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Peter Jefferies's extraordinary debut solo album, The Last Great Challenge in a Dull World, first saw life as a cassette via the Xpressway label of Port Chalmers, New Zealand, in 1990. As a result of some international underground acclaim in fanzines and mailorder catalogs -- for both the album and a striking 7-inch, 'The Fate of the Human Carbine,' released around the same time -- it soon appeared on LP and CD as well, through the Ajax label of Chicago. Within a couple of years it slipped…
Amazing sounds from the subcontinent – a selection of mid-century recordings that focuses on the incredible vocal range in Indian music, served up by a set of singers we might never have known otherwise! The voice is almost the lead instrument here – usually just supported by a bit of percussion or sitar, and set free in open space with these insane inflections and cascading tones that really leave us breathless! Mediative and exciting vocals from the masters. Great liner notes and master…
Some of the most amazing work we've ever heard from this legendary bassist – a set that's not based around music from a wooden flute, but which instead refers to the instrument in its title – as an illustration of the very organic approach of the work within! A 8CD box set of all previously unissued recordings by world-renowned bassist-composer-bandleader William Parker, a 2013 recipient of the Doris Duke Foundation's Artist Award. Parker is a wonderfully prolific composer, and over half of t…
To coincide with Halloween we can announce that Warp Records will be releasing Broadcast's original soundtrack that accompanied the recent Warp Film 'Berberian Sound Studio' - Peter Strickland’s brilliant homage to 1970s Italian horror. The film's integral soundtrack was composed by Broadcast before Trish Keenan's untimely passing last year.
Ron Morelli returns to stare down the 'floor with four pieces written during the stress-busting sessions for Spit (HOS 407CD/LP). The muggy, droning welt of "Public Consumption" kicks off with the sound of New York techno shot from the hip, while "Another Hit" vents a vintage era-Regis style built on skull-chipping snares and effluent acid modulation. The album's writhing batacuda banger, "Crack Microbes," reappears here as an extra-ferric extended "Version," sustaining the hypnotic intensi…
Since 2001, Duchess Says have been spreading the gospel of the influential and mysterious Church of Budgerigars. Their learned mix of hypnotic rock and saturated keys, concocted by Phil C., Ismael and Simon Says, is delivered by A-C, a sermon laden with the teachings of the novice Mere-Perruche. The congregation has prayed the three Ts; now it's time to reiterate. In a Fung Day T! is their second offering. Adrian Popovich and Joseph Donovan of the Mountain City studio have succeeded in r…
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
2012 Reissue. Ektro Records proudly presents the pioneer of Finnish electronic and experimental music - Mr. Erkki Kurenniemi. The tracks released here - produced during 1963-1975 - include Kurenniemi's focal works and previously unreleased raw material composed as solo works - as well as works in collaboration with Kari Hakala, Jukka Ruohomäki, Otto Donner and Eino Ruutsalo. Kurenniemi's impulsive attitude towards his art - including electronic music, films, media art, instrument design - is per…
Some will find it hard to believe that a glamrock band with a gritty urban veneer came from Texas and stuck together long enough to release this milestone record. Indeed, I was startled to learn that they're from Texas and not NYC or London. Clearly the underground music scene throughout Texas is fertile with talent and enough socio-cultural diversity to support any genre, including mid-70s glamrock. Metz take on glam includes some of the associated clichés like heavy chunks of chord strokes and…
Giovanni Lami (Ravenna, Italy, 1978) is a field recordist and musician who works within soundscape and sound-ecology boundaries. Since 2009, he has founded several projects, attended many workshops and tought others about soundscaping and field recording techniques. With his various projects, Giovanni has performed in several venues including: Conservatorio B.Maderna (Cesena), DalVerme (Roma), Mu.Vi.Ment.S. Festival 2010 (Itri), Fondazione Giorgio Cini (Venezia), Festival C/off (Faenza), Schiume…
The two LPs are straight reissues of the first two Kleistwahr cassettes released by Broken Flag in 1983 - BF3 and BF15. They are the first two volumes in a series of four releases cataloging the early Kleistwahr recordings. Kleistwahr was the solo project of Gary Mundy which he ran alongside his main band Ramleh. "Edition of only 250 copies reissue of what was originally a limited 1983 cassette release (BF15) on the legendary Broken Flag label. Kleistwahr is the solo project of BF head Gary Mu…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
“White Metal” is a new piece by Michael Pisaro, realised by the composer and Miguel Prado. “When I first heard that Michael was thinking of working on a project with the name “White Metal”, I contacted him, excited to know more about it. At first we talked about general aspects of the piece, without knowing the route it would take, beyond a couple of conceptual premises. At some point, Michael suggested that this project be included in his “Grey Series” a series of noise-oriented scores he was …
This vinyl-only album fills a crucial gap in the evolution of legendary folk artist Spider John Koerner. Recorded in between 1965's Spider Blues and 1969's Running, Jumping, Standing Still (with Willie Murphy, both released on Elektra), Koerner is captured here live and unaccompanied at The Ash Grove in Los Angeles, bringing to light an exciting and previously-undocumented period in the career of Spider John. The excellent recording captures Koerner at the absolute peak of his guitar-playin…
Opportunities for introspection have come few and far between for Canadian-born, New York City-based cellist Julia Kent. After coming to prominence as a member of the cello-driven group Rasputina in the ‘90s, she went on to arrange and play on numerous recordings and tour extensively as a member of Antony and the Johnsons, among other projects.The opportunity to explore her own emotional and creative world came with her solo LPs, Delay (2007) and Green and Grey (2011), and it is something she ap…
First ever live acoustic recordings from The Acid Mothers Temple & The Melting Paraiso UFO. LP edition limitedto 1000 copies. Recorded live in Nagoya. Design by Kawabata Sachiko. Features acoustic versions of fan favorites Pink Lady Lemonade & La Novia.
Black Humor was an experimental rock band from San Francisco in the early 80's. (Not to be confused with "blackhumor," alias of noise artist Frazer Hall.) They released just one, very hard to find LP on Fowl Records in 1982. Only 1,000 records were pressed, each with unique handmade covers: thick slabs of paint, collage, parrot feathers, dirt, whatever else happened to be laying around their Tenderloin flat. Many of these have since gone for high, collector prices or ended up in oblivion.…
So much music claims to capture the moment. But as Processes & Potentials proves, in-the-momentness can be a malleable concept. The result of three years of studio work, the album sees Bjarni Gunnarsson following his longstanding interest in exploring liquid states, transformational activities and the complex relationships between cause and effect. It is music which behaves differently, unexpectedly, veering off into surprising directions and never staying in one place for too long Ð it is certa…