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*70 copies limited edition* Eventless Plot and Bruno Duplant join forces on Fail better, a cassette release that treats failure not as an endpoint, but as a method of composition and a way of listening. Across two long-form pieces, the group carves out a delicate space between electroacoustic improvisation, minimalism and ambient abstraction, letting sounds appear, waver and erode rather than declaring them with force.
Recorded by the Thessaloniki-based trio of Vasilis Liolios, Aris Giatas and Y…
Unearth the new issue of Ritual zine – an exploration of folk horror, the Gothic and the weird in film and television. Issue no. 2 hums with strange powers and arcane rites, folkloric detours and uncanny delights. Expect megalithic secrets with Adam Scovell, Rabbit Trap with Bryn Chainey, occult crime with Rupert Russell – plus doomed highwaymen and ghostly 1980s approaches to literacy education.
Pedro Santo's psychedelic soul masterpiece is one of the most in-demand Brazilian records. Santos was a percussion virtuoso driven by the spiritual realm, and this record features a unique blend of rhythm and lyrics that touch on morality, perception and existence. Unlike many rare records, it also has strikingly beautiful artwork. Unsurprisingly, Krishnanda has a strong following among diggers like Gilles Peterson and DJ Nuts.
At that time, the musician was studying philosophy and theology, particularly the works of Thomas Aquinas, which are referenced in several tracks. Among these are the absolute classic “Os Alquimistas Estão Chegando os Alquimistas,” “Hermes Trimegisto e sua Celeste Tábua de Esmeralda,” and “Errare Humanum Est.” Always preaching happiness and peace of mind in his lyrics and irresistible grooves, the artist brings his soulful singing and playful swing to other gems of the album, such as “O Homem da…
A landmark recording that is one of Jorge Ben's best albums ever! The album is a perfect realization of the way that Jorge mixes Brazilian rhythms with choppy Afro grooves - and the result is a masterpiece that yeilded some of his biggest tracks ever.
Father of Brazilian soul music, Tim Maia needs no introduction, as he is one of the greatest artists in Brazilian music. From his debut album, self-titled and released in 1970, it was clear he was destined to become a legend. Considered one of the 100 best albums in the national discography, the record returns to shelves just like the original, as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.
The Christmas Factory was a live piece performed by MJE during November 21 - 23, 2025. Contained here are three preliminary tracks or movements followed by an in-studio rehearsal. During each iteration of the performance, the preliminary tracks were ordered in accordance with a system of chance procedure, with additional room for improvisation using the equipment listed below.
Here's some new material for you as promised. Please have a listen if you like, and let me know what you think. Much of this was recorded live-in-studio, there's less cut-and-paste going on than there was on Perverted Architect -- although there is some still, especially on tracks 2 and 4.
The recordings at the beginning of tracks 1 and 4 were recorded at an emergency clinic around 2am last summer, of a drunk man who had been beaten up but was being turned away without being seen by a doctor. Yo…
Fifty-five years ago, Tim Maia released his second album, self-titled. As impactful as his debut album, “Tim Maia” (1970), this was the continuation of one of the brightest careers in national music. Considered one of the 100 best albums in the national discography by Rolling Stone magazine, the album returns to shelves this year on 180-gram vinyl as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.
Vesuvius was a 1970's musical group with Northwest Indiana roots. The band incorporated elements of prog/rock and psychedelia, combining the theatrics of Gabriel era Genesis and the psychedelic lighting effects of Hawkwind but on a bargain budget. First time on vinyl! do not miss this psych-prog gem!
On John Zorn’s Olympiad Vol. 4 – Curling, John Zorn exhumes one of his rarest 1970s game pieces, a slow‑burn study in sustained tones, handing it to ROVA Saxophone Quartet and the William Winant Percussion Group, who turn its minimalist rules into 45 minutes of hovering, hypnotic sound.
On Perseverantia, Vadim Neselovskyi turns his lyric, classically infused jazz language into a meditation on endurance, carving spacious, song‑like structures where fragile melodies, sudden storms and long silences feel like different faces of the same stubborn hope.
On John Zorn’s Bagatelles Vol. 6, John Zorn hands a fresh batch of his angular miniatures to the Brian Marsella Trio, who render them as a volatile, deeply melodic piano‑trio songbook where Monkish heads, free detonations and elusive “exotic” moods feel entirely at home.
On Exotica, Sun Ra is recast as an unlikely lounge visionary, folding the lush fantasy worlds of Les Baxter and Hollywood mood music into raw, off‑kilter Saturn tapes that turn easy listening into uneasy, Afrofuturist escape.
*300 copies limited edition* From the Guts of Essaira claims space in body and time. It follows the path announced with the single 'Dramla / Xirxe', expanding its tensions and guiding them towards a more layered, conscious expressive form. It is an album to be listened to without respite, allowing the sonic material to dilate.
The tracks move across a punkstrial terrain rich in synths held in constant tension; sharp guitars and industrial rhythms alternate drive with suspension. The vocals, mult…
Fusing decades of underground New York jazz with contemporary electronics, Daniel Carter and N/UM’s Sphēra takes listeners on a spontaneous and daring journey through generations of improvised music. A telepathic meeting between the mellowed out, octogenarian free jazz legend and an experienced trio at the peak of their powers, Sphēra coalesces into a whole far exceeding the sum of its parts.
*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…
*50 copies limited edition* Indefinite Boundary proudly presents its inaugural debut with Window Areas – an immersive and vibrant fusion of six percussive-laden, free-jazz adjacent, post-punk informed pieces infused with dub methodology from Niikkolahs. Thematically following ancient cultures' practices of forming contact with the Otherworld and the concept of the liminal spaces where life and death collide, Window Areas is an entry to the known unknown.
From the opening heavy psychedelic gnosis…
** 2026 Stock.** An edition of 300 copies. 20 page colour zine. Fully recycled paper. Covers 250gm Shiro Echo paper. Photo pages on 160 Shiro echo paper. Uncoated and saddle stitched.
“Entering the Forbidden Zone” is a film by Conor McGrady, edited by John Buckley, with the soundtrack, “The Dream of Reason Brings Forth Monsters” by Nurse With Wound. The film was originally developed as a video projection for Nurse With Wound performances scheduled for Russia and for the Shepherds Bush Empire, L…