New Arrivals

Since the release of Saddleback’s acclaimed 2004 debut Everything’s A Love Letter, Tony has found increasing demand for his touch behind the recording desk. Tony’s studio is housed in his Kangaroo Valley residence on the south coast of New South Wales. Found inside are all sorts of instruments including various guitars, percussion makers, horns, a clarinet, a double bass, piano and a specially-fashioned drum set. Having arranged and played these on other peoples’ work – most notably for Sydney’s…

another gem, a wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s -- beautiful work from a slew of players we've never heard of -- but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. S…

The soundtrack for the movie Blue (directed by Hiroshi Ando and starring Mikako Ichikawa, winner of Best Actress at the 2002 Moscow International Film Festival), which was based on acclaimed comic artist Kiriko Nananan's comic book of the same title, was composed by internationally renowned musician Yoshihide Otomo known for his borderless sonic creations. Utilizing the basic musical material used in the film and the same musicians, Otomo did additional studio recordings to create another sonic …

All new Ilitch studio recording! An horrific grandchild springs from the magma: Ilitch'll itch your progadelic scratch with its well manicured talons of fire. This Ilitchian renaissance zigs deep space experimental and zags full metal Zuehl. Electronics chirp and howl like the opening coda of Susperia, then explode into Weidorje intensity fuzz violence, cheered on by a pecussive force that sounds like Mussolini being kicked to death. The shifting interplay between total rockers and extrat…

For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…

Sultan Hagavik is first Polish band (and probably the second one in the world) which performs music using tape decks. It was founded in July 2011 in Wroclaw, in circumstances hard to specify. The band utilizes recordings found on old cassettes, as well as their own material recorded with analogue dictaphone. Using tape decks as musical instruments allows duo members to create completely new sonic quality. In their sur-conventional compositions they refer to many musical genres; from pop to punct…

TransMongolian is a composition of unprocessed field recordings composed in soundscapes. I recorded these acoustic phenomena on my journey through Russia, along Lake Baikal, through Mongolia, China and South Korea to Japan. These countries do not only have very different landscapes and ways of life, they also differ in their sounds, a dimension which more often than not goes unnoticed. The 6 acoustic portraits reflect what I found to be representative of or very special about the countries.

Revisiting the treasures of Polish Radio studios (Polish Radio Experimental Studio, NEAR), the label offered Bolt miniaturized components of the composer Eugeniusz Rudnik (1933) to Lenar DJ (Marcin Lenarczyk) which reworks the way lo -fi in his studio (both guitar and bass amps, turntable, sampler loopers). Astonishing when one feels ownership playback via speaker which adds a paste, color these miniature electroacoustic "Nobody knows how many miniatures have been conceived by Rudnik. But one th…

Stephan Mathieu's latest work transforms music made for Gustav Flaubert's titular play. First published as part of the book Trois Contes (Three Tales) in 1877 and translating to 'A Simple Heart', the text, a modern rereading of an old tale, makes for a neat analog to Mathieu's sonic practice - augmenting recordings of obsolete formats - wax cylinders, 78s - and early instruments by computer processes. Using pieces written by early renaissance composer Guillaume Dufay (1400-1474) and performed in…

Recorded in the same two week session as 'AODDOL I' by Stuart 
Hallerman at Avast and mastered by Mell Detmer, Earth's 
'Angels of Darkness, Demons of Light II' carries on in the freely 
improvised, folkloric vein of the title track from their last 
release. Tape was rolled and spontaneous composition occurred.'Angels of Darkness, Demons of Light II' is striking in many ways, not least, in the wildly improvised nature of this particular 
recording. Earth's songs, Sigil of Brass and The Corascene…

Bleak analog electronics and voice from Justin K Broadrick. Apparitions is a dark, insalutary recording of sub bass throb, scathing frequencies and sheets of feedback unleashed with the ferocity of early power electronics sides. A material electric attack from places unknown. Photographs by Paul Lee. Edition of 500."

Features Will Oldham (Bonnie Prince Billy) on vocals, and is a fascinating, compelling collaboration that mixes the last three centuries into one beautifully haunting, cryptic flow of idea-sound. Presented in a quietly handsome paper folio package!

Japanese duo Tenniscoats have been running together for more than ten years. Running is the tempo you need to have to keep up with these guys: always touring, recording and working on new projects.Their music is all about catching the moment. Next time everything will sound different. They are true improvisors inside their own musical world. The music on this record adds a new facet to their universe. Deeper, more intense but with still visible signs of their trademark playfulness despite the fa…

The first meeting of two masters of improvised music. Concentrated solo pieces from each before an uncompromising duo.When Matthew Shipp was invited to London's Cafe Oto for a residency in 2010 he immediately asked to play with John Butcher, perhaps not the most obvious choice of collaborator but one that proved inspired. Although they generally work in very different areas of improvised music, both players share an intensity of focus and pugnacious individualism that heightened rather than hind…

Moondog's fanbase seems to be righteously on the up nowadays, with reissue after reissue re-illuminating his singularly out-there musical genius. This is a stranger album than most however: on this one Moondog sings. Yes, this is possibly the only entry into the blind Viking impersonator/singer/songwriter sub genre. Inevitably, it's really good. Even though this album (recorded in 1969, incidentally) reduces the composer's ordinarily expanded palette to little more than voice and piano, there's …

Tour only CD for the no  fun acid project, see no fun acid 02 for description, this was recorded in an intense studio session with less than a week to go for the tour. Limited to 500, all copies left after tour sent to distributors. "They should be amazing in theory, Carlos Giffoni bringing a Noise mindset to the acid template and all that. OK, the first track on the CD starts off with a nasty little drone which slowly subsides as the 606 kicks in, very satisfyingly as it happens, and continues …

"Only one face": Following their price-winnig recording Schubertlieder, the Tyrolean Musicbanda Franui have now taken up Johannes Brahms' German Folk Songs.

Adriano Zanni aka Punck is a field recordist, sound designer and photografer. He released records on great labels like Afe Records, Setola di Maiale and Creative Sources. This is his first release for Boring Machines and it's his most personal record to date. In 1964 director Michelangelo Antonioni set in Piallassa (a pollutedarea near Ravenna, Italy) his famous movie Red Desert. Punck was born in Piallassa in 1964. A single long track of different threated sources, samples and acoustic guitar …

Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…

1998 reissue, orginally released in 1984. A combination of spacey electro-pop, dub and dark avant-rock influences, Phantom Band is one of the most authentically weird, essential and yet surprisingly overlooked organisms orbiting the Can universe. This is the third and final album from the project, masterminded by Can drummer Jaki Liebezeit, featuring Dominik von Senger (Dunkelziffer, Damo Suzuki Band/Network) on guitar, Helmut Zerlett (e.g. Dunkelziffer, Unknown Cases) on keyboards and Sheldon A…

'Classical. Electro acoustic and widdly weird noises from the big brain. Over the last few years intrepid music lovers have been investigating and enjoying the work of pioneering electronic musicians, electro-acoustic artists and all the groovy folks who spent hours manipulating and cutting tape to make new and exciting sounds. It's meant that lots of interesting figures have been brought back into our musical view. But one of the most important, innovative, influential and almost forgotten arti…

Mubomuso is a neologism, made up from two extant words. Mubo suggests the unadorned and unaffected, while muso means to be in a state without thought or preplanning. All parts of the release lead the listener towards the consideration of a very specific topic Ð namely, war and violence, and the deeper connections to human nature. Stripped of the clothing of civilization, etiquette and socialization, we slowly become aware of reactions and purposes that exist deep within us  embedded comma…

Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewhat and make a record seem a lot worse than it is, and if you see a band that are just frankly very awesome indeed and lovely folk to boot, then it can give you a different focus when you hear them on cd. Thankfully Humbolt crew Starving Weirdos fal…

This performance was very special concert under candle lights, summertime passion. We performed in garden with very relaxed audience in that atomosphere which will ever bring you there. This track alone is worth documentation for creative moment of time and space.

"The controversial and influential Naked City Black Box couples two of Zorn's most extreme and violent creations. Torture Garden (1991) presents Naked City's intense and groundbreaking music combining free jazz, bebop, r&b, country, funk, rockabilly, surf, metal and grindcore—usually in the same song! The rare, seldom heard Leng Tch'e (1992), released only in Japan and long out-of-print features Naked City in an agonizingly slow, brutal 32-minute assault. This special 20th anniversary ed…

A high point in Konstruktivist's career, "Glennascaul" was originally released on Nigel Ayers' Sterile Label in 1985. Produced and mixed by Chris Carter of Throbbing Gristle, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. "Glennascaul" is proto electro at its very best, with Glenn Wallis's unique vocal style on top. For this, the first ever edition on CD, we have remastered the or…

The 'Grundton' of this 30-minute composition is the recording of the concert given at SND Studios Sheffield (UK) in March 2009, entitled 'Why is there something rather than nothing?' by Mark Fell and powered with d&b speakers by Tony Myatt (MRC, University of York). The sounds of planes have been recorded in Mallorca (Spain) in 1987, and in Pilat (France) in 2009. This music comes after HCDC, composed in November 2008 after the death of Daniel Charles Ð his last days were darkened by brea…

“The only existing recording by this legendary 1979 trio. Alexander von Schlippenbach and Sven-Åke Johansson was a working duo, when Peter Brötzmann joined them for a trio tour in Sweden in the fall of 1979. They were all three part of the strong growth of the free improvised music and free jazz in Europe. In 1979, though, the era of revolutions was already history. They had all played in groups that made any retreat impossible; not to mention their solo works. The music of the trio 1979 could r…

Honeysuckle is the new solo album by Alio Die.. trance & drones,acoustic and electronic sound-effects, melt together in five tracksthat are characterized with a touch of grace that expand consciousnessin new and unforeseen dimensions...after a few seconds the music absorbs the listener under induction into the internal space that vibrates and resonates..A lovely sensible experience is just close to be discovered and to spread its fragrance.Like the hummingbird that suck the honeysuckle's nect…

Farmers By Nature – drummer Gerald Cleaver, bassist William Parker, and pianist Craig Taborn – a fully-improvising unit, a complete musical collective. Each of these men are highly regarded & admired composers and bandleaders in their own right; their coming together to create new music is always an auspicious and deeply fruitful occasion. Superbly attuned listeners and masterful players of their respective instruments, they are without question one of the finest improvising units / musical grou…

Line is pleased to announce the upcoming release of a elegant new sound work by Australian artist Lawrence English, inspired by John Cage.In 2011, anticipating John Cage’s centenary, I began thinking about how to approach a work that might act as a homage to the aspects of his life and work that have inspired me over the past two decades (ironically, those in which he has been physical absent, but philosophically more present than ever). John Cage, with that beaming smile and trademarked c…

ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…

What’s this? A rockin’ new album by Devin Flynn and Gary Panter? Yes, it’s a breezy country/psych full length jam from Devin and Gary. Gary sings lead and guitar and Devin conjures forth ambitious, omnivorous and altogether ambidextrous soundscapes, not to mention some sweet harmonizing. The sound of this record is the sound of two dudes hanging out on a Spring day, having fun. Devin and Gary: they don’t just go outside, they go all the way. - Picture Box

The Complete Works for Flute and Clarinet: In both original works and transcriptions, the Ebony Duo explores Scelsi’s use of special sound colors and his coloring of sound. Transcriptions especially prepared by the clarinetist (and pianist) Michael Raster provide the basis for some of the works on the present album. Yet Scelsi’s original intentions incurred no damage as a result of this recrafting. To the contrary! “The formidable technical demands that playing on two strings with in part opposi…

Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …

'Previously unreleased material by the legendary Rick Potts of the Los Angeles Free Music Society (LAFMS), to commemorate his solo tour of Japan. Raw, lo-fi avant-garde experiments with field recording, improvisation and tape music, recorded in the late seventies when Rick was in his early twenties. Featuring contributions by Le Forte Four and Doodooettes on one track, and two recently recorded unreleased tracks. " In 1977 I wanted to make an animated film filled with the strange creatures…

Eyvind Kang’s newest CD collects quiet new compositions spanning the past five years, which he considers to be among his truly breakthrough works. Music for solo piano, string quintet and more take the unique sonic environments of Morton Feldman to an entirely new place via the metaphors of agricultural poetry, Chinese medicine, sweatlodge and Ikat weaving. Mesmerizing work from the elusive and ever-stimulating mind of Eyvind Kang!

A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…

Zbeen is an electro-acoustic project by Gianluca Favaron and Ennio Mazzon. Zbeen’s improvisational approach is developed from the human-machine paradigm which  is represented by the interaction with digital instruments specifically designed and developed for this project.  K-Frame, Zbeen's debut EP, was released by Ripples in January 2012.  Unlike K-Frame, which was developed as a sonic counter-part to the linear algebra concept of an ordered set of ‘k’ linearly-independent vectors, Stasis elabo…

CD edition, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still Hear Your Voice'…