New Arrivals
Live aux Instants Chavirés
Joëlle Léandre (doublebass) and Jean-Luc Cappozzo (trumpet) recorded Live in concert by Jean-Marc Foussat at Instants Chavirés( Montreuil, France), 2009. Mastered by Joëlle Léandre and Jean-Marc Foussat.
Night maps
Since the release of Saddleback’s acclaimed 2004 debut Everything’s A Love Letter, Tony has found increasing demand for his touch behind the recording desk. Tony’s studio is housed in his Kangaroo Valley residence on the south coast of New South Wales. Found inside are all sorts of instruments including various guitars, percussion makers, horns, a clarinet, a double bass, piano and a specially-fashioned drum set. Having arranged and played these on other peoples’ work – most notably for Sydney’s…
Under The Couch
The booklet contains an essay by Lucia Farinati. - This recording was made under the famous couch of Dr. Sigmund Freud at 20 Maresfield Gardens, Hampstead, London. Sigmund Freud (1856-1939), founder of the Psychoanalysis, lived here 1938- 1939. The house is now the Freud Museum. From the museum's website: 'Freud's couch, upon which his patients would comfortably recline during psychoanalytic sessions, was normally covered by an Oriental rug throw. Underneath the throw, it is a plain and simpl…
Sepsis
Large ensemble Sissy Spacek recordings featuring the cream of LA. The line-up: John Wiese, Mitchell Brown, Joey Karam (The Locust), Peter Kolovos, Rick Potts (LAFMS), Damion Romero, Corydon Ronnau and Shannon Walter (16 Bitch Pile-Up). All the source recordings used for Sepsis were taken from a group improv session recorded for the Dublab radio in 2008. The recordings from each individual channel were later chopped and rearranged into audio collages byWiese without any regard to preserving group…
Tetralogy (1978-1982)
'A 2-CD set containing four very different settings all featuring Paul Rutherford (trombone & euphonium): two festival solos - one with electronics and the other without; a festival brass quartet with George Lewis (trombone), Martin Mayes (french horn) & Melvyn Poore (tuba); and a studio trio with Paul Rogers (double bass) & Nigel Morris (drum set). The electronically enhanced solo and the brass quartet are unlike anything else in Rutherford's discography. All previously unissued.'
5 More Dialogues
Here are two men whose musical natures are obviously rich and their backgrounds complex - back to Stinky Winkles in the pianist's case, back to Amalgam and the Spontaneous Music Ensemble in the saxophonist's - but who reduce, in the critic/analyst's shorthand, to tiling or fabric. Tessellations. Moiré. Does that convey all you need to know about Veryan Weston and Trevor Watts, secure in the understanding that these are self-chosen metaphors, not imposed from outside? Needless to say, no, …
New Music For Old Instruments
Curated by Jozef van Wissem the “New Music For Old Instruments” festival took place all over the world: in Brussels, New York, Paris, Utrecht, Antwerp and other cities. The idea was to rid traditional instruments of their clichés. When one thinks of a lute for example the Robin Hood image comes to mind of the player standing under a balcony serenading a lady and getting a flower pot thrown at him. In order to update the instrument, to make it mature and give it it’s recognition it deserves, one …
Februar
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Non Euclidean Elucidation of Shamanic Ecstasies
Winnowed from the polymath, alchemist, “the man who could walk through in-between positionsâ€Â, arch Black Duke of Maknovischina, peripatetic flux ingester haji gutterpup Ustad’s Almanac, his scribblings and tapes spanning 31 yrs, “Non-Euclidean Elucidation Of Shamanic Ecstacies†was hastily transcribed and assembled sixty nadis travel west of Sahiwal by an assemblage of Vamachara hounds and the Abdals of Rum wearing black mantles and animal hides over their shoulders with…
Quite a way away
To say that the last few years of Gareth Dickson’s life have been tumultuous would be an understatement. In 2007 he fell in love with a girl from South America, packed up a few essentials from his life in Scotland, and moved to the Argentinian countryside. It didn’t turn all fairy tale at that point, however. While there he was shot at, attacked by dogs, and was involved in a very close call when the passenger plane he took to a little town in the Andes was forced down after an engine cau…
Virtuoso Saw
the pure union musician, was the sawtooth performer with the occupation musician who serves the oboe player of the los angeles symphony. it attends the musician of the band companion in the back, announcing the extremity of sawtooth performance with the transcendent tech which is lined to the beauty consciousness and professional ability of western classical music. the elegant solo album 1985 indicates one direction of sawtooth music. the japanese first appearance. the booklet attachment of valu…
Vers l'île paresseuse
Martine Altenburger - cello. Frédéric Blondy - piano. Bertrand Gauguet - alto & soprano saxophones. Recorded in Paris, France, 2009.
Suite N° 10 \"Ka\" / Suite N° 9 \"Ttai\"
Scelsi's works usually originated as transcribed improvisations; therefore they are never based on superficialities of form or compositional technique but always directly reveal the core of their message. Pianist Marianne Schroeder reports that Scelsi recommended daily improvisational practice as a method for discovering one's own creativity; and on his Suite No. 9 "Ttai" the composer is said to have commented: "Play it whenever you're sad. And when you're in high spirits." In Ttai, which links …
Murmurios
TONARTENSEMBLE: Georgia Ch Hoppe (clarinet, mandolin, objects), Nicola Kruse (violin), Ernesto RODRIGUES (viola), Robert Klammer (zither, electronics, analog synthesizer), Heiner Metzger (soundtable), Helmuth Neuman (trumpet, waldhorn), Thomas Niese (double bass), Thomas Österheld (bass clarinet), Krischa Weber (cello) and Hannes Wiennert (soprano saxophone, trompsax, sheng). Recorded December 2009 in Hamburg.
Uncle Joe's Spirit House
A special project fully produced by William Parker for his own Centering Records imprint and dedicated to his Aunt Carrie Lee & Uncle Joe (who is pictured on the album cover) – they celebrate their 65th wedding anniversary on August 6th, 2010. William really wanted to get this done in time for this auspicious date and he did. Seven of the songs on this CD were written in December 2009 especially for this recording session which took place on January 22, 2010; Ennio's Tag and Oasis were p…
Stockholm, Berlin 1966
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
Okkupation
Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …
Perpetuum Mobile
“Perpetuum Mobile” is the result of a uniquely schizophrenic “open source” compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but what makes this record d…
Live at café Oto
The Ex guitars meet Nilssen-Love & Vandermark duo. Lean Left throws together two explosive duos - the sax-drums collision course of Ken Vandermark and Paal Nilsson-Love with the piledriving guitarists from The Ex - to make up a positively apocalyptic quartet: an elemental musical force featuring Grade A international players zoning in and scrambling together rock, jazz, noise and blistering free improv into a highly-charged onstage assault, each member taking their sounds and bodies to th…
Nature Data
Why is the phoneme the most 'ideal' of signs? Where does this complicity between sound and ideality, or rather, between voice and ideality, come from? When I speak, it belongs to the phenomenological essence of this operation that I hear myself [je m'entende] at the same time that I speak. The signifier, animated by my breath and by the meaning-intention, is in absolute proximity to me. The living act, the life-giving act, the Lebendigkeit, which animates the body of the signifier and tra…