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Kogetsudai is Sylvain Chauveau's 10th album, the second in a trilogy initiated by Singular Forms (Sometimes Repeated) (2010), where the song structure is dismantled and reconstructed on the fringe of silence. Whereas Singular Forms found inspiration from Abstract Painting, Kogetsudai is influenced by Zen rock gardens found in Japan Ñ also the location where the album was conceived (for the most part) Ñ and from which the album borrows its title. Layers of minimal electronic sounds and filtered f…
A pretty darn incredible record from Sun Ra -- with a soulful, spiritual approach that's missing from most of his other albums of the time! The album features Ra playing a good deal of organ (dubbed "intergalactic organ" in this case!) -- grooving soulfully on some short tracks that almost hit a soul jazz mode, and which recall the late 60s experiments of organist Freddie Roach.
Awesome, monolithic slab of metal machine music from 1977, France, Paris...Heldon! A prog/early electronic holy grail replete with breathtaking and far-out Heldon's most crystalline work, building to the epic crescendo of the title track. Many fans consider this to be their masterpiece, but more importantly, Interface is a record that will continue to unfold for centuries to come. Richard Pinhas is an artistic iconoclast. A French intellectual as likely to collaborate with MAGMA as the radica…
restocked!! Alcor is the debut LP by a new voice from the Australian wilderness. Hailing from Ferntree Gully, Victoria, the music of Astor has thus far been appreciated only via a string of barely-distributed CDRs. Alcor gathers together the prime of these micro-editions and presents the material as a seductive and puzzling new whole. Field recordings of humble organic activity bend against a foundation of discreetly processed electronics/piano, creating sonorities that are as undefinable a…
Zeitkratzer releasing "songs"? Isn't Zeitkratzer a contemporary music group? Or a noise band? Songs? These songs actually have been developed over several years and evolved from a fashion show zeitkratzer was making the music for. Marc Weiser a.k.a. rechenzentrum, since then a member of zeitkratzer, sings. Marc has already caused some furore as Mark Markowitch, singing fake songs in fake languages in some hidden Berlin bars. So now all of those together: zeitkratzer's noise, zeitkratzer's…
This third release from the Peruvian spiritual collective (roughly translated as Mountain Community) continues to deliver deeply personal devotional music honouring their natural surroundings in the river valley outside Lima. As with previous releases, much of the music was recorded and composed on the spot, making them truly unique improvisational journeys to inner peace. Like 70s krautrockers Amon Düül, with a communal vibe with religious overtones to their soothing, meditative music. Nature i…
If you’ve heard of Felix Kubin before, you’ll likely think you have some idea of how ‘Echohaus’ is going to sound. Well forget what you know, you’re wrong – Kubin’s well-worn Sci-Fi pop stylings are entirely erased on ‘Echohaus’ as he rebuilds people’s preconceptions from the ground up. He may have just scored a long-deserved Wire cover, but Kubin is not content to simply rest on his laurels, and although ‘Echohaus’, a collaboration with contemporary chamber group Ensemble Integrales, migh…
The connections between the visual arts and experimental music were closer in the 1960s and 1970s than perhaps any time before or since. Sound and image combined in artists films, \'happenings\' and sounding installations. Experimental Forms of notation were also created to stimulate uninhibited musical expression. Eastern European artists and composers were at the forefront of these new experiments with sound and yet their achievements have never been recorded until now. Sounding the Body…
""Vinyl of the Month must surely go to the epic "Gamma" by Italian quartet VipCancro, whose startlingly out there performance pitches the ensemble against such Krautrock epics as German Oak, Yatha Sidra and early Guru Guru. Indeed, for anyone requiring brain tissue abandonment Gamma will entirely do you justice. Their peculiar line-up of two synthesists, bass player and samples places VipCancro into a pure avant-garde territory, allowing splendid outbursts of canon-like percussion, and cin…
Jim O'Rourke, guitar. Paal Nilssen-Love : drums. Lasse Marhaug, electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo February 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies.Housing, parasites and hammering textures.
Daniel Carter's relaxed phrasing moves naturally between Parker's earthly bass sound and Ughi's sensitive drumming. This trio's music seems to be possessed by a light and welcoming spirit. A constant flux of energy, a three way dialogue consumed within the time and space of one breath. Telling the story of the trio's origins, the musicians talk about dreams and desires while the body of this music takes shape within the human connection of the band's relationship which has grown over time, throu…
"Group ONGAKU, founded mainly by students at Tokyo National University of Fine Art & Music, was the 1st collective musical improvisation group. The group began their activities in 1958, & from the naming of the group in 1960 onward continued until somewhere around 1962. They attempted to create acoustics corresponding to actual time & space by means of collective improvisation. Although methodically different, the music that they pursued incidentally shared common directions with contemporaries …
Latest release on Vatican Shadow's Bed of Nails label - initial copies on Translucent Orange Vinyl** Dominik Fernow's Bed Of Nails venture welcomes his longtime co-conspirator Kris Lapke with three tracks of haunting Gothic Techno produced as Bronze Age. Kris used to run the Hospital Productions studio when it was operating in Manhattan. It was there that he galvanized seminal records including Kevin Drumm's 'Imperial Distortion' and Prurient's 'Arrowhead' with his signature post-product…
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
Eric Cordier, amplified and live processed hurdy gurdy. Jean-Luc Guionnet, amplified and live mixed church organ. Recorded live in the Temple Neuf (Metz - France) in February 2004 - organized by Fragment
Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble: Richard Barrett, Peter van Bergen, Lawrence Casserley, Peter Evans, Agusti Fernandez, Barry Guy, Ishikawa Ko, Paul Lytton, Paul Obermayer, Evan Parker, Walter Prati, Ned Rothenberg, Joel Ryan, Marco Vecchi.
“Remember Your Black Day” features the first material conceived and produced as a full length by Dominick Fernow for the Vatican Shadow project following almost a dozen tapes (mostly released on Hospital Productions) and vinyl editions (released by the likes of Blackest Ever Black, Modern Love and Type) over the last three years. None of the 8 tracks included have been released before on any other format. At a time when the scene is saturated with “Noise Techno” the album is almost celebratory b…
Michael Wintsch, piano, synthesizer. Christian Weber, bass. Christian Wolfarth, drums. Ten years ago Michel Witsch (piano, synthesizer), Christian Weber (bass) and Christian Wolfarth (drums) met - 3 musicians who have not only shaped the European scene of improvisation in the most different formations but who also catch an ear with the maybe most relevant aspect in music whatsoever: SOUND. Wintsch, Weber and Wolfrath make music with a breathtaking mental vigor. The long time working band has…
Local preoccupations with rising sea levels fuel Diluvial - a work that dwells on the dynamics of flood geology and global warming; creation stories and climate change. Diluvial is an evolving soundscape and environment by Bruce Gilbert and Beaconsfield ArtWorks (David Crawforth & Naomi Siderfin). This work was initiated on the Suffolk coast for Faster Than Sound, Aldeburgh 2011 and then developed for a show at Beaconsfield, London later that year. Taking rising sea levels as its theme, Diluvial…
In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music -- music of the south -- he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But…