New Arrivals
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Die Schachtel, for voices, chamber orchestra & tape by Franco Evangelisti / Performer: Valentina Barbarini, Elena Sorbi, / Conductor: Marco Angius / Orchestra: Ensemble Prometeo. Written in 1962-1963 and performed at the Lenz Teatro di Parma. 27’ 4’’.
Pierrot Lunaire, Op. 21 by Arnold Schoenberg / Conductor: Marco Angius/ Orchestra: Ensemble Prometeo/ Written in 1912 in Wien. Performed at Auditorium Paganini di Parma. 3’ 21’’.
Ultra-Red: 10 Preliminary Theses on Militant Sound Investigation
UltraUltra-red, 10 hypotheses on 10 preliminary theses on militant sound investigation is a booklet / the final act of a workshop.The 6 month process led to the creation of a database of sound-fields and texts-recorded tracks developed to build 10 sound pieces/hypotheses by 10 young artists. The publication is the first Italian translation of the important manifesto/source text 10 preliminary theses on militant sound investigation by the american collective Ultra-red, further amplified by the tr…
Diagonal Flying
1994 CD release, with some incredible early 70 (1973-1975) recording for Cello And Tape Delay (or Trombone and tape delay)... Gehlhaar is a pretty interesting cat ... long Stockhausen’s personal assistant he blossomed into a composer in his own right in the early 70’s and proceeded to experiment with “computer controlled interactive musical environment(s)” and the sort of computer-free tape-delay manipulation studies as featured on this disc ...(Mimaroglu)In this extended composition, veteran av…
The Recommended Sampler 1982 25th Anniversary Edition
RESTOCKED! By 1982, recommended was in its fourth year. the catalog had expanded and the label was firmly established. a sampler seemed an obvious and necessary next step. we asked the most interesting groups in our catalog to record something new. the result was two hours of music released as a double lp in a hand silk-screened sleeve that was a time capsule - a tidy slice taken across a fascinating forking of musical paths that captured a moment of growth that foresaw a variety of possible fut…
Marking Time
The Preservation label presents the reissue edition of Marking Time from UK artist Richard Skelton. Richard has recorded in various guises -- as Clouwbeck, Heidika, Carousell and A Broken Consort. Marking Time was his first work released under his own name, and also the first on a label other than his own, Sustain-Release. Through the prolific output on Sustain-Release, Richard stamped a singular vision with his music: a sound that is at once complex and elemental in its questing nature, cor…
Lux Aeterna
Legit CD reissue, Lux Aeterna, was originally composed to celebrate a friend of William Sheller's wedding, thematically driven by concepts of union and togetherness, and ostensibly based on the Catholic mass, this is far from any sort of religious music you've ever heard. Following in the footsteps of other iconoclastic composers, like Serge Gainsbourg, Jean-Claude Vannier, Lee Hazlewood, David Axelrod, Scott Walker and of course Magma (more on that in a second), Sheller conjured up what i…
Neonbeats (Austrian New Wave and Post Punk)
After releasing the Graf & Zyx and Viele Bunte Autos retrospectives on CD, we have compiled a double album of rare Austrian underground tracks from the late 70s to mid 80s, plus some young bands that continue this tradition until this very day. All tracks have never been released on CD and cover a wide range of sounds: from classic New Wave to Avantgarde, from guitar to synthesizer. Influences of the Neue Deutsche Welle and …
Hinaus:: In den, Wald
In 1986, SPK's Graeme Revell released an album entitled "Necropolis, Amphibians and Reptiles". The recordings were based on the work of Swiss art brut artist and mental patient Adolf Wölfli. Some 15 years later, Austrian composer Bernhard Gal used Wöfli's poems as the basis for a sound installation at modern art museum Essl near Vienna. Now, in 2004, Klanggalerie are proud to present you a CD version of this outstanding composition. There are male and female voices bordering between meanin…
L'Etrange Mr Whinster
A schizoid sonic sketchbook from the Maledictus Sound-maker Dr. J. P. Massiera. A disturbing mix of dismembered tape samples, paranoid-poety and cosmic chaos resurrected from the crypt of Studio Antibes 1976. Dawn Of The Dead, or The French Connection 2, or For A Few Dollars More, or Evil Dead 2. For an article relating to the bizarre Gallic concept album you are about to subject your ears to, any of the aforementioned 70s cinematic references could conveniently provide a snappy and relevant…
Man of Marble
Opening further doors in the sprawling labyrinth of unreleased music by Polish composer Andrzej KorzyÅ„ski, Finders Keepers Records present the soundtrack to the 1977 Polish film Man Of Marble by ‘national filmmaker’ and long-term collaborator Andrzej Wajda. Presented for the first time ever on vinyl (featuring exclusive unreleased bonus tracks) this synthesiser fuelled soundtrack marks a distinct stylistic manoeuvre towards a unique brand of Polish cosmic disco, celebrating …
Tplay,1:5
Extended 70 minute reissue of the very first SND release dating back to 1998 - the original 5 tracks have been doubled in number with original, previously unreleased recordings from the same sessions, all fully remastered from DAT tapes by Rashad Becker at D&M. The original pressing has been unavailable since its original release over 15 years ago - containing super influential and forward minimalism bridging between the reductionism of Ikeda and the swing of early UKG* Mark Fell and Mat Steel f…
Black Mill Tapes Volumes 3 & 4
*Re-Press on Silver and Purple Vinyl - Edition of 300 copies*Our Head Technician returns with the keenly awaited follow-up to his amazing 'Black Mill Tapes Volumes 1 & 2' as Pye Corner Audio, including the previously digital-only Volume 3 and the as-yet-unheard Volume 4. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling LPs transcend genres with hallucinatory, shape-shifting effect, trudging forth from the pastoral whimsy of the …
Lost & Found Volume IV: The Background Records
Outstanding fourth box, including dead stock find of some incredible original editions of the best background music library Piero Umilani LPS. Each one is worth already some money, but here's your chance to get them as a beautiful handscreened box made especially for this occasion in order to give 'new life' to this wonderful ageless music.After the first appreciated edition of the three boxes (containing his ethnic compositions, then his weird electronic music and the ambient ones), we are …
Haut-Voltage / Coexistence
Accompanying the Doxy's coverage of early Henry recordings, 'Haut Voltage' is his 22 minute composition made in 1956, featuring his own vocals and designed to soundtrack a stage production by French choreographer Maurice Béjart. The second composition was written in 1959 after Henry had left Pierre Scaeffer's RTF and set to work in his own studio. During the period he realized that in order to evolve Musique Concréte it would have to begin to use electronics. 'Coexistence' is his first at…
We Sing For The Future & Thamann Variations
Recorded in 2002 by American contemporary composer and pianist, Frederic Rzewski, We Sing For The Future & Thälmann Variations are two compositions from English composer Cornelius Cardew’s Marxist-influenced 'People’s Liberation Music' period. Rzewski came to prominence in the mid-sixties in Rome as a founding member of the MEV (Musica Elettronica Viva) improvisation group (along with Alvin Curran and Richard Teitelbaum), which shared a vision with groups like Cornelius Ca…
The Master Musicians Of India
Seminal recording (originally released in 1964) by the two men most responsible for opening the West to Indian music. Master of the sitar, Ravi Shankar (age 91) is, of course, famous for his legendary influence on the Beatles, but this recording was made for the American jazz label Prestige prior to their meeting. Perhaps lesser intertwined with the pop music world, Ali Akbar-Khan is nonetheless one of India’s greatest musicians, and the world’s best sarod player. Shankar and Khan play to…
Three Ragas
Three Ragas, Ravi Shankar's Western debut (recorded in London in 1956), remains one of his finest albums ever recorded. Although Shankar was already an accomplished and well-known musician in India in 1956, he was still almost completely unknown in the West. The album, consisting of three ragas, was meant to be a kind of introduction to Shankar's music for the Western listener. Side A consists of 'Raga Jog,' an evening Raga that 'expresses the yearning of a longing soul,' while side B con…
Improvisations
Some of the first eastern-jazz fusion ever recorded, finally reissued on LP. Originally recorded in 1962 for World Pacific and featuring jazz musicians Gary Peacock on bass and Bud Shank on flute, the album opens with improvisations on the theme that Shankar wrote for the 1955 Indian neorealist film Pather Panchali, by legendary Indian filmmaker Satyajit Ray. 'Fire Night' was another jazz-fusion piece, recorded to commemorate the fires that were burning all around LA when this session was…
Le Voyage
After being out of print for decades, Pierre Henry's 1962 Le Voyage is finally available again on vinyl. Based on the Tibetan Book of the Dead, Le Voyage deals with the soul's journey between death and reincarnation in the next life. Just two years prior to the recording of this album, electronic and musique concrète pioneer, Pierre Henry founded the first private electronic studio in France, realizing that, if he wanted musique concrète to evolve, he would have to begin experimenting …
Organized sound Drone Two fragment From Apocalypse
Seminal musique concrete recordings from the early 60s, first time available on vinyl (original has been out of print on LP for over a decade, originally published on his private 'Owl' imprint). Dockstader deserves shelf space next to Schaeffer, Henry, Stockhausen, Varése, etc. -- historically vital, minutely detailed experimental electronic music and tape composition. "My choice of the term 'Organized Sound' for my own work was, in part, a tribute to the 'Poéme' and to Varése. I…