New Arrivals
Squall Line
Brian Pyle and Merrick McKinlay's Humboldt County duo returns to Discrepant with seven ritual pieces of voices, violins, flutes, synths, drums, bells and field recordings: end-time visions for the unquiet spirit.
Shadow Web
The Swiss trio's new double LP turns from brutal, linear minimalism to slowness and immersion: four long pieces of guitar, bass and drums recorded almost entirely live, with a drum machine for the first time. On Cuneiform.
A Whole System Of
Matthew Shipp on piano and William Parker on bass in only their fourth duo album, the fruit of a four-decade friendship that began in the David S. Ware Quartet. Recorded in Brooklyn in June 2025, limited LP on Tao Forms.
Hurry Red Telephone
Marc Ribot's first all-instrumental album since Live at the Village Vanguard: a quartet with Chad Taylor and the saxophones of James Brandon Lewis, Brian Settles and Briggan Krauss, between free jazz and No Wave. On Pi Recordings.
NAD
French-Moroccan singer Basma Otmani sings in Darija over Temir Alcy's mix of ambient, leftfield and experimental folk: eleven songs on grief, a broken love and a slow return to light. Released by Stroom.
Music For Film
The first album of new studio recordings of Philip Glass's film scores: Brussels Philharmonic and Dirk Brossé play 29 pieces, from Koyaanisqatsi to Kundun, with over half an hour of unreleased music from the composer's archive.
Zombi (Colonna Sonora Originale Del Film)
Goblin's score for George Romero's Dawn of the Dead, released for the first time under the film's original title: New York Comic Con 20th anniversary edition on black vinyl with new artwork, limited to 750 copies.
Zarathustra
Museo Rosenbach's 1973 debut on Ricordi: a Nietzsche-inspired suite of Mellotron, Hammond and heavy guitars, sunk at the time by accusations of fascism and now one of the cult records of Italian progressive rock. Music On Vinyl reissue on 180g transparent vinyl, gatefold.
Manifold Of Partially Actualized Realities
The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.
Altarpiece H. af K.
A canon for three bassoons inspired by Hilma af Klint's 1915 Altarpieces: multiphonics, beating dissonances and whistle tones, between Scelsi, Radigue and Sunn O))). Produced by Randall Dunn.
Reona
Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.
Prophetic Perfect Tense
Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.
Passing The Cup Of Sorrows
William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.
Concern And Simplicity Volume 1: Original Recordings, 1981-1986
First archival volume of the Swiss pianist and composer Lotti Tauber: minimalist, intuitive piano music from her privately pressed albums of 1981-1986, restored and mastered by Stephan Mathieu.
Ma Waraa Al-Shaabi
Third solo album by the Syrian keyboard master behind Omar Souleyman's sound: cosmic electronic dabke recorded in Iceland, produced by Randall Dunn with Mark Gergis.
Corps Perdu
Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.
Desolation Row
David Maranha's electric organ and Rodrigo Amado's tenor saxophone in a single 41-minute piece recorded live at Out.Fest 2025: drone, noise and free jazz, with liner notes by Stuart Broomer.
Meliponica
Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.
Miraggi
Argento is David August's new project: an imagined soundtrack to the Tyrrhenian coast, synthesizers and field recordings with Lorenzo Setti on drums and percussion, in the wake of Italian library music.
And Their Power Was Alive
Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded between Anacortes and Asheville.
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