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On geschrieben in wasser., Klaus Lang pares the piano quartet down to a faintly breathing organism, letting soft, slowly shifting harmonies hover at the edge of audibility like something written on water just before it disappears.
On For a Lemon Tree, Kristofer Svensson, Maya Bennardo and Erik Blennow Calälv cultivate a fragile, glowing sound‑world where violin, bass clarinet and kacapi trace slow, intertwined lines, turning silence, breath and overtone into their primary compositional materials.
On his Clarinet Quintet, Jürg Frey stretches time until it feels almost weightless, using soft clarinet breaths and hushed strings to trace a slow, luminous drift where tiny inflections become whole landscapes of feeling.
On Flare, Sylvia Lim turns six chamber works into a series of luminous close‑ups, magnifying tiny shifts of timbre, breath and touch until fragile sounds bloom into something cathartic, raw and quietly destabilising.
On Tending, James Creed threads four ensemble works through a shared practice of careful, collective attention, letting sparse parts, quiet doublings and gently unstable textures accumulate into music that feels like weather slowly forming in the air around you.
On Of Time, Underground Spiritual Game - baritone saxophonist Eden Bareket, bassist Ran Livneh and drummer Eran Fink - trace an imaginary route from city grime to rural trance, fusing Ethiopian jazz, Afrobeat pulse and cosmic free improvisation into a single, slow‑burning ritual.
On Hyperit, Nev Lilit (Hedvig Jennefelt) turns a performance‑lecture into elemental sound‑theatre, carving electronic landscapes from dirt, magma and meteorite lore until you feel less like a listener than something buried inside the mountain.
On Conclusio, Asmus Tietchens bends back toward his industrial roots, folding corroded pulses, cold drones and acerbic detail into a suite that feels like “German Angst” hammered into stark, sculptural sound.
100 copies limited edition Isle of Wight: The Long Stone of Mottisone by AHRKHWorcestershire: The Legend of Raggedstone Hill by Bell Lungs
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 21 in the eventual 24x volume set of ceremonial county cassettes.
100 copies limited edition Northamptonshire: The Flitting by The Clare VoyantsBuckinghamshire: Eythrope Farm by The Universal Veil
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 20 in the eventual 24x volume set of ceremonial county cassettes.
100 copies limited edition Bristol: Giants (Goram & Vincent) & Door of the Hatchet Inn by Jake BlanchardHertfordshire: The Handiwork of Sir Guy de Gravade of Tring Station by Geology Disco
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 17 in the eventual 24x volume set of ceremonial county cassettes.
Last copies available. John Duncan was born in Wichita, Kansas and arrived in Los Angeles in the mid-1970s, where he became closely associated with the Los Angeles Free Music Society, working with Tom Recchion, Fredrik Nilsen, and Joe Potts. His early practice combined radical performance work, live radio experimentation over KPFK's Close Radio with Paul McCarthy, and an obsessive engagement with shortwave radio that would define his sound for decades. He left the United States for Tokyo in 1982…
*2026 stock* Alien Brains was an abstract non-collective initiated in 1979 by Nigel Jacklin. Over the years Nigel co-operated with the likes of Mark Lancaster (Instant Automatons, 391), Allen Adams (Methods Of Execution, The Blanks, The Destructors), Philip and Richard Rupenus (Funeral Danceparty / The New Blockaders), Philip Sanderson (Storm Bugs / Snatch Tapes), Metgumbnerbone, Harold Schellinx (The Young Lions), David Jackman (Organum) and various random acquaintances (with limited musical s…
Huge tip! It was a cold winter's night in late 1978 when Chris Connelly, fourteen years old, lay in bed with his radio and heard Throbbing Gristle's Hamburger Lady for the first time. It changed his life permanently. He had already been making sounds at home on a reel-to-reel tape recorder, building loops and feedback, using shortwave radio in the middle of the night, with no instruments and no desire for any. He had also been obsessively scouring record shops guided by a copy of Zig Zag magazin…
First ever vinyl reissue of "Postones", an astounding body of recordings by Vito Ricci with Rashied Ali and Byard Lancaster, originally issued as a tiny cassette on Ricci's own Creation imprint in 1984. Moving between free jazz fire and percussion-driven theatre scores, this document of downtown New York in the early 1980s pulls the rug from beneath the expected historical narratives. One of the most revelatory releases of 2026.
Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…
Brussels-based Maloca presents Paradise Mountain, the new EP from Katatonic Silentio, DJ and production moniker of Italian sound artist Mariachiara Troianiello. Positioned in counterpoint to her darker, more visceral work, the record delicately folds Detroit electro and techno drum structures into a softened New Age glow, generating environments that breathe, shimmer, and slowly coalesce.
Across the EP, tracks unfold gently, rife with wet modular tones, chromatic arpeggiations, and light-touch p…
Live Unison and Unison Continued is the latest collaborative effort from American composer-performers Kieran Daly and Sam Weinberg. Unison marks the fourth album released by the duo since 2022 with this release documenting the second live recorded performance.