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New Arrivals

Bufo Alvarius (2010 Reissue)
Deluxe remastered version, this was Bardo Pond's 1995 debut album, taking its name from the official Latin for a hallucinogenic toad indigenous to the Western United States. That's a fairly appropriate association to make with the band's severely zoned-out stoner-psych sound, something pioneered on this album, a record that brought the band to the attention of Matador Records who snapped them up for their next album. Amongst all the fuzz-soaked weirdness of the instrumentation on these ear…
Marvellous Boy: Calypso From West Africa
endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West Africa are often strikingly similar in sound to Trinidadian orche…
The Tale Of The Heike
An epic concept album narrated and performed by Akira Sakata, Heike Monogatari ("Tale of the Heike") is the most disturbing entry so far in the DoubtMusic catalogue. This work is an expression of the philosophy of impermanence. It's also a vision of Hell. Woodwinds signify madness. Bells accentuate silence. And Sakata's voice unleashes a phantasmagoric torrent of shomyo (Japanese Tantric Buddhist chanting), death metal growls, and pure pandemonium. Is he serious? Or not? One thing is cert…
New Egypt
"This latest in the ever-popular Latitudes series comes from Drag City avant-folkists White Magic, who have turned in a single ten-minute piece based on Eastern harmonies, delay loops and a tranced out approach to jamming that verges on Sunburned Hand Of The Man territory. For the vast majority of its duration 'New Egypt' relies upon a central three-note piano riff, which soon accumulates layer after layer of various other instrumental sources while seemingly improvised lyrics haunt the song thr…
s\\t
"This project started with a commission from [performance group] eighth blackbird and Ben Broening to create a multi-channel composition for the University of Richmond's Third Practice Electroacoustic Music Festival. I wrote out a set of instructions for each musician and recorded them separately from the rest of the group. The first sessions were with Molly Michael, Nick and Lisa. I started to work with their sounds, layering processing, adding and eliminating elements until I found something t…
Black Mirror: Reflections in Global Musics (1918-1955)
fantastic CD of recordings made between 1918 and 1955 assembled and annotated by Ian Nagoski. This compilation contains 24 tracks from Bali, Burma, Cameroon, China, England, Germany, Greece, India, Japan, Java, Laos, Poland, Portugal, Scotland, Spain, Sweden, Syria, Thailand, Turkey, Ukraine, Vietnam, and Yugoslavia all newly transferred and mastered from 78 rpm discs. At least 18 tracks appear on compact disc for the first time with all but one never having been previously reissued in th…
800 000 Seconds In Harar
'CD digipak. CM von Hausswolff says: 'I was approached by my old friend and Radium 226.05 colleague Ulrich Hillebrand, now director of Angered Theatre in Göteborg. He informed me that there was a new play in the process of being written by author and theorist Michael Azar called 'Jag r en annan' (I is another) stemming form the famous letter written by Arthur Rimbaud in his youth. The play uses Rimbaud's life from being a young poet in Charleville ending with him being the trader in Harar,…
Shunt
Strøm are Gaudenz Badrutt, pianist and electronic musician (1972) and Christian Müller (1971), clarinettist and electronic musician. Under the name of strøm the two artists from Biel mix since 2001 various ingredients: free improvisation with conceptual music, contemporary music ideas with free jazz explosions, down to earth, drifty energy with spherical sound. The duo mixes electro-acoustic chamber music skillfully with allusions to contemporary pop-aesthetics. Both musicians studied at …
Aeternum Aevum
Peripheral Records is proud to announce it's thirteenth release with, 'Maurizio Bianchi's - Aeternum Aevum' CD. Two long beautifully understated tracks, that show a more pastoral side to the great Italian master of Industrial. Slow whirling pieces of Ambience dedicated to the late Konrad Schnitzler. The CD is limited to 250 copies within a DigiPak. The sleeve is adnorned inside and out with Abstract paintings by Hayat Saidi.
featuring Ginsberg, Hentz, Irmler
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
Tenkujin
Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…
Guts
Deluxe 2LP version. More voraciously bestial soundwork coming from Daniel Menche -- this time, his chosen theme is the piano, in which he attacks, investigates and dissects with the precision of an autopsy surgeon, adding a whole new meaning to the concept of prepared piano, or should we say, unprepared piano, for an all-out assault. Guts lays out quite possibly some of the finest slabs of Menchian sonic mayhem to date. Slightly different track sequence over CD and vinyl formats due to ti…
Foley Folly Folio
Pinkcourtesyphone is the not so secret alter ego of renowned sound artist Richard Chartier, and while it seems to be geared more towards a looser, more relaxed sensibility than the serious artist guise that is usually thrust upon him, it lacks none of his careful attention to structure and detail.  Quite a bit of the material on this compilation (recorded erratically between 1997 and 2011) could pass for his normal work, but throws enough curve balls to give it a distinct identity all its…
[blue]
The soundtrack for the movie Blue (directed by Hiroshi Ando and starring Mikako Ichikawa, winner of Best Actress at the 2002 Moscow International Film Festival), which was based on acclaimed comic artist Kiriko Nananan's comic book of the same title, was composed by internationally renowned musician Yoshihide Otomo known for his borderless sonic creations. Utilizing the basic musical material used in the film and the same musicians, Otomo did additional studio recordings to create another sonic …
Login
When, years ago, I read Herman Hesse's "Steppenwolf" I was struck by a part of the novel... Harry Haller, the main character, is walking through a passage with endless doors. As he opens each door he is thrown into a new, unknown, mysterious dimension; a life between the real and the virtual world."Login" is an imaginary journey through the web, where one can explore new realities - or different views of well known stuff - on a thin line between truth and fiction.For this sound project I've used…
Kippschwingungen
In 2007, Frank Bretschneider was invited to compose music for the Subharchord, a unique electronic instrument developed during the 1960’s at the RFZ, the technical center for radio and television of the East German postal service. Built in a limited edition of eight machines total, only three Subharcords (in Vienna, Trondheim and Berlin) are believed to survive to this day. The Subharchord is, broadly defined, a subharmonic sound generator, comparable soundwise to the Mixturtrautonium. It’s sugg…
Black Ohms
An edition of 500 numbered copies. Thank Expo ‘70, O Lord, for the drones you are about to receive. A deep quivering of transcendental electronic mantras pulsates to the patient beat of the third Bardo. Slow, shape-shifting ambiences expand like groaning baritone crystals crawling out from sub-oceanic ooze. Psix pstring psychedelic pspews bisect the curve of extraterrestrial buzz with a surprising terrestrial fluidity until bioluminescent fish gather to choke out quiet hymns around the th…
Live
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
The Very Heart Of The World
On the very heart of the  world, Burning Star Core (BXC) has created an incredibly heavy record, built on dense, layered drones, pulses, splintered vocals, and deep rhythms that euphorically build to total overload. With a line-up including the Hair Police front line and other luminaries from across the exploding Midwestern psych-noise-folk underground, BXC's C. Spencer Yeh has assembled a group that seamlessly shifts through epic movements and pushes pure electronic-concrete-physical-ock energy…
347
'Tim uses several boxes of speakers and Seijiro uses a snare drum as a resonance box, with microphones. They put boxes for their music in another box = the space. They create different levels of universe within the space. From micro to macro. Always with one clear intention: to improvise listening and to organize sonic space together in a very delicate way.Thanks to La Comète 347, Paris. 'Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to i…