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There's a bridge in Monterrey called El Puente del papa, and beneath it, on the dried-up Santa Catarina riverbed, something happened in the 1990s that nobody planned. Gabriel Dueñez was playing cumbia one night when his turntable's motor overheated and slowed everything down - voices became ghosts, accordion drones stretched into infinity, drums turned to liquid. The crowd kept dancing. Cumbia rebajada was born from a technical failure that revealed something true about memory, about displacemen…
In the early 90s there were a few like minded friends making a unique style of lo-fi pop music. At the core of this non-scene were Sukpatch, Land of the Loops and The Ah Club, who all tended to play on each other's recordings. As the decade went on each of them learned how to use their instruments better, smoothing over the edges, but in typical fashion, the early home recordings had a special feeling that couldn’t be replicated with cleaner fidelity and nicer equipment. Sukpatch especially were…
goat (jp) are renowned for two albums released in 2013 and 2015 that took Kraftwerk’s man-machine concept back to its roots with swingeing, inch-tight drums, bass and guitar patterns that needed to be heard to be believed. For their long-in-the-making new album ‘Joy In Fear’, band leader Koshiro Hino (ypy, Kakuhan) describes the process as “90 percent pain” - and we can well believe it - few other records we can think of transmute DAW-composed rhythmic precision into such an expressive instrumen…
Remastered from the original Mono master tapes at Abbey Road by Geoff Pesche. The fourth Donovan LP in our re-issue series is The Hurdy Gurdy Man, the sixth studio album (seventh overall) by Scottish singer-songwriter Donovan. Released in 1968, his songwriting here centered on drones such as on the songs 'Peregrine', 'The River Song' and 'Tangier', pop on most of the other tracks and jazz on 'As I Recall It'.
Our ninth issue, also known as “Akashic Ashcan,” published August 2025. Fiddler’s Green 9 features copper titling, a cover drawn by Arik Roper, and 56 pages of art and magic, including reviews, a letters column, and the following:
Cover Notes, Dendrites and the Erstwhile Knight.
Fanfare for the Common Mage: A Farewell to Abra-Melin, Editorial by Clint Marsh.
Anarcho-Oneiric Quietism: A Manifesto, by Seán Martin
Reburying the Past: The Witch Bottles of Coggeshall, by Emma-Grace Clarke, illustrat…
Clay Pipe Music is thrilled to welcome to the label Norway’s Rural Tapes - the alias of producer and multi-instrumentalist Arne Kjelsrud Mathisen. His new record Oneiric is one for the dreamers - a trippy, cosmic aural experience of mostly instrumental music, recorded on analogue equipment at his Nygrenda Vev & Dur studio in rural Norway. Arne is also joined on two vocal tracks by long-time collaborators Alexis Taylor (Hot Chip) and Gary Olson (The Ladybug Transistor).
He says: “The word Oneir…
Tip! Limited Edition of 75 copies. Brand new OST '2000 Meters to Andriivka' by Grammy Award-winning composer, sound designer, and score composer Sam Slater. Featuring an 8-page photography booklet, field recordings of the Ukrainian Frontlines, and a liner-note essay about the record and its context. The documentary film, from Oscar winning filmmaker and Pulitzer Prize-winning AP journalist Mstyslav Chernov, integrates frontline documentary footage from Ukraine with immersive spatial sound design…
"New York’s Salvatore Mercatante arrives on LOTO with a record that is more menacing whisper than blood-curdling scream. ‘Stega III: Dianus Of Doorways’ is the final part of his trilogy based on the Italian dreamwalking spirits, the Benandanti. The after-dark adventures of a coven of young witches are drawn out in Salvatore’s growling synths, rattling drum patterns, purring basslines and shimmering modules. It’s proper moody gear, nocturnal creepers that’ll tap you on the shoulder in the dead of…
FRQNCY LDN, the new project from Alex Lavery and James Ford (producer du jour and one half of Simian Mobile Disco), recently announced their debut album ‘The White Edition’ is arriving on 5 September via PRAH Recordings. The album is built from a live set at St Matthias Church in Hackney, recorded in 2024. Initially conceived as a live project with earlier performances at churches in London and at Glastonbury, FRQNCY LDN’s music is a mix of strings, gongs, oscillators, FX, and spoken word, and t…
Suite II in the series expands upon their established pallet, integrating more field recordings and studio processing to their dulcet keyboard melodies. As a storm approaches from the distance - keyboards saturated by tape into distortion, bursts of noise from idiosyncratic electronics, aleatoric stuttering - MARV grants us an album’s worth of sonic sublimation.
Huge Tip! * Limited edition of 300 copies, Embossed cover, comes with insert and postcard * Killer record here! Three Italian heavyweights doing what they do best - radical improvisation that sits somewhere between electronics, silence, and pure Mediterranean mystery. This is the real deal. Nicola Ratti, Alessandra Novaga, and Enrico Malatesta - three names you need to know if you're serious about contemporary improvised music.
The sound? Imagine if AMM had been born in Southern Europe with lapt…
Our season's first edition by the mighty Woo is an ode to Sweet Peas. It is a thoughtfully curated collection of ambient, minimalist, and new-age soundscapes designed to be the perfect soundtrack for moments of sowing these seeds, which accompany every release in quiet reflection. Composed by the renowned duo Woo—Mark and Clive Ives — this is one of a series of five unreleased albums from their archives. The release combines soothing tones from clarinet, guitars, percussion, and electronic eleme…
Electronic Sound ventures out of the concrete bunker to explore the strange and unsettling world of Cold War Electronica - a thrilling investigation into how the nuclear age rewired our ears. This essential issue comes with an exclusive double CD featuring 35 suitably tense tracks spanning 1980 to 2025.
The cover story consists of 10 connected pieces detailing the sonic legacy of atomic anxiety. From pioneering artists like Karlheinz Stockhausen and Daniel Miller in the West to Georg Katzer and …
You are about to enter a new world of intermedia art. We Built This City on Skrot och Plåt is an interactive installation in the form of a video game. It digitally reconstructs the now demolished area of Lugnets Industriområde in Stockholm. The reconstruction process was done by using archival material from Per Skoglund and Petter Eklund who photographed the area between 1996-2002.
The game raises and examines questions about cities changing and who and what is allowed to exist within them. It a…
*300 copies limited edition* Aicher is the work of longtime label veteran Liam Andrews (My Disco, Eros), with additional production from his My Disco spar Rohan Rebeiro – an experimental percussionist and erstwhile collaborator of Roland S. Howard and HTRK. Together, they make resoundingly coarse, bullish industrial musick, distilling fascinations with tone and space through eight gristly and darkly sublime cuts, sharpened by production from Boris Wilsdorf of Einstürzende Neubauten and Swans fam…
*2025 stock* Green Grass, the Danish psychedelic folk pioneers, unveil Vandreudstilling Hara Ghash, a hypnotic exploration of traditionals and originals that captures a quintessential era of 1970s European underground music. This release reintroduces a record long cherished by collectors for its adventurous spirit, intricate textures, and unguarded emotional resonance.
Vandreudstilling Hara Ghash draws listeners into a landscape where folk melodies braid with early psych experimentation, creatin…
*2025 stock* Feo, the blind-polkied ensemble born in the Danish scene of the early 1970s, re-emerges with Eg Meini Teð, their pioneering progressive folk LP originally released in 1971. This reissue, presented by Orpheus Records, revisits a landmark work that captures the group’s stark, acoustic sensibilities and intricate interweavings of traditional motifs with forward-thinking arrangements.
A historically significant release, Eg Meini Teð stands as Feo’s emblematic exploration of mood-driven …
*2025 stock* Aske Skat returns with a hypnotic new voyage from the crossroads of dusty Americana and Nordic psychedelia. With The Freaks From Normal Street distills Skat’s raw storytelling, sly humor, and sun-baked guitar into a bold, restless set that slides between lament and celebration, night-wumbling humor and sunlit revelation.
Blending thrumming electric guitars, pedal steel, and a rhythm section that lunges with earthy gravity, the album travels through neon-lit boulevards and frost-dust…
*2025 stock* The Bobby Tenderloin Universe unveils Satan is a Woman, a bold new chapter in the Edmonton scene that proves mishaps can become miracles and dreams can find their sound.
From the first notes to the last chorus, Satan is a Woman blends hypnotic basslines, cinematic textures, and sly, storytelling lyricism to create a sonic world that’s both atmospheric and undeniably catchy. The project—led by the imaginative force behind The Bobby Tenderloin Universe—turns misadventure into a musica…
From the halls of Kashmere High School to the discographies of funk aficionados worldwide, the Kashmere Stage Band’s debut album Our Thing, self-released in 1969, stands as a defining artifact of American funk. Born from a Texas student ensemble under the exacting direction of musical director Conrad O. Johnson, the band forged a sound steeped in raw, unfiltered groove and high-velocity horn work that would resonate for decades.
Our Thing captures the Kashmere Stage Band at a pivotal moment: a r…