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LP edition of Kraftwerk's 7th album, from 1978, and perhaps their most commercially successful album -- a non-offensive synth-pop classic. 'The album has 'classic' stamped all over it... in time it would acquire the same ageless quality as The Beatles' Sgt. Pepper or The Beach Boys' Pet Sounds...' -- Pascal Bussy, Kraftwerk: Man Machine And Music"
In view of the band's assertion that this is a program designed to be listened to in one sitting, it seems a little impertinent to discuss highlights. The seven tracks that make up "Throat" seem a little arbitrary in view of the overall discontinuity of the release, but in as much as this is music which has no time for a lot of preconceptions, that might be an inherent part of the band's intentions. The opening is where the Brotzmann reference comes into its own, but before the piece is o…
This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
Inspired by the likes of the largely unknown first wave of continental European minimal electronic bands of the early ‘80s (Absolute Body Control, Twilight Ritual, Martin Dupont, Snowy Red), the seminal early industrial bands, as well as the emphemeral, psychedelic atmospheres of the British shoegaze bands of the 1990s, Xeno and Oaklander perform using entirely analogue synthesizers, sequencers, and drum machines to produce a highly-crafted, complex of form of moody, electronic pop music that is…
Already drawing comparison to the heyday of '70s acid rock & the likes of Amon Duul II, Peter Green's Fleetwood Mac, Japan's Flower Travelin' Band, early Pink Floyd, the Velvet Underground's drone jams, the electronic kosmische of Cluster & the unhinged organic grooves of International Harvester
Sacred Bones is proud to present The Spoils from Zola Jesus. Hailing from the unsuspecting locale of Madison, WI, Zola Jesus—the alter ego of Nika Roza Danilova—occupy a sphere of sparse industrial rhythms, no-fi drones, and ethereal femme vocals. Those who have seen her handful of live shows, heard her WFMU set, or caught any of the acclaimed, sought after, and now mostly out of print releases on Die Stasi or Troubleman Unlimited already know. For those uninitiated The Spoils may be the m…
Another sublime drone album from the unshakably good Root Strata camp, En's The Absent Coast is a real upper tier ambient release. Distinguished by its depth and effortless musicality, this album is one for genre fans to really savour. After the sandblasting noise/tonal onslaught of 'A Dying Sun/Return To Holyoke', the album calibrates itself to a stately simmer that comes to life during the quite sublime 'Honeysuckle Heart', which combines glassy sustains with crackl…
"Originally released in 1971 on Dandelion Records this was Bridget St. John's second and, arguably, best album. Produced and scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man was recorded at Sound Techniques in Chelsea (where everybody from Fairport Convention to Nick Drake had made albums) and is a far more sophisticated work than its predecessor. Organized around a small chamber orchestra, Songs For The Gentle Man is a set of cool, pastel songs that simultaneously h…
Peter Kolovos is a free sound artist from Los Angeles, CA. Over the last decade he has developed an intensely personal sound vocabulary based on raw texture, volume, and duration. The result has been physical, abstract work that constantly shifts and evolves in real time. The mechanisms of impulse, memory, intent, restraint laid bear. Mastering: Rashad Becker. Full Color Heavy Tip-On Cover-180 Gram Vinyl. Edition of 500 copies.
Limited to 500. Zak Boerger whittles a small niche all his own out of the vast trunk of bedroom psych-rock, & it's a quite stirring slow burn of a record - a steady rippling of melodic noise that cascades on your emotions, like Richard Youngs re-imagining the Laughing Stock-era Talk Talk sessions.
"An earthy, eclectic record that manages to be challenging, but also remarkably patient, it's the sound of the formerly Ridgewood, NJ-based songwriter quietly coming into his own....a major creative step forward for Lynch, whose absorbing ambient pop sounds prove how refreshing this kind of subtlety can be." -- Pitchfork (8.5)
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
I started making music in earnest in 1994 with a Casio keyboard and a four-track cassette recorder. Since 1996 I have been using a Korg MS10 analogue synthesiser and some effects pedals which I have added over time Ñ delays, phasers, a ring modulator and a pattern generator. Occasionally I use acoustic sounds as well. On this LP, I made extensive use of a pattern generator (a Moog Murf) in combination with other effects. Before recording anything, I spend time designing and shaping the sounds I'…
First release for the italian duo (Alessandro De Zan, Riccardo Mazza), recorded and assembled during one year, giving as result the deepest sound ever. Beautiful and fresh vibes coming out from acoustic guitars, percussions, flutes, voices and birds' field recordings, in five fine composed tunes spacing between Amazzonia and Africa, flying on the wings of perfect bliss. This is going to be particularly appreciated from those who love '70s brazilian psych such as Lula Cortez, Zè Ramalho, Stenio M…
The road is long, sweaty and tense when your shoes are made of metal and you have to walk through a labyrinth with a magnetic floor to reach a brown sea full of hungry lobsters. The ship is waiting though, and the tension is building up heavily with every spin of this record, heavy meditative aircraft static blurr slowing down your usual codeine rhythm! modular synth carpets at its nastiest! you'll be purring when you're on the actual boat.. thick like your mommy's wallet, yet sparse droning tha…
Long-running Twin Cities horsepower trio Daughters Of The Sun have been subtly chugging out their faded-tattoo spirit-in-the-sky psych exhaust for at least half a decade now but we didn’t catch the drift till March ’09, when we got to witness a packed post-midnight smoke-soaked Minneapolis loft set and waved our lighter with the masses. Ghost With Chains is their third official full-length (not including some EPs and a killer split) and it’s as beautifully moon-burnt and highway-swept as anythin…
The first 2 Guru Guru releases, both from 1971. Musically, these 2 represent (along with their 3rd, Kanguru) the reigning moments of this acid-destroyed-jamming Krautrock outfit, and are essential artifacts of pure thunder.
This disc brings together the Sun Ra recordings "Cosmic Tones For Mental Therapy" and "Art Forms Of Dimensions Tomorrow" (recorded in 1963 and '61-'62 respectively). Cosmic Tones functions as a kind of blueprint for the sort of large-scale jazz weirdness that would inform much of Sun-Ra's subsequent works, featuring the woozy reeds of 'And Otherness' and the afro-jazz experiments of 'Thither And Yon'. On 'Adventure Equation' a space echo treatment on the recording which is reprised for the sax f…
Musician, composer and radio producer Felix Kubin has spent the last 5 years investigating, tracking down and collecting a stunning selection of hitherto neglected recordings from archives and private collections. With an eye for the antique curiosity, and an ear for the curious dusty beauty of abandoned transmissions from the past, he is now proud to present this first collection of historical recordings. The recordings presented here offer many and diverse pleasures from the analogue rea…
nterstellar vocal group numbers and doo wop from the Sun Ra vaults – a couple rare release and a bunch of previously unissued numbers featuring The Cosmic Rays, Crystals, Nu Sounds and Juanita Rogers – teenage vocal group numbers, bits of bebop and spacey doo wop released for the first time ever! The Second Stop Is Jupiter is Volume 2 in Norton's compilations of early, vocals centered Sun Ra material – beautifully done, and worthy for more than just Ra completists – it's a treasure trove…