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In late fall of 2018, Ryan traveled to Valencia, California to meet with Michael for a weekend of informal conversations at California Institute of the Arts. Before Ryan returned home to Colorado, Michael gifted him a recently released recording of Teodora Stepančić, Assaf Gidron, and Martin Lorenz’s realization of Michael’s Concentric Rings in Magnetic Levitation, a recording that profoundly impacted Ryan and served as the impetus for this recording.
A thrumming monadic field; a constellation o…
"The piece given may be characterized as a certain activity, a special kind of practice. We practice as a trio (two players and one producer), hoping that anything might emerge: we gather to share a beautiful time together, exchanging our hopes and longings, our suffering, and our pain. Why should there be music at all? Faced with this question and considering the state of our world, artists could often find themselves drawn toward a sense of meaninglessness. But this is not the end. In the face…
"In the emergence of consonance out of vapor, in shapes slowly forming from static sounds, Szymon Wójcik’s music gestures toward the movement named in its title: the appearing of what cannot be described. We hear it in its porousness: despite the dense mist, the music retains a transparency, recalling Feldman’s image of a full glass that never spills, no matter how many pennies you add. We hear it in the free singing, which does not so much break away from harmonies in Just Intonation as reveal …
Any sense of where we were gone is music obsessed with the infinite within the minute, with the mercurial, breakable, with shifting, sifting, cohering, and digressing. It is an improvisational framework in five parts for chamber ensembles, prepared piano, and electronics, written for and played here by my good friends. It steals inspiration from postmodern fiction, obscure geometry textbooks, and poems about time. This is a live recording of the first performance
“To do. To do something, to do g…
For a few days at the end of July 2023, I curated a series of concerts and recordings in a few spaces in the historic, now-defunct Kreenholm Textile Factory in Narva, Estonia, a stone's throw from the Russian border. In Kreenholm's reverberant rooms, these sessions reflected on the layers of history, labor, conflict, and lives past and present that have shaped the factory and the constantly re-evolv- ing border city. A large and unexpected part of this project involved the restoration of an anti…
*100 copies limited edition* A handbag purchased in Tokyo in the early 2000s reappears in the present, containing a series of personal items: a T-shirt, a CD, five cassettes, and three mini-DVs. Sifting through the material, Barbara Signer rediscovers all kinds of forgotten memories and hidden traces of the past. Whilethe video cassettes were recorded in the streets of Tokyo at the turn of the millennium, the audio tapes contain music from Nick Kamen to Vivaldi, as well as the artist’s own voice,…
A Few We Remember is the new album by Jonah Parzen-Johnson and Lau Nau. The recording debut for the new duo of Finnish composer Lau Nau, aka Laura Naukkarinen, and American baritone saxophonist Jonah Parzen-Johnson, it cycles between moments of knotty ambience, whispered melody, and innocent tinkering, as the duo improvises over 8 narrative scores composed by Parzen-Johnson. Jonah Parzen-Johnson says: “For me, telling a story is about more than sharing a set of facts. A well told story is the pr…
Talk Show is a new duo collaboration featuring Steph Richards on trumpets and resonating surfaces and Qasim Naqvi on drums, almglocken bells and modular synthesizer. Having worked together on other projects for almost two decades, Miss America, to be released by We Jazz Records on 21st November, marks their first, pure duo collaboration – a space to engage with a sonic language they’ve been cultivating together for years. The album was recorded live, with Qasim crafting real-time electronics and…
A leading saxophonist on the Japanese improvised music scene, Junji Hirose also gives performances using self-made analog noise instruments. It was in the 1980s that Hirose started presenting noise performances on his SSI (self-made sound instrument), made of various everyday objects. Over the years he continually modified the instrument, for each version attaching a different number to the name SSI. On the Hitorri label, Hirose has released the CDs "SSI-4" (hitorri-997 / 2013), "SSI-5" (hitorri…
*200 copies limited edition* While her main instrument is baritone sax, Misaki Motofuji is a multi-instrumentalist with an excellent command of other saxophone types including tenor and alto, as well as clarinet and flute. In concerts she additionally makes wide-ranging use of electronics, vocals, field recordings and various effects and objects, spontaneously assembling splendid, amazingly well constructed performances. In May 2022 Motofuji performed a concert of this type at Ftarri, Tokyo, whi…
*200 copies limited edition* While her main instrument is baritone sax, Misaki Motofuji is a multi-instrumentalist with an excellent command of other saxophone types including tenor and alto, as well as clarinet and flute. In concerts she additionally makes wide-ranging use of electronics, vocals, field recordings and various effects and objects, spontaneously assembling splendid, amazingly well constructed performances. In May 2022 Motofuji performed a concert of this type at Ftarri, Tokyo, whi…
Seijiro Murayama is a Paris-based drummer, percussionist, improviser and composer. It was in 2009 that he first released CDs on the Ftarri labels Hitorri, Ftarri and Meena. He has since released over ten CDs of performances in solo, duo, trio and quartet formations.
"Uchidome," Murayama’s fifth solo album from the Hitorri label, consists of three tracks recorded in France in January 2025. All his drum solo albums are outstanding, and this CD, with its unique and inimitable performances, is no ex…
“rat” is an electronic project born from the gutters of Brussels in 2024 by long-standing collaborators “neither” and “Milius.” After 15 years of hidden experiments they have been assembling a sonic language where glitch, ritualised circuitry and spectral noise merge. Their debut release "home" (Futura Resistenza) unfolds as a labyrinth of disjointed rhythms, haunted textures and fleeting moments that feel slightly out of time. Very little is known. All you can do is listen.
* Limited edition of 250 numbered copies. Deluxe 3LP box, bound in linen and embossed, Featuring a large 12-page booklet with previously unseen photographs from the 1978 recording sessions, and a large 4-page booklet with the original liner notes. The box graphics reproduce the original cover drawing by Dana Matus, while the three individual LP sleeves feature 19th-century Japanese naturalist paintings chosen by Vaccina himself. * For the first time, all the 1978 recording sessions of Lino Capra…
100 copies. C60 cassette with improved master and fullcolor print on the cassette but original printwork. Los Angeles, September 1987. Savage Republic are in the middle of their first European tour when they land at Amsterdam's legendary Melkweg. What gets captured on eight-track tape that night is pure alchemy: tribal post-punk, cosmic surf, oil drum industrial and guitars droning like desert prayers.
Founded in 1981 by Bruce Licher and Mark Erskine in the underground parking garages of UCLA - …
*150 copies limited edition* The Belgian free jazz scene of the early 1970s remains criminally under-documented. While Fred Van Hove's participation in the legendary Machine Gun sessions (1968) with Peter Brötzmann, Han Bennink, and Evan Parker placed Antwerp on the international map, a wild ecosystem of temporary combos and performative madness flourished in the shadows. The WIM (Werkgroep Improviserende Musici) collective - founded in 1972 after Van Hove and saxophonist Cel Overberghe refused…
** Edition of 300 copies ** In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the hear…
Tip! Edition of 300 copies. François Tusques needs no introduction to serious listeners of European free jazz. His 1965 Free Jazz album - recorded with Bernard Vitet, Michel Portal, Beb Guérin, and François Jeanneau - helped establish Paris as a vital center for the transatlantic avant-garde, laying groundwork for the city's role as spiritual home to visiting American firebrands like Don Cherry, Sunny Murray, and Clifford Thornton. His subsequent work with Barney Wilen (Le Nouveau Jazz, 1967), h…
** LP + Artist’s Signed Drawing "Aura". Edition of 200 copies ** HeghL’s Nomia e Hool takes the listener beyond traditional boundaries, presenting two extended tracks as part of a larger multidisciplinary exploration. Originating from a project by Lisa Baume and Francesco Trabattoni, the album gathers creators from diverse backgrounds - music, visual arts, writing, philosophy, science, and more - into a single creative studio. The result is a collection not just of music but of moments that inte…