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Tomoko Sauvage: water, porcelain bowls, hydrophones, condenser mics, metal wire and wood spoons. Sauvage, a Paris-based Japanese musician, uses water-filled porcelain bowls for her electro-acoustic performances and compositions. The use of hydrophones (underwater microphones) allows her to capture the subtle sound of water waves and drops resonating in porcelain bowls. The serene, contemplative aquatic soundscape is woven from these fragile materials. Her first solo album, Ombrophilia will be r…
The first ‘proper’ widely-available album from Portugese composer and pianist Tiago Sousa, ‘Walden Pond’s Monk’ balances itself on the idealism and revolutionary spirit of Henry David Thoreau. While this might be initially hard to hear in an album of mostly solo piano, as the songs seep into the soul it becomes easier and easier to decode Sousa’s messages. There is a mourning, but hopefulness to these compositions, and in contrast to solo piano records from Gonzales or Goldmund it feels like an …
Olivia Block: field recordings, piano, reed organ, editing and mixing. Kyle Bruckmann: oboe, English Horn, suona, accordion, field recordings, editing and mixing. Bruckmann and Block's creative relationship dates back to the recording of Block's 1999 release Pure Gaze, shortly after both artists entered into Chicago's vibrant experimental music community. Their decision to create a collaborative duo ensued, but remained in the realm of good intentions until shortly before Bruckmann's relo…
Inspired and versatile, a unique artist who deserves to be heard. One of the most original practitioners of contemporary music. His music is Beautiful.
Improvised music with exception of Irinia-Kalina' solo. Mark Dresser (bass), Irina-Kalina Goudeva (bass), JC Jones (bass), Barre Phillips (bass) and Bert Turetzky (bass). Recorded by Ori Winokur, edited, mixed and mastered by JC at the Kadima Studio, Jerusalem, October to December 2010.
Recorded at the Roundhouse 1972, during the ICES Festival."For this show we rehearsed a week in a small village in the south of Holland. The repertoire of the first part was a kind of "frozen improvisation". We made some written plans about the form and structures and then rehearsed it for the whole week. So during these rehearsals things moved from improvisation into fixed form, just by remembering what we have played, and polishing it. This is a working concept that …
The bulk of Caste O Graye Skreeëns comprises the expansive 'Our Captain's Eyes', based around a loose unstructured style where Edward Ka-Spel, frontman of the Legendary Pink Dots, lets his imagination run a playful course dropping in everything from ambient soundscapes, drum machines, dance beats, distorted noises and fragmented voices. Ka-Spel's delivers his cryptic lyrics in his idiosyncratic sing - speak style, and via jaunty shanties over French horn. All points of Ka-Spel's prolific musical…
Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisy shit, whatever. His playing is sick: fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play gui…
fantastic CD of recordings made between 1918 and 1955 assembled and annotated by Ian Nagoski. This compilation contains 24 tracks from Bali, Burma, Cameroon, China, England, Germany, Greece, India, Japan, Java, Laos, Poland, Portugal, Scotland, Spain, Sweden, Syria, Thailand, Turkey, Ukraine, Vietnam, and Yugoslavia all newly transferred and mastered from 78 rpm discs. At least 18 tracks appear on compact disc for the first time with all but one never having been previously reissued in th…
The booklet contains an essay by Lucia Farinati. - This recording was made under the famous couch of Dr. Sigmund Freud at 20 Maresfield Gardens, Hampstead, London. Sigmund Freud (1856-1939), founder of the Psychoanalysis, lived here 1938- 1939. The house is now the Freud Museum. From the museum's website: 'Freud's couch, upon which his patients would comfortably recline during psychoanalytic sessions, was normally covered by an Oriental rug throw. Underneath the throw, it is a plain and simpl…
Originally released in a tiny pressing of just 200 CD-Rs by Digitalis Industries, this early James Blackshaw release is brought back in print by the Tompkins Square label, who on the back of last year's 'Cloud Of Unknowing' are intent upon reintroducing the guitarist' back-catalogue to his growing legion of fans (of whom there is almost certainly more than 200). 'Lost Prayers And Motionless Dances' is a single thirty-five minute composition, opening with droning harmonium passages and only…
Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…
1 copy only, long out of print - for many years, Pierre BASTIEN has developed his personal music based on musical machines made with Mecano. His orchestra MECANIUM is his backing band both on album and on stage. All this creates a tender, delicate and emotive machine music that seduced Pascal DOMELADE from the beginning. A terrific mixture of J. Dubuffet and John Cage
Achingly beautiful album fusing elements of everything from Earth to Windy & Carl, Stephen O'Malley, My Bloody Valentine, Fennesz, Keith Fullerton Whitman and Emeralds - miss out at your peril!!! Elm is the solo project of Jon Porras, one half of the deeply revered San Francisco drone lords, Barn Owl. Only his third release in solo mode, 'Nemcatacoa' has strong ties to his other project, but revolves around a lonelier and more personal agenda, with eight incredible tracks of widescreen Americana…
"Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary 'October Revolution in Jazz', which journalist Bill Shoemaker c…
The Preservation label presents the fourth album from Sydney's Seaworthy. Seaworthy is the musical guise of Cameron Webb, who, for the best part of a decade, has developed singular soundscapes scored with guitar-driven ambience, field recording and digital processing. In recent years, Webb has recorded to acclaim for the esteemed 12K label, releasing the 1897 album in 2009 followed by a collaboration with Matt Rösner, Two Lakes. His compositions reflect his deep connection to environment an…
Realized at the Lutheran Church of the Messiah in Brooklyn, New York, April of 2010.Recorded live, mixed, and mastered by Adam Diller.Featuring the invaluable contributions of: Ann Adachi (flute), Adam Diller (tenor saxophone), Tucker Dulin (trombone), Kenny Wang (viola), Andrew Lafkas (bass, composition), Margarida Garcia (electric guitar), Gill Arno (electronics), Keiko Uenishi (electronics), Barry Weisblat (electronics), Bryan Eubanks (electronics), Sean Meehan (snare drum and cymbals)
Mindblowing!!! Simon Balestrazzi should need no introduction. He founded T.A.C. (Tomografia Assiale Computerizzata) in 1982 and has bee pioneering the italian industrial scene since then. His passion for sound synthesis and exploration brought him in recent years to develop a research in electro-acoustics, both in duos, trios and also in solo.
In 2010 electronic musician Esther Venrooy and drummer Lander Gyselinck were invited to collaborate with two Chinese musicians during the Shanghai World Expo. This event inspired Venrooy and Gyselinck to start their own collaboration which resulted in the creation of Point Break. Fascinated by speech patterns, film dialogues and cut-up techniques they explore the interaction between acoustic drums, electronics and digital processing.
After the concert in Prague last year in may, we followed the proposalof friends to play some acoustic instruments spontaneously on top ofthe hill, in Troja, into a circle of stones installations.Zithers, Tubes, Bells, Rattle and Shells, Flutes..the sessions wereinspired from the special place and the spring's vibes in the wind. Therecordings that are a blueprint of the spirit of that day, were editedin studio by Alio Die, then Mathias Grassow added his electronic dronesto expand the poin…