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Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
Limited edition 2LP. The Invisible Hands is the English translation of the band's original Egyptian Arabic name: El Ayadi El Khafeyya. Taking almost two years to create amidst an unusual and challenging backdrop, this is the new project of Alvarius B. (Alan Bishop of Sun City Girls). Eleven highly-crafted songs projected through his typically dark lens of songwriting and a band of brilliant musicians from Egypt; this special edition limited 2LP includes the English and Arabic language vocal …
PREORDER: Dark-Ambient / Ritual-Project Konstruktivists was formed by mastermind Glenn Michael Wallis in 1981/82 out of the ashes of Heute. Around this time - in the late 70's/early 80's Glenn Michael Wallis was heavily involved with Throbbing Gristle, the U.K. pioneers of "Industrial". Between 1980 and 1982 Glenn/Konstruktivists has recorded several tracks of which one solo-tape and several Konstruktivists-Tapes found release in extremely rare and limited edition on the legendary Tape-Label Flo…
Remarkable subterranean radicals have been getting to enter the stage since mid-late 2000's via the label Lust Vessel and the lineage, which are actual first ever fulcrum of genuine industrial cassette culture and the actuality in Japan, after a long period of the mostly scorched ground for that culture from the far east. This is a document of an aspect of thee lust-age and the assembly, featuring six assassins which are true to themselves and standing on their own territories.
Tongue Knax ; a h…
Phantom Horse is the duo of Ulf Schütte and Niklas Dommaschk from Hamburg and Kiel (home of seminal Digitalis Recordings artist Jürgen Müller). Schütte is a (part-time) member of Datashock, Black To Comm, Aosuke et al and has recently released his modular synth explorations under the Alien Radio moniker on a (sold-out) Dekorder split-LP with Keith Fullerton Whitman and a 4-way split 7" with Köhn, Ducktails and Peaking Lights on Kraak. Dommaschk plays guitar, synth and electric piano.
With…
A threesome of coloured vinyl by WORM Records. These records are extraordinary not just because of their appearance (bright yellow, blue and pink vinyl), but also because of their unique origins. The a-sides of the records were recorded for Soundpiece, a soundinstallation under the floor of the Schouwburgplein in Rotterdam. WORM invited the composers Machinefabriek, Pierre Bastien and Dyane Donck/Daisy Bell to compose a piece for this. The results are three soundartworks/tape compositions that a…
By now, the significance of Sam McKinlay's extensive body of work is undeniable. After having begun his mapping of the depths of monomania, fetish, addiction, and vice, in the mid-1990s with his flagship project, The Rita, McKinlay briefly halted his work in the early 2000s. Though it was unforeseeable at the time, McKinlay's return to substantial recording output and live performances around 2004 would quickly and permanently alter the landscape of Harsh Noise. The Rita became one of the most …
Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
This is an album based on the beauty of the electric guitar sound. The pure sound of the electric guitar (mainly “clean” or sometimes get a little bit “dirty” with the fuzz pedal) evokes memories, images, emotions. The harmonics, simple chords, arpeggios, single sustained notes of Sergio Sorrentino’s guitar formed the starting point of the creation of each track. Sergio recorded ideas, sketches and improvisations, which were then further processed by Machinefabriek. Mainly using the sounds of Se…
Frans de Waard (1965) has been producing music since 1984. First as Kapotte Muziek, but throughout the years, he also worked as Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop & Peter Duimelinks, both of whom are also a member of Kapotte Muziek these days), Zebra (with Roel Meelkop) and such solo projects as Freiband, Shifts as well as his own name. He played various solo concerts as Goem-FDW in Japan, as part of a package tour with Pan Sonic. Frans de Waard also likes to play sets of i…
There were several ‘firsts’ involved in my initial encounter with Zygmunt Krauze’s music: my first visit to Poland (1970), my first ‘Warsaw Autumn’ festival and its first concert (19 September), and the Warsaw premiere of Krauze’s first Piece for Orchestra (1969). The memory has stayed with me ever since, not least because here was a work that was distinctly different from the other new Polish music that had so far filtered westwards. I was familiar with some Lutosławski, Penderecki …
Osaka Fortune is the meeting of two Norwegians and to Japanese artists Ð two drummers and two noise musicians. The album was recorded in Osaka, Japan February 2011. The quartet had previously performed live together, but this time they set up a studio recording on their tour of Japan.Jojo Hiroshige is the guitarist and leader of infamous Japanese noise band Hijokaidan, which has been going since 1979, known for their violent and energetic performances. Hiroshige has also run Alchemy Records sin…
Jan Jelinek, Hanno Leichtmann and Andrew Pekler have formed a trio that can truly be called a supergroup. As solo artists, all three members are among the most renowned of Berlin's electronic musicians. When playing together as Groupshow, the three instrumentalists -- themselves largely informed by minimalist sensibilities -- engage with the idiom of free-form collective improvisation, which has a long tradition in Germany dating back to the days of Fluxus and Krautrock. Consequentially, t…
'Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label.The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noises.'Most …
Extra Life’s first record for Northern Spy, Dream Seeds marks a dramatically new creative direction in the band’s still-young but prolific career. It is perhaps Extra Life’s most clearly-defined concept album : seven songs dealing entirely with the twin themes of dreams and children. In a lyrical left turn away from the morbid sexuality and black humor of Made Flesh, these songs look to the subconscious in search of innocence, morality and meaning. According to principal songwriter and e…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Sleep (an attempt at trying)“ is a radio suite for vocalist, narrator, improvising ensemble and electronics. In this project Bumšteinas explored the subject of insomnia which makes it a very autobiographic project. The main sound material for “Sleep” came from the sleeping-aid and relaxation tapes, that Bumšteinas bought for himself in various fleamarkets around Europe. The course of personal therapy wasn't too successful and due to nocturnal boredom Bumšteinas started dabbling with the function…
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Western Front New Music is proud to announceÊEvan Parker's return to the Western Front to celebrate our 40th anniversary with a live performance and the release ofÊVaincu.Va! Live at the Western Front 1978. Restored and mastered from the original archived quarter-inch tape that captured his dynamic, innovative performance 34 years ago, Parker'sÊVaincu.Va!Êremains well ahead of its time. His work is unconventional and unpredictable, and this album, to be issued on limited-edition LP, with n…
Operating out of Istanbul, Ekin Fil is the solo project of Turkish musician Ekin Üzeltüzenci. Her music first came to the ears of many by way of “Language,” a 2011 cassette release on the Root Strata label. “Language” presented listeners with a fractured, hazy soundworld in which half-remembered melodies and wraith-like vocals cohered into dark and hypnotic masses. On this self-titled album, Ekin opens the curtains a bit, letting in some light and offering up an even more refined album. This is …