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Vocalist and songwriter Laura Ann Singh presents her new album Mean Reds, a deeply personal and sonically expansive project that traverses jazz, folk, and global influences with fearless honesty. Known for her evocative voice and ability to blur genre boundaries, Singh brings listeners into an intimate conversation about vulnerability, resilience, and the beauty that can emerge from darker emotional landscapes.
Mean Reds captures a spectrum of moods—from haunting ballads drenched in longing to…
Dálava, the genre-defying ensemble led by vocalist Julia Úlehla with guitarist Aram Bajakian (Lou Reed, John Zorn), returns with Understories, a deeply evocative new album that explores uncharted territories of sound, seamlessly weaving Moravian folk traditions with an experimental, improvisational approach into a captivating new soundscape. Their music has received critical acclaim for its expressive depth: fRoots extolled their prior release as “so overwhelming and so intense that it is hard t…
Thereupon is the long-anticipated return of the all-star collaborative trio Fieldwork, which has been described by NPR as a “power trio for the new century.” This long-standing collective comprises three internationally revered innovators of contemporary music: alto saxophonist-composer Steve Lehman, pianist-composer Vijay Iyer, and drummer-composer Tyshawn Sorey. In the seventeen years since their last recording, Door (Pi), all three musicians have climbed to the pinnacle of the creative music …
Listen Ship is the latest masterpiece in the ever-expanding sound world of Pulitzer Prize-winning composer Henry Threadgill, whom The New York Review of Books recently described as “one of American music’s great Romantics and a lifelong seeker of the sublime.” The new work is a suite for six acoustic guitars – including individual stylists such as Bill Frisell, Miles Okazaki and Brandon Ross – and two pianos that utilize Threadgill’s unique intervallic syntax to illuminate his idiosyncratic visi…
Unclassified Affections is the entrancing new release from drummer and composer Dan Weiss that features the convergence of some of the most intriguing musicians on the scene: Peter Evans on trumpet, Patricia Brennan on vibraphone, and Miles Okazaki on guitar. The new compositions, which were written by Weiss specifically for these musicians, range from deep, meditative moments to intense, high-energy peaks, while every track unveils a new layer of exploration.
Brennan’s sonorous mallet work co…
fft_Materialism is a new series curated by Riforma. The projects and subjects involved are invited to reflect on their use of the Fourier Transform algorithms. Can a mathematical formula be considered a living being? What are the relationships between non-human and human entities? Is it possible to expand human narratives understanding the intra-actions within the digital realm? These and other questions are part of an investigation which dresses the shapes of experimental music, in a playful hy…
Neither in the sky nor on the ground is the long-promised new album from Tbilisi-based producer and DJ Ani Zakareishvili. Initially prepared as a unique live set for Tkeshi festival with its own dialogue and dramaturgy, the record is now presented in purely instrumental form. But even though the narrative elements are gone, the album follows its own arc, it breathes, rises and falls, like the rib cage of a sleeping creature. Mysterious, spacious, yet vaguely familiar, 'Neither in the sky nor on …
Often dark, sometimes repetitive or experimental, sometimes rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical instruments, va…
"Eau" is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, "Eau" is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the s…
"The music of this trio, with its emphasis on phrasing, space and dialog, evokes for me the sensation of watching vapor rise and dissolve. That’s why I named the group and the album Atmos, after the Greek word for vapor. The trio has been active since 2023, especially before Brittany Karlson moved from Boston to NY, but there have been other contexts in which the three of us collaborated in different formations. There are six improvised pieces here, five originals of mine (three written specific…
*30 copies limited edition* Arturas Bumšteinas’ latest album, "0 Points", composed from instrumental samples of the songs that “received” zero points in Eurovision Song Contest 1962 - 2015, is a striking new release that further cements his reputation as a leading figure in experimental music and sound art. "0 Points" is a limited edition 10-inch LP that explores the intersections of acoustic sound works, installations, and radio art, blending these mediums into an engaging sonic experience. The…
Adding to their already singular catalog of releases, Three:Four Records returns with Carnaval 2, a stunning new work by the composer Alessandro Bosetti, performed by pianist Reinier van Houdt. A vividly conceptual and post-modern hybrid, reinterpreting Robert Schumann's Carnaval as a radically reconsidered series of piano and electro-acoustic interludes - forcing the sensibilities and aesthetics of 19th Century chamber music to coexist with those of avant-garde - it's easily one of the singular…
"Ultimately, the best free improvisation performances—and the best films—are those that refuse to be bound by rigid formulas yet still adhere to a fundamental sense of logic and cohesion. They remind us that while structure is important, the real magic happens in the space between the rules." - Mark Corroto
"Speechless (2019) is an opera for 4 vocal soloists, bass orchestra and community choir, and is intended as a personal response to the plight of refugees worldwide. It inspired by the Australian Human Rights Commission report, ‘The Forgotten Children: National Inquiry into Children in Immigration Detention,’ overseen by Gillian Triggs. When this report was tabled in the Australian Parliament in 2014, I was overcome with the cruelty of the debate around the future of detained asylum seekers. Spee…
This CD is about quality not quantity - less than thirty minutes in total, but absolutely some of the most incredible music Zorn has ever composed. Dramatic, intense, mercurial, challenging, and endlessly virtuosic, Zorn’s writing for strings is amongst the most exciting ever achieved in the classical world. Here he expands the fabulous Jack Quartet to a quintet and sextet with the addition of two of the most accomplished musicians in the New York scene: Yura Lee and Michael Nicolas. Composed in…
The fourth CD in Zorn’s remarkable series of piano trio recordings exploring classical forms, Nocturnes is an absolute delight. Preceded by Suite for Piano (2022), Ballades (2024), and the Impromptus (2025), Nocturnes is Zorn’s personal take on the beautiful tradition of night music. Touching on Chopin, Scriabin, Debussy, Berg, and more, the music is a wonderland of subtlety—dreamy, drifting, and utterly compelling. Brian, Jorge, and Ches, three of Zorn’s closest and most trusted collaborators p…
Joseph Holbrooke was a legendary all-star ensemble from the mid Sixties dedicated to free improvisation. Comprising three of the most acclaimed virtuosos from the first generation of British improvisers—Bailey, Bryars, and Oxley—little has been released, but they briefly reformed in 1998 and the studio recordings from that period were made available in 2006 on Tzadik as The Moat Recordings. Last Live 2001 is exactly that—their last live concert ever! Recorded in Antwerp in January of 2001, the e…
London-based musician Luke Cowan delivers his most expansive work yet with ‘Six Places’, a quietly dazzling suite that renders memory, geography and imagination as sound. Across six extended pieces recorded in Ely, Cambridge, York and London, Cowan bends the borders between composition and improvisation, everyday resonance and ensemble interplay, to arrive at a music that feels porous, fragile and strangely luminous. Cowan calls it “a collection of impressions of places. Some are real and some i…
Having written and sung in five languages on 2020’s “Uva Ursi”, Urs Graf Consort return to Italian for “Fireproof Sweat”, a record of irresistible charm, innovation and existential lyricism. “Ten years ago, a fire took the lives of four of our friends on rue Myrha in Paris, just a few months after Urs Graf Consort was founded. One of them — Nicolas Millet, a magnificent bookseller and Félix Fénéon specialist — was meant to be our bassist. The title Fireproof Sweat, and the album as a whole, ques…
Web Wide World is proud to announce the release of Web Wide World 1.5 game OST, a new collaborative album by sound artist Aliyah Hussain and visual artist/musician John Powell-Jones. Expanding on the sonic universe first created for the Web Wide World project, this soundtrack immerses listeners in a hybrid world where experimental electronics, playful melodies, and immersive sound design converge.
Composed as the audio backdrop to the evolving Web Wide World game experience, the album shifts b…