New Arrivals

Second instalment of Éliane Radigue's Occam Ocean, a long suite for the 30-piece ONCEIM orchestra conducted by Frédéric Blondy: accordion, guitars, clarinets, saxophones, strings and brass merged into one slowly breathing tone.

Éliane Radigue's Occam Ocean 3: three pieces for viola, violin and cello with Julia Eckhardt, Silvia Tarozzi and Deborah Walker, recorded in 2019 in an abbey near Bologna. Music born of oral transmission and water images.

Fourth chapter of Éliane Radigue's Occam Ocean: three long pieces for alto saxophone, voice, treble viol, birbyné and bass clarinet, shaped with Bertrand Gauguet, Yannick Guédon and Carol Robinson through oral transmission.

Luigi Nono's Risonanze erranti, the 1986 song cycle for Massimo Cacciari on texts by Melville and Bachmann, for mezzo, flute, tuba, percussion and live electronics: Ensemble Prometeo and the SWR Experimentalstudio. SACD.

Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.

Dominique Ponty (piano) and Stefan Lakatos (trimba), who knew and worked with Moondog for years, play his miniatures, known pieces next to unpublished ones mostly dedicated to Ponty. A faithful, detailed portrait.

Eleven radio tales made by Brunhild and Luc Ferrari for Südwestfunk in 1990-1994: the couple talk in French and German around Luc's pieces, turning memories, anecdotes and music into new radiophonic works. 4CD box.

Charlemagne Palestine live at the Sorbonne chapel in 1979, playing two Bösendorfer Imperial pianos: forty minutes of slowly accumulating intervals and ringing overtones. Hand-made CD in a velvet box designed by Palestine.

Éliane Radigue's complete Naldjorlak trilogy (2004-2009): I for cello (Charles Curtis), II for two basset horns (Carol Robinson, Bruno Martinez), III for all three. Recorded in Paris in 2011 by Daniel Deshays. 3CD.

All seven Paragraphs of Cardew's The Great Learning by the Scratch Orchestra Strasbourg under Didier Aschour, an orchestra born from an open call and two years of shared practice: 4CD box with a 116-page booklet.

The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.

Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.

First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.

Cello feedback through a bass amplifier set against a grand piano, whose strings answer in dense overtones: three long pieces recorded in a former convent in Belgium, between drone and spectral music.

A mixtape of carimbos and vinhetas, the audio drops of Brazil's paredão sound systems, recorded between the 1980s and 2025, from Rio funk crews to São Paulo mandelão and the rigs of Belém. Compiled by GG Albuquerque.

Split Sous-Terrain: Mårble, Dolphin Hospital and Tourbière recorded live at the AAE cave on December 20, 2025, four parts of experimental live electronics. Limited edition tape on Nazlo Records.

Holding Pattern by Melbourne composer and cellist Abby Sundborn: a single piece for cello and voice performed live to a small audience in August 2025, fragile music with a deceptive intensity. Cassette on A Colourful Storm.

Passiflora, the tenth edition of the Music To Watch Seeds Grow By series: KiF Productions follow the passion flower from seed to bloom and back to earth in nine collaged ambient pieces. Cassette.

Merzbow at pocket size: two two-minute parts of harsh noise recorded at Munemihouse in March 2026, cut into a 5" lathe disc in a folded cover sealed with a hand-numbered sticker. Fifty copies, a goat on the sleeve.

Black Leather Jesus, the Houston harsh noise project Richard Ramirez started in 1989, on a white 8" lathe cut: two sides of almost seven minutes, Washed and Waiting, recorded in Pennsylvania in March 2026. Thirty numbered copies.

Emil Beaulieau, the persona of RRRecords founder Ron Lessard and America's Greatest Living Noise Artist, on a 7" lathe cut: two untitled sides of turntable abuse and recycled sound, thirty numbered copies on black, clear and white vinyl.

Rudolf Eb.er, founder of Schimpfluch and once Runzelstirn & Gurgelstøck, in four self-experiments recorded at Om Kult in Osaka in 2026: psychoactive acoustics and cut-up decay on a white 9" lathe cut, thirty numbered copies.

Large-format hardback from Soul Jazz on the sleeves of Folkways Records, most by designer Ronald Clyne: hundreds of covers for Woody Guthrie, John Cage, Lead Belly, Allen Ginsberg and many more.

Morricone's 1972 score for Nino Zanchin's film, from the original mono masters: a love theme sung by Edda Dell'Orso and psychedelic harp pieces with echo, back on CD after twenty years.

The Ex's 1998 album recorded by Steve Albini at Electrical Audio, their first for Touch and Go: eleven songs of interlocking guitars and stark drums, on vinyl for the first time with a booklet.

The Ex's 1995 album of 32 instrumental miniatures with Han Bennink, Ab Baars, Wolter Wierbos, Tristan Honsinger and Michael Vatcher: small-ensemble improvisation, on vinyl for the first time.

Pete Shelley's 1974 electronic recording, made two years before Buzzcocks on a home-built oscillator and a two-track tape recorder: drones, feedback and echo, on CD for the first time.

CZN, the trio of Valentina Magaletti, gong maker João Pais Filipe and Leon Marks, in two long pieces of drums, handmade gongs and cymbals recorded at Abbey Road: the first release on Orator.

Three Panasonic remixes made in 1996 by Zoviet France and by Muslimgauze, found on DAT decades later and issued by Sähkö in 2020: one side of Zoviet France, two Muslimgauze pieces. Repress.

Korm Plastics' yearbook on music, fourth edition: Michel Faber, Robin Rimbaud, Klaus Maeck with Einstürzende Neubauten in 1981, David Elliott on Heldon, feminist labels, Popol Vuh in Norway, the No Fun Fest and more.

Wouter Jaspers' guide to radio for artists: crystal sets, shortwave, SDR, home-built antennas, the politics of the spectrum, fifteen artistic approaches from Kubisch to Kogawa, exercises and a timeline of radio art 1909-2026.

Duo of Lino Capra Vaccina and Luca Formentini recorded during a five-day residency at Ritmo e Blu Studio in 2025, five movements between improvisation and composition; CD in digisleeve.

Dj Balli explores human pyramids from the Italian gabber scene to Catalan castells, Dahi Handi, Bo-Taoshi and the Venetian Forze d'Ercole; CD in an envelope with nine cards, November 2026.

Six pieces by Gianluca Becuzzi (guitars, basses, effects) and Vrna, Gianluca Martucci (strings, percussion), between guitar drone and ritual ambient; St.An.Da., November 2026.

Live set by Fabio Orsi at Kina in Rome on 31 May 2026, a ritual in three sections made alongside the a sad song for A. project, with samples by Hiseka; October 2026.

Electroacoustic collage by Anacleto Vitolo recorded live in five sections, between frenetic passages, drones and quiet pauses; CD in digisleeve, October 2026.

Short ambient-electronic tracks by Spielerei drawing on techno, IDM, downtempo, dub, glitch and Berlin School, mastered at Ultimae Studios; 200 copies.

Ambient and drone album by the Chinese sound artist Guofei (Oscpllex), from field recordings made in Venice during the 60th Biennale, in Milan and Florence, processed in Shanghai; 200 copies.

Dub alliance of Mystica Tribe (Taka Noda) and Scopeotaku (Scott Prentice) between dub, techno and psychedelic electronics; CD in digisleeve, 13, October 2026.

Skullflower's 1989 Broken Flag debut, the birth of British drone-noise-metal, back on vinyl for the first time in over thirty years, with Matthew Bower, Stuart Dennison, Stefan Jaworzyn and Stephen Thrower.