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Masahide Tokunaga: alto saxophone. Recorded by Taku Sugimoto at Studio Slubmusic, Tokyo, October 4, 2009. Mastered by Taku Unami. Drawing by Reiko Shioda
“Ridges and creases / high on the middle forehead / The right temple near the eyebrow / A small ridge under the right eye / The right side of the tip of the nose / The opening of the right nostril / The middle lower lip / The inner ear of the right ear.” Can you tell who it is yet? It’s George W. Bush, of course, or at least part of his head, as seen (or rather heard) in the second of five “American portraits” in words and music by legendary experimental rock outfit the Red Krayola, in collabora…
Welcome return for Robert Hampson with the first Main album in seven years, new on eMego. Hampson founded Main with Scott Dawson upon disbanding Loop in '94, and while their initial releases still bore traces of their space-rock origins, the goal was always total ecstatic abstraction, and by the time of the Hz series, completed in '96, they'd pretty much achieved it. Main's music has been called many things: industrial, noise, isolationist electronica, dub, drone; the truth it, it's all a…
The first meeting of AMM guitarist Keith Rowe and pianist John Tilbury after Rowe departed in 2004, a delicate and intricate long improvisation, fascinating dialog between two long-acquainted and innovative conversationalists. "Keith Rowe and John Tilbury are both known as prominent members of AMM, the legendary ensemble which has been incredibly influential on the field of improvised music.Originating the tabletop guitar, Keith Rowe was a co-founder of AMM in 1965. He's since been involved in a…
Using selected sound materials from Sonorous stones, Stalactites, Bat calls, Flutes, Field recordings collected by Mariolina Zitta in different caves in Liguria a Sardinia, Italy, processed and edited by Alio Die. In "Lithos" the drones are played by the authors on a set of long stones that goes in resonance, caressed by a bathed hand, by the same principle of the crystal's glasses. A very immersive and obscure traveling, an underground meditation with a ritual touch, in accord with the …
Recorded up and down the West Coast by JESSE JACKSON, CORYDON RONNAU, and JOHN WIESE and featuring appearances by YELLOW SWANS, PETER KOLOVOS (OPEN CITY) and PAUL COSTUROS (DEATH SENTENCE: PANDA!). Studio and live recordings with concrète witcery.
Another previously-unreleased gem from South African pianist/composer Chris McGregor and his cohorts in '60s UK free jazz. Our Prayer was culled from the same sessions that produced the also never-released Up To Earth in 1969 and was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio. The previous year they had signed to Joe Boyd's illustrious Witchseason production company alongside Fairport Convention, John and Beverley Martyn, Nick Drake and the Incredible String Ba…
The Southern Records Latitudes juggernaut thunders into town once more, this time driven by Kranky's very own Boduf Songs, aka Mat Sweet, who for the purposes of this release teams up with a couple of collaborators and strays slightly from his established sonic parameters, venturing into the realms of dark, cinematic drone for first piece ' Please Extract My Teeth With Your Rustiest Pliers (For Redemptive)', whose title is not only massively 'eww' inducing, but commits a grammatical felony at th…
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
Beautiful boxet with 5 CDs "It would be an understatement to say that Iannis Xenakis, who passed away nearly ten years ago, marked the whole second half of the 20th century. Whether or not assisted by computer, he built vast musical architectures, which diverge resolutely from what was being done at the time and is still being done: another world of sounds, combined according to a different, but never gratuitous, approach resulting in something magical. The listener is surrounded by sound, immer…
Another Tompkins Square reissue of early James Blackshaw material, and this is about as early as it gets: Celeste originally surfaced on Celebrate Psi Phenomenon a full five years ago and set the blueprint fr just about every solo recording he's made since. While the first part of the album finds Blackshaw in solo 12-string mode, the second deviates from the well-trodden Takoma-styled path and heads into an effects-laden drone composition. This sort of style-melding approach would come to…
The size of the stage, position of the equipment, monitor position and height, hall architecture and acoustics, capacity and attendance, temperature and humidity, and sound level (dB) or Leq Meter limiting all varied from event to event. Each of the final recordings documents the performed audio output, each hall's acoustics, the audience's reaction, and their proximity to the recorder, all from an onstage position, while retaining the auditorium's spatial impression. Recordings failed, or…
In the desire to make recorded sound as tactile as possible Autistici (UK), recently featured on 12k’s Blueprints compilation (12k1039), has sculpted found objects, broken acoustic instruments, synthesizers and environmental recordings into Volume Objects. Expertly realized and designed, Volume Objects is loose and organic and demands careful listening. Melody and form are hinted at and then in a whisper, a crackle, are gone. A sense of narrative and place created as if a hundred tiny objects ar…
Third full length release for 2009, coming hard on the heels of Bright Failing Star and Snow Blind. Recorded in tandem with Snow Blind in London during July 2007, covering themes based on seasonal changes and mood swings. Where Snow Blind was harsh, unrelenting and a little pissed off, An Angel Fell Where The Kestrels Hover shows a more reflective and melancholic approach. Comes in a beautiful book-sized wallet designed by mondii featuring photography by PW. Full details and interview here.
Long overdue second release by Renato for LVD. As with Horse Frenzy and his contributions to the Invisible Pyramid and Crows of the World comp, Renato shows his unique vision for what music can be; drawing comparisons to virtually nothing else out there. More varied that his previous Hoarse Frenzy, WSO integrates elements of folk, pure electronic experimentation, and even elements of jazz--building at times into highly satisfying complex structures, ebbing away creating new patterns. For thos…
Otter Songs is the culmination of the process that began in 2008 by Lingua Fungi and Alio Die. The idea for the collaboration was born from the initial recordings by Jaakko Padatsu utilizing diverse self made instruments and natural objects including driftwood, snail shells and otter skull ocarinas. The archaic and arctic drones were later complemented with subtle recordings by Stefano Musso with zither, sitar and other acoustic instruments. The collaboration was sealed with final recordings i…
Live concert recording May 2005. Derek Bailey, electric guitar. Agusti Fernandez, piano. Derek's final public performance was a duo with Agusti Fernandez as part of a series of concerts 'De Prop' which took place in one of Gaudi's magnificent edifices 'La Pedrera' on Passeig de Gracia.
A new series designed by Clare Cooper. Xavier Charles is an active clarinetist in the world of improvised music, known from a variety of constellations and ensembles like Dans les arbres and Contest of Pleasures. This is his first solo release for Sofa. Listening and perception are important elements in Invisible, which consists of both solo clarinet and field recordings. A total openness to moment and utterance characterizes his sound explorations, where we in a poetic fashion, are led to a pla…
Constellazione Seconda is the follower of the Lombardi 1978 "Costellazione" a piano sound exploration based upon a map of sky constellation, planned as the first step of a large work focused on the exposition and 'performance' of constellations maps, planetaria and maps of the heavens. This new work breaks up into 21 short piano movements, concentrating on incredibly short staccato notes that sting violently between fractured harmonics leaving plenty of momentum-puncturing silences to really he…