We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

New Arrivals

On Onions
On Onions is a photographic study of onions by Israeli-born artist Elad Lassry (born 1977). Characteristically highlighting the spectrum of hues and shapes for the vegetable, Lassry’s selected taxonomy includes sections on red, yellow and white onions, each of which possesses its own distinct taste and benefits. On Onions is Lassry’s first artist’s book, and the work will exist only in book form; it is at once wry, refreshing and disorienting in its biology workbook style, which makes fru…
Format
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Don\'t Tell Me Stories
Compilation of the early german dark-wave-legends with their Monogam-Hits such as „Casualties, „Radio War", „Don't tell me stories" and so far unreleased material.    Very rare
Ask the dust
Hailing from Northern California, John Davis is a sound artist, composer and filmmaker who has released music on labels such as Root Strata and Digitalis. With “Ask the Dust,” he offers up a moving suite of compositions made using a plethora of instrumentation including guitar, piano, tape loops, Max/MSP, field recordings and the newest addition to his arsenal, a complex assortment of Blacet synthesizer modules. Davis uses the synth not as the crux of his recordings but as a tool among many in h…
Chiapaneca
A great, vivid recording of some wild playing, using the entire kit, rolling about on the various skins and cymbals.  Recorded at Festival El Nicho Aural by Daniel Goldaracena at Centro Cultural España Mexico D.F 12 mayo 2012Mastering and cover design by Lasse Marhaug
Piano solo
Recorded live at Cafe OTO in March 2009 during Otomo Yoshihide's first residency here. This was one of only a handful of solo piano performances Otomo has given where he uses the instrument as a control matrix for harmonically rich feedback tones and devastating clusters of complex noise. Beautifully rendered with maximum dynamic range by Lupo's 45rpm cut!
Periodic Orbits Of A Dynamic System Related To A Knot
The album features two 23-minute halves that Fell describes as “almost live”. These tracks combine out-takes from his recent album ‘Multistability’, with bits he originally produced as part of a “quadraphonic piece” he performed live in Barcelona this year, which is called Supersimetria: New Languages In Computer Music. ‘Periodic Orbits Of A Dynamic System Related To A Knot’ was produced when Fell moved to a new home and studio, where he was limited to only internal speakers on his MacBook…
Aural Spaces
I've been in touch with Ian MIDDLETON for over 13 years now, lured into contact by a remora lathe-cut lp, I believe, which sounded similar in intent to ifco material that karla and I were working on at the time. IanIan's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend oskar spee, 'Aural spaces is an exotic, scie…
Combines
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor. The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing. Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
+/ -
LP+CD SPECIAL LIMITED EDITION hosted in a very original fold-out cover, by composer Giuseppe Chiari (of Fluxus) and pianist Daniele Lombardi (futurist musik). Each LP is hand numbered, and contains two art prints by Giuseppe Chiari. The CD is hand-numbered and signed by Daniele Lombardi. The total selling copies of the bundle edition are limited to 130.Giuseppe Chiari was one of the leading names associated first with Fluxus (being the only Italian member of the interdisciplinary art grou…
Penpals Forever And Ever
Expanding Erik Skodvin's extremely limited 2008 cassette edition Penpals Forever, this vinyl release remasters the original content and adds a whole extra side's worth of new material, all of which is exclusive to the LP. You wouldn't necessarily discern this straight away from the Deaf Center member's elusive and teasingly enigmatic music, but apparently 'Penpals Forever And Ever' is an "imaginary tale of a long dead baroque painter and his telekinetic correspondence with a flightless b…
Knife in the water
Delectable quartet of Polish jazz pieces for the heppest cats, re-launched by Finders Keepers' Cacophonic sub-label. "A record of contended mythical existence amongst fans of Euro cinema and rare jazz for decades, this Polish only EP contains all four themes to Polanski's first-ever feature film Knife In The Water composed by unanimously beloved Polish pianist Krzysztof Komeda. Featuring Roman Dylag (Bruno Spoerri’s Teddy Bär) and a radical inclusion of a Swedish trumpeter, the sought after Bern…
Mercury time
Komora A - The trio founded by Jakub Miko ajczyk, Karol Koszniec and Dominik Kowalczyk exists from the fall of 2004. Stylistically Komora A locates itself close to ambient but not that one of smooth muzak and background music origins but that full of pulsating anxiety, reaching the black heart of the genre. Profound drones, delicate percussive intrusions, stately whizzes of analogue and modular synths, industrial interventions, multilayered structures - these are only a few ofÊ elements used by …
Patagonian Field Recordings
Carlos Casas is a filmmaker and visual artist from Barcelona. His work is a cross between documentary film, cinema, and contemporary visual and sound arts. In 2001 he started a trilogy of works dedicated to the most extreme environments on the planet, Patagonia, Aral sea, and Siberia, with a particular interest on how humans relate with the territory they occupy. These tracks comes fro…
Live 1976
Well further gifts abound, as this 1976 concert on Galactic Zoo Disk/Drag City will attest. Clearly, the explorations of Sandy Bull were not lost on the far-out audiences of the Bay Area, and though the heady days of the '60s have gone, the Berkeley heads are still in full force, hanging on Sandy's every note with a clearly expressed delight as they wait for headliner Leo Kottke to take the stage. Even though there were no further albums after 1972's Demolition Derby (a candidate for unhi…
Guff Vout Mulch
The Smegma & Blood Stereo collab LP "Guff Vout Mulch" on Nashazphonehas finally landed. Old fashioned postal collab finished up in 2009, sweet printed colour sleeves and bonkers liner notes by the noise soulman John Olson.Good old fashioned Trans-Atlantic postal collaboration LP between Smegma and Blood Stereo, recorded in Brighton, Pasadena and Portland. The whole shebang was finished in 2009, but Cairo's Nashazphone label didn't think you dinks were ready for it then, now they reckon yo…
Infinite Hum
Intense, squally noise drones from Dublin's Where Is This, his first for The Tapeworm. To date Mark Ward aka 'Where Is This' has released a slew of his own recordings on his Bored Bear label, along with countless others by the likes of Black Orgasm, Piss Gag, Female Harikiri and other such friendly-monikered miscreants. His 'Inifinite Hum' opens The Tapeworm's 2014 catalogue with a bracing 20 minute blast of viscous, vicious white noise licking up high peaks of blizzard-like distortion in hypnot…
Crossarc chute
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
Audiocide '95
Gabriele Giuliani has distinguished himself in the 90s for multiple activities in different territories. As Drif, runs through electronic environments, as Discordance instead are more ominously violent sides to emerge, while as Dead Body Love the sharp points of the ultra sound reached dizzying heights. Audiocide ‘95 is one of his first tape released on Slaughter Productions with his main moniker. Two tracks of hellish distortion and saturation, stripped of any frills and reduced to the p…
V/A
Compilation of early gospel recordings spanning from 1927-1955. Sanctifies blues by the Two Gospel Keys, Mother McCollum, Blind Rosevelt Graves, Lottie Bracey, & Sister O.M. Terrell. Beautiful slow country gospel by the Anglin Brothers & Delmore Brothers. Intense vocal performances by the New Gospel Keys, Elder Richard Briant & the Silent Grove Baptist Church Congregation, & much more! All killer no filler comp that rocks hard & get deep & sad too. Ltd one-time pressing