New Arrivals
Escape - The Futurescape
*350 copies limited edition* This journey begins with ominous drones. Long sustained signals. An eerie mewing that sounds like kittens lost in space. These sequences spin backwards and forwards set against a buzz of low frequency oscillations. Morphing first into flocks of swooping birds, before transforming into something more melodic. Symphonic. Tangerine Dream first mapped this void on Zeit. A Sci-Fi movie sample announces a slow, rolling rhythm. Its pulse eventually augmented by broken beats…
Flirty Ghost
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…
I Don't Know
After more or less 20 albums on guitar released since 2005 on LPs, cassettes and CDs, the first real album on piano by Belgian singer-songwriter Bram Devens aka. Ignatz. In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Ignatz, a vicious mouse, was Krazy Kat’s arch enemy, and his favourite pastime was to throw bricks at Krazy Kat’s head (who misinterpreted the mouse’s actions as declarations of love). Ignatz is the alter-ego of Belgian musician Bram Devens. Since 2005, …
Caetano Veloso (A Little More Blue)
*2026 repress* Lilith present a reissue of Caetano Veloso's Caetano Veloso (A Little More Blue), originally issued in 1971. Often referred to as "Brazil's unofficial poet laureate" and the "Bob Dylan of Brazil", this heavyweight of Brazilian music was also a young revolutionary who used his music to protest against Brazil's oppressive military regime. This protest music, which became known as tropicalia, first earned Veloso a stint in jail, but by the time this dour album was released in 1971, i…
Entering Elysium
Entering Elysium, the third collaborative release from ambient pioneer Steve Roach and multi-instrumentalist Serena Gabriel, blends deep analog synth textures with acoustic and archaic instruments to create a living, breathing sonic paradise. The album unfolds as a doorway into a visionary, liminal realm of tranquility and inspiration where flute, lyre, harmonium, and voice convene within vast atmospheric currents. Warm, contemplative, and deeply evocative, the music reveals a hidden garden of s…
12 Trombones & Percussion Densities
Bonecrusher creates an immersive sonic landscape that captivates listeners, drawing them into a world where chords crackle, howl, and vibrate eerily. Founded in 2020 by trombonist and composer Matthias Muche in Cologne, the ensemble showcases its latest work through four innovative compositions. Each musician explores the trombone’s capabilities with meticulous detail, crafting evolving sonic states that morph fluidly, resembling a tightly woven net.
The ensemble faces a unique challenge; those …
Live at Bau 4
Gerry Hemingway Live At Bau 4 features a profound collaboration among Gerry Hemingway, Izumi Kimura, Frank Gratkowski, and Christian Weber, creating a vibrant interplay of rhythms and melodies. Recorded live at Bau 4 in Altbüron, Switzerland, where Hemingway has lived since 2009, the album opens with “Slivers,” a 20-minute exercise in sound that resembles a kaleidoscopic landscape of textures and colors. This piece pays tribute to Bau 4's founders, Hildegard and Walter Schaer, celebrating their …
Re-Make Re-Model
“Re-Make Re-Model” is the result of a five-year dialogue between Norway and New Zealand sound artists Lasse Marhaug and Bruce Russell. What first started as a friendly challenge during the Covid19-lockdown to re-work selected works from each other’s catalogue – using different techniques and experimental approaches, challenging each other to go to extremes – extended to what is now a double-CD and a 100-page book package of writings and photos. Each CDs has eight tracks, a total of 100 minutes o…
Thresholds
On Thresholds, Andrew Anderson assembles a disquieting tapestry of foley‑like detail, field recordings and dream logic, a vinyl debut where precise sound art slips into phantasmagoria, hovering at the edge of memory, image and pure atmosphere.
Kobaia
In early 1967, John Coltrane died. Christian Vander was twenty years old, living in something close to poverty in Paris, and Coltrane's death pulled the ground from under him. He went to Italy, to Milan and Turin, and spent nearly two years in a state of deliberate self-destruction. One morning in Turin he woke up and decided to stop. He returned to Paris, met bassist Laurent Thibault, and began working on something that had no name yet.
By 1969 Magma existed as a group. By 1970 they had a contr…
1001 Centigrades
Back to Black series. Recorded at Michel Magne studios in Herouville, 5-10 of April, 1971. After losing guitarist Claude Engel and reinforcing the brass section with Jeff Seffer on saxophones and Louis Toesca on trumpet, Magma went back into the studio in 1971 to record a second album. All the originality and greatness of Kobaia are there, in even greater measure because everything is magnified. The two tracks composed respectively by Teddy Lasry and François Cahen occasionally introduce a jazzi…
Oblivion Seekers
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Nafs At Peace
On Nafs At Peace, Jaubi turn a Lahore jam into a spiritual suite: North Indian raga, hip‑hop pulse and modal jazz woven into a journey from turmoil to stillness, as if Coltrane’s quest had been reimagined on tabla, sarangi and MPC‑haunted drums.
Dybbuk Tse!
On Dybbuk Tse!, Yoni Mayraz turns Jewish possession lore into a groove‑driven exorcism: live‑wire jazz, 90s NYC hip‑hop grit and Middle Eastern modes colliding in a story where a wandering spirit is forced out beat by beat.
Grzyby
On Grzyby, Błoto complete their mycelium cycle with a compact blast of medicinal‑and‑toxic club jazz: five mushroom‑named cuts of broken beats, sub‑heavy low end and live improvisation that argue for dialogue and interdependence in a world addicted to walls.
Grzybnia
On Grzybnia, Błoto return from a three‑year silence with their most concept‑driven set yet: a darkly glowing, mycelium‑inspired tangle of jazz, house and techno pulses, where four players improvise like a single underground network branching in all directions.
Solo I / Solo IV
2026 repress. In the quiet extremities of contemporary composition, few have ventured as far into the territory of disappearance as Jakob Ullmann. This release documents the simultaneous realization of two works from his remarkable series of Solo pieces - compositions that exist somewhere between notation and performance, between instruction and interpretation, hovering at the very threshold of audibility. Begun in the late 1980s as Ullmann sought to depart from strict Western notational convent…
Anthem for Peace
On Anthem for Peace, Alan Braufman leads a razor‑sharp quartet through compact, hook‑rich tunes that braid spiritual jazz, buoyant post‑bop and modal, Eastern‑tinged themes into a forward‑moving set that feels both steeped in history and fully present tense.
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Scenery
On Scenery, Ryo Fukui turns a late‑start passion into a quietly astonishing debut: airy, confident trio swing and luminous ballads that distil a distinctly Hokkaido sense of space, light and seasonal melancholy into six perfectly breathing performances.
