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Loveland Music presents 8, a studio recording featuring an all-star ensemble of Jakob Bro, Brian Blade, Craig Taborn, Chris Cheek, Jesper Zeuthen, Anders Christensen, Larry Grenadier & Marcus Gilmore, playing compositions by Paul Motian and Jakob Bro. The album was recorded in a single session at New York's Power Station with engineer James Farber, following a week-long residency at the Village Vanguard.
"Danish guitarist and composer Jakob Bro is celebrated for his pure reflective expression a…
*2026 stock* "In Uptown Bogland things sound great 'cardboard humans fall to pieces' was top-forty and the money was rolling in I should not have trusted dad I knew his weakness for the horse god but I am Dan Koelacanth I am a simple man I do not use spell check auto-correct I don't monitor levels or worry about excessive treble this CD from the Krim Kram label may bring trouble to your door so tool-up ready don't let the unexpected topple your sanity be caring generous loving do not be swayed b…
*2026 stock* A new collaboration between Ross Scott-Buccleuch (Diurnal Burdens) and Andy Jarvis, Precedes has its origins in the series of blank tape compilations released by Ross on his tape label Steep Gloss. After being invited to contribute to volume 3 of the Blank Tape Compilations in mid-2021, Andy became engrossed in the process of working with blank tapes. When you strip everything away, what's left? Having somewhat unfinished business in the blank tape realm himself (now that the compil…
Rick Potts and Joseph Hammer met at a Halloween party in 1982. At the time, Joseph was making tape loops and recording with Points of Friction, while Rick already had many years of freakdom service under his belt with the LAFMS. They began collaborating on new recordings, with Joseph providing loops and Rick playing an Optigan borrowed from Joseph. The Optigan, made by a toy manufacturer for home use, is a primitive 1970s sampler that plays prerecorded discs ranging from exotica, pipe organ and …
*2026 stock* "NEST is a Mass for the Tenant, not a Mass in the traditional sense, but I see the piece as a Mass for the tenants of the past and the present. NEST is also a critical response to the theme of home in Éamon de Valera's 1943 radio address, 'On Language and the Irish Nation'. With a libretto by Eimear Walshe, the line, "they come to make a ruin", repeats throughout the piece like a congregational response. A line that traverses periods and regions, it conjures different scenarios, fro…
"Two longer live works of the now-patented blend of sound collage, crude tape mangling and music concrete sound events executed in a somewhat slapstick manner, where everything is balanced so thin that it can fall apart at any point. First piece recorded in Vilnius, Lithuania, literally days before the world shut down. For quite some time, I thought this might be my last live show ever. I felt sad over this but at the same time the piece has a clear sound where buzzing concrete sound events evol…
*2026 stock* Following 'Passenger' (tsss tapes, 2023), Ted Byrnes & Jeph Jerman Play Drums is a further exploration of percussive collaboration. Recorded in much the same way (iterative file exchange), Play Drums is quite literal in its title. It is entirely acoustic, with both participants playing a conventional drum set, albeit *all* parts of it. The recording is dedicated to Tim Barnes, close friend and constant source of inspiration to both Ted and Jeph.
*2026 stock* A follow up to 'A Year In Any Other Place' (Falt) from 2022, 'The Root, The Interim' is a tape composition in four parts, drawing on the influences of musique concrete, cinema & dub. Constructed over 14 months in 2022-3, it is a tour of parks, hotels, kitchens, churches, utility rooms. Obstacles are encountered. Objects tested, discarded or transported from one space to another. Recordings endlessly played back and forth through different media. Song fragments forgotten and remember…
After outings on Altered States, Kashual Plastik and Freuyd & Verdrusz, Berlin three piece Primitive Structures find a home on Krim Kram for this suite of nine fresh spontaneous compositions.
Both band name and album title hint at a sense of humor and self-mockery that's not always associated with the trio's German passports or with experimental/Avantgarde music in general. Meanwhile, the music itself could at parts be understood as indeed very serious exploration of decrepit and barren, post-in…
On SIC, Nurse With Wound and Aranos construct a cold, roaring ambient symphony from metallic percussion, numbing drones and disembodied voices. Long unavailable on vinyl, this edition restores a quietly menacing work where sound sculpture and slow-moving ritual converge, suspended between dread, dream and industrial weather.
The astounding second outing from the duo of Midori Takada & Jakob Bro, arriving on Copenhagen's Loveland Records just under a year after 'Until I Met You'. Across two stunning sides, subtle abstraction amongst sprawling ambiences, "Fourth-World" sensibilities, and pulsing minimalism. Limited LP.
Eight players, eight tracks, one session. 8 gathers Jakob Bro with Brian Blade, Craig Taborn, Chris Cheek, Jesper Zeuthen, Anders Christensen, Larry Grenadier, and Marcus Gilmore for a programme of compositions by Paul Motian and Bro, cut in a single day at New York's Power Station with engineer James Farber, immediately following a week-long residency at the Village Vanguard.
The instrumentation tells you most of what you need to know about the intent: two bassists and two drummers, with Bro's …
Twelve pieces for solo bass clarinet, recorded in Berlin between October 2025 and April 2026. BCDeluxe is the latest in the series of solo albums that Loveland has been quietly building over the last few years, following Mark Turner's We Raise Them To Lift Their Heads, Palle Mikkelborg's Light, and Thomas Morgan's Around You Is A Forest. One instrument, one player, nowhere to hide.
Andrew D'Angelo was raised in Seattle, where he formed the friendships with Chris Speed and Jim Black that would sh…
After cutting his teeth in the late '70s No Wave scene with bands Theoretical Girls and The Static, Glenn Branca made his first solo statement, Lesson No. 1, in 1980. The inaugural release on legendary post-punk / dance label 99 Records, Lesson No. 1 unveils Branca's visionary guitar concepts with two monstrous, side-long compositions that helped forge NYC's downtown art-punk sound and acted as a massive influence on countless young groups, including Sonic Youth and Swans.
The title track is eas…
Tip! The master returns to the wreckage. Long before the quiet, meditative ambience that has defined his catalog in recent years, Kevin Drumm was—and remains—an absolute architect of top tier American Harsh Noise. Originally buried in a quiet digital-only release via a defunct European imprint, this monumental work nearly slipped past the hungry physical-only noise underground...until now. AAD rectifies that historic oversight with this essential CD reissue that belongs on the shelves of every t…
Debut solo album by the cellist and composer, half of the duo Live Footage: sixteen miniatures for cello and Roland Space Echo cut in a Tokyo apartment facing a freeway, extended technique standing in for portamento, filters and noise. Mastered by Rashad Becker. LP on Faitiche.
"Pop, the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, Pop was originally released in 2000 on the iconic Frankfurt imprint Mille Plateaux. Pop was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmth.”"Pop blossoms to life in on…
A deeply expressive new album where jazz, memory, and emotion unfold in intimate conversation. The Marc Levin Trio unveils My Blue Rose, a compelling new album shaped by atmosphere, lyrical expression, and the spontaneous energy of a trio in full artistic connection.
Rooted in the language of jazz but open to a wider emotional landscape, My Blue Rose is a record of contrasts: delicate yet powerful, introspective yet alive, intimate yet expansive. Each track reveals a different shade of the proje…
Green Tea is the psychedelic Harsh Noise project of veteran underground musician Nick Forté (known for his work in Rorschach, Raspberry Bulbs, Angel of Murder Suicide, Flamingo Base Jumpers etc). This highly innovative and prolific project is known for merging crushing noise techniques with surreal ambience and tripped out tranquility. Following a steady trajectory of highly praised releases on New Forces, Satatuhatta and Tribe Tapes, "Wearing the Face of a Reindeer" pushes deeper into the tensi…