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Julio Lopez presents their cartological mapping of lineage, diaspora, appropriation, spirit and song in their illuminating debut album, Cloud Unknowing. Released quietly on bandcamp in the early parts of 2025, we are honored to give the album its due recognition a year and change later. Julio excavates, uncovers, and retraces centuries old songs, asking how one can "hold a feeling in the sound and then letting go." The arrangements on Cloud Unknowing put us in close proximity to Julio - the h…
For their thirteenth installment, Felt look once again to their city of Copenhagen, specifically to more alumni of the Rytmisk Musik Konservatorium (Rhythmic Music Conservatory). Following soon after Ginte Preisaite’s debut for the label, this long player from Vincent Yuen Ruiz is a grand departure from Preisaite’s experimental electroacoustic pop compositions, instead offering an elegant and pensive suite of late-night, wide-eyed ambient jazz works centred on piano, double bass and percussion; …
*2026 repress* 'Persistent Repetition Of Phrases' success comes from the attention it pays to the function of 'the loop', not only as a narrative ordering system in modern music, but as a means by which the brain itself recalls and interprets information; it's as old as recorded sound itself, but in this context the repetition of small shards of auditory information becomes an elegy to fading memory and the worn-out synapses of old age. The track titles offer signposts through Kirby's labyrinth …
Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family…
*100 copies limited edition* Yūra (幽羅) describes a dystopian future where the last monks of humanity seek illumination through the remnants of obsolete technology. Broken circuits, residual memory, ancient intelligence and flesh are sacred instruments within a continuous rite.
Feral Grace was written around old childhood places reclaimed by nature, or replaced by new housing estates. Places long forgotten, their purpose discarded as the world moved on. Yet the memories stay there, caught in the undergrowth, thought of once in a while. We remember gathering leaf moss from the woods for our tomato plants. Building dams in shallow streams. Filling our wellies with frog spawn and carrying it home like treasure. Small acts that felt large at the time. Fishing banks where w…
*50 copies limited edition* Mia Windsor is an experimental musician currently undertaking a practice-led PhD centred on Muta, a material-driven feedback instrument she has developed through ongoing processes of building and improvisation. The instrument operates by resonating physical materials and feeding their signals back into themselves and into each other through spectral processing, producing a system in which sound emerges from the interaction between objects, circuits, and environment. A…
*50 copies limited edition* Chaparral is a collection of field recordings, drones recorded on trumpet and trombone, feedback from a metal sheet and mixer, and various samples, including heartbeat, bells, and pencil on paper. The three pieces came together over the course of December 2025 to March 2026, drawing from improvised material and found sounds, combined to gradually create a sense of structure.
The work is concerned with Nev Wendell’s relationship to the city she lives in at this point i…
*70 copies limited edition* Joa Joys (Joaquín Ledesma) is a visual artist and musician born in Santa Fe, Argentina, based in Buenos Aires. Since 2015, he has released solo and collaborative works on labels across Argentina, Japan, Belgium, and France — and now with Discrepant — while also composing for documentaries and installations. His music often approaches sound as a habitable space, closely intertwined with a visual sensibility, creating cinematic soundscapes that oscillate between everyda…
*2026 repress* 1973s brilliant Celestial Ocean, by the legendary Swiss krautrock band Brainticket, is a concept album that details an ancient pharoahs journey into the afterlife (substitute the word "journey" for "trip" and youll get what they were driving at). However, Brainticket were not mere products of their time, they explored some truly compelling musical territory and produced a superlative blanket of sound-featuring a pioneering mix of early synthesizers, flute, zither, sitar, and male …
Lucas Gunn is a Portland Oregon based guitarist, previously playing in bands Rock ‘n’ Roll Soldiers, The Blimp from Eugene, OR and the Lavender Flu with his brother Chris Gunn. You Should’nt try to barrow other People’s skin. [sic] was recorded professionally with quality vintage microphones, while a few tracks were self-recorded. Each song was recorded live in the studio - no overdubs, no edits - giving the album a raw, authentic edge. All songs were recorded analog to 2-Track tape or 4-Track …
*2026 repress* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Ro…
*2026 repress* Brazilian singer, poet, guitarist Joao Gilberto made his 1959 debut with the now legendary LP, 'Chega de Saudade', a new sound and acknowledge as the first bossa nova album, a genre that swept the world in popularity and taken up by such artists as Stan Getz, Charly Byrd, Astrud Gilberto, Frank Sinatra, Quincy Jones, and countless others. Presented here is essentially a themed compilation of some of his best songs, including tracks from his acclaimed debut LP, 'Chega de Saudade'.
Debut LP. Mechanical / surreal noises. Every copy has been carved into so that certain sections loop infinitely, or will be skipped over on certain listens and not others. You have to play the record multiple times before you can hear everything that’s on it. Playable at any speed, you are the only musician here. “Seven Ways Of Going etc etc” Mastered at Hex Audio Labs
*100 copies limited edition* Trio collaboration of DDU, Fricker, MJE. Urban renewal / classic rock revisionism, songs were recorded and dismantled over three or four years before reaching the forms presented here. Of equal social relevance to the songwriting is the gatefold cover designed through a public co-op initiative, funded by benefactors of the Emily Street Foundation in Philadelphia, PA.
*100 copies limited edition* First public release by Pittsburgh / WV area noise artist. Weird, tape-centric stuff. a f ish -- wears a hat, hiccup as usual, the expect ed ; uun til, some thing other th an.
Packaged in foldover bag with inserts and packing tape / xerox banderole affixed to tape
Mystery Hearsay / Mike Honeycutt was a major node of the 80s cassette culture network, his radio program in Memphis TN being a touchstone for home taping artists of a similar caliber to Don Campau‘s “No Pigeonholes”, RRRadio, or Schimpfluch’s “Psychic Rally”, all of which featured MH as an active participant. He also collaborated and traded extensively with the likes of Zan Hoffman (Larb), Minóy (Life Of Work), Swinebolt 45, and Agog.
Audio and video works by Mystery Hearsay were distributed pri…
Further exploits from Lisa Suckdog with five more issues published between 1993 - 1994. This collection includes some of the zine’s most notorious interviews with the likes of Lydia Lunch, Fabio, Kim Gordon, Boyd Rice, and Courtney Love. Plus other sensational articles such as “Portland’s Nude Bomb”, "World Pork Expo '93", “Spastic Invasion”, “Killer Bears And Me”. 192 pages
Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avangarde, songwriting and free jazz. In 1986 Gordon H. Whitlow released a cassette under the name Sorry For Laughing: "The compositions stem from my beginning days with the avant-garde recording ensemble Biota, shortly after completion of the Bellowi…