New Arrivals
Victorialand
*2026 stock* Released in April 1986, Victorialand finds Cocteau Twins creating a world of extraordinary delicacy and atmosphere. Built around Elizabeth Fraser’s otherworldly vocals and Robin Guthrie’s shimmering guitar textures, the album floats free of conventional rock rhythms, inviting listeners into a landscape shaped by sound, silence and feeling.
Recorded by Fraser and Guthrie as a duo, Victorialand takes a more spacious, restrained path than the band’s earlier work. Its nine tracks unfold…
Ghost Signs
fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant Howie AKA Edward Woodward. 'Ghost Signs' brings some darker shades of ambience and classic electronic sounds, with Berlin School style sequencing and a retro sensibility. Nigel uses vintage analog and virtual synths and old-school effects. Nostalgic…
Ron Maloya: Reunion Of Families
Every Thursday night, the ocean promenade in St Denis becomes an open stage for everyone who wants to sing, play, dance and enjoy maloya in one of its most festive and community oriented forms. Sets that last for long hours are charged with energetic songs, and are open to anyone who can sing or play. These songs belong to the creole culture and most of them are well-known to all participants. You do not come here to give a concert but to be a part of it. You sing, keep the rhythm for a few minu…
The Sound Of Lights When Dim
*200 copies limited edition* Twenty years after its original release, The Sound Of Lights When Dim remains a remarkable opening statement from Drew Sullivan’s Slow Dancing Society. First released on September 6, 2006, the eight-track album established a musical language that Sullivan would continue to explore and refine for the next two decades: slowly unfolding electronics, treated guitar, soft rhythmic movement and melody shaped less by conventional structure than by memory, atmosphere and emo…
The Desert Is An Endless Sea
*100 copies limited edition* Recorded on April 7, 2025 at Studio H in Beijing. Mix, mastering, recording and cover design by Jason Kahn. Many thanks to Zhu Wenbo and Yan Jun for all their work in making my tour through China and this recording possible.
![post_[*]](https://cdn.soundohm.com/data/products/2026-10/cover-jpg-3.jpg.500.jpg)
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Across the group's 20 year history, Martin Archer and Hervé Perez have never allowed Inclusion Principle to stand still.
Mesostructures
Giancarlo Toniutti in a book-length conversation with Aram Yardumian, from his teenage tapes to Xenakis, René Thom and field recording, with archival photos, a full index of works and a CD of three new pieces.
Code
Cabaret Voltaire's 1987 album, co-produced with Adrian Sherwood: the turn to synth-pop and mechanistic funk, remastered from the original tapes by Denis Blackham and back on Mute.
Iglu
Carl Ludwig Hübsch (voice, tuba) and Ignaz Schick (sampler, turntables) between abstracted song, sound poetry, noise improvisation and radio play, from sessions in Cologne and at Morphine Raum in Berlin.
Obsidian Shaking Codex
The 1993 RRRecords session, the heaviest Skullflower record of the first decade: Matthew Bower, Stuart Dennison and Russell Smith in five long pieces of droning, chaotic dissonance.
Ping
Raoul Björkenheim on guitar and Paal Nilssen-Love on drums, old partners from Scorch Trio, in nine pieces of free music recorded in Helsinki: wild and raw, at times delicate and introspective.
Rabbit Trap (Original Motion Picture Soundtrack)
Lucrecia Dalt's score for Bryn Chainey's folk horror Rabbit Trap, a film about the power of sound: humming drones, unnerving loops and garbled fairy chatter, with Aaron Dilloway on one track.
Roman Ruins
Alvin Curran conducts the Iato Orchestra, thirty musicians with voice, reeds, brass, strings, harp, accordion, guitars, vibraphone, basses, two drummers and four electronics players.
Highsmith Plus
Ikue Mori and Craig Taborn, the duo Highsmith, return after ten years and open up into three trios with Bill Frisell, Tomeka Reid and John Zorn, plus a few quintet pieces.
Traces in the Sand
Stephan Micus' 27th solo album for ECM, dedicated to the sea: a dozen instruments from Borneo, Japan, India, Armenia, Africa and beyond, from hang and kalimbas to shakuhachi, duduk, sapeh and sho.
Pages of a Biography
Gidon Kremer and Kremerata Baltica play Georgs Pelēcis' title concerto, written for Kremer, Andrius Žlabys' Kaleidoscope of Lost Time and two works by Arvo Pärt, Passacaglia and Darf ich.
Flying Dreams
Spencer Clark returns as Monopoly Child with five electronic sound paintings inspired by Rome's Villa Borghese gardens: distorted voices, transformed bells and luminous synthesizers as a manual of levitation magic.
Self Embalmed
Wolf Eyes' first full-length as the core duo of Nate Young and John Olson since 2023: twelve tracks of warped kicks, skittering drum synth, narcotized vocals and Olson's homemade reeds.
The Outsider, The Music Of Jules De Corte
Belgian improvisers Linus and Bonnie 'Prince' Billy reimagine the songs of Dutch songwriter Jules de Corte: slowed, expanded folk miniatures on religion, love and loss, with guitars, banjo, clarinet and lap steel.
Viva Negativa! The New Blockaders: The Noise of Art and Nothing (Book)
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…
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