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Third soloist album by Roberto Opalio (My Cat Is An Alien, Painting Petals On Planet Ghost, Praxinoscope). During the same period of self isolation in the Westrn Alps that brought to life MCIAA's 'Photoelectric Season' double album, Roberto conceived the creation of his new full-lenght album, inspired by the mystic aura of the nature surrounding himself. Focusing himself on his peculiar wordless vocalizations, and using simply a mini-key…
Line is pleased to announce the upcoming release of a elegant new sound work by Australian artist Lawrence English, inspired by John Cage.In 2011, anticipating John Cage’s centenary, I began thinking about how to approach a work that might act as a homage to the aspects of his life and work that have inspired me over the past two decades (ironically, those in which he has been physical absent, but philosophically more present than ever). John Cage, with that beaming smile and trademarked c…
Originally released in a tiny pressing of just 200 CD-Rs by Digitalis Industries, this early James Blackshaw release is brought back in print by the Tompkins Square label, who on the back of last year's 'Cloud Of Unknowing' are intent upon reintroducing the guitarist' back-catalogue to his growing legion of fans (of whom there is almost certainly more than 200). 'Lost Prayers And Motionless Dances' is a single thirty-five minute composition, opening with droning harmonium passages and only…
Reverie is the third collaboration between Antonio Testa and Stefano Musso after ten years from their last cd together "Prayer for the Forest", with this new potion the duo explore different slow-motion athmospheres, playing a wide range of acoustic instruments,and distilling healing sounds,that naturally relate with music-therapy. An album for the soul and the love of being in its entirety. Airy and suspended, "Rêverie" is inductive music for light-hearted moods .°. over any siege of though…
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
The third collaboration with Zeit displays a wonderful and unique combination between acoustic sounds, field recordings and airy gentle electronic sounds.The sonic result maintains the natural atmospheres of the originalacoustic recordings, done at the time of the Raag drone theory's sessions in Lunigiana, Italy at Chiostro dell’Annunziata and the Wood Sanctuary in August 2006. Here the treatments enriche the mixture with a new sensible touch that subtly transports the listener towards anen…
Guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the multidisciplinary L A N D draw o…
Moondog's fanbase seems to be righteously on the up nowadays, with reissue after reissue re-illuminating his singularly out-there musical genius. This is a stranger album than most however: on this one Moondog sings. Yes, this is possibly the only entry into the blind Viking impersonator/singer/songwriter sub genre. Inevitably, it's really good. Even though this album (recorded in 1969, incidentally) reduces the composer's ordinarily expanded palette to little more than voice and piano, there's …
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
Cracked Refraction ties its complex knots with infectious vigor and a predilection for playfulness. Wrack’s melodies are slithering and serpentine, and the music is built of smaller segments assembled in what can seem a slapdash manner, with all sorts of jutting ends and unexpected collisions. What Bruckmann’s done, though, is intentional, placing his players on different planes, with straight lines failing to meet, runs of notes ricocheting at impossible angles, and expected avenues folding in …
Denman Maroney (piano) & Mark Dresser (bass). Vision Festival NY - June 11, 2008. This is the third duo album by bassist Mark Dresser and pianist Denman Maroney, after Duologues and Time Changes. In contrast to some of the other material by the two players, this one is fully improvised in three long pieces. The first 30 minute track was recorded live at Vision Festival on June 10, 2008, the two other pieces date from a performance in Chicago in 2001. It's hard to call this jazz, since none of th…
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…
An intense, meditative journey through the sound of stone, one continuous piece of more than three quarters of an hour during which the normal rules of time and flow are suspended by this master of lithophones.
The first meeting of two masters of improvised music. Concentrated solo pieces from each before an uncompromising duo.When Matthew Shipp was invited to London's Cafe Oto for a residency in 2010 he immediately asked to play with John Butcher, perhaps not the most obvious choice of collaborator but one that proved inspired. Although they generally work in very different areas of improvised music, both players share an intensity of focus and pugnacious individualism that heightened rather than hind…
In 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.Inspiration came in the form of a book of Japanese jisei – poems allegedly written by monks…
A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation. While the narrative ebb and flow is largely pinned to a single tape fragment, Basinski merged a further "dozen or so" that sunk into the mix in just the right way, adding to the aura of fluctuation and continuous evolution that's so essential to th…
CD version. You'll Be Safe Forever marks the first release from Locust in 12 years. Mark Van Hoen, who made a string of influential releases as Locust on R&S records in the 1990s, all but retired the alias at the end of that decade. In May 2012, Van Hoen was invited to perform a live set on WFMU radio. In order to make the set more spontaneous and add a further dimension, he asked friend and fellow musician Louis Sherman to collaborate. While improvising new material in Sherman's Brooklyn …
To say that the words "unique" and "singular" are over-used in describing music is to state the obvious. To apply these words to the sounds created by the various duo/trio configurations of the Texas group Charalambides over the last decade plus would be understatement. To be sure there are numerous antecedents to their music; to deny this of any artist's work would be akin to saying that they are deaf. But they have surely broken new ground in the primitive/folk/mystic/improv/psych valley in …
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
“The word Ecotono is built from two roots. Eco (oikos/casa) and tono (tonos/ tensión). An ecotono, or ecotone, is a habitat created by the juxtaposition of distinctly different habitats; an edge habitat; or an ecological zone or boundary where two or more ecosystems meet. It is a transition area between two distinct habitats, where the ranges of the organisms in each bordering habitat overlap, and where there are organisms unique to the transition area. An ecotone region provides conditions of b…