New Arrivals
The Crystal Suite
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
Quiet Panic
On Quiet Panic, Mark Schaub sculpts a slow‑burn tension where stillness never quite settles, his compositions hovering between ambience and unease, finely honed and given extra dimensional depth by Andrea Marutti’s mastering.
Pianoise
On Pianoise, Emmanuel Lalande turns the piano inside out: specially retuned instruments become broadband noise generators, and composition becomes subtraction, where the notes you don’t play carve harmonic negative space as vivid as the ones you do.
The Habit
On The Habit, Go Hirano gathers decades of home and studio recordings into a single, slow‑glowing arc: spare piano, pianica and small percussion drifting through room tone and outdoor air, turning everyday imperfections into a warmly enchanted, lifelong diary.
At the Earl of Old Town
On At the Earl of Old Town, Terry Callier steps out of legend into living presence: a 1967 Chicago club set where his folk‑soul‑jazz blend arrives fully formed, intimate, unadorned, and quietly epochal, just before the world catches up.ì
Writing (Book)
With Writing, Ahmed - the quartet of Pat Thomas, Joel Grip, Antonin Gerbal and Seymour Wright - turn a decade of notes, essays and sleeve texts into a woven chorus, mapping how their deep dive into Ahmed Abdul‑Malik becomes a living method for making future music.
Roll 'Em Smoke 'Em Put Another Line Out
The third and most untamed chapter in the brief, brilliant life of Patto. Originally issued in October 1972 on Island, Roll 'Em Smoke 'Em Put Another Line Out arrives via Guerssen in a remastered vinyl edition, faithful to the original cardboard sleeve and accompanied by an insert with detailed liner notes by Ralph Heibutzki and rare photos and memorabilia.
Patto formed in London in 1970 from the ashes of Timebox - the lineup uniting vocalist Mike Patto, bassist Clive Griffiths, drummer John Hal…
Rhythm Immortal
Carrier’s debut album features eight elegantly rude arrangements that dance in negative space between Photek’s frictional syncopations, Rhythm & Sound’s dubwise minimalism and Torsten Pröfrock’s fractured dynamics, bolstered on two tracks by contributions from Voice Actor & Memotone, summoning a noirish, jazzier frisson to his signature metrics and temporalities.
Patience (After Sebald)
One of the most singular and quietly devastating works in The Caretaker's long catalogue. Out of print for over a decade, Patience (After Sebald) returns in a 2026 pressing on History Always Favours The Winners, limited to 500 copies.
Conceived by James Leyland Kirby as the score to Grant Gee's feature-length documentary of the same name, originally released in 2012, the album traces a path through the work and shadow of the German writer W.G. Sebald (1944-2001), following the long coastal walk …
Sixties Japanese Garage/Psych Rarities Vol.2
Here's for the real thing! Sixties Japanese Garage/Psych Rarities Vol. 2 uncovers a lost vein of cosmic rock from late‑1960s Japan, presenting a vivid collection of raw, psychedelic sounds from the heart of the Group Sounds movement. This second volume brings together rare singles, private-press gems and previously uncompiled studio cuts that reveal how Japanese bands absorbed and reimagined Western garage, soul and acid rock into something entirely their own.
Featuring early and hard-to-find re…
Mica
Of Paradise welcomes Seattle-based artist Hünter with his sophomore album, Mica, a sublime addition to the label’s ever-evolving musical catalogue and one that quickly acquires almost mythical status.
Focused on the relationship between the digital age and the environment, Mica explores the extraction of natural resources, identity, memory, and what remains. A fusion of ambient soundscapes and deconstructed club rhythms, Mica questions erosion as both a physical and cultural consequence of moder…
Fake Man
Do you remember when albums used to be fourteen tracks long, with clear song structures and a sense of narrative development? No? Neither do we. And that is exactly why Artetetra is thrilled to welcome Orange Car Crash in their roster with their new album Fake Man. Shaped by years of circulation across psych, jazz, punk, and experimental scenes, featuring collaborations with projects like Lay Llamas, Mamuthones and Snüff, Andrea Davì’s Orange Car Crash operates less as a solo project and more as…
New Item
New Item is the debut album of Italonesian duo Arcibanda, composed of producers and musicians Roberto Chiurazzi and Kevin Silalahi (BAPAK, whoosah). With a unique attention to, and allure for, band-oriented approaches to digi-organic sound design and composition, the pair delivers nine tracks of pure, outbursting instrumental joy, traversing diverse constellations of sonic references and shifting across eras in ways that never feel tacky, as expert masters of their craft. Drawing inspiration fro…
Dark Was The Night, Cold Was The Ground
*2026 stock. 300 copies limited edition* Since their formation in 2009, the Samuel Blaser Trio has been captivating audiences with their innovative sound and dynamic performances. Blaser Music is thrilled to present their second official release, a limited edition 10-inch blue vinyl that captures the essence of their artistry. This album was recorded during their recent tour in the UK, with a special stop at the renowned Steve Winwood Studio. The recording sessions were beautifully captured by J…
Rosina
Trombonist-composer Samuel Blaser is one of jazz's most prolific voices, with 34 recordings as a leader or co-leader since 2008. On Rosina, he delivers his most personal album yet — eight originals drawing on Italian folk melodies and a deep reconnection with his family roots in Emilia-Romagna.
The album takes its name from his maternal grandmother, Rosina Pierina Scarpioni — a wartime Resistance fighter who later moved to Switzerland, and a woman he never had the chance to meet. Reconnecting wi…
États des lieux
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
18 Monologues Elastiques
*2026 stock* Recorded in January/February 2013 by Martin Ruch at Funkhaus Nalepastrasse, Berlin, Germany with two Schoeps mk4 microphones on a boom, in ORTF or XY con guration, and Sound Devices – 702T or Zoom H4N recorder
Bird Food
Recorded live at Radio Studio Zurich on February 19, 1968, nearly seven months before Santana, previously considered the trio's debut , Bird Food is the earliest known document of the Pierre Favre Trio. The tape lay dormant in the drummer's personal archive for over half a century, until Pierre Favre and trombonist Samuel Blaser uncovered it while sorting through old recordings.
The trio brings together Pierre Favre on drums, Irène Schweizer on piano, and Jiří Mráz on bass, who would later becom…
Proximity Alert
*2026 stock* Following his recent debut on Songs with Inventions (SONGS002CD), Russ Lossing continues his creative journey with Proximity Alert, a compelling new trio recording. This album exemplifies Lossing’s mastery of spontaneous improvisation within the classic piano-bass-drum format, inviting listeners into a space of sonic exploration and emotional connection. Lossing has long championed the trio for its virtues: spaciousness, flexibility, sonic clarity, and the interplay of three minds. …
Inventions
*2026 stock* A fully improvised suite of piano solos by master improviser Russ Lossing. Nothing written, nothing preconceived. Pure improvisation. Recorded on his own Steinway grand piano "Lossing recorded it on his own piano, in his living room, at night. The setting enables Lossing to access the mindset necessary to spontaneously conceive and articulate this complex but logically organized music" - Bill Meyer
