Various
From Punk To Ultra: The Plurex Story (2LP)
LabelModern Harmonic, Plurex RecordsGenreExperimental
Out of stock
Tracked express shipping from Italy, no customs or import VAT in the EU. Shipping costs
Homogeneity be damned, these early Plurex tracks are a head-turning snapshot of what was happening in the late ‘70s Netherlands underground! Includes an interview with Plurex founders and all of the singles from 1978-‘80!
Some of the bands would never release another record, but for the label and many of the artists there was yet more history to be made, not least of which was Minny Pops’ ascendance to seminal status, and Plurex’s emergence at the center of the envelope-pushing Dutch music scene that came to be known as Ultra.
“It’s extreme, that’s what that word stands for,” explains van Middendorp of the movement, “It stands for something that’s clearly outspoken, and that’s what we tried to do.” From the confrontational clang of their early punk releases to the electronic art attacks that arrived soon after, Plurex was about saying something new, loudly enough for all to hear.
When those records were made,” says van Middendorp, “I never expected that we would have a conversation about them 40 years later if not longer. At the time nobody was even thinking for one minute that this might happen.... That so many years down the line there’s still people out there that will discover this music. And the great thing [about The Plurex Story] is that it’s also on a format that I’m a big fan of, because who gives a shit about the stream? It’s nice to have a physical album in your hands.”
Format
A1, A3, B2, C1, C5, D1, D3 originally issued in 1978
A2, A4, A5, A6, B1, C2, C3, C4, D2 originally issued in 1979
A7, B3, B4, B5, C6, C7, D4, D5 Originally issued in 1980
[On rear cover]
Special thanks to Wally van Middendorp, Truus De Groot, Dick Bakker. Cover photo of Filth taken by Marjolein van Zijl at Kampen, 1978.
Back photo by Wally van Middendorp of Plurex HQ.
Inside photo of Bandt + Instruments courtesy of Truus de Groot.
℗ 2024 Modern Harmonic
Runouts are hand-etched
Cat# mh-8302 on labels
Cat# MH-8302 on front and rear covers and spine
Release notes
A1, A3, B2, C1, C5, D1, D3 originally issued in 1978 A2, A4, A5, A6, B1, C2, C3, C4, D2 originally issued in 1979 A7, B3, B4, B5, C6, C7, D4, D5 Originally issued in 1980 [On rear cover] Special thanks to Wally van Middendorp, Truus De Groot, Dick Bakker. Cover photo of Filth taken by Marjolein van Zijl at Kampen, 1978. Back photo by Wally van Middendorp of Plurex HQ. Inside photo of Bandt + Instruments courtesy of Truus de Groot. ℗ 2024 Modern Harmonic Runouts are hand-etched Cat# mh-8302…
| A1 | Plastic | ||
| A2 | Sexy Pyjamas | ||
| A3 | Daddy Is My Pusher | ||
| A4 | Footsteps | ||
| A5 | Bizarre Disco | ||
| A6 | Nervous | ||
| A7 | Sweet Bananas | ||
| B1 | Poly Vinyl | ||
| B2 | Don't Hide Your Hate | ||
| B3 | Special Agreement | ||
| B4 | Eens Maar Nooit Meer | ||
| B5 | Mental (Live) | ||
| C1 | We're So Glad Elvis Is Dead | ||
| C2 | Collision | ||
| C3 | Sell Jesus | ||
| C4 | Jaws | ||
| C5 | Sex | ||
| C6 | Words | ||
| C7 | Night Out (Live) | ||
| D1 | Nothing For Me | ||
| D2 | Kojak | ||
| D3 | I Am | ||
| D4 | Vlinder | ||
| D5 | Dolphin's Spurt (Live) |
- Jon Hunt
- Graphic Design, Layout
- KPG
- Lacquer Cut By
- Wally Van Middendorp
- Photography By [Back Photo]
- Marjolein van Zijl
- Photography By [Cover Photo]
- Truus de Groot
- Photography By [Inside Photo]
- Jay Millar
- Producer [Compilation]
- Brian Thompson
- Production Manager
- Zoe Willard
- Project Manager






































































