New Arrivals
Don't Ollie On Thin Ice!
Hand-numbered edition of only 100 copies LP from Belgian visual artist Dennis Tyfus’s Vom Grill project: two tracks of non-spazz electronics, keyboard and profoundly deformed tongue, moving from scraping, skittering sound werks that come over like Blood Stereo play John Cage’s cartridge music to a fantastic fat, doomy synth solo that makes like Heldon hymning Lucifer. Less madman and a lot more moody than you might expect, this makes for a consistently bent atmosphere from start to finish.…
The Swifter
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
Coil Sea
The idea for the Coil Sea record came about after Arbouretum had finished our Summer 2009 European tour. The band had some time off, and I thought it would be interesting to put a session together consisting of musicians that I knew and had played with, but hadn't all played with each other. The goal was to create improvised music without much in the way of set ideas or editorial input from my end, and to hope that we could, over the course of the session, become comfortable enough playing…
And
Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.
Live In Tokyo, August, 19th 1974, Part One
This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited edition …
The Remixes Part 1
Limited to 455 transparent vinyl copies, including remixes from Vatican Shadow, Roly Porter and Kangding Ray* Violetshaped is a collaboration between the enigmatic Violet Poison and Berlin-based artist Shapednoise. "Violetshaped Remixes Part 1" is the first of a remixes series divided into several parts. This first instalment features remixes from Roly Porter (formerly of Vex'd) following on from his acclaimed debut album for the Subtext label, Vatican Shadow - aka Dominick Fernow, owner …
Alkyle
First released of Malass aka Vincent Malassis. Project from experimentation and improvisation based on the research for organic textures and maximum musical expression. The purpose of this approach is to create a balance between noise, dissonance and melody. Thought as a filmic trip that allows emotion thanks to a sound design inspired from american minimalism and french concrete music. Ambient music mixed analogically in order to get a landscape of feedback, reverb and echoes which acts on both…
Loving Machinery EP
Formed in 1981, Central Unit were among the first in Italy to manipulate synths, drum machines and other electronic devices (as far as we know they were one of the few bands in the world able to program a Korg-KR55 drum machine) to create atmospheric soundscapes combined with mechanical basslines and relentless bass guitar meanderings, with slothy saxophone murmurs peeping out here and there
September Cell
Absolutely KILLER new twelve from Vatican Shadow on Dominick Fernow's own, newly minted Bed of Nails imprint - his most direct dancefloor productions to date. Edition of 700* Bed Of Nails is a new label curated by Dominick Fernow of Vatican Shadow and Prurient fame. Operating from his recently consecrated L.A. compound - the label will focus on his reorientation towards industrial dancefloor rhythms and seductively isolated electronics. Fernow christens the label with 'September Cell', a…
Megafauna
Understand this: Yoga dispenses a sinister frailty of howling swellsin hissing static that combusts into crawling shock heaps, to the effectof Mayhem performing Twin Peaks incidentals in a prairie recordedby The KLF. A brief description casts them as black metal's answer to Throbbing Gristle. The texture-based rendering of their compositionssails them on a strange sea between song and sound effect as itbobs along the waves like a dead man s bottled message. Aspects ofGoblin rehearsals in dead hi…
Dream request
'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…
Ombrophilia
Ombrophilia is a collection of sound experiments I made with porcelain bowls filled with water between 2006 and 2008. Inspired by Jalatarangam, traditional Indian instrument, I started to play the 'waterbowls' with wooden spoons and metal wire (Mylapore, Jalatarangam Revisited). Since I immersed hydrophones in them, I have tried various ways of resonating the bowls without touching their surface : flicking, stirring, waving and dripping water All the compositions here are multitracked and…
Tenebroso
Last copies, 2009 release: Tenebroso is the result of a night of sounds played together by OmegaKaanan (The Intelligence), OmegaNene (Movie Star Junkies, Vermillion Sands), OmegaMatt (The Mojomatics), OmegaG8 (With Love), OmegaMac (Apoteosi del Mistero). This session has been recorded with an eight-track cassette recorder at Outside Inside Studio during a night in May 2008. Previously released as a free download by Clinical Archives netlabel.
Give It Up
Initial copies come with a bonus full-length CD album, an incredible soundtrack to Donald Prokop's film 'Gone' specially composed by Zelienople - and trust us when we say it's worthy of the cost of admission in itself* This unbelievable album from Chicago's Zelienople evokes the spirit of some of the most treasured music we've come to know over the years, fusing in elements of Talk Talk at their most washed-out, early Bark Psychosis and the narcotic sweeps of Slowdive fused in with the smoky men…
Thing
For fifteen years, Trans Am has forged a musical legacy that has consistently confounded those who would confine them to generic indie-rock labels and rather spoken for itself. Trans Am a-la 2010 is a band of veterans unafraid to contradict themselves, one that has grown stronger in its music and more confident in its identity over the course of now nine full length albums.
About To Choke
His only album for Capitol Records (originally released in 1996) was another exceptional batch of songs. An edgy slice of country-folk showing his unique version of Americana that was usually several things at once: his craggy voice, raw honesty, an acoustic guitar (or a piano) and an outrageous imagination. Vic Chesnutt was a rare kind of artist and definitely one of the most relevant songwriters of the last 20 years.
And In The Endless Pause There Came The Sound Of Bees
A flop-eared rodent frolics in a lush field. In from the horizon sweeps a black cloud, kicked up by an army of similar-looking rodents. That's the basic set-up of Varmints, a 24-minute film by Studio AKA animator Marc Craste, based on a book written by Helen Ward and illustrated by Craste. Jóhann Jóhannsson draws the title of his latest album from the book, and this is the music he composed for the film's soundtrack. There's quite a bit of extra material-- the album is a full 1…
The sacrifice for the music became our lifestyle
Chris Abrahams, upright piano. Kai Fagaschinski, b-flat clarinet. Cover painting & sleeve design by Zev Langer. How do you run a duo when both of its protagonists are living at two opposite ends of the planet ? Well, it's not that dramatic. For many years Chris has used his European tours as a springboard for extended stays in Kai's hometown of choice, Berlin. After appreciating each other's work for quite a while they began collaborating at a friend's piano-armed kitchen in 2007. While C…
The Conjurer
This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
Glass Fountain
The duo mainly sticks to their guns, mining the same post-Suicide art-trance vein they perfected on Dream, but here there's an added emphasis on the disembodied, oscillator pop mode that they often toy with. Mesmerizing organ melodies over plink-plonky vintage drum machines with weirdo soulful singing & outer space electronics, like an outsider-punk Silver Apples or something. Edition of 600