We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Volume 2. A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessiv…
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
may 2009 release: label-less lp release (“private,” if you will) covering the first ever duo set between myself & geoff mullen, recorded in concert at the brendan murray-curated “uppercase sound #2” event @ pa’s lounge, somerville, ma, 02143, usa, on july 19th, 2006 ...the music is entirely improvised, with geoff sticking largely to a suitcase-electronics-based setup (although he does provide some fine guitar & pedal alterations throughout) & myself to the doepfer (ditto guitar & korg guitar-syn…
What happens when two stars collide? An interstellar collaboration out of this galaxy! Here in this new fantastic LP from Virginia Genta (of Jooklo fame) and Chris Corsano (arguably considered 'the last drummer on earth'), both musicians put blood, sweat, and lots of muscle into three new wildly charged cuts!!!! The album begins at sunset on a terrace in Lisbon (Summer 2008) with ferocious sax and drums escalating as the sun sets with Chris' incredible drum solo leaving everyone in a trance, whi…
Formed in 1981, Central Unit were among the first in Italy to manipulate synths, drum machines and other electronic devices (as far as we know they were one of the few bands in the world able to program a Korg-KR55 drum machine) to create atmospheric soundscapes combined with mechanical basslines and relentless bass guitar meanderings, with slothy saxophone murmurs peeping out here and there
This is the first collaboration by ambient master Alio Die with soundscape creator Parallel Worlds. The unique sound achieved could be described as a hybrid sonic world, made out of bouncing electrons and air vibrations. The modular machines of Parallel Worlds are merged with the acoustic instrumentation and drones of Alio Die, joined by the ethereal voice of the Polish vocalist/composer India Czajkowska, resulting in a surreal, yet down to earth, listening experience. The compositions, b…
amateur doubles is the brand new solo lp by graham lambkin - a two-part improvisation recorded in a honda civic. dangerous, tedious, pointless and timeless, amateur doubles is a perfect snapshot of life on the open road. expertly mastered by jason lescalleet, amateur doubles arrives in a high gloss full color gatefold, on clear vinyl, in an edition of 500
Previously only available as a Japanese CD, now a limited 2 X 12" cut at 45rpm for maximum fidelity & feat. art & production by EYE himself. Limited to 2000.
The 'Filter of Reality' is a machine imagined and built by Jacques Brodier - Le Havre, France. Penultimate Press is proud to publish the first ever collection of recordings by this unique French artist, researcher, writer and inventor. Between 3 and 30 MHz, radio waves have the property to travel around the Earth by bouncing on the ionosphere, which acts as an imperfect mirror, wave-agitated under the flux of sun's particles. The machine explores this boundless electromagnetic ocean, wher…
Golden Retriever was started in 2008 by Jonathan Sielaff and Matt Carlson whose paths first crossed in the early 00’s when Sielaff and Carlson were in experimental pop bands that frequently worked together, Au and Parenthetical Girls respectively. Through collaboration, they developed a deep understanding of each other’s musical voice and sensibilities. After exchanging a few solo recordings, it became clear that they had remarkably similar aspirations for and theories on music, th…
ALUK TODOLO are a recondite creature: part okkult black metal fiend & part snide kraut menace. Dry, spare percussion grievously mines the scrapes, shrieks, & shimmer of mutated guitar & bass. Recently feat. at 2009's WFMU Fest in Brooklyn, NY
Formed by Richard Chartier at music research centre, York University (York, UK). These works utilize original loops and recordings from 1990-1993 as source material.
This is another lost private-press gem, from a Texas singer/songwriter who is remembered for “looping, melodically through often surrealist lyrics with a strong Tim Buckley influence.” Another description drops the always-intriguing “downer” folk tag on this record, calling it “stark, edgy real-people loner vibe, reverb, acoustic instrumentation, occasional hand percussion, piano, harmonica, as that off-the-chain Texas feel that approaches solo Roky Erickson territory.” The record label, Backbea…
"When witch-gods collide, it might sound something like this. Six Organs of Admittance...Richard Bishop...Chris Corsano. Riders of the apocalypse, it's them vs. us. After absorbing their über-holy dynamo, you'll be prepared to join up with these wraiths, making it all of us against...well, whomever's fool enough to stand in our way. To evil! Rangda's been building up behind the scenes for some time now. As label mates and members of an exclusive mutual admiration society, Sir Rick …
2015 Repress. The full-length player of FRKWYS Vol. 7 features pieces improvised in various forms by David Borden, James Ferraro, Samuel Godin, Laurel Halo, and Daniel Lopatin. When Lopatin (Oneohtrix Point Never, Ford & Lopatin) and RVNG Intl. began discussing this FRKWYS collaboration, Borden's work in Mother Mallard's Portable Masterpiece Co. and his seminal Music For Amplified Keyboard Instruments album were mutually / ecstatically acknowledged. While rooted in academia, Borden's minimalis…
"Revelationes is the 5th studio album from Tape, their first since 2008's Luminarium and the follow-up to their collaboration LP with Bill Wells (Fugue, Immune 008, 2010). The LP is co-released with Häpna in an edition of 1,000 copies worldwide and pressed on high-quality virgin vinyl at RTI with free MP3 download coupon. Tape have been playing their unique blend of pop, experimentalism, and minimalism since 2000; having released four full-length albums and collaborative recordings with Te…
Limited vinyl pressing of this excellent split LP self-released by Grouper in this scarce second edition* The music on this split release arrives remastered after its initial release via C40 cassette a while back. Likeminded souls Eva Saelens (inca Ore) and Liz Harris (Grouper) are in brilliant form on these recordings, so it's great to hear them in a cleaned up format - though of course with these two, it's fairly difficult to tell where the muddy cassette hiss ends and the foggy, dusty …
Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Lla…
British free jazz phenomenon Evan Parker with electronic and tape noise artist John Wiese in a set of real-time evolving improvisations intended for maximum volume. Vinyl version of the CD released earlier this year, but slightly different containing all the final mixes and edits of the sessions with a new and more intense mastering for the maximum listening experience. C-Section finds density in scarcity - deep, glacial muck bubbles emerge beneath Parker's inhuman circular breathing, only to pl…
I started making music in earnest in 1994 with a Casio keyboard and a four-track cassette recorder. Since 1996 I have been using a Korg MS10 analogue synthesiser and some effects pedals which I have added over time Ñ delays, phasers, a ring modulator and a pattern generator. Occasionally I use acoustic sounds as well. On this LP, I made extensive use of a pattern generator (a Moog Murf) in combination with other effects. Before recording anything, I spend time designing and shaping the sounds I'…