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Great follow-up to the Swiss percussionist's first single. It has one side of music created by disturbing the skin of a drum head and another with a kind of spidery almost drumming. There is definitely the sense of a drum head being struck by something, but the touch is so light it really sounds more like rain on the roof of a metal building. Tup !’ - Byron Coley, The Wire, 2010’Here's the second volume of a projected series of four seven-inchers featuring Swiss improvising percussionist Christi…
"Filmmakers often try to make a great film by making it feel heavier than film is by nature. Rudy Burckhardt seems happy if he can make his feel lighter. That does leave him unique, and he succeeds in it too. There is no distortion of image or sound. Its magic invention - including the later dream-weight - is new and inscrutable. It is a film that changes when you watch it again, it has many surprises I haven't mentioned. Take it as a wonderfully touching dream and as an amazing marvel of…
Hot on the heels of Kraak's Meet The Philly Elite 4-way split, another excellent compilation EP that bundles Asmus Tietchens/Conrad Schnitzler-styled melancholy synth work from Kohn, slow-burning electro-psych from the always amazing Peaking Lights, wiggy outer space keyboards from Alien Radio and some happy/sad psychedelic pop from Ducktails. Packaged in a fold-out poster sleeve."One year after the ‘Meet the Philly elite’ 7” we finally release a fresh 4-way split. This time Köhn and Alien…
The book and audio CD documents an exchange of pictures, texts, sounds and voices between multimedia artist Leah Singer and Sonic Youth’s Lee Ranaldo. WATER DAYS began as two texts each inspired by the contrast between wanderlust and the desire for home and in this volume attempts to create a filmic sequence of photographs to augment and accompany the recording. The new sound piece WATER DAYS, a radio piece for Atelier de Création Radiophonique de France Culture (ACR) is a mix of sound recording…
Jean-Claude Jones (electro acoustic bass, live electronics). This solo bass album is a distillation of my language, the articulation of my voice on my instrument. It is free improvised music, focused on energy and the moment. This project incorporates electro-acoustic sounds and noises, groovy rhythmical games and sporadic forays into melody.
next to his prolific work as an electronic composer, improviser and producer, "rule of inference" once more features schmickler's as yet less known yet marvelous work as a composer and arranger for classical instrumental settings. similar to his widely regarded album "param" (2001), the album is a collection of various settings, all of them recorded over the course of the last years. "rule of inference" unveils a conception that marks various departures along the history of music: the alb…
Mapping (1995-97). Aerial (2002). Deepfield (2000). Still Time (2001) for flûte and electronics. Melt (1994). Symbiont (2002). Silk to Steel (2005). Cortex (2004-05). DVD-Audio with several versions: Surround 5.1, Stéréo and Stéréo (Dolby Digital). 'Composition is, for me, like a giant puzzle in which the overall shape is fixed but the pieces and the picture itself change and undergo subtle transformations as one is constructing it. The computer tools that I use, enable me to fix the edges - the…
Axel Dörner (trumpet) and Erhard HIRT (electric guitar). Recorded live on 7-30-2007 at Black Box, cuba Münster, Germany, released 2009. Axel Dörner and Erhard HIRT met first at a network radio concept, curated by Jens Brand for WDR puclic radio Cologne in September 2006. A special music project during the Münster Sculptur-Projects 2007 gave the chance for the duo concert you can hear on this CD. Both musicians created a unique musical language far beyond the tradition of their instruments using …
2005. Harold Rubin (clarinet, poems, cover drawing), Jean Claude Jones (electro acoustic bass & live electronics). Recorded on May 2004 & July 2004 at Digi Hip Studios, Hod Hasharon, Israel. This album documents the musical - spiritual meeting between the two leaders of the Israeli improvised music scene. Harold Rubin started the movement on the late 1980's, after his legendary group Zaviot disbanded, leading a long series of ensembles active in the Tel-Aviv area, where he lives. Jean Claude Jon…
'The unique voice of double-bassist Joëlle Léandre moves back and forth between the worlds of theatre, poetry, dance, improvisation and composition. With passion and fire, she recounts her main sources of inspiration, encounters with John Cage, Peter Kowald, Giacinto Scelsi, Steve Lacy, Philippe Fénélon, Betsy Jolas, Derek Bailey, George Lewis, Anthony Braxton among others... CD: 38 minutes bass solo, Piednu, France, 2005. DVD: 33 minutes bass solo, Guelph Jazz Festival, Canada, 2009.' la…
"Hold on gnaw...last but not least..... the NO STATE NO SOUND comp lp. Dont know what led up to it...think I vaguely remember getting "dared" by Nurse Khrust to put out a record of silence by the crew, not sure, but maybe told Haunted Square D about it....but anyhow.....flashblack to an average but killer brewsday in the late summer, got the crew shooting the gip, no biggy, and Square D rolls up with his "Body Morph" one minute silent track....takes a sec to remember but all right...lets do this…
Limited to 200 copies. Using fragments, distortions, samples and destructions of Dennis Cooper reading his story ÔUgly Man', Safe have made a powerful aural version of that story's charting of disintegration. From squalls of noise to perverse rhythms, Cooper's words grow and decline into countless shapes, often getting lost in the morass of what can be done to a voice, a body, in sound, only to re-emerge in some new hybrid form. Safe have added a greater sense of definition and drive to their so…
Digital version in a heavy mini LP style cover with exact reproduction of the original artwork, and a full color foldout mini poster insert with new liner notes by Lula Cortes. Edition of 1000 copies." "First ever reissue of this Brazilian private press monster rarity. Originally custom pressed in 1980, Rosa De Sangue is the closing chapter of the amazing Recife psychedelic movement that flourished and centered around the work of Lula Cortes, beginning in 1973 with the release of Satwa, and the …
Malcolm's latest release Some Other Time on Swedish label Kning Disk is an exquisite CD and DVD box set. Each disc features different compositions and improvisations that document Malcolm's work with solo simultaneously played multiple guitar performance (SSPMGP for short). Some Other Time continues Malcolm's journey with three guitars and a suitcase as he revisits and reworks material from previous releases including Homesick for Nowhere, Hung, Swimming in it and Leather and Lacy. The DVD was s…
Though classically trained Arthur Russell's major contributions to the music world is in the dance genre. Despite the fact that his pioneering work in the late '70s and on through the '80s was only quietly acknowledged at the time, his long term impact is best described as formidable. Russell's innovative; left field dance records flew way ahead of what people were used to hearing at the time, due in part, to his involvement in New York's downtown avant-garde music scene. He scored severa…
Very Friendly is a comic book project that subjectively collects its material from the world of experimental electronic music and will mix stories of an autobiographical nature with historical accounts. In other words; the reader will get a chance to meet some of Sundin's musician friends and colleagues as well as take part of some historical events where a classic recording or performance took place. The first issue of Very Friendly, released in April 2009, presents over 52 pages three main sto…
“23 Frequencies Panoramas - Urban and peri-urban sound-images of Lyon, Saint-Etienne and in between. This record contains about twenty sound images: recordings, or edited recordings, which have been carried out for a few years in Lyon, Saint-Etienne and in betweens. The used recordings have never been distorted or transformed, except a slight filtration when necessary, to reduce some undesirable frequencies, or to reinforce others, which are highly desirable. These sound images deal with …
Always well worth picking up, a new edition of the Yeti magazine/journal/compilation CD arrives. As ever, it's full of exclusives too: on the music front the CD includes rare and unreleased material by Woodsist band The Art Museums, US Girls, Ko Melina (of The Dirtbombs), new Captured Tracks band Aias, Teenage Panzercorps, Murder City Devils frontman Spencer Moody, new Mississippi Records artist Marisa Anderson and a selection of mightily obscure vintage cuts - the most notable of which …
Dogs in English Porcelain (Vanessa Rossetto's fourth solo album on the label) is a composition for electronics, field recordings, viola, violin, cello and acoustic turntable. It was created with many layers of very quiet elements that advance and recede, forming the episodic structure of the piece. The overlapping of electronic and environmental sounds with extended technique and traditional playing disturbs the boundaries separating the natural and artificial, the intentional and the incidental…
A lovely vinyl reissue on Etude Records of a long obscure Climax Golden Twins gem. Originally issued in 1995, on cassette, Eerie Fragrance or Eyeless Fabrication or Exclude Frank or Eat Fuck or etc (forever) was Climax Golden Twins second official issue after a self-released double seven inch gatefold record. Cassettes-the cockroach of the industry-were a necessity at the poorer end of the music spectrum prior to CDRs and file sharing... the good old days... EF was a collage of noise, found soun…