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Beautifully presented reissue of classic archival electroacoustic works, within "Warszawa-Oslo" project, a recollection, phonographic documentation and reactivation of bonds between Polish and Norwegian electro-acoustic music, presentation of their individual character and unquestionable significance on the international scale. This beautifully designed set (with extensive booklet of note) collects some of the most exciting, shimmering and crystalline electronic sounds to be unearthed in quite a…
The connections between the visual arts and experimental music were closer in the 1960s and 1970s than perhaps any time before or since. Sound and image combined in artists films, \'happenings\' and sounding installations. Experimental Forms of notation were also created to stimulate uninhibited musical expression. Eastern European artists and composers were at the forefront of these new experiments with sound and yet their achievements have never been recorded until now. Sounding the Body…
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
Inspired in equal measure by the throbbing urbanity of coastal cities, continental European art-rock experimentation, left-ï¬Ã‚Âeld techno, and the freewheeling punk aesthetic of contemporary home studio recording, Jonas Reinhardt’s music transcends its inï¬Ã‚‚uences to bring into being a work that’s wholly new while referencing a celebrated aesthetic of the past. Jonas Reinhardt's 'Ganymede' is an experimental science ï¬Ã‚Âction ï¬Ã‚Âlm set on the solar system's largest moon. On Ganymede, i…
John Zorn and Bill Laswell are two of the Downtown scene’s most consistently intrepid musical explorers, and PainKiller, formed in 1991 is their longest running project together. “The Prophecy,” the first official PainKiller release in over ten years, was recorded live in Europe in 2004–5 and pulls together music from several concerts into a powerful and mind blowing suite unlike anything the group has ever released before. Featuring master drummer Yoshida Tatsuya (Ruins, Korekyojin) the music t…
Back in play just to celebrate 14 years, 2 months and 12 days since its original release is Royal Trux's penultimate album, Veterans of Disorder. Coming off the fan-favorite Accelerator LP, it was clearly time to build on expectations, right? Uh... listen, maybe this isn't the band for you. Neil and Jennifer were fans of rock n roll to the finish, sure -- but in that, Royal Trux was a dyed-in-the-wool contrarian enterprise, rebels to the core, and everything they endeavored to was viewed from th…
Next up on Deep Distance following a full sold out back catalogue thus far (Kosmonaut / JD Emmanuel / Kohn etc) is the long promised mighty new EXPO 70 full length. Released as a pressing of 500 only on mauve, red and black splatter wax with embossed DD insert.The LP features 3 extended jams from the latter days of the working relationship between mainman Justin Wright and Matt Hill (prior to his wonderful recordings under the ‘Umberto’ moniker). Recently unearthed by Justin specifically for thi…
A soundwork commissioned for the 2010 edition of the Ravello Festival, curated by Achille Bonito Oliva, Stefania Miscetti and Gianluca Ranzi. Voice: Seijiro Murayama. Voice recording engineer and EQ: Stefano Pilia Original stereo mix: John Duncan. All other sounds, recording, editing and mixing by ALH.
“In relation to this soundwork, the extended overtones created by the clashing frequencies of the ‘ghost chorus’ could indeed be read as faint glimmerings of a sublime imperative. This imperative,…
Mutant Ape is the insane noise project by Yorkshire, UK resident George Proctor. George runs the Turgid Animal label, which since 2005 has been the go-to place for harsh noise, power electronics and other demented spuzz releasing over 500 CDs, CDRS, cassettes, LPs, 10"s, 7"s etc. He has been releasing Mutant Ape sounds wherever and whenever establishing his classic yet contemporary noise/horror vision of lust and spectacle as one of the premier scum artists of the last decade. Erotic Yorkshire i…
Stefan Jaworzyn, the legendary underground figure with Whitehouse and Skullflower on his CV, revives his Shock label - home to stacks of releases by Coil, NWW, Ramleh in the '90s - with a discombobulated analog assault on the weirdest dancefloors. Two sides unfurl a barrage of modular bleeps and mescaline flash electronics equally inspired by the linear hypnotism of minimal techno and free jazz aesthetics. A-side 'The Fucker' is driven by a a rugged breakbeat through bracing, atonal maelstrom of…
A too long unheard blacksploitation soundtrack from the Fantasy Productions house -- grooves from the pool of players who laid down the sounds on Secret Stash's fantastic Porno Groove compilation -- the score for the very little seen and long lost Mad Dog's Hustle from 1974! The music is credited to The Upstroke -- the same unidentified musicians from Fantasy's adult film scores -- and in a similar fashion to the porno soundtrack material, they're working very much in the appropriate idiom, but …
The Pyramids' psychedelic Afro-jazz masterpiece finally lands thanks to Disko B. Originally cut in 1975 before they disbanded, 'Birth/Speed/Merging' marks a highpoint of the group's production values and was their last recording together. Since then the LP's achieved cult status for its celebratory fusion of carnivalesque groove with Sun-Ra-like cosmic vibes and progressive values; a worldly and entirely enchanting sound blessed with a real tangible sorta magic. The one to check is 'Black Man An…
Recorded in 1208 Saalfelden, 01-0209 Brest. Stephen O'Malley: Electrical guitar, Supro, Fulltone tape echo, sine wave, field recording. Originally commissioned for the Enter sound installation series at Tou Scene, Stavanger, Norway curated by Anne Hilde Neset. Appears as a 4 channel work which loops for a full day, on a cycle with 9 other artists, every tenth day, for at least two years. More information about Tou Scene and Enter can be found at www.touscene.com. Published by Ideologic Organ (BM…
As per usual, Hundebiss delivers a sick record for us to choke down before we even know what’s in it (like your mom used to do at the dinner table). Problems, by Primitive Art, to these ears, represent a warped union of dub, industrial and even chillwave/hypnagogic pop. Reminds of that solo Avey Tare record, albeit dub-ified with the corners melted down and the beats rendered with more vintage care.
In a fair and reasonable world, Roland Haynes would have compelled more attention than he did when his jazz-funk record 2nd Wave appeared on Black Jazz in the mid-1970s. Not to say the keyboardist was totally neglected back then, but he and other plugged-in pianists of his stylistic inclination (such as label-mate Doug Carn, Hampton Hawes, Don Grolnick, Larry Willis, and Gordon Beck) existed in the deep shadow cast by jazzman-turned-jazz-funk powerhouse Herbie Hancock, whose records with the H…
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole purpos…
Virgins was recorded during three periods in 2012, mostly in Reykjavik, Montreal and Seattle, using ensembles in live performance. The sound palette of this work is wider, almost 'percussive' and tighter sounding than previous works. While this album remains committed to a painterly form of musical abstraction, it is also a record of restrained composition recorded live primarily in intimate studio rooms. This record employs woodwinds, piano and synthesizers towards an effort at doing what digit…
CD edition "The new Zs lineup (Sam Hillmer, Greg Fox and Patrick Higgins) sounds very much like a new band, at least as evidenced by the Grain EP. The two side-length tracks (coming in at a total of 42-minutes) bear the marks of Zs' sound - repeated phrases, looped or played in situ; buried drones and harsh electronic tones - but it does sound very much like a new band.
There's an extended ambience to the album that trick perceptions of time. Glitches and waves that last only a minute or th…