New Arrivals

A Chilean band living in Paris, who do a really fuckeded up punk rock influenced equally by Captain Beefheart, Os Mutantes, and Caroliner. Limited to 300 copies.

Trumpet virtuoso Marco Blaauw, known for his pioneering performances of contemporary classical music has been working with composer and sound improviser Yannis Kyriakides in numerous projects including a multi-media perfomance 'co-inc', and several projects for the ensemble musikFabrik in Cologne. 'Play Robot Dream' is a set of improvisations for trumpet(s) and computer. At times playful, at times meditative, they fuse a haunting melodic tendency with a provocative mix of drum machines an…

Israeli bassist and Improvised Music pioneer Jean Claude Jones revisits eleven musical pieces recorded live and in studio over a period of ten years, performing, what he calls recomposition of the pieces. In his own words: 'As opposed to mere editing, recomp involves the deconstruction, subtraction, rearrangement, and reconstruction of the material. It not only changes the sequencing, but it radically affects the feeling and the flow of the music. It also changes the texture of the weave, the vo…

Denman Maroney (piano) & Mark Dresser (bass). Vision Festival NY - June 11, 2008. This is the third duo album by bassist Mark Dresser and pianist Denman Maroney, after Duologues and Time Changes. In contrast to some of the other material by the two players, this one is fully improvised in three long pieces. The first 30 minute track was recorded live at Vision Festival on June 10, 2008, the two other pieces date from a performance in Chicago in 2001. It's hard to call this jazz, since none of th…

On the very heart of the  world, Burning Star Core (BXC) has created an incredibly heavy record, built on dense, layered drones, pulses, splintered vocals, and deep rhythms that euphorically build to total overload. With a line-up including the Hair Police front line and other luminaries from across the exploding Midwestern psych-noise-folk underground, BXC's C. Spencer Yeh has assembled a group that seamlessly shifts through epic movements and pushes pure electronic-concrete-physical-ock energy…

The Sons of God: 32 amplified iron plates. Mats Gustafsson: live electronics. Recorded by Olof Madsen on the 5th of March 2006 at Frgfabriken, Stockholm, Sweden. Reception was a sound installation at Frgfabriken (February 18 - March 5, 2006). by the Sons of God and Emanuel Swedenborg and a part of the festival Place and Space, Stockholm New Music. The festival was curated by Magnus Haglund and Magnus Andersson. During the installation period, the following guest-artists were invited for performa…

"Only one face": Following their price-winnig recording Schubertlieder, the Tyrolean Musicbanda Franui have now taken up Johannes Brahms' German Folk Songs.

The new CD-EP (clocking in at 20 minutes exactly) from Stephan Mathieu is a coda to A Static Place (2011, 12k), created with his highly focused setup of two mechanical-acoustic gramophones and computer. Coda (For WK) is dedicated to the legendary “quiet” pianist Wilhelm Kempff, whose 1927 recordings of Beethoven’s Piano Sonata No. 26 Les Adieux from a double 12” 78RPM set on Brunswick were used as input for an autogenerative process. Mathieu’s process emphasizes the archaic beauty and texture of…

'Jean-Luc Guionnet and Seijiro Murayama have been playing and performing a lot over these last past years. Their unique approach is based on space exploration and intensive relationship to sounds and silence. The first piece - Procédé - was recorded live at Radio Slovenija (Ljubljana - Slovenia) on june 2010. The three other pieces - Processus, Procession, Procès - were recorded by Eric La Casa in Paris on december 2010. The main purpose was to work out a specifically designed process for…

The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record with their signature-- one of the most original in rock/free/…

Mural's lush and inviting sound-world incorporates a wide range of percussive, harmonic, and timbral effects and suggests the vastness and mystery of time, as do Rothko's paintings. With Jim Denley on flute and saxophone, Kim Myhr on acoustic guitar, and Ingar Zach on percussion, the trio created a site-specific and improvisational work relating to, and inspired by, the Rothko murals in the Chapel. Recorded at the Rothko Chapel, March 4, 2010. (metamkine)

this CD is an amazing achievement. Kjos Sørensen is a brilliantly gifted performer, but clearly an imaginative and creative one too. A very special issue, continuing BIS’s tradition of opening our minds and our ears.

TONARTENSEMBLE: Georgia Ch Hoppe (clarinet, mandolin, objects), Nicola Kruse (violin), Ernesto RODRIGUES (viola), Robert Klammer (zither, electronics, analog synthesizer), Heiner Metzger (soundtable), Helmuth Neuman (trumpet, waldhorn), Thomas Niese (double bass), Thomas Österheld (bass clarinet), Krischa Weber (cello) and Hannes Wiennert (soprano saxophone, trompsax, sheng). Recorded December 2009 in Hamburg.

Reissue of debut release by the collaborative duo of Chicago-based percussionist STEVEN HESS (HAPTIC, PAN AMERICAN) & French composer/producer SYLVAIN CHAUVEAU. Produced by Helge Sten (Deathprod), whose characteristic smudged ambience is evident as he submerges Chauveau & Hess' compositions beneath a swamp of cavernous reverb & synthesized smoke.

'Untitled (angle.1) is a stereo composition based on the eight-channel installation Untitled.First exhibited February 11 Ð March 13, 2009 at the Art Gallery of the University of Maryland (USA), Untitled is the unique first collaborative project between visual artist Linn Meyers and sound artist Richard Chartier, in an installation where optical and sonic patterns intersect. With an architectural transformation of the space, two fifteen foot long by eight foot high walls meet in an enfolding chev…

Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about his oeuvre are his own compositions. In 2010 the Salzburg Festival adopted this approach. The result was a “Kontinent Rihm” which placed the manifold tone colors and modes of expression created by the former Stockhausen student into a broader contex…

Pierre-Yves Macé is a young French composer, he was born in 1980, but has already released four albums on respected labels including Tzadik and Sub Rosa. Miniatures - Song Recycle is his second album for the Parisian imprint Brocoli, following the acclaimed Passagenweg. Miniatures - Song Recycle, as the title suggests, alternates musique concrète studies and songs in the form of lieder, where the voice is made of recycled, chopped and transformed a cappella vocals from YouTube, accompanied…

1st live album by Norway's Geir Jenssen - recorded in 2007 by Chris Watson & mastered by Touch stalwart BJNilsen. In the early 1990s, he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic & enduring. Here, he incorporates samples of field recordings by Jony Easterby & trumpet by Anders Karlskas, invoking a sparser, more arresting sound.

This three year-long collaboration begun in 2006 when Korber and Wehowsky embarked on intense recording sessions in Eggenstein, where the latter resides, lasting several days. The output from these sessions forms the basis of this work, augmented by additional field recordings and various electronic manipulations. Korber and Wehowsky used the same software which allowed them to exchange the pieces at any stage of the compositional process, so that every detail of the music could be shaped in a t…

Lichtung is a collaborative project centered around an audio-visual installation. Sound artists Steve Roden and Rutger Zuydervelt (aka Machinefabriek) composed the audio, while the video element was provided by the German visual artist Sabine Bürger. The Mindelsee Lake, situated just a few hundred yards away from the gallery, became the natural focus of the installation. During their stay, Sabine and Rutger recorded the video and audio footage that became the foundation which Steve Roden res…

The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…

16 page booklet including Cage's Place In the Reception of Satie by Matthew Shlomowitz. Erik Satie's 1893 Vexations is musique d'ameublement - literally, "furniture music", the phrase coined by Satie in 1917, where he identifies sound as drapes, tiling, wallpaper - items belonging to the environment and changing it simply by being in it, by actually becoming elements of the space. This recording is the second instalment in a series of furniture music (after Marcel Duchamp's Musical Erratum), and…

This rare collection of recordings from the 1970s features Anthony Braxton at the height of his power and makes an indispensable contribution to his discography. Personally selected by esteemed Italian musicologist Francesco Martinelli from long forgotten cassettes stored in the saxophonist's home, these six tracks were not released commercially until 1999. While the sound quality is mixed, the music is some of Braxton's best. There are two solo performances ("Composition 8G" and "Composition 8C…

This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.

“The word Ecotono is built from two roots. Eco (oikos/casa) and tono (tonos/ tensión). An ecotono, or ecotone, is a habitat created by the juxtaposition of distinctly different habitats; an edge habitat; or an ecological zone or boundary where two or more ecosystems meet. It is a transition area between two distinct habitats, where the ranges of the organisms in each bordering habitat overlap, and where there are organisms unique to the transition area. An ecotone region provides conditions of b…

2004 release ** "12k presents Every Action, the 3rd full-length release from the UK’s Motion (Chris Coode) and the follow-up to 2002’s critically acclaimed Dust (12k1019). In addition to his work with 12k (Dust, as well as a collaboration with Doron Sadja on 12k’s recent Two Point Two compilation, and an MP3 only release on 12k’s term. series) Coode has worked with Fat Cat and also released the debut Motion cd Pictures (now out of print) on his own imprint. The work on Every ActionPictures was p…

ESSENTIAL RELEASE: The impulsive and electrifying Ata (1987) was referred to as "a kind of shifting of the senses" by the composer. The task of sketching N’Shima (1975) was actually assigned to a computer, whereas Metastaseis (1953-54) is devoted to architecture; the composition was derived from the bases of calculation used for the pavilion for the Brussels World's Fair of 1958 and is famous in particular for its glissandos and thickening clusters. Ioolkos, written for Donaueschingen in 1996, a…

Blood & Time is an offshoot of Neurosis, featuring band members Noah Landis, Scott Kelly and Josh Graham, who take country blues into some seriously dark territory. Like, country navy blues, perhaps? As with all the releases in Southern Records' consistently excellent Latitudes series this set was recorded as a specially commissioned session, designed to capture a band at its rawest - or at least as raw as a band is likely to get in a studio environment. The results here are especially bewitchin…

Arnold Dreyblatt's Turntable History: Spin Ensemble was recorded March 12, 2011 by Ernst Karel at Boston's Goethe Institut. This performance version of the original piece (released on CD as IMPREC323) provides a different perspective on the original composition. From the original studio version of the piece: Arnold Dreyblatt (b.1953) is an American composer who has studied with La Monte Young, Pauline Oliveros and Alvin Lucier. He is a member of the German Academy Of Art. He has released wo…

Olivia Block: field recordings, piano, reed organ, editing and mixing. Kyle Bruckmann: oboe, English Horn, suona, accordion, field recordings, editing and mixing. Bruckmann and Block's creative relationship dates back to the recording of Block's 1999 release Pure Gaze, shortly after both artists entered into Chicago's vibrant experimental music community. Their decision to create a collaborative duo ensued, but remained in the realm of good intentions until shortly before Bruckmann's relo…

With a mindblowing track gracing this weeks phenomenal ‘Gold Leaf Branches’ compilation, James Blackshaw's brilliant "Sunshrine" album is finally being made available on cd. At only 23 years of age, Blackshaw has already mustered up enough talent on the guitar to put many more renowned acts to shame. His gorgeous finger picked melodies on 12-string guitar are incredibly affecting and a stark contrast to the ragas and ragtimes of peer Jack Rose. Instead of concentrating on replicating a sp…

A split album with Volcano the Bear and La STPO. VTB tracks 1-5 and STPO tracks 6-9. Bears and Birds, oh my! One side keeps the hot hot. And the other keeps the weird weird. VTB’s typically atypical entomological set scratches like a hive that has evolved just to the point of thumping out tribal fealties to its giant insect God-Thing. Environmentally ritualized sub-rhythms mix musique-concrete with actual concrete, forming freakishly minimal foundations for the hive of whatevers to swarm within.…

The ultra savant of 12-string mantra cycles expands further into cinematic, orchestral glory - an orgy of organic, deeply felt & exquisitely played pathways to the sublime. His 1st foray into the realm of the electric 12-string guitar. Comprised of one slowly evolving, shifting piece of music in eight parts, replete w/ swirling string cycles & wind instruments augmenting his extended pointillist flurries w/ clouds of sound, sometimes adding delicate counter-melodies but just as often feed…

Another Tompkins Square reissue of early James Blackshaw material, and this is about as early as it gets: Celeste originally surfaced on Celebrate Psi Phenomenon a full five years ago and set the blueprint fr just about every solo recording he's made since. While the first part of the album finds Blackshaw in solo 12-string mode, the second deviates from the well-trodden Takoma-styled path and heads into an effects-laden drone composition. This sort of style-melding approach would come to…

Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…

Created between September 2008 and February 2010 in the artist's studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos.'strings.lines' came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collec…

CD version. This recording contains seven remixes by UK-based artist and electronic musician Mark Fell of the first three 12" singles released on the record label Sensate Focus in 2012. These were called 10, 5 and 3.3.... The first of these, 10, was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The seven remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook Pro ru…

Jacob is the new project by David Cordero (Úrsula) and Marco Serrato (Orthodox). The duo first collaborated on the arrangements that would become the Emma soundtrack. With a mutual love for sci fi and horror films, Jacob push their dark sonics further on The Ominous, a piece for el cine de la mente. Atonal, dissonant string scrapes meld together in discomforting walls of noise, while hidden forces project an ambiguous malignance lurking in the deep fog. Bleak atmospheres and an abyss of s…

It all began with Study Ten. After releasing his 4th Static album, which included ten songs, about 15 musicians and which took almost 6 years till its release, Hanno Leichtmann had the wish to record an album in one go, without endless recording and mixing sessions. While experimenting with his modular system he discovered a method to compose that, what he later called Minimal Studies. A modular sample player which can be controlled manually, by a sequencer, LFO or any CV source would mak…

Back in stock. 'Volcanic Tongue is proud to present the first ever release by the DREAM AKTION UNIT, a free-thinking avant garage Ur-kestra based around the central kernel of guitarist Thurston Moore (Sonic Youth), saxophonist Paul Flaherty and drummer Chris Corsano (Six Organs Of Admittance, Sunburned Hand Of The Man et al) and featuring Heather Leigh Murray (Taurpis Tula-Jandek-Charalambides) on pedal steel and vocals and Matt Heyner (No-Neck Blues Band-Test-Angelblood) on upright bass. The DR…