New Arrivals

Gatefold 2LP version. "Pairing prickly electronics with live drum patterns, Eno dumps great globs of blotchy machine -- malfunction into the mix. Holland's poetry is interlaced courtesy of [a] monotone voice...the combined effect makes the whole undertaking sound like a wild William Gibson fantasy come to life." --Pitchfork "Brian Eno first came across the work of Rick Holland in the late '90s during the Map-Making project; a series of collaborative works between students of the Royal College, t…

Having nicely set up the release of this album with their Ret Marut Handshake EP a few months back, Alva Noto and Blixa Bargeld (of Einsturzende Neubauten fame) deliver a set that exceeds all expectations. One of the most strikingly obvious comparisons to arise from that first batch of material was the Alan Vega/Pan Sonic collaboration, yet Mimikry goes much further than combining the established aesthetics of its constituent parts and creates something that actually feels very new. Car…

The Nihilist Spasm Band (John B. Boyle, John Clement, Bill Exley, Murray Favro, Art Pratten, Aya Onishi) + Sun Plexus 2 (Laurent Berger, Sébastien Borgo, Rémy Bux). Limited edition of 300.

Barbara Manning and S. Glass lead a small army of guest readers and musicians through barely musical versions of tunes, texts, and tracts. A survey of the exceptional, the eccentric, the feverish, and the pathologically peculiar within popular religious faith, to paraphrase William James, made by others, communicated by tradition, determined to fixed forms by imitation, and retained by habit. 70+ minutes of music fragments leached of melody and harmony, looped, hacked, noisified and depas…

**Gatefold double 180g vinyl LP, with 12" booklet of liner notes and photos**Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, f…

Norway's Smalltown Supersound label is just one of those imprints that you have to keep an eye on, because if not you're sure to miss out on some nugget of psyched avant-metal or North European disco that you'll be kicking yourself over neglecting in 10 years time. 'Smalltown Supersound On Fire' is a very handy and rather essential compendium of forthcoming releases on the label, including tracks from Arp, Meanderthals, Diskjokke and Tussle alongside remixes from the likes of Prins Thomas and Bj…

Brand new split LP from fellow Manchester weirdos A Middle Sex and Gnod. Gnod follow on from some killer releases over the last couple of years, a split 7" with Bong, a tape on Not Not Fun, and most recently a collaborative LP with White Hills. The oddly titled 15 minute 'Why Don't You Smile Like The Other Children?' opens with hazy strings and cosmicly far out voices, this slow groove packs a multi-coloured burst of rhythmic psychedelic vibes. On the flip side, A Middle Sex take up duties of do…

Limited edition of 400. Handmade letterpressed covers. Deceh is a fine drone quartet utilizing traditional ethnic drone instruments as well as vintage analog synthesizers. This record was recorded on a centered room microphone as the group sat in a perfect square around it. This method of recording perfectly captured the focused intimacy of the moment, complete with the crackling bellows of an ancient harmonium. Bringing strict discipline, control and patience, theyre able to achieve densely tra…

nterstellar vocal group numbers and doo wop from the Sun Ra vaults – a couple rare release and a bunch of previously unissued numbers featuring The Cosmic Rays, Crystals, Nu Sounds and Juanita Rogers – teenage vocal group numbers, bits of bebop and spacey doo wop released for the first time ever! The Second Stop Is Jupiter is Volume 2 in Norton's compilations of early, vocals centered Sun Ra material – beautifully done, and worthy for more than just Ra completists – it's a treasure trove…

The duo mainly sticks to their guns, mining the same post-Suicide art-trance vein they perfected on Dream, but here there's an added emphasis on the disembodied, oscillator pop mode that they often toy with. Mesmerizing organ melodies over plink-plonky vintage drum machines with weirdo soulful singing & outer space electronics, like an outsider-punk Silver Apples or something. Edition of 600

The Immeasurable Gift is a testament to cathartic possibilities and the role of creation/release as a means of understanding. Recorded throughout the past three years in a variety of locations and personal moments; encapsulated by a common, unrelenting concern. Beautifully delicate, elegiac melodies concealed within curtains of dense electronic ambiance reveal themselves like the light at the end of the tunnel; a signifier of the temporary vessel form. Balancing recklessness with care and…

Long out-of-print cassette originally released on Sloow Tapes (Belgium) in an edition of 70 with hand colored inserts. Cassette sold out within a week and has become quite collectible. Recorded after Expo '70 played France in 2008, just weeks after the IAO festival where the label owner and musician met. Upon returning to the states, the experience spawned the 2 day recording session materializing these 2 improvised tracks with no overdubs. Both tracks begin with rhythmic beats and slowly …

Originally schooled in the foundations of hard bop, cornetist Rob Mazurek, quickly surpassed the form's conventional limitations; his multihued electro-acoustic work over the past two decades has subsequently drawn inspiration from numerous genres besides jazz. Mazurek's unfettered creativity and stalwart leadership skills have thereby cemented his reputation as a key figure in the Chicago scene—primarily as organizer of the venerable Chicago Underground Collective and several other innovative e…

"Vagabond American legend Carlos Gonzalez drops his first NNF full-length, and it's 10 of his greatest junkyard surf-slime tunes of all time. Edition of 500."

Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …

The second album from Australian band Naked On The Vague, who have doubled in size for this batch of new material. The tone is characterised by dark and fearsomely heavy garage-punk, with a wafer-thin coating of distortion lending a little extra bite to the band's already vicious dynamics. "Bleak, unrepentant, withering and droll, Heaps of Nothing is a 21st century codification of the gallows wit and mesmerizing otherworldliness of (Dub Housing-era) Pere Ubu, Primitive Calculators and L…

Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Lla…

Veterans of the sprawling Chicago music scene, Zelienople have carved out a unique sound over their album releases. The World is a House on Fire is the latest chapter in the band's story, and frames their music more succinctly than ever before. Mike Weis (percussion), Matt Christensen (vocals, guitar) and Brian Harding (bass, saxophone) managed to perfect brooding, melancholy doom-pop on their last full-length Give it Up (TYPE 054CD), and this latest LP finds the band in a more evocative mood.…

Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…

Again, ultralimet release on qbico, the original music was rec. @ the qbico u-nite XIII which took place @ Issue Project Room in NYC back in Feb. 2009. for sure the opening set by Atiba & Dave Nuss was one of the most original live set i had the pleasure to... see i remember talking with Dave, trying to set up this gig... he came out with this duo, saying that Atiba is the best well kept secret in the NYC... he spotted him playing in Harlem Clubs... nobody knows him, Andrew Barker or Steve... no…