New Arrivals
NYC, Hell 3:00 AM
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Instrumental Tourist
Instrumental Tourist' is one of the year's most anticipated electronic music albums. The meeting of established artist Tim Hecker and studio magician Daniel Lopatin aka Oneohtrix Point Never at his Software Studio yields an otherworldly and near symphonic suite apparently conducted "...to mimic the tropes and techniques of jazz-based improvisation, with little preparation prior", effecting a wide-eyed and fascinating sound as dramatic and enchanting as any we've heard this year. As you'd expect …
Erm
In the summer of 2011, I wrote to Francisco López to ask him whether he would be interested in working together on a project. He agreed but on condition that we worked on two separate tracks but using the same sound sources. These sound sources could be processed any way we liked, or even used in their original form, so as to highlight the aural roots of the tracks while at the same time exposing our different sonic approach. LUCA SIGURTÀ The end result is a split album comprised of …
Mika Vainio-Haswell & Hecker remixes
Popol Vuh's soundtrack work for the films of Werner Herzog in 1970's and 1980's are some of the most stunning in the field. Editions Mego is pleased to present two re-workings of classic Vuh tracks. Mika Vainio takes 'Nachts: Schnee' from the 1987 soundtrack 'Cobra Verde', and delivers a skillfully constructed ambient piece of beauty, which shifts and turns over 10 minutes. Haswell & Hecker turn the majestic 'Aguirre' from the 1972 soundtrack 'Aguirre - The Wrath Of God' into possibly the first …
Lava
"Lava is a wonderfully apt title for this duet between Liudas Mockunas on soprano, tenor and bass saxophones and Barry Guy on bass. The music was recorded live at Kaunas Artists House Concert Hall in Lithuania on the 2nd of April, 2011, and released in a limited edition run of 300 vinyl LP's. Lava is the appropriate name for this music as it flows slowly and inexorably forward. Guy is a rock solid bassist who is a stalwart on the avant jazz and classical scene in Europe, and his skills ar…
in Tokyo
Four pieces of computer music. Iancu Dumitrescu \'Hazard and tectonics\' (2009 - 2013), \'Crepuscule I\' (2011-12), \'Early, before all times\' (2010-11). Ana-Maria Avram \'Metalstorm I\' (2012).
Almanac
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
Elegy for Bangalore
The sound/video installation-project 'Eye Contact with the City' (recipient of an Honorary Mention at PRIX Ars Electronica 2011) was the outcome of an artists' residency in Bangalore in the autumn of 2010. The primary materials used in the installation were the field recordings made and video footage shot at various locations in Bangalore. Materials also included retrieved audio from old reel-to-reel tapes found at the city's flea markets. The extensive repository of field recordings and other a…
Appalachian excitation
The meeting of composer Arnold Dreyblatt and psych-folk trio Megafaun shouldn’t be seen as unlikely just because it’s cross-generational, or even (arguably) cross-genre. Such categorizations have to be set aside before taking in their Appalachian Excitation. Born in New York in 1953, Dreyblatt came up under such lauded experimental groundbreakers as Alvin Lucier, Pauline Oliveros and La Monte Young, obtaining a Master’s degree in composition from Wesleyan University. Now based in Berlin, where h…
Armed Courage
With nary a praising documentary, coffee table photo book or tribute band to their name, The Dead C are nonetheless one of the most respected, longest surviving groups in the history of rock. Still sporting the original band members (Michael Morley on guitar, vocals, Bruce Russell on guitar, Robbie Yeats on drums) from their first assemblage in 1987, The Dead C's renown has a lot to do with their stubborn unwillingness to compromise in any form. With a varied and challenging discography, the ban…
The Magic Of Ju-Ju
Gatefold 180 gram reissue of tenor saxophonist Archie Shepp's 1967 "tour de force." "...combining free jazz tenor with steady frenetic African drumming. Shepp's emotional and fiery tenor takes off immediately, gradually morphing with the five percussionists -- Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles, and Dennis Charles -- who perform on instruments including rhythm logs and talking drums. Shepp never loses the initial energy, moving forward like a man possessed as the dr…
Has anybody seen our freedoms?
Recorded in December 1970. "Peter Walker is an American original, as eclectic and enigmatic as the songs he writes. The legendary seventy-five year old raga/psychedelic/folk acoustic guitarist, who was schooled by masters such as Ravi Shankar, and Ali Akbar Khan, has been described by Larry Coryell as, “One of the most original practitioners of contemporary music” and proclaimed by the Beatles’ press agent Derek Taylor as “Perhaps the greatest guitarist in the world.” His music, celebrated by t…
Format
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Silvertone e il sentimento oceanico
Outstanding tape from Angelica Castello (Mexico, 1972) one of the best electroacoustic composers of her generation "I see my music basically as a complex construction of associations, quotations, dreams, nightmares, real and unreal people, stories and reflections. 'erche">Silvertone e il sentimento oceanico' is about a big ship leaving' Angélica Castelló About Castelló's music: 'Music that is both visual and abstract, that calls forth memories and chases them away, that ofte…
Regressions ''Blinding Confusion''
"Over the past few years, iconic noise artist Nate Young has been carefully crafting his own signature solo sound, as evidenced through his progressive recordings and performances with American experimental music staples such as Wolf Eyes, Stare Case, Demons, and Moon Pool & Dead Band. Regression 'Blinding Confusion' enters a new era, retaining the techniques and studies from his previous work and raising them to new levels. Intense compositional building and structure seep through each t…
From paradise to hell
A few copies left ! One of the king of fuzz guitar. Released on 1982-87 on Sordide Sentimental.
Asphalt And Delay
Awesome brand new LP that marks the band’s first full length album foray in to the exploration of duo improvisation. Recorded over an extended period of time, in a secret midtown Manhattan location high above the city streets, this is their first record devoted entirely to duo improvisations. The LP also features striking silkscreen cover art by Yoko Tack.Since their late-1990s inception, White Out - as comprised by multi-instrumentalist Lin Culbertson and drummer Tom Surgal - have been one of t…
Rubaiyat Of Dorothy Ashby
Incredible work from the amazing Dorothy Ashby – a brilliant set of funky and spiritual tunes, set to full backings from Chicago soul arranger Richard Evans! This album is easily one of Ashby's greatest, and it's dedicated to the writings of Omar Khayyam – one of the forces guiding Dorothy's more spiritual sound at the end of the 60s, clearly opened up in a way that's not unlike the direction of Alice Coltrane's work, but a lot more focused and a lot more funky! Ashby not only plays her…
Live at I-and-E
This is a long-awaited re-issue, unavailable since 2006. The duo had formed the previous year for ErstQuake in NYC and this was to be their second and, as yet, only other performance together. The breadth and depth of [the] music is totally inspiring, I absolutely love this piece of music. Total unity in sound to make a perfect piece in the moment. It doesn't get better than this! (Gordon W. Smith)
Keith Rowe and Mark Wastell. This last performance balanced the evening well. Louder, more gestura…
A Red Score In Tile
Composed way back in 1979, 'A Red Score In Tile' eventually surfaced as a vinyl-only edition in 2003. Made up of piano, this shows Basinski's patented tape-loop technique perfectly and still stands as one of his most affecting pieces of music. If you've heard 'Melancholia' you'll likely know what I'm talking about, piano notes are transformed into tones by the slowly disintegrating tape, and the loops become motifs all of their own. The beauty of Basinski's work is in its patience, and this earl…