New Arrivals
Orchestral works and chamber music
ESSENTIAL RELEASE: The impulsive and electrifying Ata (1987) was referred to as "a kind of shifting of the senses" by the composer. The task of sketching N’Shima (1975) was actually assigned to a computer, whereas Metastaseis (1953-54) is devoted to architecture; the composition was derived from the bases of calculation used for the pavilion for the Brussels World's Fair of 1958 and is famous in particular for its glissandos and thickening clusters. Ioolkos, written for Donaueschingen in 1996, a…
Junkyo
First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.
Ceremonies to breathe upon
Two contrabass players here, Andrew Lafkas, of whom I not really heard I think and Michael T. Bullock, of whom I did hear before, and know as someone who likes his improvised playing to be minimal - to say the least. I think Bullock at times also uses electronics, but I am not if he uses any of that here. Its not mentioned on the cover, nor the fact that this is perhaps a live concert. I do however think this is a live recording, however one with no audience, but a direct-to-track recording of t…
Live
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
1979 - 1983
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Organica (Solo Saxophones, Volume 2)
The second volume in a planned series of David S. Ware solo recordings, presenting two entire concert performances on sopranino and tenor sax at Park Slope and at Unmbrella Music Festival in Chicago. Each David S. Ware solo concert performance is a rare and magisterial happening. There were two such events in 2010, and both concerts are presented here in their entirety. The first took place in March at an intimate, invite-only event in Brooklyn; the second took place at the Umbrella Music …
Luminous Night
CD edition: Luminous Night is the first set of new Six Organs Of Admittance material to leap forth from Ben Chasnys' cerebral cortex in 18 months, and what a joy it is. With the release of odds-and-sods collection RTZ earlier in the year there to bridge the gap between 2007s Shelter From The Ash it doesn't seem like he's been away for long per se but for serious Chasny-heads a new album is something to get pretty excited about and with his other musical outlet Comets On Fire either on extended h…
Rebuses
Franz Hautzinger (quartertone trumpet), Masahiko Okura (reeds) and Tetuzi Akiyama (tape delayed electric guitar). Recorded in Tokyo, 2004.A rebus is "a representation of a word or phrase by pictures or symbols", as you probably all know. Just wondering what the words might be then, on listening to this remarkably active (in its discreet lowercase way) trio outing from trumpeter Hautzinger, saxophonist Okura and guitarist Akiyama. EAI is, after all, supposed to be slow and spacious (think Hautzin…
In Celebration Of Knowing All The Blues Of The Evening
Phantom Limb & Earth’s Hypnagogia is the project of Jaime Fennelly (of Peeesseye, Evolving Ear Records) and Shawn Hansen (who also has releases on Evolving Ear). The two join their forces here for an epic ride through the volatile moments of twilight. A synaesthetic kind of excursion, inspired by the deepening shades of light and dramatically rendered through the warm, swelling tones of Farfisa organ and analog synthesizer. In Celebration... in all its moody and cinematic drive could be the quin…
We Are the 21st Century Ambassadors of Peace & Magic
In May 2011, Foxygen's Sam France and Jonathan Rado nervously handed off a CD-R of their homemade mini-opus Take the Kids Off Broadway to producer and visionary Richard Swift after his performance in a Lower East Side club. The duo, who had just mixed and burned the disc that very night, had been devotees of Swift's outsider-pop oeuvre since high school, when they first began recording their own pubescent forays into oddball rock n' roll (At least a dozen records were finished before they …
O'er A Shalabast'r Tyde Strolt Ay
Repress of the album packaged in a custom made gatefold case and fully remastered by Randall Frazier at Helmet Room studios. A shalabast'r tyde, like unto pantent leather shoes, really doth shyne up. Reflected in the waves are twinkling stars; a smirking harvest moon; herds of passing clouds & hazey pink dots, like legends burned against eyelids after a long stare into an errant brightness. Ka-Spel's penchant for musical procreation is further fathered via this, another outst&ing experimen…
A Bureaucratic Desire for Extra-Capsular Extraction
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
33 bays
Format: Glass-mastered CD. Packaging: Recycled Chipboard Sleeve. 33 bays was recorded in October 2009 in Kyoto, during a Japan tour by the duo of Tim Olive and Alfredo Costa Monteiro. Recorded live in the studio with no overdubs, the two untitled tracks were chosen from a number of pieces captured over several days, showcasing the duo's attunement and dramatic sense of structure. Olive (one-string electric guitar) and Costa Monteiro (electro-acoustic devices) produce a rough, feral music …
Burnt Offerings
The Preservation label presents Burnt Offerings, the fourth album from Brooklyn's Padna. As Padna, Nat Hawks initially made his name in the cassette underground on the revered Stunned label with two works of pop experimentalism displaying a bustling -- often boggling -- and vivid imagination. Veritable joyrides in sound and style, these releases were in line with the DIY aesthetic, primitive songcraft and eclectic sonic stew pioneered by the likes of Tall Dwarfs and forwarded by Olivia Tremo…
Black Ohms
An edition of 500 numbered copies. Thank Expo ‘70, O Lord, for the drones you are about to receive. A deep quivering of transcendental electronic mantras pulsates to the patient beat of the third Bardo. Slow, shape-shifting ambiences expand like groaning baritone crystals crawling out from sub-oceanic ooze. Psix pstring psychedelic pspews bisect the curve of extraterrestrial buzz with a surprising terrestrial fluidity until bioluminescent fish gather to choke out quiet hymns around the th…
Home
The Preservation label presents Home, the third album from Olan Mill from Hampshire in the United Kingdom. Olan Mill is the recording project of composer and producer Alex Smalley, who to-date has received rapturous acclaim for his work that holds a sublime measure between the realms of modern neo-classical composition and ambience. On Home, Smalley has mined his most expansive territory yet to create a thrillingly evocative and deeply felt body of work. The tender clusters of sound that ha…
Old Stuff
"Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary 'October Revolution in Jazz', which journalist Bill Shoemaker c…
Alberto Boccardi
Soundscapes that alternate unstable vibrations of the earth’s surface to static animal references. Acoustic instruments, electronics, voice and field recordings, in the first work by Alberto Boccardi, tell emotional phases grown from the memories but living in the present. The use of sound is purely functional to instinct, and to the desire to define the boundaries of otherwise ephemeral images.Alberto Boccardi (1980) engineer and electronic musician he go…
Book Of Nods
A new landscape is painted out of darkness by progressive strokes of the dawn. The finished piece is neither night nor day, but the transformation itself. Aidan Baker's (Nadja) "Book Of Nods" crests experimental peaks in similarly paced sonic transmigrations. His lustrous chimera blooms open in shifting onion layers built out of slow-moaning guitar, flute, organ and drums. The resonant frequencies of quietly crashing nodes vibrate the ozone with a sub-textural beating of multi-pianic fea…