arno (electronics), Keiko Uenishi (electronics), Barry Weisblat (electronics), Bryan Eubanks (electronics), Sean Meehan (snare drum and cymbals)