New Arrivals
Broken Bones
This latest in the Latitudes series of limited LPs comes from American noise-pop band Gowns, whose Red State album you may recall as being one of 2007's more unclassifiable recordings. A folkish spectre hangs over these pieces, particularly when it comes to the wiry, haunting violin sequences strewn liberally across the session - they bring to life the sinister spoken word of 'Dog', crowning a soundscape that's always on the precipice of turning nasty. Much of Gowns' music tends towards uncertai…
Come Clean
There's a big sticker on this record saying it's one of Aquarius's records of the year. Now call me cynical but I might start doing that for everything just so we get our name mentioned on the front of every record. Genius. Don't know why I didn't think of that before. No Balls are ex Brainbombs and if you're not familiar with them they're a bunch of noisy Swedish types who did a top album called Burning Hell years ago which is a sludge masterpiece. From the same school of thought as Drun…
Rekkez
Limited edition of 250, with full color 23 by 33 poster designed and painted by G.Loli. Mutamassik (= tenacity in Arabic) is the musical avatar of Giulia Loli, who merges Egyptian percussions with hardcore breaks. The result, sometimes dubbed Sa'aidi hardcore & Baladi breakbeats is a mutant, syncopated form of instrumental hip-hop. The history of Giulia Loli herself is marked by fluid borders, being born in Italy of an Egyptian mother, moving to the United States in her childhood, staying in Egy…
Movements in Marble and Stone
While these performances occurred on opposite coasts, the source material is closely aligned in both concept and process. These works highlight Gregg's ongoing preoccupations with sound and setting, incorporating the focused blend of acoustic and electronic sources that Kowalsky is already well known for. 'Electronic Music for Square and Sine Waves' documents Gregg Kowalsky's contribution to the 2011 Activating the Medium festival in San Francisco. This commissioned piece continues Kowals…
Trop de pas assez
Salmigondis is a collective (born in 2006) of musicians and graphist designers. Free rock, psychedelic, noise Ludovic Renaud (keyboard, turntables, electronics), Jean-Pierre Barja (bass, keyboard, electronics), Jérome Declercq (saxophones, keyboard, basse), Mathieu Renaud (guitar, electronics), Jean-Noël Cognard (drums,objects, voice). Recorded in 2007. Limited to 150 copies.
Concatenating Fields
After last years twice sold out and now long out of print record with Mark McGuire, the guitarist from Emeralds, Trouble Books are about to release 'Concatenating Fields'. Their most accomplished and fully realised work yet, it has everything from the perfect minimal pop song, to Eno like guitar symphonies, to a noise freakout with legendary cult Ohioan noiseniks, Tusco Terror. It's an unbelievable treat for MIE to be working once again with the band and their label, Bark and Hiss, in get…
Shaking, Waking
Clear Vinyl. Anyone who grabbed hold of the recent 'Alive in my Mouth' LP from ex-Baltimore trio Heavy Winged will know just how essential their tunes are. Made up of the classic bass, drums and guitar combo, the noise they generate is anything but predictable - the guitars rasp and drone, the bass bubbles and resonates and the drums rise and fall like tidal waves hitting a doomed continent. This is not your average white band, and 'Waking, Shaking' is possibly their finest release to date as th…
Our Anthems
a duo project by Karla Borecky and Scott Foust from the Idea Fire Company plus long-time collab-orator Mike Popovich. They were actice in the mid- to late-1990s and released the album »Our Pledge« on SWILL RADIO at the time. »Our Anthems« was recorded in 1996 but remained unreleased until now. The sound is somewhat similar to IFCO, although within at least some sort of a song structure. The 12 pieces on the LP present themes and sketches of atmospheric musical beauty created by synths, haunting …
Public Service
“Almost Washed My Hair” erupts from the stereo like some bastard child from a universe where Iggy Pop fronted The Velvet Underground and the only song in their repertoire was “Sister Ray” but they could never remember how to play it. This ear-splitting and cacophonous rock sounds as raw and powerful as anything else in my record collection. The deafening guitars dominate everything; only ghosts of vocals and a hammering beat are perceptible under the overloaded amplifiers. However…
Ufo
The first 2 Guru Guru releases, both from 1971. Musically, these 2 represent (along with their 3rd, Kanguru) the reigning moments of this acid-destroyed-jamming Krautrock outfit, and are essential artifacts of pure thunder.
Blue eyes are my reward
Jawdropping new collection of crop circles etched in sonic candy-floss by New Zealand’s beardsmith / noise-farmer Campbell Kneale. Rated by the horses mouth as the best thing he ever made, EVER, ‘Blue Eyes Are My Reward’ shimmers like an icicle-clad forest resplendent in its own crystalline magnificence. Snakecharming groove, dublike boomph, and bleary eyed strum blast the path out of a decidedly greying world of so-so metalized myspace drone, into a miniaturized drone-prairie of superpow…
The Divine
""the divine" marks the second phase in the trilogy proposed by john twells aka xela. crawling out of a castle dungeon in pursuit of its predecessor, "the illuminated", this lp finds itself trapped in an abandoned church somewhere in a damp southern wilderness. church bells chime and rattle through the record's first piece, echoing and distorting through a fog of chattering voices and prayers. tape loops stumble over tape loops and the solemn, ecclesiastical drone slowly decomposes into thick, c…
Visits Planet Earth
180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes …
Harmonia & Eno \'76
AWESOME!! Fans of ambient music and Brian Eno will want to watch for a new album on the new Amazing Sounds label, Harmonia & Eno ‘76 Remixes. The album features remixes of tracks from the classic album Tracks & Traces by Shackleton, Appleblim & Komonazmuk. 2 tracks 12"
(Fake) The Facts
After the runaway success of the Akita/Gustafsson/O'Rourke LP One Bird Two Bird (DEMEGO 016LP), Swedish sax legend Mats Gustafsson returns to Editions Mego with another storming collaboration. Now a resident of Vienna, he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result. A dense fog of sound comes from all directions, but whereas the general impetus is a full-on attack, the trio finds enough restraint to create a deepe…
Guitar drag
"Guitar drag by Christian Marclay is now being released on neon records. The record is actually the sound track for Marclay's video with the same title that was shown first at London's Hayward Gallery sound art exhibition "Sonic Boom" in 2000. The piece as well as Marclay has become an icon in sound art circles, and although the video can only be seen in exhibitions as an installation, it is widely known. The full 14 minutes sound track is released on a beautiful one-sided 12'' clear vinyl recor…
Weighted Ghost
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
Awakening
Long out-of-print cassette originally released on Sloow Tapes (Belgium) in an edition of 70 with hand colored inserts. Cassette sold out within a week and has become quite collectible. Recorded after Expo '70 played France in 2008, just weeks after the IAO festival where the label owner and musician met. Upon returning to the states, the experience spawned the 2 day recording session materializing these 2 improvised tracks with no overdubs. Both tracks begin with rhythmic beats and slowly …
Channel Pressure
The production duo's debut full-length album is a highly focused study in the effects of consumer electronics that touches on sensual bangers and hyper-spherical anthems prime for the dance floor. The record was engineered by another childhood pal, Al Carlson, and mixed by Prefuse 73 who states: 'Mixing these ideas that span from high school notebooks into a present sonic territory is F+L's right on conceptual evolution.' There's a fantastical, futuristic narrative arc running hard throug…
A Year In The Kingdom
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…