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Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
This CD is the soundtrack to the film AUN, directed by Edgar Honetschlger. With stills from the film in the full colour 28 page booklet, the artwork is designed by Philip Marshall. Intention : 'AUN Ð the beginning and the end of all things' tells the story of mankind's quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the…
For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering cornet and rolling drums settin…
Adriano Zanni aka Punck is a field recordist, sound designer and photografer. He released records on great labels like Afe Records, Setola di Maiale and Creative Sources. This is his first release for Boring Machines and it's his most personal record to date. In 1964 director Michelangelo Antonioni set in Piallassa (a pollutedarea near Ravenna, Italy) his famous movie Red Desert. Punck was born in Piallassa in 1964. A single long track of different threated sources, samples and acoustic guitar …
Wolfgang Rihm sets poems from Heiner Müller, Hermann Lenz and Rainer Maria Rilke to music. Listen to a living document about one of the most important lied composers of our time.Wolfgang Rihm’s confrontations with the written word hold a special place among the more than 400 compositions he has written in the course of his long career. The composer, highly versed in reflecting on his own approaches and techniques, expands the textual material instead of labeling it, adding additional levels of m…
Another double OLBM CD that testifies the remarkable work carried out within the New Wave phenomenon by Viridanse (from Alessandria, Piedmont) between 1983 and 1987. Despite its short existence, the group has left an important trace in a time when the world of music was already full of proposals. Influenced by the English Wave and the Florentine scene, Viridanse debut with a split-tape shared with The Art of Waiting. In 1984, Contempo Records produces their 12” EP "Benvenuto Cellini" and - the f…
'Thoughtful improvisation from percussionist Tatsuya Nakatani in a duo with Kaoru Watanabe on shinobue, noh kan & ryuteki, stunningly beautiful passages to active and unusual musical forms. The blending of traditional and radical new styles makes this a fascinating disc, with great communication and excellent pacing between the two players. Recommended for aural world travelers.'
Burkhard Beins: selected percussion, objects. Lucio Capece: soprano saxophone, bass clarinet, preparations. Rhodri Davies: electric harp, electro acoustic devices. Toshimaru Nakamura: no-input mixing board. Recorded live at NPAI Festival, Parthenay, FranceJuly 19th, 2007. Mixed by Toshimaru Nakamura. The artwork for this disc was created by QQ in Argentina.
The IMO is a very large improvisors ensemble, founded in september 2010, that usually gather about 35 musicians per concert, from all switzerland and beyond. From the, expected, mess of the first concerts emerged a collective consciousness and involvement from the impressive number of musicians included in this ambitious projet. After a year - and 7 concerts - 40 of them met during 3 day during the 2011 summer, marking a sensitive step in the orchestra progression. Working deeply a certai…
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz
Final solo alto sax blasting from the late legendary Japanese underground hero Kaoru Abe. Abe was an inspiration to free/jazz and Japanese noise lovers world-wide, lived a fast and hard life and ripped his guts inside out on each and every of his many releases. Extreme music for those who need it.
1998 reissue, orginally released in 1984. A combination of spacey electro-pop, dub and dark avant-rock influences, Phantom Band is one of the most authentically weird, essential and yet surprisingly overlooked organisms orbiting the Can universe. This is the third and final album from the project, masterminded by Can drummer Jaki Liebezeit, featuring Dominik von Senger (Dunkelziffer, Damo Suzuki Band/Network) on guitar, Helmut Zerlett (e.g. Dunkelziffer, Unknown Cases) on keyboards and Sheldon A…
A colossal and epic post-ambient symphony in three movements, where echoes of string instruments, deep drones of indecipherable origin, layered synthetic waves, slowed-down and distorted dark sonic masses challenge time with a para-immobility in constant turmoil, in an unpredictable, progressive and sometimes cyclic combination of statuesque sonic forms whose physiognomy is often known and familiar, while at the same time elusive, disturbing, arcane and mysterious... Another highest and …
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
new work by David Jackman aka Organum after completing the recent "Holy" trilogy ('Sanctus', 'Amen' and 'Omega'). SOROW is not an album that expands the trilogy still farther, but opens a new chapter in Organum's career. On the basis of the European organ drones and the Indian Tanpura foundation, the gentle Japanese temple bell compliments the piece. ....
1 copy only, long out of print - for many years, Pierre BASTIEN has developed his personal music based on musical machines made with Mecano. His orchestra MECANIUM is his backing band both on album and on stage. All this creates a tender, delicate and emotive machine music that seduced Pascal DOMELADE from the beginning. A terrific mixture of J. Dubuffet and John Cage
Another uncommon sonic wringer from Portuguese label Creative Sources has been signed by a couple of Switzerland-based (as you could easily surmise from the geographical coordinate, which point to a place the district of Franches-Montagnes in the canton of Jura in Switzerland, they used to name this release) musicians, Lea Danzeisen and Christoph Schiller, who decided to squeeze the spinet, the little brother of harpsichord and piano, whose sound got totally transfigured by meticulous mod…
Certain places are more horrifying than others, closer to the source of primordial terror, be it the netherworld, the glacial outerspace of Lovecraftian ancient evil or simply the subconscious. Such places are sources of myth and awe. For their second album, Owwl tapped into these sources. Dark Places channels the world's sinister sites. The results are minimally shifting walls of drone, oppressive and entrancing like stars in a forlorn place or the historic pitfall of ground drenched with…
This compilation, originally released in 1984 as a vinyl LP by Multiple Configuration in collaboration with the legendary ADN label, is finally available again in a completely remastered CD version. "Ekhnaton" collects tracks recorded by the most daring and remarkable bands that were active in the experimental Italian scene during those years. "Simple Italian Research Vol. 1" was (and still is) the subtitle of an album that includes two tracks from each of the following bands: Maze 1066, Tasaday…
Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…