New Arrivals

*2026 stock. 150 copies limited edition* This new album titled "The Antichrist or the Acceptance of Evil" is a project that is particularly important to me. It's a difficult theme, discussing violence, which exists in each of us, and how we make it seem normal by accepting and justifying it. Unfortunately. It is an imaginary story of a person—whether man or woman doesn't matter—who, by experiencing violence, discovers themselves.

*2026 stock. 150 copies limited edition* Sing-A-Beast is the debut solo album of Mariella Modonese following numerous collaborations with various exponents of the Italian research scene. The album contains 10 tracks conceptualized, composed and performed by Miriam and produced by her son Fabrizio Modonese Palumbo (Larsen, ( r ), Blind Cave Salamander,...) portraits of different animals organized into a sort of bizarre bestiary containing short spurts and long elaborate musical suites as well as …

Telekinett is pleased to unveil a narrative that delves into themes of darkness and metaphysics, spotlighting John Duncan, a distinguished figure among contemporary Electroacoustic composers.

*100 copies limited edition* Written, recorded, mixed, and produced entirely by Bessel, Illusion of an Inland Ocean expands the worlds of Visitation (2023) and Mirror at Night (2025) into his most expansive and mysterious work to date. His recent work has received international recognition from publications including SPIN, The Big Takeover, Various Small Flames, Post-Punk, Mystic Sons, Obscure Sound, Destroy//Exist, and others, establishing him as a distinctive voice at the intersection of ambie…

Limited edition CD & download album from Danny Thompson’s group fusing jazz with folk music. The triple CD comes in an 8-panel digisleeve with 28 page booklet detailing the complete history of the band and illustrated with photos and images mainly from Paul Dunmall’s archives. When asked “is it jazz or folk?” about his band Whatever, Danny Thompson replied “well, it’s Whatever!” Hence the name. When Danny started Whatever, a trio with reed player Tony Roberts and guitarist Bernie Holland, and in…

It's never too late for the end. After a little break failing lights returns this time with an overarching seasonal tiding of flowing swirling churning dark ambience abstractions that juxtapose between constant slow motion detailed changes against the ability for the listener to completely lose track of where they are and what exactly they are listening to. the connellys deliver festive seasonal electronics.

A dream come true for A Colourful Storm to be releasing an early gem by Tenniscoats, a duo whose DIY spirit, boundless creativity and lust for life and collaboration has left an indelible mark. From self-releasing albums and tapes on their own Majikick imprint to meeting kindred spirits The Pastels, Bill Wells and Jad Fair in between outings for Morr Music, Chapter and Häpna, to name but a few, Tenniscoats have embodied an understated determination and optimism for over two decades. "A foghorn m…

Welcoming Tori Kudo back to A Colourful Storm with a new edition of Maher Shalal Hash Baz's Faux Départ, a document of a stateside tour that culminated in a recording session at the legendary Dub Narcotic Studio with a one-time ensemble of Greg Saunier and Chris Cohen (Deerhoof), Andrew Maxwell, McCloud Zicmuse, Arrington de Dionyso, Takashi Ueno, Saya Ueno, Naoki Otani, Akiko Hotaka, Masaaki Endo and Naoki Otani. Always spontaneous, never rehearsed. Music in and of this world, seemingly teeteri…

Following their debut “Jazz Report From The Hood", which proved a major success and brought attention to Omasta as one of the most distinctive groups emerging from the contemporary jazz scene, the musicians return with their second album, “Hits Different”. The record develops the language established on their debut, pushing it into new territory and shifting the perspective from that of the protagonists themselves to that of a narrator telling the story. In just one year, Omasta went from an eme…

Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…

Recorded by Nate Young live at The Snake Pit, Pontiac, MI July 5, 2026. SYTH (sic) 5, Tapes, Bows.

A few weeks ago I hit up this resale shop I haven't been to before. Serious junk store.. stuff piled up everywhere, I had to lay on a pile of Christmas wreaths just to dig through some of the records. Anyway... I get to the electronics room. Ironically enough it has no lights... I start looking with the flashlight from my phone. Mountains of wires and junk and speakers and modems. I see this metal box laying randomly under a bunch of wires, I pull it out thinking it's probably some old telephone…

Been a fan of Brian Ruryk since the early 90's when Pete Larson convinced me to buy his Out Guitar Explosion 7" on the classic Stomach Ache label. Fan for life! So honored to release this new cassette of garbage throwing tape cut-up guitar spasticity. Twenty things happen before you blink...brains blast out of ears... fly back into nostrils... next thing ya know yer using guitar strings as dental floss. Thats a warning!

Bluetooth sound walks featuring extreme interference.Side A recorded at Cedar Point with bluetooth earbuds.Side B recorded in Oberlin with bluetooth speaker.

To wander means to relinquish the idea of a destination—moving through sound without immediately seeking a form, allowing chance encounters, shifts, and resonances to suggest the path. It is from this gesture that "In Vago Spirito" emerges, the new album by Italian vocalist, composer and sound artist Ludovica Manzo. The record marks a new chapter in Ludovica Manzo’s ongoing exploration into the dialogue between free improvisation and composition—a path previously charted through her work with th…

Beat Records returns with a new CD edition of Ennio Morricone's score for Il diavolo nel cervello, the 1972 psychological thriller directed by Sergio Sollima. Long absent from Italian shelves, this is a rare excursion into giallo territory for a director better known for westerns and crime pictures, and it drew from Morricone one of his most fully realised scores for the genre - a lyrical main theme carried by the voice of Edda Dell'Orso, set against dissonant string writing and passages of real…

Lussuria returns with Fresco, the latest full-length from the New York project of Jim Mroz, issued on LP by Hospital Productions. A quieter and more painterly record than much of what has come before it, but no less haunted. Active since 2007, Lussuria has quietly assembled one of the most distinctive bodies of work within the Hospital Productions orbit. Mroz came to wider attention with the American Babylon series in 2012, then a run of releases that moved between dark ambient, muted industrial…

Furthermore, from prefectures and coral shores emerges a handmade zine—Red Factory Decapitation—that explores industrialised dishonour, the counter-system of ancient rituals, and the notion of an honourable death as a means of securing passage into the afterlife. It portrays an estranged warrior class whose melancholy is gradually eclipsed by ruinous hysteria, culminating in the amplification of maniacal laughter.

*100 copies limited edition* Full length of shattering, flowing, faustian noise from one of the UK's best projects. known from various compilations and ‘blood and sand’ milestone. masterful well paced melting textures and feedback needle movements.

High temperature B2B wreckordings live death machine in remembrance of the 15th anniversary of vatican shadow at hospital fest nyc. featuring new, old and kollaborative tracks from VS/AM/SE past and disparate catalogs with dueling vocal angriff. never forget war is a force that gives us meaning.

You are red tail lights, you are small and simple, you entertained me, i want to destroy this you, i imagine you between two columns, you are small and simple, i want to destroy this you, you are a passion, i must deal with lucifer.

*75 copies limited edition* Richard Ramirez returns with The Hurting, a devastating new tape that plunges deep into the bleakest corners of harsh noise, industrial decay, and psychological unrest. Across its abrasive and suffocating soundscapes, The Hurting transforms distortion into a language of pain. Layers of feedback, blown-out frequencies, metallic resonance, and corrupted textures collide and collapse, creating an atmosphere that feels both brutally physical and deeply internal. This is n…

*2026 stock* Latest Terror Cell Unit tape on Phage Tapes. Comes in black clam shell case with lyrics booklet.

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

Nat Birchall goes back to the source. Not Coltrane this time, but the record that led him to Coltrane in the first place. In 1973 a schoolboy in Lancashire ordered a triple LP from his local record shop after reading about it in Black Music magazine. It was Grounation, by Count Ossie & The Mystic Revelation of Rastafari - hand drums, chanting, poetry, and the tenor saxophone of Cedric 'Im' Brooks, soulful and untamed, heard years before Birchall ever put on a John Coltrane record. When he finall…

Hardback cover, richly illustrated. A full-length book on Boards of Canada, the Scottish duo of Michael Sandison and Marcus Eoin, published by Disco Pogo with the approval of the band and of Warp. It is the fifth volume in the magazine's Tribute series, after Daft Punk, Aphex Twin, LCD Soundsystem and Andrew Weatherall, and the artist readers had been requesting most since the series began. Ships 10 November 2026. Sandison and Eoin started recording in the Pentland Hills outside Edinburgh in the…

Tony Conrad alone with amplified violin and self-built Long String Instrument, playing behind a sheet inside the unfinished Mudam in Luxembourg, October 2002. Nearly an hour of unbroken drone, first published here with an extended interview by Philippe Franck. CD digipack, 8 page booklet.

*200 copies limited release* Tip! The early collaboration between Maso Yamazaki (aka Masonna) and Rudolf Eb.er (aka Runzelstirn & Gurgelstøck) was based on the exchange of tape recordings and ideas by mail; they were guided more by a shared sensibility regarding extreme music and art than by a similar musical style. The first result of this cooperation was released in 1995 on Eb.er’s own Swiss label, Schimpfluch, as a cassette titled “Clitoris Projectile Pump Action”. In 1998, they performed as …

First ever reissue of Coil's 1984 debut on L.A.Y.L.A.H.: seventeen minutes of gongs, bowed metal and slow decay, subtitled Ritual music for the accumulation of male sexual energy. Single-sided 180 gram vinyl with etched B-side and a previously unpublished hard board insert.

Tip! At the time, Yuji Takahashi was known internationally primarily as a pianist. Yet the decade from Phonogène (1962) to Tadori (1972) reveals another essential side of his work: an exploration of electronic sound, mathematics, and computers in composition, and of their changing relationship with human performance. One of the starting points was his encounter with Iannis Xenakis. Takahashi studied probability theory and set theory, and in Phonogène developed his own probabilistic approach to o…

Which is the more productive situation for improvisation: the shock of the first time encounter, unhindered by history or habit, or the long-term association and the evolution of more complex interactions? It's an unresolved, perhaps even undecidable, question. This recording brings together four improvisers together in a multi-layered situation which combines multiple permutations of the untried and the familiar. The four had never all played together before but the quartet contains various his…

'Murdúchann’: Where layered vocal transformations summon siren songs and sonic phantoms from within the source. The word ‘Murdúchann’ comes from a Middle Irish word evoking a siren-like being—a sea singer or mermaid. It derives from ‘muir’ (sea) and ‘dúchann’ (chant, song). The singing melodies said to hold sway over seamen were characteristic of the sirens of classical mythology—likely imported into Irish literature via Homer’s Odyssey. "Over the past decade I have been working with a vast sour…

*100 copies limited edition* Vigilant is the solo project of Dmitry Polivenko, a musician and sound artist from Voronezh, Russia. Founded in 2020, the project crafts immersive sonic landscapes through the transformation of cassette loops, field recordings, and guitar textures, skillfully blending analog warmth with contemporary digital processing. Drawing from experimental, ambient, and industrial influences, Vigilant creates evocative compositions that balance raw sonic exploration with a stron…

Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…

Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…

Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…

*100 copies limited edition, black vinyl* In continuation of our deep-dive into the diamond vaults of US Prog, it is with great pleasure that we bring you the first reissue of the 2 ultra rare albums by the Detroit-based October. This is a deliciously eclectic combo of sonic explorers whose recorded testament consists of a string of pebbles that crystalized in a collectively interminable quest for that eccentrically elusive eureka moment. Fueled by King Crimson and Yes, but also by the improvis…

The mighty Argentine progsters Bubu make a triumphant comeback with their 3rd and final album El Ultimo Cortejo. Composed in part based on notes discovered by the band’s mastermind Daniel Andreoli in his parents’ basement, dating back to the Anabelas (1976) period, and in part on newly infused sonic elements by the evergreen lineup that boasts some of the finest upcoming musicians from Buenos Aires’ rampant neoprog scene, El Ultimo Cortejo carves new pathways in Bubu’s evolutionary trajectory by…

*300 copies limited edition* Berlin-based percussionist and vocalist Teresa Riemann presents Can I stare at you publicly?, a new collection of solo works for percussion and voice. The pieces are meticulously composed, while their origins lie in improvisation, and improvisation remains part of the way Riemann performs them. The compositions stay open, allowing her to interpret them differently each time and keeping the music in a state of movement rather than fixing it into a final form. On “The …

Prurient's Pleasure Ground, recorded on 14 February 2006 and first sold as a double cassette at No Fun Fest in New York: Dominick Fernow's power electronics meeting synths, doom and black metal.