New Arrivals
Heaven's Youth (Reptilians Demos)
Starfucker’s highly regarded full-length LP Reptilians was originally titled “Heaven’s Youth”. Like most artists, song ideas, the album concept and even the artwork continued to evolve. The band changed the title, continued to edit and develop the songs until the final version (Reptilians) was released in 2011. The original versions of the songs, that were until now only heard by the band, are being released for the first time in a very limited edition of white vinyl. Heaven’s Youth (Re…
Netsu
As Takaaaki says, this is NOT usual Dubstep. He makes it evolve to a new Dubstep, with a heavy, dark and aggressive side, clinging to the bass and various BPMs, but some harmonies and even hints of melodies take all these sounds to a new level, creating a mutant Dubstep that hypnotizes the listener and takes him to lunar seas or snowy landscapes. But be aware that with Takaaaki decadence and crazyness are never far and Netsu might give you fever very quickly.
Live In San Francisco
Astromero is the psychedelic synth-noise project of Japanese pioneer Hiroshi Hasegawa (Astro,CCCC), and LA's Damion Romero (Speculum Fight). Side A is a Live show in San Francisco, a total scorcher with an immense level of energy where shifting walls of synthetic sound produced by Hasegawa are complemented by the signature rumbling low end frequencies coming from Damion's custom electronics. Side B is a new studio track, full of brain melting tones and showing the more compositional side of this…
Elklink
Reissue of 'The Rise of Elklink' cassette (Polyamory) 1999 with one bonus track. "The Rise of Elklink originally appeared as a cassette on the storied Polyamory label in '1999. Behind the ambiguous moniker lurked core Shadow Ring member Graham Lambkin, aided by Adris Hoyos with a cameo from fellow Shadow Ring bandmate Tim Goss. Although The Rise of Elklink was produced in tandum with The Shadow Ring's Lindus LP, the two projects were different in intent. Song form and narration are replace…
Off Duty
As if the music of lysergic, lo-fi drugdub one man band Sun Araw wasn't flipped out and damaged enough, on this latest joint, those already tweaked and twisted sounds get even more far out, the vibe WAY druggier and spacier, a 26 minute blast of crumbling wah-guitar laced psychdub comedown in the form of three skull caving soul freeing innerspace excursions."Last Chants" begins with a dense swirling cloud of white noise and damaged effects, shot through with barely there melodies, and loose detu…
The Rising
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
Real Life Is No Cool
As supportive as Hans-Peter Lindstrøm's fans have been of his random acts of creative fitfulness, one wouldn't blame them for feeling a bit tested by his most recent string of output. Between his brilliant but impractical 2008 long-player Where You Go I Go Too and his 42-minute refit of "Little Drummer Boy", two of the Norwegian producer's recent major releases have accounted for nearly 100 minutes of music across a scant four tracks. In a scene where an elongated 12-minute re…
Warmth
Even though Warmth main man Steev Thompson still appears to be incommunicado, totally epic recordings continue to surface. Before Roxanne Jean Polise was officially over and Steev still lived in Chicago, he joined up with another then-Chicago resident Branden Diven of Quilts/American Grizzly Records. The jams that were created filled a couple of CD-Rs and the Warmth side of the split with Quintana Roo on Not Not Fun. This LP consists of a remixed and edited version of the original CD-R ru…
The Man-Machine
LP edition of Kraftwerk's 7th album, from 1978, and perhaps their most commercially successful album -- a non-offensive synth-pop classic. 'The album has 'classic' stamped all over it... in time it would acquire the same ageless quality as The Beatles' Sgt. Pepper or The Beach Boys' Pet Sounds...' -- Pascal Bussy, Kraftwerk: Man Machine And Music"
Badlands
If you think something’s wrong with your speakers, you are mistaken. No, you can’t turn up the bass. You’re just listening to the raw, stripped down wail of Alex Zhang Hungtai, better known as Dirty Beaches. His MySpace describes the music as “minimalist rockabilly,” and those are probably the two best words I could think of to describe his newest LP, Badlands.At times, Hungtai’s vocals sound quite Elvis-esque; at other times, you can barely make out the mumbling echoes over the subdued drum bea…
LP
Providence, RI's (recently relocated from Nashville, TN) Container returns with another slab of alternate universe bent techno. Schofield's take on that over-used genre is not only unique but utterly compelling, forming a modern and exciting new sound. While the classic Container sound is still in tact, this album offers a look into a previously closed door in the Container sound world. LP, like its predecessor LP, is recorded in mono and it cuts right down the middle of your skull, and do…
And In The Endless Pause There Came The Sound Of Bees
A flop-eared rodent frolics in a lush field. In from the horizon sweeps a black cloud, kicked up by an army of similar-looking rodents. That's the basic set-up of Varmints, a 24-minute film by Studio AKA animator Marc Craste, based on a book written by Helen Ward and illustrated by Craste. Jóhann Jóhannsson draws the title of his latest album from the book, and this is the music he composed for the film's soundtrack. There's quite a bit of extra material-- the album is a full 1…
AAM1 - Aktions Analytische Musik LP
Few copies available: this is Austrian reissue of Otto Muehl's AA Commune most sought after record from the 70's. "Musikalische Selbstdarstellungen 1974/75". Crazy group-therapy sessions, improvised music with different commune members coming forward and 'singing' about their parents, free-sexuality, mister jealousy, and how two-people-relationships kill sex-life, etc.. Record comes in fullcolour cover (reprint of the original), stamped label, plus 10-page A4 booklet with transcription of all te…
Untitled
Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
No Earthly Man
Updating canonical Scottish folk tunes is a rather unfashionable niche, placing these songs within the context of modern/alternative rock is an even tougher chore, but it's one that Scottish neo-traditionalist Alasdair Roberts approaches with pluck and somber intensity. Previously with the band Appendix Out, No Earthly Man is Roberts' third album as a solo artist and it is undoubtedly his most difficult to approach. His previous album, Farewell Sorrow, was a collection of joyful, filigreed songs…
Stone/Water
With any sizeable Brötzmann group, the temptation is always there to compare it to his classic Machine Gun unit. This new tentet doesn’t match up to the unbridled ferocity of that earlier grouping, but then what has? Perhaps the greatest sea change since the heavy-drinking glory days of 1968 is that ecstatic playing is now as much an idiom as an instinctive response. For all its supposed iconoclastic freedom, this idiom now has its own traditions, its own heroes, and its own stock cliches. Youth…
Ever And Anon
The mythical LAFMS collective Smegma really needs no introduction, where would we all be without them? How many bands were so ahead of their time (1973!), and have been for so long, like Smegma have? Well, here they are with a brand new LP of their famous mix of free jazz, industrial noise, improvisation, straight-up weird music so typical of these masters / US freaks. On the opening track, they are riding on the amazing drums of historical member Dennis Duck (of Dream Syndicate) to pay h…
The Uses of Infinity
The lonesome banjo picker returns! Recorded in one take in a de-sanctified century old cathedral in Northern Minnesota, The Uses of Infinity is a 6 part cosmic hobo’s dream suite for 23 string banjo. Cast in the drifting nebula of the whole tone scale, Paul Metzger plucks, picks, bows and spins his way through a 40 minute odyssey making for his most ambitious and adventurous musical trip to date
Live in Vilnius
A fantastic musical performance took place on 27th March 2006 at Vilniaus Congress Hall. Three musical giants - Joe McPhee, Dominic Duval and Jay Rosen (also known as Trio X) made that evening unforgettable for their fans. Rich, colourful, intense, played almost on a telepathic level, this music is a true masterpiece of this amazing group.NoBusiness Records is proud and happy to announce that this performance has been released as a double limited edition LP. Joe McPhee : pocket trumpet, tenor sa…
Visits Planet Earth
180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes …