New Arrivals
Adnos I-III
2026 Repress. Initially produced by Table of the Elements. Eliane Radigue's Adnos trilogy was composed between 1973 and 1980 and is among her finest compositions. Adnos is a deeply meditative work of infinite depth and sensitivity; one of the high points of modern minimal electronic composition. Packaged in a heavy duty 3CD jacket much like the recent Eleh releases and containing extensive archival materials.Eliane Radigue has composed for magnetic tape and electronic media since the late 1950's…
Vulcanalia
On Vulcanalia, AX - the solo vehicle of Anthony Di Franco - returns after nearly three decades to his original mandate: vast, beatless torrents of guitar, feedback and electronics, now scaled up into a molten, myth‑drunk monument to Roman fire and stone.
Fight Fire With Fire
Latest release by Joachim Nordwall on Stellage.
You Smile The Song Is Over
You Smile — The Song Is Over is Cheer-Accident’s 27th full-length release, out on the most-singular/most-still-standing Cuneiform label. It is an ambitious little monster, with lots of density and lots of sprawl, and it’s the perfect catalyst to force you out of your idiotic, culturally imposed ADD stupor. You Smile is, by turns, both meditative and adventurous, and we don’t see why you would want to leave your couch and/or headphones for a very long time. Our last couple releases could very wel…
šumum
*200 copies limited edition* Michaela Turcerová’s compositions unfold in slow motion. The saxophonist and composer’s glacial music zeroes in on the granularities of each note as it rings, soaking in every subtle shift in texture and pitch. Šumum exemplifies this patient approach to writing music, branching out from themes of loss and togetherness into an intricate tapestry of introspective sound. These four pieces invite deep collaboration between performers, who together shape the music through…
Pyramid
Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia. The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butterfly; Orchestral Excerpts (From The Symphony Of Life), In The Basement and City Of Stone are high-grade fusion jams with one eye on Weather Report and Return to Forever, the other on the organic Australian sound of Alan Lee and John Sangster.
The al…
Terra Incognita
*200 copies limited edition* Two beautiful pieces merging piano, electronics and field recordings.
"you had that uncertain landscape / in your mouth / a slightly opaque breath / chewing distances / into the ear of a land still without a name / the morning had settled askew / on the slow stones / and the motionless grasses / everything seemed to be waiting / for something very ancient / that never quite arrived / on my side / i had filled my pocket with silence / and repeated several times / what…
He Said Boler o'
Vienna FLAMMeS, or: The noise of these post-jazz improvisers resounds from paradise. According to a widespread cliché, improvisation in jazz is supposed to help promote the free play of the imagination. It was the Viennese flugelhorn player Franz Koglmann who vehemently contradicted the image of the naively self-actualizing jazz musician. As a composer of cerebral “cool” pieces, whose melancholy sprang from a razor-sharp analysis of his own means of expression, Koglmann was the most qualified pe…
Transparent Duo
*100 copies limited edition* Transparent duo, for 2 string instruments. On transparent paper. One set of pages indicates bowing. The second indicates the direction and length of mostly inaudible glissando. Players overlay pages and play any number of combinations. Field recordings were taken one morning and evening, in the summer of 2025 around Narrowsburg. "Through my music, I create situations for people to play and be together, to sustain a community, to share sounds and ideas in a welcoming …
Bonjour L'Ambiance
Two live recordings : one in an old castle in the countryide, the other in the cave of a bar in Paris. Normally only available at gigs.
Summer 2026 "Milestones" (Magazine)
We Jazz Magazine, Issue 19 / Summer 2026 "Milestones" for Miles Davis. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Miles Davis by Alex Coles, Phil Freeman, Tony Higgins, Ashley Kahn, Tadayuki Naitoh & Anton Spice, Spiritual Jazz by Pierre Crépon & Francis Gooding, Kadi Vija by Wif Stenger, Ingebrigt Håker Flaten by Tom Toremans, Jonah Parzen-Johnson by Giulio Pecci, Emma Rawicz by Rob Garratt, Courtney…
By the Lake Festival
On By the Lake Festival, Faust bottle a singular Berlin afternoon: iconic early pieces - including a choral‑bolstered “Why Don’t You Eat Carrots?” - rendered raw, sun‑bleached and unrepeatable, preserved in a lovingly remastered document that leaves every glorious flaw intact.
That Porous Line
On That Porous Line, Push For Night dwell in the blur between song and atmosphere, trading in smudged hooks, low-lit textures and slow, pulsing tension where guitars, electronics and voice seep into one another instead of standing apart.
Country / The Country
On Country / The Country, J.WLSN and Liam Keenan pare things back to the bone, using repetition, space and grain to sketch a faint, flickering idea of “country” where landscape, memory and rusted‑out song forms quietly bleed into one another.
Headwater
On Headwater, Helen Svoboda traces an intimate, slow‑moving current through bass, voice and carefully placed sound, letting murmured melodies, extended techniques and silence pool into an ecosystem where every ripple feels both fragile and tidal.
Alice The Goon
On Alice The Goon, Nurse With Wound stretch a single bad dream into half an hour of delirium: queasy not‑quite‑“easy listening” that mutates from lounge lilt to industrial throb, like a Popeye cartoon left to rot in a dripping underground cinema.
Healsgebedda Budgerigar
On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered sound.
Verfall
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 3x13,50 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 22x33cm. open and 11x11 cm. closed, approximately (paper 80 gr. thick). Inside there is also a 12x12 cm. insert (200 grams thick) that reproduces in front and back two collages of M.B.
T.M.C.T.B.
*42 copies limited edition*
Handmade packaging.The CDr is contained in a 14x20 cm embossed black cardboard envelope. A sticker is attached to the envelope.A small caution/danger sign printed on PVC is in turn attached to the sticker.Inside the envelope are:- a printed CDr- a full-color tri-fold cover- a bookmark- a sticker- a printed front and back page of Les Chants De Maldoror by Le Comte De Lautréamont. The front features the original title page from the first printing of the work, while the …
R.C.E.
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a printed bi-folded of 12x24 cm. open and 12x12 cm. closed, approximately (paper 120 gr. thick).
Subtitle: Exasperating sonata in three dissections for enharmonic pianoforte, industrial oscillations and digital emissions.
