New Arrivals

Faitiche presents the release of a new album by Masayoshi Fujita & Jan Jelinek (faitiche13). Since their debut (Bird, Lake, Objects, faitiche03, 2010) they have played improvised concerts around the world. Japanese vibraphonist Masayoshi Fujita prepares his instrument with various percussion elements as well as metal objects and toys, while Jan Jelinek layers loops made using small-scale electronic devices. Schaum (German for froth, foam) is the duo's second album. "The river, forcing its way th…

For over 25 years, David Madson (aka Odd Nosdam) has been stationed away from the light of the mainstream, diligently working the nightshift. Every so often, we awake to find another of his bleary and beautiful missives slung into the waking world – albums whose assemblages of sampled grooves, atmospheres and voices are unified by a hallucinatory sense of melody, like disparate visions strung together through ribbons of sleep-talk. From his earliest days as a member of the seminal group cLOUDDEA…

Before Jimmy Smith became one of jazz’s most influential organists, there was A New Sound… A New Star (Volume 1)—the 1956 Blue Note debut that announced a bold new presence on the scene. Recorded at Van Gelder Studio with guitarist Thornel Schwartz and drummer Bay Perry, the album puts Smith’s Hammond organ front and center: nimble, muscular and full of blues-inflected swing. He reshapes familiar standards such as “The Way You Look Tonight,” “Oh, Lady Be Good!” and “But Not for Me,” while “You G…

Recorded at Rudy Van Gelder’s studio in Hackensack, New Jersey, on May 19, 1957, Paul Chambers Quintet captures bassist Paul Chambers leading an exceptional ensemble at the height of the hard-bop era. Released by Blue Note in 1958, the album brings together trumpeter Donald Byrd, tenor saxophonist Clifford Jordan, pianist Tommy Flanagan, and drummer Elvin Jones.  Chambers is more than the foundation beneath the group: his resonant bass lines and confident solos give the session its unmistakable …

Paul Pèrrim returns with Arati – a raw, expeditionary palindromic companion to his 2025 debut, Itara. Exploring a rawer, harsher, and more rugged landscape than its predecessor, Arati pushes deeper into the wilderness. The anthropologist- musician continues to guide listeners down paths trodden by akaleidoscope of cultures, offering a sound that is profoundly singular, primal, and timeless. The album’s surreal compositions weave together an eclectic arsenal of textures: mutant maqams, Africanist…

WHIMM formed around the shadowy heart of the Toronto post-punk underground over a decade ago. The partnership between Mounir Al Shami and Andrew Matthews has emitted sporadic musical shards over time, while slowly evolving into something so much bigger than its beginnings. Ideas seep out of every corner of No Promotion, showcasing a burning desire to explore and challenge while delivering very direct sonic offerings. The result is an album that feels as if you took the entire Coil discography an…

*300 copies limited edition* Originally released in 2000 on Smalltown Supersound, Kim Hiorthøy’s first record Hei captures an artist who had made very little music before – yet it seemingly was the starting point of a musical career that would stay away from easy categorisation. Now, Hei (2026 Remaster) returns on blickwinkel, released digitally and on vinyl on 30 October 2026, as part of an ongoing series revisiting and reissuing Hiorthøy’s work. Made in Copenhagen with little equipment — an Ak…

Sucata Tapes and Annihaya proudly present Delia, the hypnotic new album by Munda (Selu Herraiz), following up on foundational explorations of ritual and territorial memory. Recorded in September 2021 during a residency at Konvent—an old convent set within an abandoned industrial colony in Cal Rosal, deep in the lower Catalan Pyrenees—Delia is forged from the physical ghosts of a former textile factory. Within high ceilings, terracotta floors, and walls vibrating with low frequencies, Herraiz cap…

*100 copies limited edition* Fuglen flyr godt (“The bird flies well”) is the second solo album by Norwegian multidisciplinary artist Espen Friberg, following 2022’s Sun soon (Hubro). Recorded in the coastal town of Hvitsten, Norway, through the winter and spring of 2025–26, the album consists of eleven pieces made entirely on the Serge Modular synthesizer. Through improvisation and experimentation, Friberg treats the Serge as a shifting network of relationships, developing a vocabulary of idiosy…

*70 copies limited edition* A collection by Peruvian visual artist Jonathan Castro between 2024–26 at home studios while living in Amsterdam, then Rotterdam, NL. The compositions were made using various synthesizers, samplers, electronic percussion, congas, and an array of effects pedals. Knackered out salsas, looped up and chucked down into a custom dub chamber. Given his background living in music, listening to music, and in music — the regional rhythms on display are not a surprise. It seems …

More early-1970s free music from the MND circle, taped mostly at Hamburg's Fabrik: Sven-Åke Johansson, Norbert Eisbrenner and cellist Peter Dyck with guests, on a double LP that follows Freedom Suite.

A tenth of a second of an Alpine ibex's whistle, stretched by algorithms to two long sides of glitch, spectral drift and granular grain: the first solo LP by Berlin cellist and sound artist Tilman Kanitz.

Four compositions by the Stockholm artist built from modular synthesizers, microphones and self-regulating systems: feedback held at a fragile threshold between order and instability.

Acclaimed Hungarian, Berlin-based producer, composer and pianist Àbáse (AKA Szabolcs Bognár) returns, sharing a special, 5 anniversary remaster of his breakthrough project 'Laroyê'. Releasing via Bridge The Gap & Oshu Records, this sensitive exploration of Afro-Brazilian culture originally began as an audio diary, documenting Szabolcs’ travels and collaborations in Brazil through a collection of voice memos, fragmented beats, sketches and field recordings. As his journey progressed, and his coll…

*100 copies limited edition* It was the spot—where you'd meet up with friends or bump into strangers. Walls covered with deteriorated posters and endless spray-paint conversations. A friendly face in a city suffering from an obsessive-compulsive cleaning disorder. I would stare at those walls, wondering what was behind them, yet there were no doors, no windows, no way to get in. Now it's all open: a stretch of yellow gravel, a wasteland that still feels strangely alive despite being practically …

*165 copies limited edition* Lumberton Trading Company is pleased to announce that Andrew Liles has a new LP coming in January/February 2027. Limited to 165, the first 65 will be pressed on special black/red 'colour in colour' vinyl, while the balance will be simply black vinyl. The red/black vinyl edition will be only available from the label. Here are Andrew's own words on the LP: "The title 'Mondo Cane' is a reference to the 1962 Italian film directed by Gualtiero Jacopetti, Paolo Cavara, and…

The state51 Conspiracy is proud to present the reissue of The Human Beast’s legendary (and sole) album ‘Volume One’ - a visceral slice of the late 60s Edinburgh underground. Remastered by Grammy-recognised mastering engineer Sarah Register, this definitive edition gives both collectors and casual buyers the chance to own one of Scotland’s cult hidden psych hard rock gems, complete with updated sleeve notes, never before seen photos/ephemera and an art card signed by the band. The sedate gentilit…

When you’re a three-piece, every move must mean. There’s no place to escape, and no one to hide behind. This might be why Unmarry Me’s slim body of recordings so far – one seven inch, one shared single with Lung Leg and Lora Logic, and now this, a five-track EP, Lions in Autumn – reads so clearly; there isn’t a step out of place. It’s a DIY effort, certainly, anti-rockist in intent, a home-made sound-system jerry-rigged into being by three uncontrollable spirits. Unmarry Me is the unholy trinity…

Although humans possess language as a means of communication, we sometimes hurt each other simply by intending to. In war, bullets kill people. If we consider words to be like bullets, they can be violent and cause mental suffering. However, when communication causes problems, the only way to solve them is through more communication. I thought: wouldn't it be wonderful if those bullets could turn into flowers instead? In everyday life, when we talk, laugh and share moments with friends and famil…

“Variable,” an album by Hybrid Leisureland－the project of Hidetoshi Koizumi, who has been active as an electronica and ambient composer and arranger since his debut in Paris, France, in 2010－is now available on CD.