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"The title Looking for Consonance popped into my head one day as I began thinking about a name for this collection of music. This title immediately felt important, so I kept sitting with it. I thought I knew what consonance meant in music, but I also knew it carried other meanings—ones that extend well beyond sound. Webster’s Dictionary defines consonance as “the harmony or agreement of sounds produced simultaneously, resulting in a pleasing and stable auditory experience.” The word that stands …
*100 copies limited edition* Six touching tracks that, starting from quiet ambient atmospheres, initially soft, tenuous, and crepuscular, gradually seem to soar... ascending towards celestial spaces, revealing ever-wider and brighter landscapes below, ever-more distant horizons, ever-more infinite spaces...
Highly evocative progressions, guided by sober and delicate melodies and driving, pulsating bass lines, wonderfully deep (best enjoyed with a good stereo system to truly appreciate them), the…
*100 copies limited edition* "Music, like love, surprises you, makes your heart race, gives you new eyes with which to look at yourself in the mirror..." - Gigi Masin
With an exclusive presentation by Gigi Masin, Up To 23 release their second album, now with an expanded three-member lineup following the permanent addition of Enrico Coniglio alongside founder members Marco Buffetti and Francesco Fincato. The album draws inspiration from the 1980s, evoking atmospheres reminiscent of sci-fi soundtr…
**Mad puppet Limited Edition 666 copies with Red marble Vinyl pus Insert and Mad puppet Mask!** Deep Red / Profondo Rosso the incredible existential and atmospheric soundtrack experience of Dario Argento's films comes from the merging of gorgeously crafted visuals with a soul tingling auditory experience.Once heard, Goblin's scores are never quite forgotten. Profondo Rosso is no exception, characterized by its synth heavy sound and chilling central theme. Along with Suspiria, Profondo Rosso is p…
Released in 1971, under the blanket of library music anonymity, Jungle Obsession is one of those rare and precious records whose extraordinary personality is instantly recognised by the ear of the listener. Timelessluminous!! Though it may look like a sexy piece of exotica from the heyday of tiki culture -- the '50s and early '60s -- Jungle Obsession was originally released in 1971 by the French Neuilly label. Nino Nardini was a master of library music for movies, TV series, and other media back…
"Dream of the Egg" is the debut solo album by Tomo Katsurada, known for his work with the Japanese psychedelic band Kikagaku Moyo. This project is a unique fusion of music and visual art, inspired by the Japanese 1920s children's book “Yume No Tamago (Dream of the Egg)”. It reveals a deeply personal journey, reflecting Tomo's dreams and the numerous rebirths experienced in 2024—a year marked by profound new beginnings in every facet of his life.
This mini album was driven by a passion for raw an…
“Eternal Almost” is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar. When the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always.
United by a shared sense of humour and musical curiosity, Tomo and Misha p…
*300 copies limited edition* What if, alongside the mainstream history of music, with careers and discographies spanning ten or fifty years from album to album, there was an underground, minority history, that of artists and projects with only one record? A flash, a burst of brilliance, a gem, but no follow-up, no repetitions, no decline.
This will most likely be the case for this album by Amarante-Cerisier, a duo formed by Mauricio Amarante (Radikal Satan, Équipage, travelling companion of Cana…
A shiver of mischievous vocal snippets, disorienting rhythms and collapsing sonic architectures, upsammy and Valentina Magaletti’s first collaborative album prioritizes motion, modulation and variance. The seeds of ‘Seismo’ were sown following a commission from Amsterdam’s Rijksmuseum to soundtrack an exhibition of work from the Museum Boijmans van Beuningen in Rotterdam and the duo didn’t want to approach their collaboration flippantly. So, wandering the museum’s maze of rooms, they recorded va…
We are marking the return of Cabaret Voltaire with the latest Electronic Sound cover story and we're combining the magazine with a green vinyl Cabs seven-inch offering brilliant live versions of 'Nag Nag Nag' and 'Spies In The Wires'. This is a limited edition pressing and is the very first physical release by the recently reformed band.
Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double LP - complete with printed in…
On Landlocked, Mo'ong Pribadi and Sholto Dobie build a clattering, breathing machine‑folk from self‑made pipes, horns and percussive junk, where air compressors and human lungs mingle into an uncanny music of phasing clicks, drones and phantom tunes.
On Attacco morbido, ATMO (Leila Hassan and Elia Buletti) let soft drum‑machine grids, quietly glowing keyboards and voice‑led fragments drift together, where programmed pulse and hand‑played percussion blur into intimate, half‑dreamt songs.
On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.
When Bass Communion was invited to appear at a Fourth Dimension/LTCo label event at Cafe OTO in May 2024, Steven Wilson (the man behind BC) agreed on the condition that his long-time friend and fellow traveller of music’s furthest reaches Frans de Waard could join him. Being acquainted with Frans’ work and having even released a couple of things by him ourselves over the years (on Fourth Dimension), we were more than happy with this idea.
However, when the pair met in London at Steven's studio t…
*Back in stock* For the first time ever, this book Wolfgang Voigt – Gas presents the visual aspect of the comprehensive gas project. it is not meant to be a monolithic retrospective of his visual work, but it features a broad spectrum of photographic images taken between 1995 and 1998 showing many different moods and perspectives of Wolfgang Voigt’s Cosmos. what they all have in common, however, is the mystical focus and seemingly, the blurring of boundaries between lightness and darkness, happi…
Schatterau’s third album, »Wir gingen durch leere Stunden« (We went through empty hours), sees the German duo blossoms with beauty and sophistication through a broad creative language. This opus, presented in the form of vivid auditory tableaux vivants, explores the topography of memory as a landscape in constant motion – full of loops, feedbacks, and mirage-like distortions. Sounds climbing like vines over old walls, concealing details only to reveal new ones. Some pieces feel like fragments of…
Alice Kemp is a British artist working with noise, performance, fetish objects, installation and many other forms of media. Throughout her work, she articulates a broken and illogical syntax of the subconscious through trance states, dreams, and disturbances. She has performed extensively, occasionally as an associate to the Schimpfluch-Gruppe of Swiss extreme aktionists.
It is a rarified violence that the Kemp invokes on her 9 Dreams In Erotic Mourning. Something disfigured. Something fucked. S…
Reissue of Harry Pussy's Ride A Dove, originally released on Siltbreeze in 1996. "By 1996, with one LP, a handful of 7"s, and a couple dozen gigs under their collective belts, Harry Pussy had thoroughly scrambled the mid-90s scuzz-rock ecosystem. Their acclaimed first LP, described by David Keenan as 'a black hole that devoured genre and flattened any attempt to classify it,' fused Japanese noise, '80s hardcore and post-Ayler jazz into a dense, white-hot ball of punk anger and insanity. The band…