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Ying Wang’s RE:Wilding presents five works shaped by sonic precision, cultural awareness, and political urgency. Acoustic instruments and electronics coexist without hierarchy, exposing noise, fragility, and quotation as structural elements. Rather than fixed messages, the music offers a field of tensions—between gesture and abstraction, control and collapse, presence and disappearance. References to social injustice, ecological crisis, and cultural memory are articulated through sharply drawn c…
26 October 2024, an album comprising a live performance by the Creative Unit of Yosaburō Toyozumi, Namchirak Signho, and Masatsugu Harada with Senko Terukina and Kosei Yamamoto at Gallery Mai within the Mōri Residence in Hofu City, alongside recordings from Masatsugu Harada's studio in Kure City. The performance at Gallery Mai could be described as ‘a once-in-a-lifetime resonance carved in Hofu by masters of improvisation.
For Sara(.es), who has resonated with numerous musicians, this is a special solo live recording, her first in about a year. Weaving together the sounds of bells, water-emitting instruments, harmonica, crystal bowls, triangle, and more, an energy-filled piano solo unfolds. From 1 May to 14 June 2025, the solo exhibition ‘Prayer’ by artist Keiichi Ikegami was held at Gallery Nomaru, the home of .es (dot es) and the base for Utsunomiya MIX. Following the sudden passing of Satoshi Hayashi, former di…
January 2025, Osaka contemporary art gallery ‘Gallery Nomart’ hosted Hideo Takashima's solo exhibition ‘Fill with Empty’. This was Takashima's first exhibition at Nomart, and featured the first live collaboration between British heavyweight drummer/percussionist Roger Turner and sara (.es).
The exhibition title ‘Fill with Empty’ refers to ‘a state filled with margins that contain diverse possibilities,’ according to Takashima. Takashima explains that the exhibition title, ‘Fill witt Empty’, refe…
Sometimes the most essential albums emerge from the most unexpected places. Serbian electroacoustic composer Manja Ristić, whose work has graced labels from LINE to mappa, has created something genuinely startling with “Sargassum aeterna” – a haunting four-track meditation on ecological collapse that reads like a transmission from the year 2221. Issued by Athens-based Rekem Records in a meticulously crafted limited edition of 200 copies, this isn't just another ambient release, it's prophecy ren…
Wewantsounds is delighted to announce the reissue of Music By Lee Mason, the cult classic from the Chappell Recorded Music Library, originally released in the UK in 1971. Credited to Lee Mason & His Orchestra, the album is in fact the work of renowned British composer and arranger Pete Moore—best known for composing the iconic “Asteroid” theme in 1968 for the Pearl & Dean cinema advertising company. One of the funkiest library albums of its era, blending cinematic tension, funky grooves, and jaz…
'The creation of the band African Fiesta, founded in 1963 by three well-known musicians, Nicolas Kasanda, Tabu Ley Rochereau and Roger Izeidi, and the contributions of the VITA label, established by Roger Izeidi, occupy an exciting chapter in the history of Congolese popular music. During the mid-1960s, African Fiesta consistently reached the top of the hit parade. The band, which back in the day positioned itself as a competitor to a current called ‘Fiesta Cubana’, breathed new life into Congol…
This exclusive vinyl edition features the haunting soundtrack from Jenifer, the unforgettable episode directed by Dario Argento for the acclaimed Masters of Horror series. Composed by maestro Claudio Simonetti (Goblin). The score fuses dark electronic tones with terrifying orchestral strings, perfectly capturing Argento's signature blend of beauty and terror. A must-have for collectors and fans of Italian horror cinema.
Viva is the seminal second album by the German band La Düsseldorf, originally released in 1978 and widely regarded as their most successful work to date. The album features the hit singles "Rheinita," which stands as their most popular track, and "Cha Cha 2000," an expansive and utopian composition blending hypnotic repetition, delicate piano passages, evocative chants, and rich electronic textures. This track has become the band’s signature anthem and a dreamy manifesto envisioning a more ideal…
Mild summers, coolish winters, down there in Dunedin, New Zealand, were the oceanic climate storms around. Here she writes her songs, here she listens to the wind, catches sea breezes. She is Maxine Funke, singer/songwriter, emotional poet. She used to play in local bands. Then she launched a solo career. Five albums so far. On labels like Feeding Tube Records, A Colourful Storm and Warp’s subdivision Disciples. She is also part of Annie A, a new collaboration between her, Time is Away, Félicia …
** 2025 CD Repress ** Beatriz Ferreyra has been at the forefront of electroacoustic music composition since 1963 when she joined the Groupe de Recherches Musicales as one of Pierre Schaeffer’s research assistants. She is one of very few composers still performing who was instrumental at the beginning of Schaeffer’s theories of sound objects and reduced listening techniques. She continues to compose commissioned works and perform around the world in a career that has spanned some sixty years.From…
Home Thoughts is the late, luminous farewell from Michael Garrick, written for his Lyric Ensemble and recorded in 2011. Working with poetry by Shakespeare, Browning, Blake and others, he fashions 12 song-like pieces where jazz harmony, chamber textures and spoken or sung verse fuse into an intimate, autumnal meditation on memory, love and mortality.
Tone Poems sees Michael Garrick orchestrating textures and images in a powerful display of big-band colour. Released in 2011 and performed by the Michael Garrick Jazz Orchestra, the suite of eight pieces draws on myth, landscape, and autobiography - each composition unfolding as a miniature drama of shifting harmony and luminous ensemble interplay.
Green and Pleasant Land finds Michael Garrick turning the English landscape into chamber jazz, writing for a luminous string-based group with piano at its centre. Across live performances from the early 2000s, he folds folk melody, hymn fragments and knotty improv into quietly radical miniatures that make the countryside feel haunted, restless and very much alive.
The New Quartet introduces Michael Garrick in close-up, stripped of choirs and orchestras and thrown into agile, conversational post-bop with Martin Hathaway, Paul Moylan and Alan Jackson. Across standards, Garrick originals and nods to Joe Harriott and Jaco Pastorius, the 2002 session turns lyricism into a pressure test, revealing how much drama four voices can conjure in a small room.
On Down on Your Knees, Michael Garrick revisits his sacred-jazz obsessions through the language of a modern small big band, setting hymns, blues, and standards in luminous, late-20th-century colour. With vocalist Anita Wardell alongside Martin Shaw, Steve Waterman, Jim Tomlinson and others, the 1999 album feels like a devotional songbook rewritten for restless, metropolitan believers.
In Lady of the Aurian Wood: A Magic Life of Duke, Michael Garrick salutes Ellington not with imitation but with a gleaming fever-dream of big-band narrative. Writing for the Michael Garrick Jazz Orchestra with Norma Winstone in a central role, he turns characters, ghosts and side-stories from Duke’s orbit into a 12-part, 75-minute suite of blues, prayer and hall-of-mirrors swing.
Peter Pan Jazzdance Suite lets Michael Garrick turn J. M. Barrie’s myth into airborne big-band theatre. Written for the Michael Garrick Jazz Orchestra and premiered for his 70th birthday, this 2003 suite paints Peter, Wendy, the Darlings, Tink, Hook, and the Lost Boys in vividly dancing themes that swing, drift, and menace by turns.