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Few copies available, sold out at source - Tuareg drone recordings from Azawad region of the Sahara desert. Music of nostalgia, longing, and revolutionaries, sung by Fadimoutou Wallet Inamoud in her debut recording, a local production from 2008. Sparse rhythms and hand claps punctuate the meditative hypnosis, accompanied by a the signature vocal drone of her group. Lyric translations insert, some of the first ever translated isswat. Comes in beautiful printed and hand glued covers. Edition of 50…
Visitors was the brain-child of French producer/composer/genius, and enfant terrible Jean-Pierre Massiera. In 1974, he recruited a group of nineteen musicians (most notably jazz violinist Didier Lockwood, who made an indelible mark on Magma's 1975 live album), to record his latest compositions. Massiera had been impressed by violin-fronted jazz-rock acts such as the Mahavishnu Orchestra and Jean-Luc Ponty. He decided that his new psychedelic nightmare should be a concept album on the theme of ex…
Clive Barker who wrote the story for Candyman is a multi talented artist, painter, director & producer. The extent of his work is endless. Spawning the likes of Nightbreed, Hellraiser, Lord Of Illusions and the Books Of Blood just to name a few. Philip Glass also needs no introduction. Considered one of the most influential composers of the last century his works are featured in a multitude of movies like Koyaanisqatsi, Hamburger Hill, The Truman Show, etc. Mr. Glass was nominated for and won se…
Lahcen was born in 1969 in the village of Tamlalte in the Moroccan High Atlas. Influenced by acoustic music and traditional songs, he started making music at a very young age. Lahcen perfroms his songs on a lothar, an instrument that he made himself, with a wooden handle, a palm soundboard and goatskin. He is regularly accompanied by his brother on percussion.
Limited edition 45 RPM 12” of Alex Turnquist’s not-like-anyone-else guitar stylings, with 5 tracks using only plucked harmonics on his 12 string guitar. Using this limited palate of sounds, Turnquist crafts sparkling waves of notes, employing the minimalist sensibilities that have informed his more recent work (e.g. his 2011 VHF LP/CD release Hallway of Mirrors) on a smaller scale. The harmonics here are frequently struck hard and in complex patterns - this is arguably “new age” but not drifty-a…
Boggling and super-fun 100+ minutes from Neil Campbell's Astral Social Club, bringing you the head-on collision of classic UK electronic styles, electric grit, and THE FUTURE. The LP starts with a side of tight chuggers, the high-end racket of “Infinity Thug” ripping through the speakers as you make your way to the end of the side with the loping “Grisly Terroir.” Side 2 is the 20 minute epic “Diamonds in the Dreich,” a mid-tempo journey of Throbbing Gristle-ish lurch-pulse and disembodied voice…
Solo darkness from remarkably pedigreed but rarely recorded Japanese legend (Ghost, Fushitsusha, L, Marble Sheep, A-Musik, August Born, etc). Raw and gripping, like a darker version of his all-time folk-psych classic Holy Letters. Performed completely solo on voice, guitar, banjo, bass, steel guitar, and cornet, the music is almost uncomfortably blunt and rough around the edges – a “Tonight’s the Night”-like offhandedness that only serves to increase the feeling of existential seriousness. Like …
In September, 2011, 12k released the boxed set by Taylor Deupree and Marcus Fischer titledIn A Place of Such Graceful Shapes containing a CD, a booklet of photographs and a clear-vinyl 7”— all carefully designed and integrated. All 500 copies of this box sold out by the beginning of 2012. As a special release to be debuted at the duo’s live performance at the Salvage Vanguard Theatre in Austin, Texas on April 15th, the artists have utilized a limited pressing of unlabeled white-vinyl 7”s and mad…
Invisible String is a collection of live recordings made by Gareth Dickson on his solo odyssey around Europe in 2012. From the banks of the Bosphorus in Istanbul, to a rooftop in Paris overlooking the Sacre Couer, by way of a slightly less glamorous stairwell in Caen, this relentless travelling and performing allowed Gareth to hone his art to its summit, and resulted in a bewitching batch of live performances. Brought to you here, to move your soul in the comfort of your own little kingdom. As t…
"Alternate version of very limited LP (250 copies) on Japanese label Rockatansky. About 50% of this is actually different & reworked material than what is on the Rockatansky LP. This edition is a one time pressing limited to 500 copies. Recorded 2008 / 2013. Mastered for vinyl by Jason Lescalleet." "...an amazing LP, with low-level battlefield tectonics and the sound of smeared and tortured magnetic tape coming over like a rusty, Industrial scale take on classic 20th century minimalism. Som…
"Second Crystalline Roses LP by local Renaissance man, Tony Pasquarosa, is a goddamn monster of readymade acid folk transcendentalism. Since Feeding Tube released the One Man Cult LP back in 2010, Tony has done a wonderful solo guitar album for VDSQ, the insane space-sludge of World Domination (FTR 123LP), the raunch zonk of Gluebag, and various other projects far too numerous to name. On this album, Tony creates a classic late night smoker soundtrack. A brilliant journey into and beyond ego,…
Start with a room, a cleanish one, not too rustic, not too slick, and then fill it with tools, fill it with anything that can be used to make other things. Put the room in the forest, but not too deeply in, let’s have the city on the distant horizon. Then, let’s have two craftsman, artists, explorers. Tell them a bit about where the room is, but not exactly. Make them find it, together. When they finally do they will embark on their creations, but it won’t be the immerse-and-shut-yourself-off-fr…
In 2009 Drifting/Falling released Gareth Dickson’s debut album, Collected Recordings, a stunningly beautiful and haunting ambient folk album which caught the attention of 12k’s Taylor Deupree. Thus began a not-as-easy-as- expected search for Dickson to try to coax him into writing an album for 12k. After a couple of cross-Atlantic voyages and a brief run-in involving a failing rental car and a herd of sheep on a dusty Scotish road, Deupree and Dickson met and Quite A Way Away was recorded for 12…
Vinyl actualization of a Gary Wilson album originally released on CD in 2008. The second of Feeding Tube's Wilson retrievals (following 2011's Forgotten Lovers, FTR 065LP), the label considers this the most solid of Gary's post-revival albums. While it goes in a slightly different musical direction than the deranged porn-lounge inventions of You Think You Really Know Me (the classic '77 LP, heisted in toto by Beck during his Odelay phase), the naif-ache of the lyrics and the music's laid-back…
Between You And The Shapes You Take is the second collaborative album by Richmond based musician/sound artists Stephen Vitiello and Molly Berg. As with the duo’s previous release, The Gorilla Variations, tracks are created out of improvisations and sculpted through editing. Molly Berg’s clarinet and vocalizations tend to cover the CD’s lyrical content while Vitiello’s guitar and processing covers a good deal of the textures. Two of the tracks on the CD feature violin by the multi-talented Hahn R…
New works by Swiss musique concrete composer and visual artist Marc Zeier / G*Park. Active since the early 80's Zeier was a founding member of the Schimpfluch-Gruppe. He lives and works in Zürich as a composer, installation- and video-artist and plankton fisherman. Gour presents one long composition of his highly fascinating and unique crypto electro-acoustics based solely of micro field-recordings and natural phenomena. 'Musique concrete seems eternally old-fashioned and eternally modern…
come close to capturing the bewildering brilliance of this bizarre instructional Birthing album recorded somewhere in Alaska in 1982 and resurfacing now on a first-ever vinyl pressing, thanks to the supreme Ethno-musicological skills of Andy Votel and his Dead-Cert imprint. Utilizing the ARP 2600, ARP Odyssey, Polymoog, harmonica/synthesizer interface, Eventide Omnipressor, Roland vocoder and genuinely bizarre narration imploring the listener to "push..." over a background of retro-futuri…
Limited 2015 repress, regular printed sleeve this time; available early May. This release will undoubtedly be met by the same deep breaths that have been shared by the small group of collectors who, over the past few years, have held original copies of this rare Folkways release in such high regard. In simple terms this LP is the kind of record you wished existed while nothing really came close to the mark. Respectfully and subtly combining traditional Persian instrumentation, modular synt…
Mica Levi has already more or less owned our year with the release of that astonishing soundtrack to Jonathan Glazer’s ‘Under the Skin’, but this new hour long album-cum-mixtape for Demdike Stare’s DDS imprint has just completely blown us away. Mica is an artist who basically seems to channel attention deficit into exploring and re-shaping a myriad musical ideas and directions without bound - sometimes all at once. She’s an artist who has by her mid-20’s merged the disciplines of codeine-…
Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku and 2013’s Interstices, Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a…