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Since 2001, Duchess Says have been spreading the gospel of the influential and mysterious Church of Budgerigars. Their learned mix of hypnotic rock and saturated keys, concocted by Phil C., Ismael and Simon Says, is delivered by A-C, a sermon laden with the teachings of the novice Mere-Perruche. The congregation has prayed the three Ts; now it's time to reiterate. In a Fung Day T! is their second offering. Adrian Popovich and Joseph Donovan of the Mountain City studio have succeeded in r…
Der Plan were invited to Tokyo in 1984 to play six concerts for Seibu, a Japanese department store chain. Seibu were staging a “German Week”. But how did they come to choose Der Plan, of all bands? Why not an Oktoberfest combo or the Scorpions? Moritz Reichelt explains: “German New Wave was really popular in Japan. They knew more about it than people here at home. Catalogues and magazines detailed every obscure record and depicted the covers. This particular department store chain was linked …
Ricardo Donoso completes his latest trance mission for Digitalis with 'One Verse Sharpens Another'. Four tracks of serpentine arpeggios, rolling bass pulses and stealthy, soaring synth chords simulate cybersex in anti-G, from the X-Files atmospheres and alien seduction of 'The Redeemer', to the piloerect triggers and tense pizzicato strings of 'Open Drawer, Full Of Masks' on the A-side and over to the sublime, supple bass roll and gentle ambient caress of 'Child Primitive' or the mind-wea…
Matsuli Music is proud is announce the re-issue of African Songbird, the masterpiece from South Africa's greatest jazz singer, Sathima Bea Benjamin. Originally released in 1976, African Songbird was a debut long overdue. The splendid vinyl reissue of African Songbird opens with a cavernous, spacious, enormous sound, Bea Benjamin’s voice is introduced by Dollar Brand’s plangent, lingering electric keyboards before the ensemble joins in like rolling thunder. The vibrant plucked bass (provided b…
A Sige Records repress of Mamiffer's second full length Mare Decendrii.Artwork is different from the original pressing. Edition of 600. Credits : Recorded from September 2009 to September 2010 at: Studio Litho, Aleph Studio, and London Bridge in Washington State. Produced by Randall Dunn. Co-produced by Mamiffer. Engineered by Randall Dunn. Assistant engineers: Mell Dettmer and Shawn Simmons. Mixed at London Bridge Studio by Randall Dunn. Mixing assistant: Mell Dettmer. Mastered by Mell Dettme…
A special 26 only copies box, with an extra LP: SAS #40 with different front cover theen regular ed (paste-on; the carpet motifs are divided in 26 parts, so if you put together all 26 ltd ed, you'll see the full design as on the regular ed) + postcard- SAS #41 with different front cover theen regular ed (paste-on; artwork by Huseyin Ertunc) + color postcard + another insert on high quality photo paper with 12 pic from the concert- SAS #42 with different front cover theen regular ed (paste-on; em…
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Space travel is the dream of many and the reality of few. Since Yuri Gagarin first shed the bonds of earth gravity in 1961, only about 500 humans have made the trip beyond the atmosphere. Ken Camden travels to space while still grounded on terra firma. His vessel of choice is a guitar and some effects with which he journeys on fantastical expeditions and surveys the biggest territory of all, the one between your ears. The glimmering sound fields he forms could be a soundtrack to an epic '60s sci…
Limited double LP version. Recorded live on December 8, 2006 at a memorial event for James Tenney at California Institute of the Arts, Perhaps is Harold Budd sublimely distilled. Striking in its restraint and simplicity yet profoundly resonant in its depth and message, it is both eulogy to a departed friend and defining statement from an artist at the apotheosis of his career. Originally available only digitally (and only from Samadhisound's web site), Perhaps sees its first-ever and much-de…
This DVD presents a rare and powerful solo performance by one of the most important and original artists in the world. Recorded in 1980 at a studio on Long Island, Meredith is in full voice, relaxed and creatively inspired by a small audience of Monk cogniscenti. Recorded with a 3-camera shoot and then put on the shelf, Tzadik is proud to present the first release of this astonishing virtuoso solo performance.
As with their previous 'proper' full-length Gettin' Gone, new album Drone Trailer finds Matt Valentine and Erika Elder Still hooked up with The Golden Road, and ready to spurt forth blistering passages of galvanized psych-rock at a moment's notice: after a scorching pile-up of vintage guitar muck, opener 'Anyway' draws to an ill-behaved conclusion with some improv guitar and free-noise skronk, all completely undermined by a jazzy line in tremolo rhodes piano tinkering. Despite such flight…
THE WIRE'S BEST OF 2010!
Jailbreak s the duo of pedal steel-vocalist Heather Leigh and drummer Chris Corsano. The name foregrounds the kind of outlaw violence with which the two reformulate rock-roll instants by bringing free jazz fire power to amp-humping sex beats. Their musical alliance goes all the way back to the legendary Brattleboro Free Folk Fest, the birthplace of the 'New Weird America', where Corsano and his long-term saxophone partner Paul Flaherty joined Leigh and Christina C…
For Sven-Ake Johansson, the capricious and mercurial character of Paul Klee's texts is not a flaw, but a quality in its own right. His thirteen settings capture precisely this quality of the texts. Johansson's clear diction, his distinct, almost exaggerated elocution, imbues Klee s texts with a lapidary air without stripping them of their personal and intimate nature.
Saxophonist Gerd Dudek's 2012 concert in London at the Vortex in a quartet with Hans Koller (piano), Oli Hayhurst (bass) and Gene Calderazzo (drums), with Dudek and Koller picking some of their favorite jazz tunes including works by Nichols, Shorter, Coleman, Wheeler, &c. Gerd Dudek (soprano & tenor saxophones), Hans Koller (piano), Oli Hayhurst (double bass), Gene Calderazzo (drums). Gerd Dudek came to London early in 2012 to give a concert at the Vortex. The next day the quartet went to…
The source material for these recordings, produced between 2007 and 2009, originates from found objects and treated acoustic instruments such as cello, viola, double bass (Nikolaus Gerszewski), bass clarinet (Nicolas Wiese), as well as conga, cymbal, wood, paper, marbles, wallpapering table and chains. Further sounds have been produced using my voice and limbs. A basic rule for my work with digital tools is to maintain the liveliness of the source material within the structure of my compositions…
Black Dice bod returns to DFA with a playful solo LP of sample-splitting psychotomimetic grooves. Like an unhinged, PCP-huffing cousin of Smith 'N Hack, Copeland deranges plunderphonic globs into stomping, jerry-rigged and unstable structures, equal parts garage rock, wayward blues, disco, techno and avant-garde noise collage. Yet far from being a total mess, 'Joke In The Hole' is possibly his most "musical" effort to date, enriched with fragments of melodic hooks that give something to hold ont…
"Era is the fourth annual report from Chicago powerhouse quartet Disappears. It was formed during the gloom of the Chicago winter at Electrical Audio by now regular foil John Congleton. Insular and dark, the album sees the band further refining their love of dub, minimalism and repetition into their most original and stark set yet. It harks back to the early 80's post punk period, when almost anything seemed possible with the classic two guitar, bass and drums lineup, and exploration and…
The past two years have found Austin’s Lone State dark lord Xander Harris (aka Justin Sweatt) on a heavy transfigurative trip, overhauling his live rig, detouring through an expansive soundtrack project celebrating the 20th anniversary of Neal Stephenson’s Snow Crash, touring outside Texas (from New Orleans to the Netherlands), plus a host of other inner life turmoils and metamorphoses. All of which seems to have seeped into the synthesizer soil of his stunning second full-length, The New Dark A…
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…