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Beat Records is pleased to reissue on CD the Ennio Morricone score for the cult western "My name is nobody" directed in 1973 by Tonino Valerii, starring Terence Hill, Henry Fonda, Leo Gordon, Jean Martin, Geoffrey Lewis, Piero Lulli , Benito Stefanelli, RG Armstrong, Alexander Allerson, Franco Angrisano, Mario Brega, Marc Mazza, Remus Peets, Antoine Saint John. Ennio Morricone composed one of the most loved scores from his fans around the world using elements typical of his genius such as the wh…
Jorge Ben is someone who needs no introduction. Since his first hits in the early 60s, this the greatest icons of the greatest icons of Brazilian pop music. His anthems 'Mais Que Nada' or 'Pais Tropical' are among two of the most ever listened Brazilian songs of all time. Ben's self-titled 1969 album is a true samba-soul masterpiece from one of Brazil's most creative voices. This isn't your typical late-'60s LP: Jorge Ben blends the hypnotic swing of samba with funk, psychedelia, and sun-soaked …
Beat Records is glad to present the original motion picture soundtrack of the movie Porgi L’Altra Guancia, one of the missing albums in the discography dedicated to the brother composers Guido & Maurizio De Angelis.
Directed in 1974 by Franco Rossi and interpreted by Bud Spencer and Terence Hill, it’s the story of two priests responsible of a South American mission, enjoying their daily routine and trying to withstand bullying Marquis Gonzaga. Epic brawls and plot twists full of adventures is t…
Tim Maia’s self-titled 1973 album is one of those records that hits you from the very first groove and doesn’t let go. Originally released on Polydor Brazil, this was the fourth in a series of Tim’s self-titled albums and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers. If you’re new to Tim Maia, here’s the quick story: born in Rio d…
For this CD, we used the stereo master tapes from the original sessions, and as a bonus track, we've included a lengthy mono suite assembled by Maestro Morricone himself for a promotional double vinyl release. The maestro composed a fascinating experimental score that draws on his studies and performances with the Gruppo di Improvvisazione Nuova Consonanza, founded by Goffredo Petrassi. Morricone perfectly captured the deceptively quiet atmosphere of a post-nuclear world, where survivors live in…
In 1977, Cinevox Record released a 45 rpm single (MDF 113) with the tracks ‘Sahara Cross’ and ‘Safari session’ chosen by the composer. It was not until 2003 that the soundtrack was released on CD in Japan (Volcano CPC8-1216). Now, Riz Ortolani's soundtrack appears for the first time on Italian CD. Maestro Ortolani composed an orchestral OST dominated by wild funky passages (Tr.1,3,10,22) alternating with lounge-style pieces (Tr.2,5,8) and suspenseful and mysterious orchestral passages that creat…
Gianni Ferrio wrote a symphonic score dominated by a romantic adagio-style main theme featuring the crystal-clear voice of Edda Dell'Orso. This captivating motif returns with orchestral variations alternating with dark, action-packed and adventurous passages. The soundtrack album was released in 1973 in Italy by Cinevox with 12 tracks and a running time of 37 minutes. In 1997, the first CD release appeared in Germany and included the album programme plus five minutes of unreleased music from the…
Following his first album Footprint on ato.archives, this new release marks the second solo work by Tomonao Koshikawa. In it, he presents the results of his fifty-year exploration of drone music.
Tomonao Koshikawa is a Japanese musician playing experimental, jazz and rock, Indian classical music and Kanze school Noh theater songs. He studied with Takehisa Kosugi in 1975 and joined legendary improvisation group East Bionic Symphonia and he is a member of Marginal Consort.
Kishun is a duo: Ishikawa Ko, player of the shō (mouth-organ), and Nakamura Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”. Gagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and …
Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans …
Experience a remarkable session led by the legendary pianist and composer Tadd Dameron, recorded in 1956 and featuring the young lion John Coltrane, fresh from his tenure with Miles Davis. Mating Call is a solid and often overlooked gem showcasing six powerful and beautiful Dameron compositions. Performed by an impeccably tight quartet, the album features John Simmons on bass and Philly Joe Jones on drums, complementing Dameron’s distinctive bass-heavy piano style. This foundation offers a rich …
*328 copies limited edition* Prophecy finds Eye in form familiar to those who've had the good fortune to hear their 2016 album Other Sky, but even more compacted and condensed, a band simmered and reduced to their pure essence. And then the volume increases. Prophecy is a pummeling din of guitar clouds shot through with electronic disruption. Stapleton's relentless motion drives Porteous' icy guitar streams in leaping waves. 'Catch Them' opens the album with Peter's vocals, croaking out from the…
*333 copies limited edition* As Stapleton's illness progressed over his last years, instead of lamenting what doors had closed to him, Stapleton with the truest, highest understanding of what free improvisation suggests, asked himself what doors remained open and walked through them. Stapleton entered a grand tradition of master improvisers for whom changes in physical ability were approached with the same practical acuity that a great improviser approaches their instrument with every time they …
In March 1969, the Velvet Underground, featuring Doug Yule now on bass, launched a nationwide tour that captured a pivotal moment in rock history. Among those dates was a memorable engagement at Dallas’ "End Of Cole Avenue" club—one of the rare live shows professionally recorded with a sound engineer on site. Previously, selections from these performances appeared in 1974 on the 1969: Velvet Underground Live album, but the sound was hampered by the use of third- or fourth-generation tapes, limit…
Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with…
The concept is therefore to propose an immersive type of listening, in which the rather extended durations of sustained and seemingly static sounds create a certain tension generated by the anticipation of variation.
The live performance involves the use of samples, as the composed balances require multiple timbral layers to be active simultaneously. The closeness in pitch and the mimicry between instruments highlight the psychoacoustic phenomenon of beating: in fact, our auditory sy…
Aspects of Memory is the first meeting between Lawrence Casserley (signal-processing instrument) and Emil Karlsen (percussion). Casserley has devoted his professional career to the creation and performance of real-time electroacoustic music, culminating in the development of his own unique device—The Signal Processing Instrument. This instrument allows him to use physical gestures to control the processing and to direct the morphology of the sounds.
Casserley writes: “A key element of the Signal…
For their fourth album, and second release on Bead, light.box augments the duo of Alex Bonney (trumpet, electronics) and Pierre Alexandre Tremblay (bass guitar, electronics) with a special guest, Tom Challenger on tenor saxophone.The album explores a vast range of textures and dynamics from cinematic ambient drones to delicate timbral and microtonal explorations, from fast-paced dialogues to invasive waves of distortion. The rapport between the musicians has developed over years of playing toget…
"Quartetics" captures a unique encounter between four seasoned improvisers, who first came together in this quartet formation on May 15, 2019. Although new in this configuration, these musicians share extensive collaborative histories: Lash has longstanding collaborations with Reuben and Hanslip, while Hession, Reuben, and Hanslip had already performed and recorded as a trio. The album explores the idea of "The Quartet"—specifically, this configuration of tenor saxophone, laptop, double bass, an…