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Kokoro no Kibi, the new release by Shoko Igarashi, is an album of ambient and electronic meditations inspired by the Japanese phrase for “the delicate nuances of the heart”. The Brussels-based composer and saxophonist blends gentle analog textures, improvisation, and subtle harmonic landscapes.
Ajomasé marks the influential debut of Gasper Lawal, legendary Nigerian percussionist, now presented in a vibrant reissue by Strut Records. Originally released in 1980, the album bridges Yoruba traditions and Western funk, propelled by layered drumming and energetic ensemble playing. Each track is infused with rhythmic invention and charismatic flair.
Allen’s Soul Bag is a standout reissue from Allen Kwela Octet, capturing the spirit and sophistication of South African jazz in the early 1970s. The album, newly remastered from vinyl and pressed in a limited run, offers emotive ensemble playing and rich melodic invention, showcasing Kwela’s expressive guitar against vibrant horns, piano, and rhythm section.
Pita Parka, Pt. II: Nim Egduf, the latest release from Dun-Dun Band, is a hypnotic excursion through polyrhythmic landscapes and global traditions. Guitarist Craig Dunsmuir leads a ten-piece ensemble in Toronto, weaving intricate ostinato riffs with jazz, Afrobeat, and ambient influences, resulting in a set of four expansive compositions that enchant and provoke.
Everything Is Possible, the third album from Peace Flag Ensemble, pushes the boundaries of jazz improvisation and ambient experimentation. Led by Jon Neher’s lyrical piano and complemented by subtle electronic flourishes from Michael Scott Dawson, the group’s ensemble dialogue traverses gentle melodic passages and unexpected textural turns, resulting in a collection that is both introspective and quietly assertive.
Orbital is the debut album from Orbital Ensemble, a Toronto-based jazz fusion group melding psychedelic grooves, Brazilian MPB influences, and intricate improvisation. The resulting LP weaves together melodic openness, vintage moods, and crisp ensemble playing, offering an immersive sonic experience that feels both exploratory and deeply rooted.
Broken Shoes, the reissued LP from Soweto, thrives on the vibrant interplay of jazz and funk, capturing an era where rhythmic conversation takes precedence over polished surfaces. With each groove, the band conjures a sense of lived experience, reframing classic township forms in a manner both contemporary and respectful of the genre’s roots.
Mother Africa by Byard Lancaster radiates with spiritual energy and improvisational daring, weaving together free jazz, blues, and soulful overtones. The album’s exploratory language and deep sense of groove reflect Lancaster’s boundary-pushing ethos, resulting in a vivid listening experience that braids together African themes, fluid ensemble interplay, and Lancaster’s distinctive melodic sensibility.
Us by Byard Lancaster is a vibrant suite of improvisations driven by searching melodic motifs and propulsive rhythms. In a compact yet dynamic trio format, Lancaster’s alto saxophone and flute navigate territory mapped equally by jazz tradition and the pursuit of abstraction, making the album a crucial benchmark for fans of adventurous 1970s jazz.
Language At An Angle by Sam Wenc is a reflective exploration into the interface of sound, text, and performance, redefining the emotional and spatial possibilities of instrumentation. Renowned for upending genre expectations, Wenc crafts ambient textures and avant-folk motifs that subtly coalesce, inviting listeners into a contemplative sonic environment. The album distinguishes itself by merging Americana atmospheres with experimental nuance, embodying a distinctive voice within contemporary mi…
"Is Spring a Sculpture?" is a collaboration between David Toop and Rie Nakajima, released as a limited edition CD and book on Lawrence English’s Room40 label. The work consists of a series of sound pieces and text fragments exploring the poetics of objects, ephemeral phenomena, and the ambiguous boundaries between sound, environment, and tactile form. Together, Toop and Nakajima sculpt a listening experience that is elusive and sensorially charged, extending their mutual fascination with the int…
Trio Xenakis – comprising percussionists Adélaïde Ferrière, Emmanuel Jacquet, and Rodolphe Théry – presents Xenakis-Reich (Live) on B Records, a rigorous examination of two foundational approaches to contemporary percussion composition. This vinyl edition documents live performances that illuminate both the technical demands and philosophical substrates of works by Iannis Xenakis (1922-2001) and Steve Reich (b. 1936). The program opens with Xenakis's Okho (12:47), a seminal work for three djembe…
"A Composition of Agitprop Music for Electromagnetic Tape" by İlhan Mimaroğlu is a collage of political sound art blending revolutionary texts, manipulated electronics, and the vocal performance of Tülay German. Recorded from 1972–74, it transforms agitprop tradition into a radical meditation on freedom and dissent.
**2025 Stock** Mountain of Fugitives invites the listener into a realm where ambient sound design and narrative instinct merge to form a deeply atmospheric, two-disc meditation on wandering, refuge, and landscape. Across eight long-form pieces, Valera Hip sculpts immersive environments that blur the boundary between documentary realism and imaginative reconstruction. Drawing upon authentic field recordings—rustling leaves, distant voices, shifting wind—as both texture and thematic anchor, the al…
**2025 Stock** Ritualer, Blot Och Botgöring stands as the uncompromising debut of Trepaneringsritualen—Thomas Martin Ekelund’s celebrated project that laces religious dread, magick, and esoteric sorrow into the very fabric of death industrial. Originally issued in 2008 with only 75 cassettes and later given a justified re-release on vinyl, the album draws listeners into its haunting landscapes from the first cavernous, echo-soaked textures of “Bloodletting Ritual.” Lo-fi, murky, and unapologetic…
**2025 Stock** The album The Trail of Genghis Khan, made by Cye Wood in collaboration with Lisa Gerrard is now officially released on vinyl by Infinite Fog Productions. Sourced from material that Lisa and Cye produced for the documentary series of the same name, The Trail of Genghis Khan is an emotive interpretation of Tim Cope’s epic journey on horseback from Mongolia to Hungary (on which the documentary is based). Drawing on inspiration from this rugged and majestic landscape and the culture …
Collected Works by raison d’être is a compilation of deeply atmospheric dark ambient tracks spanning 1999–2010. Encompassing sacral drones, ritual soundscapes, and mournful melodies, the album distills Peter Andersson’s vision: music as spiritual lamentation, shaped by textures, chants, and buried harmonies.
The Melancholy Mad Tenant, a collaboration between Coil, The New Blockaders, and Vortex Campaign, is a remastered anthology of radical noise, drone, and experimental anti‑music. It delivers brutal textures, haunting silences, and fierce creative interplay, pushing sound to extremes where chaos and restraint strangely converge.
The Melancholy Mad Tenant, a collaboration between Coil, The New Blockaders, and Vortex Campaign, is a remastered anthology of radical noise, drone, and experimental anti‑music. It delivers brutal textures, haunting silences, and fierce creative interplay, pushing sound to extremes where chaos and restraint strangely converge.
**2025 Stock** The Bog, released in 2025, finds Cisfinitum (Evgeny Voronovsky) excavating the mythological and sonic depths of the toad—a figure recurring in folk legends, alchemical texts, and ancient rites. Built on a foundation of re-processed field recordings captured in swamps and wetlands, the album takes the acoustic reality of frogs, amphibians, and environmental ambiance and transforms it via intricate sound design into a single, immersive composition. The result is a brooding, hypnotic…