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The Sludge Of The Land is the new album by digital folklore and post-exoticism Italian duo Babau. Their first full length since 2023’s Flatland Explorations Vol. 2, with The Sludge Of The Land Babau lands on Impatience with their signature audio-prestidigitation at it’s most disorientingly pungent and zonked, a uniquely contemporary approach described as the sound of a continent moving; animals, plants and minerals included.
As part of a residency at Casa degli Artisti, Milan, in 2022, Babau tur…
B. Chamber (Stratum A), by B. Close, is the first full length solo release by Los Angeles-based multi-disciplinary artist Brian Close. The first of two volumes assembled from some thirteen hours of music produced by Close while residing in Connecticut from 2021-2025, B. Chamber (Stratum A) offers a vivid, fractal afterimage of a prolific, specific time and space in the artist’s oeuvre.
After leaving New York City early in the pandemic to a farmhouse in the countryside with dedicated spaces for m…
'Flowers', the new EP from Elizabeth Davis, finds itself at the cross-section of many factors. In part, it’s the result of Davis’ obsession with a seminal folk song. But it also coincides with her rediscovery of the voice and language as an instrument. It was recorded during an autumn residency at Sternhagen Gut, the cultural refuge run by Gudrun Gut and Thomas Fehlmann, located deep in the Uckermark countryside halfway between Berlin and the Baltic coast. The six tracks on 'Flowers' all take Pe…
Recorded over the course of many years on analog equipment at various locations in Arizona - Black Mesa, Dead Horse State Park Cemetery, Spring Creek Ranch, Badger Springs, #3 Tank, McElmo Canyon, red Rock State Park, Picture Canyon and Cornville ruins.
The album explores the historical and practical union of experimental in-situ field recordings and industrial drone work in its rudimentary form, while also constructing a narrative of live, on-site cymbal play in the style of Eddie Prevost and David Jackman. Putimt ku tuskaas draws a narrative of minimally intricate experimental field recordings and industrial drones while at the same time channeling a line of influence from the early 80’s French & Italian industrial movements and would not be…
Tori says "12:16 is a piece where I recorded all the sounds of my daily life from waking up in the morning to going to bed at night on December 16, 2025, compressed that recording into an approximately 15-minute track, added my piano and other materials (such as Lee Morgan's riff, the line " Wandering around the mountains is painful" from the Noh chant "Yamanba," and Kazuo Funaki's 1969 song "Yūbae no Futari"), played it at the live venue, and performed along with it. The PC operation at the ve…
Anenon's tenor saxophone breathes an emotive contemplation on loss, meshed with sustained piano and field recordings. 'Moons Melt Milk Light' is a hyper-personal statement contained in a visceral beauty.
Legendary post-punk band The Fall is thrilled to announce the release of their highly anticipated live album, "The Fall - Live 1981-1982," capturing the raw energy and distinctive sound that defined their early career. The album features unforgettable performances from their critically acclaimed concerts during this iconic era. Chronicling the band's relentless spirit and dynamic stage presence, "Live 1981-1982" gives fans a unique opportunity to experience the essence of The Fall in a way that …
Bossa Nova, which emerged from Brazil in the late 1950s, profoundly influenced French music, manifested by artists like Pierre Barouh and Georges Moustaki. This movement, known as Musica Popular Brasileira (MPB), reflected a blend of modernity and a lifestyle that was both cool and metaphysical. The sound attracted various musicians for its poetic essence, playful rhythms, and the American jazz-bossa and jazz-samba fusion. João Gilberto, a key figure in Bossa Nova, stated that its foundational s…
Vladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of an…
*100 copies limited edition* Salix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly. The EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where…
The first song cycle collaboration by this new partnership is a highly adventurous and ambitious work, and one which explores a journey through dark places expressed in an improvisation-based language of strange sounds and textures, plus some unexpected left turns into electronic and choral music, before emerging from the woodland and into the morning light. I make a lot of records. In fact most years I release more albums than I make live performances. But this one is special to me in many ways…
**OBS! edition in French language** Ce livre offre une constellation critique et poétique autour de la trilogie cinématographique Nuit Obscure de Sylvain George. Fragments, entretien, essais, compagnonnages d'artistes : autant d'accès à un temps traversé par l'exil et l'insurrection. Ouvert et fraternel, l'ouvrage fait dialoguer sans hiérarchie les registres philosophique, poétique et artistique. Ne vois-tu pas que je brûle ? n'est pas un livre achevé, mais un foyer persistant, une veille qui ti…
Special discounted Bundle. Two of the greatest free jazz records ever laid to tape, back where they belong. Superior Viaduct reissues Noah Howard's The Black Ark and Julius Hemphill's Dogon A.D. — both from 1972, both inexplicably scarce for decades, both essential.
The Black Ark finds Howard backed by a towering ensemble — Norris Jones (Sirone), Arthur Doyle, Leslie Waldron, Earl Cross, Juma Sultan, Mohammed Ali — in four tracks that move from hard-blown spiritual fire to lyrical catharsis. Des…
On Super Compact Disc, Masonna rams his entire harsh‑noise vocabulary into a brutally compressed format: hyper‑short eruptions of feedback, distortion and mangled voice that hit like jump‑cuts between micro‑meltdowns, leaving no room to breathe or acclimate.
On Noisextra, Masonna condenses his infamous live violence into ultra‑compressed shock cells: all‑frequency spray, cut‑up screams and convulsive drop‑outs that feel less like tracks than controlled electrical injuries to the stereo field.
On Ardeur, Eskaton condense Zeuhl’s celestial fury into a tighter, more direct form: spiralling dual vocals, ferocious rhythm section and glowing keyboards driving short, explosive pieces that feel like 4 Visions rewritten as concentrated plasma.