New Arrivals

Recorded 1984-87 in Brooklyn and never before on vinyl, jazz pianist Masabumi Kikuchi's Rokudai cycle - Earth, Water, Fire, Wind, Air, Mind - turns synthesizers and a Shingon Buddhist framework into improvised electronic music. Remastered by Taylor Deupree. Complete six-2LP set.

Documentation of a live solo performance at the Old Church, Stoke Newington on May 29th 2026, for the Ukrainian label and promoter ШЩЦ [shshchts]'s London showcase.

First recordings of two long microtonal works by Kraig Grady, The Molten Wind and Crow on the Dark Side of Gloss, built from individually recorded single notes played by an international group of soloists in Grady's just-intonation tunings.

Created by correspondence between Christchurch and London, Nebular pairs Roy Montgomery's decaying post-rock, folk and drone guitar with Martha Skye Murphy's wordless, glossolalic voice. Stems traded by email at nocturnal hours, raw emotion launched into a time capsule for the stars.

Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi…

*2026 repress* Construção (Portuguese for 'Construction') is the eighth studio album by Brazilian singer-songwriter Chico Buarque, released in December 1971. It was composed in periods between Buarque's exile in Italy and his return to Brazil. Lyrically, the album is loaded with criticisms of the Brazilian military dictatorship, especially with regard to the censorship imposed by the government at the time. It is widely regarded by music critics as one of the greatest Brazilian albums of all tim…

*2026 repress* The soundtrack to Jim Jarmusch's 1986 film Down By Law is composed and performed by John Lurie, who also plays the pimp Jack in the movie. His world-weary avant-jazz pieces like "Please Come to My House," "What Do You Know About Music, You're Not a Lawyer," "Strangers in the Day," and "Fork in the Road" convey the film's seedy but humorous crime story.

*2026 repress* This is the only solo album by American soul singer James "Baby Huey" Ramey. He died at the age of 26 while recording his solo debut, and the album was finished and released posthumously. A quarter century after its release, The Baby Huey Story went on to become a cult classic among soul musicians and fans. Its single "Hard Times" has been sampled many times by a lot of artists and was covered by John Legend and the Roots in 2010 for the album Wake Up!

For fifty years, the piano has been the backbone of Raymond Deane’s creative output. This journey began at age sixteen with the first Orphic Piece, a work that set the stage for a career defined by breaking contemporary taboos. Rejecting both the strict rules of traditional keys and the lawlessness of atonality, Deane creates his own temporary musical structures, constantly building them up and dismantling them again. For him, composition is a process of conflict and negotiation, allowing for th…

Harold Ousley’s The Kid! is a superb example of early-1970s soul-jazz and jazz-funk, putting the spotlight on the saxophonist’s distinctive tone and commanding presence. From the first notes, the album radiates energy and character, marrying dynamic phrasing with a deeply confident sense of swing. The record thrives on infectious grooves, a tightly locked rhythm section, and spirited improvisation that keeps the music moving at every turn. Seamlessly blending the worlds of jazz, funk, and soul, …

In the years after independence, Tunisia made an unlikely bet: tourism. Beach resorts rose along the coast, each one trying to outshine the next, and each one needing a band to entertain their guests. A whole generation of musicians grew up on those hotel stages - sharing bills with James Brown, Claude François and the Mingus Dynasty - and what came out of it was a small revolution. Funk played on Tunisian instruments. Disco with an oud in it. Reggae carried back from the island of Kerkennah. A …

We return to the domestic scene with one of the most coveted items for Spanish record collectors. All sorts of stories circulate about this record: some claim to have seen it decades ago at a fair, while others recount how a fellow collector managed to snag a copy in the early days of the internet. The truth is that those who can boast of having the original on their shelf can be counted on the fingers of one hand. A true rara avis recorded by Expresion in 1974 for the Musimar label, this legend…

*100 copies limited edition* There is a strange form of clairvoyance that does not look to the future, but digs back into the earth, into the ground itself. Etruscan mythology tells that the small Tages who emerged from the furrow of a plowed field at Tarquinia was not an ordinary child, but memory itself—coming from the earth’s innards—to dictate its divinatory secrets. For the seventh installment of the Drove catalog, the ensemble Oracle Column turns this myth into sound material, treating mag…

Once again studio master / composer / bassist Guy Segers assembles a huge cast of progressive musicians to perform / improvise 8 new pieces. Guy's methods of composition and collage remain as before, but each new Eclectic Maybe Band release brings a new perspective to the music. This time round harder, more brittle sounds emerge from an album with a very punchy attitude. A mixture of avant pop and progressive complexity.

A fourth collection of Keith Jafrate's soulful music and poetry in the grand lineage of spiritual jazz, performed once more by a team of top drawer northern UK players who can interpret this music with power and sensitivity. With their fourth album on discus Uroboro continue to expand composition into improvisation, or perhaps set it free to become improvisation, or perhaps sabotage it with improvisation. by way of explanation, they offer an absorbing set of eight new pieces, four vocal and four…

*2026 stock. 500 copies limited edition* Lynx started in 2004 and is a doubledrumleadrhythmsectionpowerband. Based on Antonis’ compositions the music is developing in collective improvisations. Combination of arithmetical structures and spontaneous decisions. Hypnotic melodies, ecstatic drumming and extended sound trips. Studio prize 2005 of the Culture Senat in Berlin! Cool dark sounds in Jazzy and Latin ways!

French composer Sylvain Bombled aka Mayerling is back on HITD with ‘Finis Terrae’, marking the project's first album in 8 years. In the winter of 2025, the musician came up with these five pieces while in solitary retreat on the northern coast of Ouessant, the westernmost island of metropolitan France. The rough weather, the awe-inspiring beauty of the surroundings and the majestic grandeur of the natural elements play a pivotal role in each composition, allowing Mayerling to delve into his inne…

Reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years “Man Ah Warrior” is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations’ “Papa Was a Rolling Stone” is instantly recognizable in the title tra…

Earth Running, originally released in 1979 on the Tappa's Stars label, can be considered the Jamaican's toaster's maturity album. Lyrics here are rooted in the "ghetto life" as always. A work with an international flavour: On Side B, two convincing dance tracks, the anthemic funkfest "Freak" and "One More Chance", often championed by DJs in the following years. A work that explored new territories, a mandatory re-issue for all authentic reggae lovers.

Pink Floyd Live at the Oakland Coliseum, is a landmark triple-album release featuring a recording of Pink Floyd’s May 9, 1977 show at the Oakland Coliseum during their “In the Flesh” tour, staged to promote the album Animals. Delivering the full force of the band at their creative peak, the release captures a night of bold energy and unforgettable live atmosphere. Roger Waters, David Gilmour, Richard Wright, and Nick Mason are joined by Snowy White (electric guitar, 12-string guitar, bass, and b…

*300 copies limited edition* Anybody paying attention to what’s been happening at Lumberton Trading Company during recent months should have noticed that Modelbau had a collaborative CD with Bass Communion released in late March. Meshing abstract electronics with ambient textures, field recordings and a more electroacoustic setting, 'Analysis Reveals Nothing of Substance' brought together the minds of Frans de Waard and Steven Wilson into a space that proved their own slightly different takes on…

Magic Hour, comes from FeLid, a member of the post-hardcore band the north end and an organizer of the festival platform MIMINOIMI. Combining improvisational and accidental guitar sounds, lyrical ambient drones, and high-definition sound editing, Magic Hour is both accessible and deeply experimental in its approach.

RGL is a track maker known for his lo-fi house productions and analog-textured dance music, with releases on labels such as Diskotopia and Breaker Breaker. His new work, Untitled, showcases a wide-ranging sonic palette: alongside rhythm-driven tracks, the release also features abstract drone pieces with little or no discernible beat. The result is a work that crystallizes RGL’s singular sensitivity to sound and texture.

*75 copies limited edition* "Outwardly active in France's experimental music scene since a few years, Arnica Montana elegantly opens her discography with her first physical release, Placebo Music. Recorded in Nice, on the Côte d'Azur, this tape reflects - in the artist own's words - the boredom and suspended time of the region, the strange dystopian atmosphere of those cities, the mountains, the rhythm of the waves, and of the peculiar slowness that seems to permeate the landscape.
 With her lit…

A door into the most private corner of the Japanese underground. With its La Musica series, Black Editions turns to the catalogue of La Musica, the tiny imprint run by Asahito Nanjo - the bassist and ringleader behind High Rise, Mainliner, Musica Transonic, Toho Sara and more - on which he issued a stream of hand-assembled cassettes and CD-Rs, sold in microscopic editions at a handful of live dates and all but impossible to find ever since. This first instalment, Flight 1, gathers six of those l…

A 1982 cassette by Abe Kaii, the duo of Jojo Hiroshige and Toshiji Mikawa, named in sly homage to free jazz saxophonist Kaoru Abe. A monolith of free jazz and psychedelic space rock from two future architects of Japanese noise, near impossible to hear for decades, reissued on Alchemy in 2017.

A 2018 live document from Hijokaidan in their definitive musical form: Jojo Hiroshige on guitar, Junko's voice, Toshiji Mikawa on electronics and Futoshi Okano on drums, fusing into a single dense wall of sound. The King of Noise captured live and unrepentant. On Alchemy.

Solmania's first album in 18 years: a single 64-minute slab of avant-garde guitar torture from Masahiko Ohno and Katsumi Sugahara, wrung from self-built multi-neck guitars bristling with extra pickups. Not a static wall but a continually evolving storm of feedback and tone. On Alchemy, 2016.

A 2015 collaboration between Jojo Hiroshige on guitar and Haruo Ueda on electronics, structured around the natural elements. The Hijokaidan founder steps away from pure noise into a more textural dialogue, his guitar set against Ueda's shifting electronic fields. On Alchemy.

An instrumental solo guitar album from Jojo Hiroshige, founder of Hijokaidan and self-styled King of Noise. Improvisation for solo electric guitar pushed to a dense, heavy extreme that is hard to believe comes from a single instrument. On Alchemy.

Jojo Hiroshige - known and feared throughout the world not only as a member of the legendary ‘‘Hijokaidan,’’ often referred as ‘‘King of Noise,’’ but also as the owner of the prestigious label “Alchemy Records,” which has released countless “Japanoise” masterpieces. "Words are different to sounds in that the images they create are limited. They’re like a two-edged sword – sometimes they can be used effectively, but sometimes they restrict the range of the images employed. When I was young I read…

On White Morning, Fumio Miyashita distils his healing‑ambient language into two near‑half‑hour reveries: soft synths and gentle acoustic colours held in a discovered stillness that treats music as a space for rest, focus and quiet presence.

On Bivabippabualukka, Sofie Birch turns a spiritually transformative period with her brother Alfred into a bossa‑tinted pocket of joy: playful, childlike songs where intuition, myth and healing spill out like fish from a cup of dreams.

On Después De Llover, Eli Wewentxu and Indrė Jurgelevičiūtė turn a first encounter into a shared dreamscape, letting kanklės, txompe and violin wander in post‑rain light where plants, pudus and herons quietly rewrite the rules of folk dialogue.

On Everything You Giveaway, Pablo’s Eye turn Richard Skinner’s seaside vignette into a drifting meditation on loss and camouflage, where a missing jade earring becomes a quiet parable about hiding what hurts in the very element that once held it.

On Mood Programs – Extended Play, Ron Trent’s LA MARR project turns two long pieces, “Good Magic” and “Clear”, into living rooms of sound: ambient‑leaning, rhythm‑conscious environments where synth, dub space and hi‑fi warmth shape mood as much as melody.

A 2015 meeting between Hijokaidan and Nasca Car, the Osaka electronic project of Nakaya Koichi. Two studio tracks and two live sets across more than forty minutes, the King of Noise's wall of sound crossed with Nasca Car's pulsing acid-house and new-wave electronics. On Alchemy.

The 1982 debut of Osaka's Hijokaidan, the self-styled King of Noise, here in a 40th anniversary edition. Compiled from 1981 live recordings of their notorious early shows, it is a primal document of noise's violent youth, predating the debut LPs of Sonic Youth and Swans. On Jojo Hiroshige's Alchemy.

Harsh noise at full saturation from Incapacitants, the duo of Toshiji Mikawa (Hijokaidan) and Fumio Kosakai. No melody, no rhythm, no let-up, only a dense and strangely psychedelic block of electronics pushed toward ecstatic overload. One of the defining names in Japanese noise, on Alchemy.

Princess Mononoke (1997) is set in a mythic late-medieval Japan of iron foundries and forest gods. The young prince Ashitaka, cursed while killing a boar god maddened by hatred, travels west and finds himself caught between the people stripping the forest and the wolf-raised girl San who defends it, a story Hayao Miyazaki refuses to resolve into simple sides. Joe Hisaishi's music met that scale with his grandest and grimmest writing for Miyazaki to that point. The film score, recorded with the T…