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Tomorrow, Tomorrow and Tomorrow was written and recorded as a follow-up to the Bill Fay Group's Time Of The Last Persecution. Although recorded between 1978 and 1981 this album never saw a release at the time, and it fell to the Durtro/Jnana label to unearth these lost 20 songs. Fay comes across as one of those artists who fell victim to the machinations of the music industry, with his first two albums going largely overlooked until an eventual resurgence in interest as the years passed. …
The silhouetted, impressionistic black metal ambience of William Fowler Collins has cast a long shadow over all who've crossed his path. Returning to Type Records for his 2nd LP, two years since 'Perdition Hill Radio' and not long since recording with Gog and Isis' Aaron Turner, William still exists in a permanent nighttime state, as though the sun has completely abandoned the New Mexico desert and left him, and his music, to slowly decay in the darkness, suffering the attrition of sandst…
Mind-scrambling free jazz, noise, experimental drones, and uncategorizable sound experiments from the wilds of Judith Kan, voice. Jac Berrocal, trumpet, piano. Dan Warburton, violin, keyboards. Béatrice Godeau, cello. Jean-Noël Cognard, percussions. Recorded by Patrick Müller, 2009. Cover by Jörg Morning. Limited to 300 copies.
Guitarist /composer Glenn Jones claims a lengthy and rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar". Aside from being seduced by punk in its latter-70's heyday and brandishing the electric for a large portion of his career (including 20 years as a founding member of post-rock instrumentalists Cul de Sac), it was the acoustic steel-string and the seemingly multi-directional genres born from Fahey's homespun Takoma imprint that informed much…
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.
After the runaway success of the Akita/Gustafsson/O'Rourke LP One Bird Two Bird (DEMEGO 016LP), Swedish sax legend Mats Gustafsson returns to Editions Mego with another storming collaboration. Now a resident of Vienna, he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result. A dense fog of sound comes from all directions, but whereas the general impetus is a full-on attack, the trio finds enough restraint to create a deepe…
RFTO Bandwagon have just released their first full-length LP entitled Dums Will Survive on Dull Knife Records this month. Coming latently on the heels of their excellent New Jack 7" on the same imprint from last spring, RFTO Bandwagon continue with their mark of gritty folk-pop, and often sway into the weirdo territory of the genre with songs the grip the edges of so many sounds, and yet stay held together with beautifully frayed strands of brilliant songwriting. The title track on the a-side (t…
Originally schooled in the foundations of hard bop, cornetist Rob Mazurek, quickly surpassed the form's conventional limitations; his multihued electro-acoustic work over the past two decades has subsequently drawn inspiration from numerous genres besides jazz. Mazurek's unfettered creativity and stalwart leadership skills have thereby cemented his reputation as a key figure in the Chicago scene—primarily as organizer of the venerable Chicago Underground Collective and several other innovative e…
Doom rock pioneer, influential drone-master, occultist and professed anglophile, Dylan Carlson ov Earth comissioned by the Southern studios on 16th April, 2012 to record six covers and one original song, found on his latest Drcarlsonalbion issue. Accompanied by Teresa Colamonaco on vocals and Jodie Cox on guitar, 'La Strega and The Cunning Man In The Smoke' continues a progression from his ace instrumental recordings for The Tapeworm to the more recent, collaboration-oriented work 'Modern…
As Concern, Gordon Ashworth has explored drone music through an inspection of the textural components of acoustic instruments and recording processes. On Cæsarean the palette presented is a singularly precise one. Using simple sources (piano, clarinet, banjo, shrutti box, and acoustic guitar), tape processing (1/4” and cassette), and reverberation, Ashworth crafts delicate tape music through transforming repetitions and obscured fidelity. The emotional and physical presence of Cæsarean is over…
Oceans of Silver and Blood are Joachim Nordwall : Roland S1000 Modular Synth and Mark Wastell : 32 Paiste Tam Tam. This recording was made at Goldsmiths College, London on December 10 2007 by Jonathan McHugh. Mixed and mastered by Jonathan McHugh. Cover design by Alisa Wolfson. Released in conjuction with their performance at Lampo, Chicago, 07 June 2008. Limited to 100 copies.
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
Fantastic document of higher-minded drone ritual from a trio that features Taketo Shimada. Shimada is a shadowy figure in fringe minimalism. He worked as Henry Flynt’s assistant, put together the Yoshi Wada week at the Emily Harvey Foundation, was involved with Herbert Huncke, Alison Knowles and a bunch of other Fluxus artists. Messages is an extended investigation into the eternal music concepts of Wada, LaMonte Young, Charlemagne Palestine, Pandit Pran Nath et al, with Shimada on bass a…
Marbled dark-red vinyl, limited to 150 handnumbered copies. Handmade gatefold cover with latexpainting + 2 photos. Listing this record as "Nurse With Wound" in the title is not totally wrong as this is a great live performance (1982) of Steven Stapleton's wife Diana Rogerson aka Chrystal Belle Scrodd, she also released 2 wonderful records on United Dairies in the early/middle of the '80 (Belle De Jour & The Inevitable Chrystal Belle Scrodd Record). This is a really fantastic release by this Aust…
A fantastic musical performance took place on 27th March 2006 at Vilniaus Congress Hall. Three musical giants - Joe McPhee, Dominic Duval and Jay Rosen (also known as Trio X) made that evening unforgettable for their fans. Rich, colourful, intense, played almost on a telepathic level, this music is a true masterpiece of this amazing group.NoBusiness Records is proud and happy to announce that this performance has been released as a double limited edition LP. Joe McPhee : pocket trumpet, tenor sa…
The day has come! We’re kicking off 2012 with a deluxe reissue of Michael Chapman’s debut Rainmaker. Originally released on Harvest Records in 1969, Rainmaker is a psychedelic-guitar-folk delight. Featuring some of Chapman’s best loved songs, “It Didn’t Work Out,” which features a stellar cast of legendary English musicians of the era; Guitarist “Clem” Clempson was in the prog-band Bakerloo (soon after playing with Chapman he’d join jazz-rockers Colosseum and then Humble Pie) Drummer Aynsley Dun…
'Zones Without People' was released in 2009 on a highly limited vinyl run for Arbor. All seven tracks featured in his Wire chart-topping 'Rifts' compilation, predating his mindblowing 'Returnal' album (surely one of the best of 2010) and displaying its prodigiously gifted creator amidst some of his most affective synthscapes. From the outset we could consider this to be classic material, as the miniature 'Computer Vision' - one of his very earliest creations circa 2004 - plugs into a spir…
Inspired by the likes of the largely unknown first wave of continental European minimal electronic bands of the early ‘80s (Absolute Body Control, Twilight Ritual, Martin Dupont, Snowy Red), the seminal early industrial bands, as well as the emphemeral, psychedelic atmospheres of the British shoegaze bands of the 1990s, Xeno and Oaklander perform using entirely analogue synthesizers, sequencers, and drum machines to produce a highly-crafted, complex of form of moody, electronic pop music that is…
Beautiful new collaborative work from Jozef Van Wissem & Jim Jarmusch between Dutch lutenist Jozef Van Wissem and American filmmaker & guitarist Jim Jarmusch. Jarmusch's previous collaborations with Wissem have not prepared the eager listener for the expressivity and emotional depth of his playing on these duets. Respectful of one another's space the pair weave layers of melody and waves of feedback while acoustic guitar and lute wrap together with a subtle depth expemplifying an austere u…