New Arrivals
Miniatures - Songs recycle
Pierre-Yves Macé is a young French composer, he was born in 1980, but has already released four albums on respected labels including Tzadik and Sub Rosa. Miniatures - Song Recycle is his second album for the Parisian imprint Brocoli, following the acclaimed Passagenweg. Miniatures - Song Recycle, as the title suggests, alternates musique concrète studies and songs in the form of lieder, where the voice is made of recycled, chopped and transformed a cappella vocals from YouTube, accompanied…
The Baroque Atrium
The Preservation label presents The Baroque Atrium, the second full-length album from Seattle's Panabrite. Panabrite is the solo recording project for Norm Chambers, who over a short time has grown a catalog of works showcasing a natural empathy for tapestries of sound that are eclectic, intricate and immediate all at once. Marking new ground in pursuit of pre-digital synthesis, Chambers' work as Panabrite is a shining light among those currently finding inspiration connecting sound explora…
Gratuitous Abuse
The London based improvising string trio Barrel of Alison Blunt on violin, Ivor Kallin on violin & viola, and Hannah Marshall on cello, all members of London Improvisers Orchestra and performers at the 2007 Freedom of the City. "These three musicians have been performing in various combinations with others on the London improvising scene for several years. As well as the numerous small groups they have participated in, all three are members of the London Improvisers Orchestra. About six years a…
Just before music
Fans of Sun Ra, take notice -- there is a new American original on the scene who hails from Birmingham, Alabama. Lonnie Holley's music is unlike anything ever heard, and these recordings are a welcome addition to the continuum of music. This album marks the first time Dust-to-Digital has taken an artist into a recording studio. Lonnie Bradley Holley was born on February 10, 1950 in Birmingham, Alabama, the seventh of twenty-seven children. From the age of 5, Holley worked various jobs: pi…
SID Chip Sounds: The Music Of The Commodore 64
Compilation of music from classic Commodore 64 computer games. The 18 original pieces of music have been remastered for this release. When people talk about "Commodore 64 music," it's easy to forget they're not talking about a musical style: they're talking about a delivery mechanism. What that convenient phrase hides is the sheer amount of originality and creativity that went into creating the music for games on the Commodore 64. Included on this compilation is some of their most celebra…
Junkyo
First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.
Simple Psychedelic Pleasures
I love the Tadpoles, a quintessential American psych band, so chances are I was going to be all over David Max’s solo platter when I heard about it. And I am. I don’t want to go on and on with endless comparisons with his work with the Tadpoles because much of that is obvious. Let me just say that maybe its sort of another tentacle from the body of the Tadpoles; sprung from it, indebted to it, but operating with a mind of its own. And name-checking all of David’s influences, though tempting and …
s3d (Ear & Eye)
s3d presents a world of fresh sounds from invented and unconventional instruments with names as curious and evocative as the sounds they produce: mothics, shimsaw, kyurukyuttsu, gloopdrum, corrugahorn, sprong, sundrum and many more. An international collaboration. Twelve experimental instrument builders/improvisors in an inspirational world-first.
5 More Dialogues
Here are two men whose musical natures are obviously rich and their backgrounds complex - back to Stinky Winkles in the pianist's case, back to Amalgam and the Spontaneous Music Ensemble in the saxophonist's - but who reduce, in the critic/analyst's shorthand, to tiling or fabric. Tessellations. Moiré. Does that convey all you need to know about Veryan Weston and Trevor Watts, secure in the understanding that these are self-chosen metaphors, not imposed from outside? Needless to say, no, …
Myriad
Mayas frames her instrument not as 88 keys arranged in tidy scales, but as a sonorous tangle of wood and wire, she produces sounds with a wide dynamic range, playing the whole piano, inside and out, including dramatic percussive effects from banging and scraping the frame of the instrument and the strings. Abdelnour has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. she employs subtle tonguing…
Fancies, forbearance
Fancy: a 17th century term generally describing a composition in which form is of secondary importance. Fancies were usually contra-puntal and in several sections. (The Oxford Dictionary of Music)Fancies (2009) served to reconcile previously unsettled material, based upon a scheme that condones disparity between its constituent parts. In the period since its completion, and subsequent issue on cassette, Fancies has come to represent an antithesis to what I originally termed ‘a work in parenthesi…
Aeral
In working with sound, video, and installation, Richard Garet has made an artform of interference. In previous work, he's employed photosensors to control a particular audio signal through the erratic nature of a violently pulsing abstract film. He's flooded a performance space with fog to disperse multi-channel video work into an ephemeral yet sculptural mass, accompanied by an equally diffused sound design. And here on AreaI, Garet continues his ongoing research with electromagnetic disturbanc…
Silent Partner
There’s probably not much to say about punk’s continued existence. Like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. It’s only interesting when someone comes along trying to advance the form. Like “Arrested Development” or Dennis Kucinich, they’re usually forgotten. This would all be relevant if Neptune were a punk band, which we’re not at all sure is the case. They create a sense of undermining the status quo, which is pretty pun…
The Ducks Palace
Duck Baker (guitar), Derek Bailey (guitar), Cyro Baptista (percussion), Roswell Rudd (trombone) and John Zorn (alto saxophone) Tracks Improv 1 & 5 recorded at The Knitting Factory New York 1993. Tracks Improv 2,4 & 6 recorded London 2002. Track 3. The Blues recorded at the Outpost Alberquerque 2004. Track 7 Pavement Blues recorded at Tonic New York 2002.
Night Gallery
Night Gallery III" is the first one to drop from the collaborative efforts of psychedelia power-houses, Sun Araw and Eternal Tapestry. Composed in the heat of SXSW-ian Texas and littered with odes to the Twilight Zone, the upcoming LP of the same name is the result of an improvisational drum circle recorded in one go. "Night Gallery III" is desert drone that feels cleaner than waking up in the Sahara after a peyote trip left you stranded and asking where the saxophone came from, but sort…
Februar
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Quite a way away
To say that the last few years of Gareth Dickson’s life have been tumultuous would be an understatement. In 2007 he fell in love with a girl from South America, packed up a few essentials from his life in Scotland, and moved to the Argentinian countryside. It didn’t turn all fairy tale at that point, however. While there he was shot at, attacked by dogs, and was involved in a very close call when the passenger plane he took to a little town in the Andes was forced down after an engine cau…
5
Back in stock. Helge Sten, aka Deathprod, sat through over 30 hours of live material to compile this 70 minute collection - widely regarded as Supersilent's most subdued work. Often compared to the fusion aesthetic favoured by Miles Davis in the early 70's and the post-modern compositional structure of Stockhausen, the result here is once again surprising and breahtaking, new sounds unearthed around every corner, you get the feeling that the ground beneath you is about to collapse with the sheer…
Seven
Third album from Oslo's PAAL NILSSEN-LOVE & Chicago's KEN VANDERMARK who have previously worked together in SCHOOL DAYS & FME follows their 2 "Dual Pleasure" releases. While it seems barely possible, the duo have become even more groovy on this third album. Free Jazz w/roots in both the American & European traditions: warm, groovy, melodic & funky at the same time as it is raw, wild & energetic. The pure art of spontaneous music. Independent underground jazz at its very best & a free jazz master…