New Arrivals
SOS "In A Sentimental Mood"
Born in 1945 near Hiroshima, eighty years old in a year that marks eighty years since the war, Akira Sakata hands this one over almost humbly, which is not a word you often reach for with him. In a Sentimental Mood is the first record by his new trio Akira Sakata SOS, the alto and clarinet veteran flanked by pianist Nana Omori and his own son on drums, Manabu Sakata. They open with the Duke Ellington ballad you think you know, all velvet and nostalgia, and then Omori climbs onto the tips of her …
At The Emerald Pool
Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo / Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months. Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent t…
Gwethilu: Songs For The Dark Lake
On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.
La Flute Des Mornes Volume 1
Bongo Joe and Sofa Records reissue the 1981 debut by Max Cilla, the Martinican flautist who spent his life restoring the bamboo flute of his island's hillsides to a music that had nearly forgotten it.
God Spill
On God Spill, Victoria Mingot drags folk guitar through faulty circuitry and hissed devotion, stacking rough improvisations, blurred vocals and glitched drones into a slow, translucent act of repair where presence and disappearance keep trading places.
Kantamoinen
On Kantamoinen, Mika Vainio under his Ø alias tilts his brutal minimalism toward memory: sparse, physical electronics wrapped in a more romantic, concrete atmosphere haunted by childhood summers at his grandmother’s house in Artjärvi.
Where the Echoes Bloom
Alia works from an unusual set of inheritances. Through her father, the Lebanese percussionist Jamal Mohamed, she grew up around Levantine jazz and a wide range of other musics; she studied raqs sharqi, the dance better known in the West as belly dance, alongside Arabic music, and learned the kacapi from the Indonesian pandit Ade Suparman. She took up the theremin after seeing the Iranian-Armenian musician Armen Ra perform in Los Angeles, drawn to an instrument she describes as "like a human voi…
Kaiso Power - Sound Revolution In Trinidad 1970 - 1980
Soundway collects ten rare sides from Trinidad's revolutionary decade, when calypso, jazz and heavy percussion carried the charge of the Black Power years. Kaiso Power assembles music made for the dancehall and the steelband yard, its politics built into the rhythm rather than spelled out.
Bonus Remix 12" 1
Library of the Occult gathers, on a single 12", the two remixes that close Magick Knives' debut album: Justin Robertson and Hawksmoor each taking the desert band into a different shade of after-dark.
Lady Oscar TV BGM Collection
A vinyl collection of Koji Makaino's background music for the 1979-80 television anime Lady Oscar, the series that, more than almost any other, fixed Japanese animation in the Italian imagination.
Kotetsu Jeeg TV BGM Collection = 鋼鉄ジーグ -TVオリジナルBGMコレクション-
Music Collection from 80's Japanese Hero Sci-Fi TV anime serie Kotetsu Jeeg . All music composed by Chumei Watanabe. Chumei Watanabe, whose name is also read Michiaki, was the defining composer of Japanese robot and superhero television, scoring Mazinger Z, Getter Robo and a long line of Toei productions. Steel Jeeg, created by Go Nagai and Tatsuya Yasuda and produced by Toei, ran on NET across 1975 and 1976; like much of Nagai's work it reached Italy at the end of the decade and stayed there, a…
Ufo Robot Grendizer TV BGM Collection
*333 copies limited edition* BGM Music Collection from classic Japanese Super Robot TV series.
Green Tambourine
Trunk Records lifts a single from one of American private-press music's stranger corners: Gary Schneider's home-made version of Green Tambourine, a 7" that has drifted for years through the hands of collectors who prize the homemade and the unclassifiable.
Sex Clinic
First-ever release of Ted Dicks's jazz score for Clinic Exclusive, the 1971 British film later shown as Sex Clinic. The man who wrote Bernard Cribbins's Right Said Fred turns in a restrained after-hours set of piano, brushed drums and vibraphone.
An Afternoon With Victor Dimisich
Big Tip! This is one for the faithful. An Afternoon With Victor Dimisich gathers a set of recordings that until now existed only as rumour - an unearthed afternoon from the legendary pre-Flying Nun underground of Christchurch, New Zealand, surfacing more than four decades after it was first committed to tape, and never issued in any form before now.
The Victor Dimisich Band took shape in 1980, when Stephen Cogle and Peter Stapleton broke away from Bill Direen's Vacuum to follow their own songwr…
Salò, or The 120 Days Of Sodom
The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Pa…
Remscéla
Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.
Tinderbox
On Tinderbox, Myer U Clark leans into what he calls “musical jank”: loose‑limbed indie‑folk where wiry guitars, Harold‑and‑Maude whimsy and ghosts of English folk and Delta blues wrap around love songs that stumble, blush, and somehow land on their feet.
Long Live Brown Wimpenny
On Long Live Brown Wimpenny, Brown Wimpenny turn the folk revival into a street‑level commons: an 11‑piece, multi‑city collective collapsing the gap between stage and floor with roaring, communal takes on songs that belong to everyone and no one.
The Call
On The Call, Henry Grimes refuses the “leader date as reward” narrative, stepping out as a co‑equal melodic force with Perry Robinson and Tom Price in a trio document where free jazz means deep listening, not just full‑bore blaze.
