New Arrivals
Natsu No Sebone
Alto saxophonist Masayoshi Urabe and percussionist Toshi Ishizuka recorded this extended improvisation at Tokyo's Apia Club, quietly ferocious music with a unique physicality. "Thrilling, blood-shaking, soul-scraping and defiantly non-sexless improv set from two Japanese titans. Recorded live at the Apia club in Tokyo in December last year, this set showcases Urabe's uniquely physical approach to improvisation -- ferociously concentrated, contorted, sweating and eruptive with physical power. Hi…
Eye Mohini: Sun City Girls Singles Vol. 3
Volume 3 in the series of Sun City Girls singles, compilations, and rare tracks, consists of material recorded between the mid-1980s and early 1990s. Much of this collection reflects the Arabic guitar instrumental and acoustic pseudo-Asian vocal folk styles of the band from the period when they recorded relentlessly. The 14 cuts vary wildly in scope yet maintain a consistent listening experience throughout, bridging a wide gap between the band's second full-length LP Grotto of Miracles (T…
Luminous Night
CD edition: Luminous Night is the first set of new Six Organs Of Admittance material to leap forth from Ben Chasnys' cerebral cortex in 18 months, and what a joy it is. With the release of odds-and-sods collection RTZ earlier in the year there to bridge the gap between 2007s Shelter From The Ash it doesn't seem like he's been away for long per se but for serious Chasny-heads a new album is something to get pretty excited about and with his other musical outlet Comets On Fire either on extended h…
Another Thought
"During his lifetime, classically trained composer, cellist and disco legend Arthur Russell studied and performed with a wide variety of musicians and artists including The Flying Lizards, David Byrne, Rhys Chatham, Ali Akbar Khan, Allen Ginsberg, John Hammond, Peter Gordon, Jon Gibson, Jerry Harrison, Garret List, Frank Pagano, Andy Paley, Leni Pickett and Peter Zummo. In 1979, Russell, working under the name Dinosaur, wrote and produced Kiss Me Again -- the first disco single to be released by…
Spiritual Jazz 3: Europe
Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along ancient routes of communicat…
Sounds Like Silence
In 2012 the world celebrates not only the centenary of John Cage’s birth, but also the sixtieth anniversary of the premiere of his ”silent piece” 4’33”(four minutes, thirty-three seconds) on August 29, 1952. This composition in three movements without intentional sounds is the composer’s best-known work today. As an ”art without work” (John Cage), it takes up and renews the impulses of the avant-gardes of the early twentieth century, notably Marcel Duchamp’s readymades, which the artist h…
Black December
After a series of CD-R re-issues, Klanggalerie are now proud to present you a new silver CD edition of one of the most obscure records ever to be recorded: Konstruktivists' "Black December" is a highly neglected gem in the history of Industrial music. Not as noisy as the band's masterpiece "Psykho Genetika", this record is a classic full of stunning music that doesn't fit into any categoriz…
Capsizing moments
A veritable tour de force of 'inside' prepared piano playing - preppiano extensif. The whole of a solo set performed at Les Instants Chavirés near Paris. Sophie Agnel's preparations, neither static nor fixed, evolve during the course of her playing as she adds, moves or removes an object, or replaces one artefact with another. These preparations include disposable water cups, nylon fishing-line, bouncing balls, aluminium ashtrays, aluminium foil, industrial nylon, inner-tube rubber and polished …
Green & Cold
A kind of different album from A. Baker (Nadja) as it leans more into shoegazery and drone-pop songs. “Green & Cold” is the strength of strings proved by A. Baker. His soft lyrics suffuse weightlessly into a humming cloud of perfumed guitar scour. Yes, when gazed upon, these patent leather shoes really do reflect up. However, “G&C” is accomplishes much more than throwing Loveless lights back up to Heaven. An ass-load or so of previous avant-garde releases has developed in Baker a skill-se…
Oltre
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
Engel Der Vernichtung
Oltrelanebbiailmare presents a double CD that collects the particular proposal of the never forgotten Engel Der Vernichtung from Rieti, Central Italy. Born in 1985 as a project by Federico Festuccia and Roberto Feliciangeli - soon joined by Daniele Arisi and Paolo Campanelli - the group took its disturbing name of "Angel of Destruction" from an Einstürzende Neubauten song. After several performances in deconsecrated churches and abandoned factories, Engel Vernichtung Der debut in 1986 with the c…
See
Tim Hodgkinson's first major project after Henry Cow with Bill Gilonis, Mick Hobbs & Rick Wilson. See was the third and last record the band released before it broke up, and was continuing to evolve, becoming more subtle, complex and rounded than the earlier albums, though still packing a mighty punch. There's nothing polite about this record and no other group ever attempted to occupy this territory. See is extremely appropriately recorded and is constantly in your face with powerful rhythmic t…
You+Me+The Continuum
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
Kataract
This album is a single forty-minute track exclusively made up from recordings of waterfalls within America's Pacific Northwest. The source material was cultivated and mixed over a two-year period and takes the form of a monstrously powerful, ferociously noisy concrète piece. Menche has always situated his work towards the extremes of electroacoustic music and Kataract is no exception, but for all the turbulence and extreme frequency manipulation here there's a level of detail on show th…
Under foot
Rusalka is a female noise artist based in Vancouver with past works on What We Do is Secret, Ruido Horrible and Dead Audio Tapes.Under Foot is worship. The worship of women and sound. It is sacred filth. Based on the novel ‘Venus In Furs’ about sexual cruelty, servitude and female dominance, Under Foot strips away illusions. It is a complete submersion into disharmony. The disharmony of desire for degradation. The disharmony of a woman wielding the whip. The desire to be sonically and spirituall…
It's You
Sydney, Australia's Holy Balm trio jack out a heat-warped LP of avant-dance songs for Not Not Fun. 'It's You' feels like dance music that's been made in a hot country. It's got a faded, sun-bleached quality and drunk-in-the-afternoon sloppiness that's entirely endearing to our tastes. Their synth melodies are always prone to slipping saltily off-key and the beats are basically functional - lumpy kicks and squirmy, acidic synth pop bass - ridden with alluring nonchalance by Anna John in a hybrid …
Dunedin
Fantastic all-electric three way that sees Bruce Russell of The Dead C (on analog electronics) joined by Richard Francis on modular synth and computer and Jason Kahn on analog synth, radio and mixing board: recorded live on January 28th 2011 at Dunedin Public Art Gallery in New Zealand, this is a single 38 minute improvisation that feels environmental in scale but with a heady synthesized aspect that makes for a ghostly metal machine music. Three distinct voices make for a bafflingly beau…
Cherlokalate
Effervescent songbird JANE WEAVE unveils a canon of femme-folk, laden with finger picked meandering melodies, ethereal harmonies and wistful leanings. In the same vei as acid folk such as Linda Perhacs and Karen Dalton, this decade spanning collection traces a line between the acid-soaked protest rumblings of yesteryear and the forward/backward facing revivalists of today.
Ceremonies to breathe upon
Two contrabass players here, Andrew Lafkas, of whom I not really heard I think and Michael T. Bullock, of whom I did hear before, and know as someone who likes his improvised playing to be minimal - to say the least. I think Bullock at times also uses electronics, but I am not if he uses any of that here. Its not mentioned on the cover, nor the fact that this is perhaps a live concert. I do however think this is a live recording, however one with no audience, but a direct-to-track recording of t…
Bridges intact
Dan Burke alone or with Thymme Jones and Ben Vida. All music completed during 2010 by Daniel Burke.