We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
CS Yeh: violin, electronics (side A), computer (side B). Chris Rosing: additional climax electronics (side A). Full color heavy cover, LP. Edition of 500. Released February 2002. Burning Star Core's first vinyl full-length and first widely available recording after numerous private releases that began surfacing in 1993. Massive layers of sustained sound driven thru violins and electronics direct to climax -- backed by broken organs dropped into shifting darkness and cracked computer hypn…
A new collection of killer, tempered synthesizer workouts from Darren Ho on Spectrum Spools. The seven tracks featured have are have the kind of fragile beauty - and playfulness - that we associate with the early electronic music of Wendy Carlos, Daphne Oram, Raymond Scott and their ilk. There's a strong narrative arc to the album, but each track explores distinct territory: 'Slow Sum' parts one and two' are playful agglomerations of phased analogue patterns, 'In Peru' a Budd/Roedelius-style amb…
More than a mere odds-n-ends collection, Kurt Vile’s latest LP is a compilation of tracks from Overnite KV, a tour-only CDR, along with a handful of extra tracks recorded specifically for this release. Here we find Kurt solo, four-trackin’ as usual, and blowing minds with his mix of bluegrass guitar, blazed singer-songwriterisms, and the knowledge of how to balance these contexts out with laidback precision. Psychedelic to its core, these twelve tracks speak to the will of the casual perf…
Xex were an all-synthesizer band from South River, New Jersey who recorded their debut album group:xex in 1980. Formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers CollegePerformed entirely on then-state-of-the-art Arps, synths and electronic drums – no guitars anywhere – group: xex aims for the future, but comes across now like a time capsule from the deepest, darkest Reagan years. Each song burro…
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
The Lost Jockey was a large aggregate of British new music performers who came together on this LP to play compositions by three of its members: Andrew Poppy, John Barker and Orlando Gough. Poppy is the best known of the three-he worked with Psychic TV on their first two albums and made two rather dated EPs for ZTT in the mid-80s-and his pieces here are better than the later works but still forgettable. It’s Gough’s side-long “Hoovering the Beach I & II” that’s worth the price of admission-with …
The lonesome banjo picker returns! Recorded in one take in a de-sanctified century old cathedral in Northern Minnesota, The Uses of Infinity is a 6 part cosmic hobo’s dream suite for 23 string banjo. Cast in the drifting nebula of the whole tone scale, Paul Metzger plucks, picks, bows and spins his way through a 40 minute odyssey making for his most ambitious and adventurous musical trip to date
Long out-of-print cassette originally released on Sloow Tapes (Belgium) in an edition of 70 with hand colored inserts. Cassette sold out within a week and has become quite collectible. Recorded after Expo '70 played France in 2008, just weeks after the IAO festival where the label owner and musician met. Upon returning to the states, the experience spawned the 2 day recording session materializing these 2 improvised tracks with no overdubs. Both tracks begin with rhythmic beats and slowly …
You can not stop thinking. About 18, I finally calmed down, I thought I could stop thinking completely. I become a zombie for four years. Then, in a broken heart, I started again. I came out of the "grip" that held me tight. I started hearing voices. I also tried to kill time. First, you must confess that its people like you and I believe that is broadcasting the idea. It is terrible. When I look around, I am someone who is the same idea with me. My idea is to broadcast. You can read our …
he new solo album by American maverick trumpeter Peter Evans, titled after a thought provoking essay by philosopher Ran Prieur, NY trumpeter Peter Evans uses the studio as a compositional tool via overdubbing and looping to create epic virtual duos that push the trumpeter to the extreme. "Titled after a thought provoking essay by philosopher Ran Prieur, it is a heavyweight pressing and comes housed in hand screenprinted wrap around sleeves featuring the forceful brushwork of 15 year old artist O…
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
Nigeria Afrobeat Special is the fourth addition to the Nigeria Special series, a project initiated by Miles Cleret, owner of the Soundway Record label back in 2004. Cleret’s ambition to distinguish the blossoming music scenes of 1970s Nigeria has lent to an indispensable series of CD and LP compilations documenting the influence of western blues, rock and disco amongst artists and musicians versed in the local musical styles of highlife and juju. It was Fela Kuti and his musical and politi…
Since Sam Shalabi enjoyed his mini-breakout in 2004 with the Shalabi Effect's The Trial of St. Orange, the Montreal composer has explored the overlap between popular Western music and traditional Middle Eastern musics, particularly those from Egypt, the country from which Shalabi's parents hailed. These projects tend to be diffuse and ambitious: Shalabi works with dozens of musicians on long, brash drones, or plays meditative oud pieces in comfy theaters. Land of Kush, …
This is Mama Br solo with voice, tape, guitar, feedback. Limited to 300 copies. White vinyl. Cover from the artist. "A relatively tranquil trance induced by repetetive autistic thumping while Ms. Hjuler successfully calls down the moon. Lousy electric guitar, detuned piano, backwards cassette tapes, and a microphone banged against a floor all get guest spots. Best of all, there's a giggling section." Weirdo Records
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
When the shoe drops on the first bars of the USA is the Monster's new full length, it becomes clear some changes have occured since the last record, Sunset at the End of the Industrial Age. Buttery synth and elaborate vocal harmonies combine to levitate hairpieces at least a wee bit. This is the perfect synthesis of the pastoral wanderings circa thier second full length record, Wohaw, and the punk spunk junk of their first and third full lengths. The band is still a New York two-piece tribe of N…
The legendary American artist Terry Fox is known for his pioneering work in performance, sculpture, drawing and installation. Throughout his career, Fox (who died in Cologne in 2008), focused on sound as a fundamental artistic material. Many of his most important sound works were realized long before terms such as "sound art" or "audio art" became widely known.This recording, The Labyrinth Scored for 11 Cats (1977), is now recognized as an early classic of the audio art genre. It is one of Fox's…
I started making music in earnest in 1994 with a Casio keyboard and a four-track cassette recorder. Since 1996 I have been using a Korg MS10 analogue synthesiser and some effects pedals which I have added over time Ñ delays, phasers, a ring modulator and a pattern generator. Occasionally I use acoustic sounds as well. On this LP, I made extensive use of a pattern generator (a Moog Murf) in combination with other effects. Before recording anything, I spend time designing and shaping the sounds I'…
The most recent release on the lichen label; all releases are hand-assembled by zach wallace in his native ann arbor environs and offer of a lovely wave of art-sound, field recordings, improvisation with natural non-instruments, and, in the case of this particular title, a pair of pieces by greg davis and zach himself on farfisa, distorted vocals, and bells. the first appears to be a zonked “cover” of lamonte young’s “31 vii 69 10:26 - 10:49 pm munich from map of 49's dream the two systems of el…