New Arrivals
Four Aims
The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record with their signature-- one of the most original in rock/free/…
We Are the 21st Century Ambassadors of Peace & Magic
In May 2011, Foxygen's Sam France and Jonathan Rado nervously handed off a CD-R of their homemade mini-opus Take the Kids Off Broadway to producer and visionary Richard Swift after his performance in a Lower East Side club. The duo, who had just mixed and burned the disc that very night, had been devotees of Swift's outsider-pop oeuvre since high school, when they first began recording their own pubescent forays into oddball rock n' roll (At least a dozen records were finished before they …
Pulses & Places
A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it resembles a kind of sonic geography. The listener is taken away for a journey of mild drones, soft yet outspoken percussion. A strong release.
Radiant intervals
Radiant Intervals' is the first Eleh LP on Important since '08s 'Floating Frequencies/Intuitive Synthesis Vol.3', and follows one of the Wire magazine's (and our) top records of 2010, the incredible 'Location Momentum' for Touch. Continuing with investigations into physically tactile tones and drones, this LP offers four further modular synth expeditions eternally moving towards the distant point depicted on the gorgeous, letterpress printed sleeve. After a stoically inert start 'Night Of Pure E…
Making The Walls Quake As If They Were Dilating
Recording of the sound sculpture in the Polish Pavilion at 13th International Architecture Exhibition in Venice. Sound sculpture by Katarzyna Krakowiak. Sound design by Ralf Meinz. Voices by Ulrike Helmholz and Sabina Meyer. Recorded, edited, mixed and mastered by by Ralf Meinz. 32-page booklet. 'Architectural Biennale sound sculpture amplifying the entire building of the Polish Pavilion turned into a flat CD ? Will you say it completely misses the point? Brings the real space into a stereo syst…
Aum air
Meeting of 3 guitar players. Recorded live at Penguin House, Tokyo on January 22nd, 2005.
divide by zero
NEW SERIES FRAMEWORKAn extension of our CONCRETE ELECTRONICS NOISE,a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers.Benjamin Thigpen, nomad, born in the United States, immigrated to Paris at the age of 31. He studied music, literature, philosophy and esthetics. He now composes in European studios such as GRM, EMS, Visby and STEIM, as well as in his bedroom and in the train. After six years as a …
Somewhere Out There
Luca Di Mattei is one of the Afe resident artists since the early days of the label. During the years he had several releases under four different aliases: Leeza, Hendy Van Morris, Jabba and Bill Catez. Leeza is his most well-known and prolific incarnation. Generated using laptop computer technology, Leeza's music has its main roots in what was once called Intelligent Techno, and is clearly inspired by the great records published during the '90s by labels such as Warp, Rephlex, Skam, etc.After t…
Show em the door
Show Em The Door presents the first collaboration between Joseph Hammer and Jason Crumer. The pair come from very different backgrounds and are separated in age by a generation but have found in each other a surprisingly sympathetic and compatible musical partnership. Joseph Hammer has been a fixture of the west coast experimental music scene since the early 1980s. He remains one of the most active and visible members of the LAFMS collective, and has founded a long list of legendary bands incl…
Myriad
Mayas frames her instrument not as 88 keys arranged in tidy scales, but as a sonorous tangle of wood and wire, she produces sounds with a wide dynamic range, playing the whole piano, inside and out, including dramatic percussive effects from banging and scraping the frame of the instrument and the strings. Abdelnour has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. she employs subtle tonguing…
Implosione tra le pieghe dell\'anima
A sensational CD release of an awesome tape (originally published by Multiple Configuration) that includes live tracks recorded between 1983/1984 and comes in a completely remastered edition. Tasaday are a "cult" band active since the early Eighties. Born from the merging of Die Form and Nulla Iperreale, they are probably the most eclectic and groundbreaking representative of an Italian experimental scene that used to blend elements of rock, noise, experimental and industrial music with great co…
Vers l'île paresseuse
Martine Altenburger - cello. Frédéric Blondy - piano. Bertrand Gauguet - alto & soprano saxophones. Recorded in Paris, France, 2009.
The Full Use Of Nothing
Awesome reissue! Here sensitively remastered by Denis Blackham from the original master tapes at Skye Mastering and with a beautiful facsimile mini LP style sleeve, made in Japan.The Full Use Of Nothing was the first serious publication of music by Andrew Chalk/Ferial Confine on cassette in 1985. Early experimentation in acoustic percussion and primitive multi-tracking techniques shaped the sound and spirit of these formative recordings, somehow very tentative but leading to an on-going …
Inspirationals
Back in 1988 Arbeit Group label released obscure industrial-noise release by project called TRAIT. A-side of the tape includes several different arrangement for inspiration in battle. B-side included several of those arrangements combined together for temporary unified action. 45 minutes of most primitive analogue destruction, leaving no place for easylistening or relaxing moments. Even with the atmopheric and dark moment, sound is extremely decayed and coarse sound of tape loops, manipulation a…
Home
The Preservation label presents Home, the third album from Olan Mill from Hampshire in the United Kingdom. Olan Mill is the recording project of composer and producer Alex Smalley, who to-date has received rapturous acclaim for his work that holds a sublime measure between the realms of modern neo-classical composition and ambience. On Home, Smalley has mined his most expansive territory yet to create a thrillingly evocative and deeply felt body of work. The tender clusters of sound that ha…
Another Thought
"During his lifetime, classically trained composer, cellist and disco legend Arthur Russell studied and performed with a wide variety of musicians and artists including The Flying Lizards, David Byrne, Rhys Chatham, Ali Akbar Khan, Allen Ginsberg, John Hammond, Peter Gordon, Jon Gibson, Jerry Harrison, Garret List, Frank Pagano, Andy Paley, Leni Pickett and Peter Zummo. In 1979, Russell, working under the name Dinosaur, wrote and produced Kiss Me Again -- the first disco single to be released by…
Let\'s Make Better Mistakes Tomorrow
Let's Make Better Mistakes Tomorrow is the third full-length CD from the young Polish musician Tomasz Bednarcyzk. Following Summer Feelings and Painting Sky Together (Room40), Bednarczyk naturally continues his process of utilizing mainly treated piano and guitar to create fragile, lingering structures that hover around only a few fundamental notes. Let's Make Better Mistakes Tomorrow is divided into two sections, split down the middle by 'The Sketch,' which was written in cooperation with Adria…
Civiltà Paleospaziale
Italian minimal synth & drum machine duo, another side project by Ottaven/Canedicoda, abstract dread sounds with elements of clinical drone and throbbing frequencies to a more introspective ambient chaos
Met life - Underpass
"With the release of Dartmouth street underpass, Keith Fullerton Whitman inaugurates our Met Life series. for his efforts, Whitman sat in on the acoustic world of the tunnel that connects Boston's back bay station to Copley Plaza under Dartmouth street. The sounds are a combination of pumped in muzak, children's voices bouncing off the glass walls, the sudden rush of commuters, and the glorious, rumbling low end buzz and rattle of the train ushering in and out of the station. Whitman electronica…
The 4th world
"The 4th World is The Work's long-lost, never before issued, very last album, from 1994. Succeeding See by some two years, it shares that album's aesthetics and approach - an economy of means, and superior song-writing/ playing - even when compared to their earlier albums. One wouldn't guess it was recorded live at a gig in Breisgau, because the sound is, quite honestly, superlative, and is even better than any of their studio albums. The original, mono recordings (by Volkmar Miedtke) were metic…