New Arrivals
New Series 1
*200 copies limited edition* Brandnew offering on Knotwilg from Paul Toohey, member of Surface Of The Earth, NZ guitar dronemasters by excellence. The successor of the Series 4 lp from 2020 is a natural evolution leaning more forward towards SFOTE. Rawer guitar sounds drifting against all tides into a melting plot of emotions opening up a range of sounds familiar not only to previous outputs but also into a brighter optimistic drone-culture. Pure bliss and joy to be able to release to be able to…
Series 4
*2024 stock. 200 copies limited edition* Paul Toohey, from Surface Of The Earth returns with a brand new hard hitting drone LP. Previous output on Fusetron and Corpus Hermeticum was a long time ago. But this release will nicely team up with reissue plans from his outer outfits on fi: Thin Wrist Recordings.
Unkugel
'For Their Past And Their Future'. Brutalist guitardrone compositions from members of Sun Stabbed, La Morte Young and Sister Iodine. Three detoriation guitarslabs challenging the Channel and trying to conquer the coastlines with a shivering bombardment on the defences of Antifer, Helgoland and Oostende. For fans of Surface Of The Earth/Dead C/Flying Saucer Attack etc
Doubling Down
Pseudo-music cuts from sessions separated by covid and having kids: pre, in early 2020, using a Bastl Microgranny and a Korg Volca Beats; post, in 2023, using electric guitar and bass. In both, musical fragments are reconfigured in real time, bending patterns into new shapes, refracting melody into texture and back again.Digipack with risograph inlay.
Music for Two Flutes
"Music for Two Flutes is one of those numerous documents of modern composition with deceptively humble titles. Both "Ceòl Meadhonach" and "SLUB", the pair of pieces presented on this digipak release from Hideous Replica, are certainly written for and performed by flutes, but what each actually sounds like transcends (yet does not hide) such a minimal approach. I’m revealing my own inexperience when I admit I have always associated the instrument with an almost saccharine whimsicality, all delica…
Split
* 66 copies limited edition * "This split sees the two members of South London-based Ashcircle performing under their solo guises. If you’re unfamiliar, Ashcircle deliver awkward electronic plonk outs, a kind of ragged yet hopeful perpetual glitch to “cope with the chaos of overwhelming information and Tory governments”. City of Urbom and Yawning Gap are described as the duo’s dungeon synth projects, but they place a markedly wabi-sabi spin on the genre. Small and off-kilter sonic gestures becom…
Continuous Demonstrations
*2024 stock. 100 copies limited edition* Seven recordings, each documenting an automated assemblage of synthesiser, DC motors and a drum.Mastered by Jacques Beloeil
Delicate Droplets
*2024 stock. 100 copies limited edition* Cassette loops, multi-track looper, digital recorder.Mastered by Giuseppe Ielasi
Bypass Ideal
*2024 stock. 100 copies limited edition* "Bypass (2013) called for a heavily amplified live duo performance of modified boombox and prepared pump organ against a focal verging image. It's one of Coppice's first compositions to exclude signal processing. Instead, each part changes progressively while developing independently. We've recorded and isolated each part and placed them on opposing sides of a tape to further evade the intended mode of listening of the piece as a duo performance. Instead…
Caught in Pointers
*200 copies limited edition* andrew cs is a many media artist & creative programmer from the american midwest. exploring recursive time loops through their own digital memories, andrew’s sound blends captured spaces with bending synthesized loops improvised on custom software. following a half-chance encounter with a field recorder as a teen, andrew began cataloging moments of temporary calm - archiving disk drives of present textures in conversation with a future self. following 2021’s “*” EP, …
Good News From Africa
Pianist-composer Abdullah Ibrahim ( formerly known as “Dollar Brand“) has long ranked among South Africa’s giants alongside Hugh Masekela, Miriam Makeba and the late Kippie Mokoetsi. A master of improvisation with a distinctive African edge, the exiled Cape Town musician has developed a musical style over the past 30 years that defies categorization.Rather, it is a fascinating mosaic of diverse traditions including African rutal and township rhythms, classical jazz, and gospel. South African fol…
Confield
*2024 stock* "With Confield, Sean Booth and Rob Brown largely abandoned the warm ambient sounds of their earlier works such as Amber and Tri Repetae in favour of more chaotic and abstract sound palettes and methods of composition that they had been pursuing with LP5, EP7, and Peel Session 2. Confield saw the experimental use of computer programs, specifically Max/MSP, to form the basis of songs instead of stand-alone synthesizers. According to Booth, "Most of Confield came out of experiments wit…
Hoyo
The long-awaited LP reissue of the avant-garde pop band Noizunzuri, acclaimed as the Japanese Neu!, is here. This first album, originally released in 1985 through Telegraph, features the enigmatic participation of Jun Togawa on vocals. It's a bizarre record that represents indigenous Japanese rock originating from Kyoto.
Music Frees Our Souls, Vol. 3
Leo Genovese - Piano, saxWilliam Parker - BassFrancisco Mela - Drums
Recorded November 13, 2020 by Jeremy Loucas at Douglass Recording, Brooklyn, New YorkAssistant engineer: Juanma TrujilloMixed and mastered by Jeremy Loucas at Sear Sound, New York City
Motions, Vol. 2
Shinya Lin: Piano, prepared pianoFrancisco Mela: Drums
Recorded October 24, 2021 by Yushu Bao and Hao Jen Lam at Berklee College, Boston, MARecording assistants: Qi Wang, Yimu Feng, Ziyan WangMixed and mastered by Yushu Bao
Teiku
"Teiku arranges our unique family Passover melodies into vehicles for sonic exploration. This ancestral music, much like the tradition of Creative Music through which we interpret it, is liberation music. As its humble stewards we offer it as a call for justice for all oppressed peoples; as Jews, we decry the senseless violence, displacement, and killing perpetrated in our name." - Josh Harlow and Jonathan Barahal Taylor, bandleaders Teiku’s origin story feels almost pre-ordained. Co-leaders pi…
After the rain
*100 copies limited edition* Compositions for imaginary landscapes. Revisiting landscapes through music. The concept of landscape is a personal subjective case for each of us, as it exists from the moment a sensory frame is first observed and created through our gaze. The connection with a landscape is directly related to its sound environment, either from sounds that naturally pre-exist in it, or from sound interventions or music that enters it, creating a dynamic relationship. However, the way…
My Easy Piano Pieces (A Ridiculous Legacy)
*250 copies limited edition* Marco Bertoni, musician, composer and producer from Bologna, protagonist of the Italian new wave of '77, after "Live in Trentville" (2022) publishes this "My Easy Piano Pieces (A Ridiculous Legacy)" for Silentes. A collection of pieces of music that he has written since he was 15 years old. Over time they have been kept locked in a drawer but never forgotten. Some of them have been used for songs by the Confusional Quartet, or published on his first solo album "18/8/…
Sea Of Bliss
2024 Repress. First ever vinyl edition of the landmark 1980 cassette by synth wizard Don Slepian. From 1970s Hawaii on to modern day New Jersey, Don Slepian has enjoyed a reputation as one of new age’s most respected and technologically-advanced synthesists. Slepian’s 1980 landmark Sea of Bliss is frequently cited as one of new age’s greatest albums, and is one of the genre’s most legendary tape-only recordings. Two side-length Alles synthesizer tracks transport listeners to personal paradises…
Words Unspoken
The album title – Words Unspoken – alludes to the instant musical understanding found by the members of this nimble quartet assembled by great British reedman John Surman. „My idea was to put together some musical ideas that would offer a collective sense of purpose but still be open enough to allow each of us to suggest other ways of developing the material together. Everything fell into place immediately. But I soon realized it wasn‘t so much the musical ideas that made it work, it was the mus…