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Night Sky marbled vinyò edition. 350 copies. Discovery Zone is the project of JJ Weihl, the New York-born, Berlin-based musician and former member of Fenster. In 2023 she was commissioned to perform inside the dome of the historic Zeiss-Groß Planetarium, and rather than carry over her usual rhythm-led sound she rebuilt the project from the circuitry up, composing in Ambisonics, a directional form of spatial audio, played back across a mosaic of forty-nine speakers.
Written for live performance, …
2026 Stock. Alan Vega, born Alan Bermowitz in Brooklyn, had spent the 1970s as one half of Suicide, the New York duo whose drum-machine menace unsettled audiences a decade before anyone thought to call it synth-punk. By the mid-1980s he had set out, against every expectation, to chase the mainstream: Saturn Strip (1983) took him to Elektra under the wing of Ric Ocasek of The Cars, a long-standing Suicide champion, and Just A Million Dreams followed in 1985, again produced by Ocasek with Chris Lo…
*2026 stock. 100 copies limited edition* A sonic presentation of a site-specific installation in Marl, created at the invitation of the Skulpturenmuseum Marl. Nathalie Brum recorded a local production site for industrial filters that are exported worldwide. By filtering the sound itself and capturing the essence of the atmosphere, Brum creates an ambient, subversive soundscape.
One side contains the soundscape alone, while the other contains the soundscape accompanied by stories told by locals a…
Sharper Than A Needle unfolds as a sound space where textile machines transform into instruments. Silky basslines, delicate thread-like melodies, and a pulsating sewing machine synthesizer reveal surprising new tonal colors between noise, sound art, and experimental pop, as every movement of needles and every turn of spools takes on musical meaning. The project was initiated by Stephanie Müller and Klaus Erika Dietl, known for work such as Sewicide and beißpony, and for the international collect…
This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it’s a Play Time record. That’s a subtle but important distinction, for a couple reasons. One, the sound of Magic Object—a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog—doesn’t really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. Let’s back up. The…
*2026 repress* Recorded at St Georges Church, Carrick On Shannon, Leitrim on a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland. Track 1/Side A: 'Pour Upon The Sky' is a story told by the two voices of cello and organ. Influenced by the rhetorical style of 18th century vocal music, the inspiration for this piece came naturally to Eimear who has a background in early music and has performed alongside the organ in a variety of s…
“If stained glass windows could sing they would sound like Josephine Foster, and her interpretations of the songs of Víctor Herrero are as artful and finely detailed as motes of dust falling through shafts of light in the libraries of your childhood, engrossing in their restraint. Josephine's naked voice an echoing truth in repose against the existential question mark of Víctor’s guitar. In a world that can feel bewildering and relentless, this music is shelter. Adormidera is the sound of a hypn…
The music on this album can be described as drone / ambient / improv. The legendary guitarist Nils Wohlrabe is the initiator of this unique meeting of three musicians from different genres. Nils has a background in punk, noise and industrial music. Karin Johansson is a pianist and composer in improvised music, free jazz and contemporary music. She works with alternative techniques and prepared piano. Hasse Westling is a jazz bassist with a wide range of genres; he plays free improv, 50s/60s jazz…
Futuro Ancestrale, the ensemble around saxophonist, composer, and multi-instrumentalist Giuseppe Doronzo, was born from the idea to combine contemporary improvisation and non-western music traditions. In Elsewhen, electronics play a central role along with ancestral instruments borrowed from Chinese, Albanian or Chadian traditions. Doronzo's concept of convoking those sounds and cultures in the same musical space is a way to celebrate, and to create a vibrant dialogue between histories.
Born in 1945 near Hiroshima, eighty years old in a year that marks eighty years since the war, Akira Sakata hands this one over almost humbly, which is not a word you often reach for with him. In a Sentimental Mood is the first record by his new trio Akira Sakata SOS, the alto and clarinet veteran flanked by pianist Nana Omori and his own son on drums, Manabu Sakata. They open with the Duke Ellington ballad you think you know, all velvet and nostalgia, and then Omori climbs onto the tips of her …
Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo / Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months. Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent t…
On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.
Bongo Joe and Sofa Records reissue the 1981 debut by Max Cilla, the Martinican flautist who spent his life restoring the bamboo flute of his island's hillsides to a music that had nearly forgotten it.
On God Spill, Victoria Mingot drags folk guitar through faulty circuitry and hissed devotion, stacking rough improvisations, blurred vocals and glitched drones into a slow, translucent act of repair where presence and disappearance keep trading places.
On Kantamoinen, Mika Vainio under his Ø alias tilts his brutal minimalism toward memory: sparse, physical electronics wrapped in a more romantic, concrete atmosphere haunted by childhood summers at his grandmother’s house in Artjärvi.
Alia works from an unusual set of inheritances. Through her father, the Lebanese percussionist Jamal Mohamed, she grew up around Levantine jazz and a wide range of other musics; she studied raqs sharqi, the dance better known in the West as belly dance, alongside Arabic music, and learned the kacapi from the Indonesian pandit Ade Suparman. She took up the theremin after seeing the Iranian-Armenian musician Armen Ra perform in Los Angeles, drawn to an instrument she describes as "like a human voi…
Soundway collects ten rare sides from Trinidad's revolutionary decade, when calypso, jazz and heavy percussion carried the charge of the Black Power years. Kaiso Power assembles music made for the dancehall and the steelband yard, its politics built into the rhythm rather than spelled out.
Library of the Occult gathers, on a single 12", the two remixes that close Magick Knives' debut album: Justin Robertson and Hawksmoor each taking the desert band into a different shade of after-dark.
A vinyl collection of Koji Makaino's background music for the 1979-80 television anime Lady Oscar, the series that, more than almost any other, fixed Japanese animation in the Italian imagination.
Music Collection from 80's Japanese Hero Sci-Fi TV anime serie Kotetsu Jeeg . All music composed by Chumei Watanabe. Chumei Watanabe, whose name is also read Michiaki, was the defining composer of Japanese robot and superhero television, scoring Mazinger Z, Getter Robo and a long line of Toei productions. Steel Jeeg, created by Go Nagai and Tatsuya Yasuda and produced by Toei, ran on NET across 1975 and 1976; like much of Nagai's work it reached Italy at the end of the decade and stayed there, a…