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Comes in digipak with 12-page booklet. Volume 3 of this forum and magazine for sound-art in the form of an audio CD. It compiles contributions from artists who have chosen for the acoustics as working field, starting from the visual aspect and going to the musical one, then trying to promote the teachings of their sound art. The final purpose is to present it as a 'listenable exhibition'. So, a magazine to listen to. Featuring Carl Michael Von Hausswolff, Gal, Maria De Alvear, Miki Yui, Alvin Lu…
Ways of Meaning, Kyle Bobby Dunn’s new full-length album and the second release for Desire Path Recordings, is a treatise on the resonance of memory; an attempt to harness the finality of meaning as a shared experience.
Mainly arranged for guitar and organ, the six works contained herein offer a look into Dunn’s mind as an artist deeply concerned with time, memory, consequence, identity, and meaning. Each piece, while created from and inspired by very personal moments, represents a point o…
It was a cavernous tone that broadcast from a ventilator duct that inspired Patrick McGinley to begin collecting field recordings and working them into his slow-arc compositions. At the time when he heard that particular tone in that particular city at that particular time, he had no gear to recording device on hand. Over the next fifteen years (and counting) McGinley has eased into a peripatetic lifestyle, wandering the European countryside and forests (but never straying too far from th…
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
Iancu Dumitrescu 'Liminal involvement' for ensemble. 'Le silence d'or' (Israel version) for ensemble and computer sounds. Ana-Maria Avram 'Lux animae XII' for ensemble and computer sounds. 'Telesma' (Israel version) for bass clarinet, ensemble and computer sounds. Contemporary Music Ensemble from Tel Aviv under direction Ilan Volkov with special guest Stephen O'Malley.
The tempered tonalities of Abraham's piano mesh with the atonalities of Brown's prepared guitar and utensils. Through concentrated listening and the implementation of conventional and extended instrumental techniques the resultant tones and textures pull at and morph into each other creating a mysterious sonic world, half here, half there. With combined extensive histories in jazz, improvisation, pop and rock music Chris Abrahams and David Brown together are: 'culture of un'.
Jérôme Noetinger is an improviser and composer of electroacoustic music based in Rives (near Grenoble), France. He plays Revox, tapes and radio. SEC_ is the moniker of Mimmo Napolitano, an electronic musician and sound engineer from Naples, Italy. He plays Revox, no-input feedback, laptop, electronic devices. Together these two play the kind of improvised electronic mayhem that put Europe on the map. Testcoda features two separate recordings of shapeshifting electronics. One side recorded…
Subtitled A Sound Journey with Evelyn Glennie, German director Thomas Riedelsheimer's exquisite Touch the Sound is nominally a portrait of the Scottish musician known as the first full-time solo percussionist. Glennie is certainly a fascinating subject. Profoundly deaf since childhood, she disdains the use of hearing aids and sign language, relying instead on lip reading and, more crucially, on the use of all of her senses, especially touch, to hear with her entire body. The film reveals …
Music : Franck Vigroux. Voice : Ben Miller. Franck Vigroux & Ben Miller began their overseas collaboration in 2009 with live shows in NYC and DC. Audio files and vocal tracks were then shared over the internet until a download release was made available on D'Autres Cordes Records. This release is now available on vinyl. number of corresponding records for 'FRANCK VIGROUX' : 4
restocked!! Alcor is the debut LP by a new voice from the Australian wilderness. Hailing from Ferntree Gully, Victoria, the music of Astor has thus far been appreciated only via a string of barely-distributed CDRs. Alcor gathers together the prime of these micro-editions and presents the material as a seductive and puzzling new whole. Field recordings of humble organic activity bend against a foundation of discreetly processed electronics/piano, creating sonorities that are as undefinable a…
Stargate is something in between pre-sleep Tetris Effect and Trance music in slowmotion: gated soft synth arpeggios smoothly modulate towards brutal supersawed patterns, disintegrating into ecstatic vocals. You are opening the doors of an Ibizia club at 5 am, the foam is all around and your eyes start twisting, your brain is gently stretched & pitched down. You are locked into the longest build-up ever. Unique, truly inspired, 100% uplifting music from the "Dawn of the Cryonics": watching …
Atrax Morgue is anxious and psychotic side of the electronic noise. With the help of a analog synth, Marco blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviations. Originally released on cassette under the title of ‘'Nursery Crime'' in a special box limited to 50 copies and later reissued on cd-r in very few copies with the title ‘'I vizi morbosi di una giovane infermiera'', is one of the most introspective and deep Atrax Morgue' s works. ‘'A vision…
Important is proud to welcome back James Blackshaw for his first full length on Important since his breakthrough album O True Believers was released on the label in 2006. James has since forged a remarkable career achieving critical praise for his dexterity, his deep, connected songwriting and his beautiful arrangement. Love Is The Plan, The Plan Is Death is available on CD & LP. LP pressed in an edition of 1000. Limited stock of color vinyl for mailorder customers.
Recorded at Mills College in Oakland, CA in March 1976, this LP represents one of the very few examples of John Cage performing his own work. Actually written in 1969, Cheap Imitation, composed for solo piano, is based on Erik Satie’s symphonic drama “Socrate”. An example of one of Cage’s indeterminate pieces, here Satie’s “Socrate” undergoes a series of variations based on the random extraction of hexagrams from the I-Ching. Inside pocket gatefold sleeve with liner notes.
The godfather of improvisational guitar, Derek Bailey’s praises have been sung far and wide by everyone from Pat Metheny to Karlheinz Stockhausen for having revolutionized the way the instrument was played over the last half of the twentieth century. Although fans are often frustrated by the low-fidelity of his earlier recordings, this 1975 LP (originally released on the Italian avant-garde label, Cramps), stands out in that regard. Recorded in an actual studio (unlike most of his early work) in…
Two of the world's most distinguished electronic musicians have drawn upon their shared passion for the sensuality and groove of late '80s / early '90s NYC House to hatch a genuine anthem for unsuspecting and open minds. DJ Sprinkles, aka Terre Thaemlitz, is a now Tokyo-based producer who, among so much other stuff, released the hugely loved, genre-defining "Midtown 120 Blues" album back in 2009. Mark Fell is the South Yorkshire-based sonic genius known for groundbreaking work as half of…
The Slaves may well have gone and made one of the standout debuts of the year - a layered mass of ethereal vocals most reminiscent of Grouper with a brutal, doom-stricken underbelly that at turns sounds like My Bloody Valentine, Sunn O))) and Slowdive, massively recommended if you're into any of the above and available in a limited edition run of 500, with initial copies on pure white vinyl* The Portland, Oregon duo of Barbara Kinzle and Birch Cooper, aka The Slaves, operate in the void …
On a mission to bring again the best works of the Italian Industrial acts of the 80s and 90s to the light, Officina Fonografica Italiana offers its first release in the form of a CD reissue of the historic "Armaghedon" by Maurizio Bianchi. Originally released on vinyl in 1984 by the author, this album has longly been his last work before his return to music in the late 90s. Conceived as a soundtrack for a movie by Bianchi himself - unfortunately never finished and now lost - "Armaghedon" is a co…
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
This is the official debut of the Opalio brothers' new project called MUSIC FOR PHANTOMS. It is a totally acoustic and a very ambitious project dedicated to "total quietness", recorded in the mountains and ONLY during the night. This is the most haunted music you can ever imagine, created playing exclusively wooden instruments: a classical guitar, and an acoustic guitar; all instrumental. This music makes you taste the distant echoes coming f…