New Arrivals

"Ben Reynolds is one of the newer voices from the same UK scene that includes Ashtray Navigations and many of the VHF celebrities (Sunroof!, Vibracathedral Orchestra, Richard Youngs, etc.) It should be of little surprise then that Book of Beyond fits very nicely among the recordings of those other artists -- noise/junk drone. As in his previous recordings, this at times dissolves into more acoustic offerings, but the Fahey influence appears to be mostly gone, and what remains in the quie…

"The 4th World is The Work's long-lost, never before issued, very last album, from 1994. Succeeding See by some two years, it shares that album's aesthetics and approach - an economy of means, and superior song-writing/ playing - even when compared to their earlier albums. One wouldn't guess it was recorded live at a gig in Breisgau, because the sound is, quite honestly, superlative, and is even better than any of their studio albums. The original, mono recordings (by Volkmar Miedtke) were metic…

A thirteen year time warp and the bizarre narrative of a humble Norwegian discussing Ôtopical Belgian issues' from the very edge of West Yorkshire makes this a very strange recording indeed. Former Mayhem front man Maniac (Skitliv, Sehnsucht, Bomberos) has teamed up with Andrews Liles and Czral (Virus, Ved Buens Ende, Aura Noir, Dodheimsgard) to release an album that he and Czral began working on in 1996. The 14-track album will have the title 'Det Skjedde Noe NŒr Du Var I Belgia' (Something Hap…

Recorded live in concert at the Abrons Arts Center, NYC on October 15, 2009, Saturnian documents master saxophonist David S. Ware's triumphant return to performance following his kidney transplant in May 2009. This performance prompted features in The New York Times and on NBC Nightly News.Ware, in full peak of form, performed three extended pieces, each one on a different horn. "Methone" is on the saxello and "Pallene" features the stritch.  David has played these lesser-known members of the sa…

Following the critical acclaim which has greeted EP 1 Bloom, Die Stadt and Janet Records are proud to announce that Huge EP 2 in the 'Neither Speak Nor Remain Silent' limited edition series by Fovea Hex is out. Fovea Hex continues to shape-shift and to evade & confound those who bray 'what exactly IS it?,' and 'where does it BELONG exactly?,' and 'who exactly belongs to IT?'. If you must bang on the table like that, you won't hear a thing. If this music can be described as 'up-to-the-momen…

Deluxe reissue of this outsider holy grail, cosmic free jazz at the top!!There's not another record on the planet that sounds even remotely like vibraphonist khan jamal's eccentric, one-of-a-kind masterpiece, drumdance to the motherland. in its improbable fusion of free jazz expressionism, black psychedelia, & full-on dub-like production techniques, drumdance remains a bracingly powerful outsider statement thirty-four years after it was recorded live at the catacombs club in philadelphia…

Ernesto RODRIGUES (viola), Neil Davidson (acoustic guitar), Guilherme RODRIGUES (cello) and Hernâni Faustino (double bass). Recorded in Lisbon 18-11-07. Neil Davidson has taken his acoustic guitar on many fascinating sonic adventures, forever pushing the language of sounds possible with this instrument to new places. Here he joins a group of musicians from Portugal led by the rather legendary Ernesto RODRIGUES on viola and also featuring his son Guilherme RODRIGUES on 'cello and Hernani Faustino…

Gorgeous solo album from Isaac Edwards of ODAWAS. Think Popul Vuh's soundtracks for Werner Herzog. Limited to 300. HIGHLY RECOMMENDED.

After a series of CD-R re-issues, Klanggalerie are now proud to present you a new silver CD edition of one of the most obscure records ever to be recorded: Konstruktivists' "Black December" is a highly neglected gem in the history of Industrial music. Not as noisy as the band's masterpiece "Psykho Genetika", this record is a classic full of stunning music that doesn't fit into any categoriz…

NEW SERIES FRAMEWORKAn extension of our CONCRETE ELECTRONICS NOISE,a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers.Benjamin Thigpen, nomad, born in the United States, immigrated to Paris at the age of 31. He studied music, literature, philosophy and esthetics. He now composes in European studios such as GRM, EMS, Visby and STEIM, as well as in his bedroom and in the train. After six years as a …

Alessandro Bosetti provides voice and electronics on words & text from a variety of writers, as performed in a trio with drummer Ches Smith and fretless guitarist Kenta Nagai; fascinating and perplexing expression.  Alessandro Bosetti: voice, electronics. Kenta Nagai: fretless guitar. Ches Smith: drums. Music and texts by Alessandro Bosetti. Dead Bird text by Alessandro Bosetti on words by Alasdair Campbell. Istruzioni text by Alessandro Bosetti on words by Jerry Mandel, George Dippel, Howard…

'Creakiness and other misdemeanours collects the long out of print 'Creakiness' lp as well as various other very limited releases. 'Sand Tangled Women' was released as a limited edition 7' by Klanggalerie. 'Little Dipper Minus Two (Echo poeme sequence 1)' was a CDR limited to 200 copies. 'A Perfectly Natural Explanation' was released on a limited edition 7'. New artwork by Babs Santini.'

Luca Di Mattei is one of the Afe resident artists since the early days of the label. During the years he had several releases under four different aliases: Leeza, Hendy Van Morris, Jabba and Bill Catez. Leeza is his most well-known and prolific incarnation. Generated using laptop computer technology, Leeza's music has its main roots in what was once called Intelligent Techno, and is clearly inspired by the great records published during the '90s by labels such as Warp, Rephlex, Skam, etc.After t…

The association between Ulrich Mitzlaff and Miguel Mira promises an unforeseeable sound meeting. The specific, personal and different ways of their distinguished expression is the base for their very dynamic and interactive music. They create sounds where the improvisation moves with great fluency between the establishing of textures and abstract musical ideas and the switching in the musical discourse to singular, rhythmic and melodic affirmations. They construct the sonar explorations using th…

This CD compiles two long out of print, obscure vinyls by People Like Us. Almost all (maybe all) were recorded as commisions for Dutch radio. People Like Us plunders her way through the wastelands of vinyl nobody buys, collages them into mostly strange, and at times funny pieces of music. Unlike other plunderphonics, People Like Us keep the voice/spoken word segments to a minimum, which I most hearthly welcome. Extensive spoken words are usually hilarious, but after repeated listening don't hold…

It has been quiet for Flim, also known as Enrico Wuttke, since his last release 'Pola Music' and 'Ohne Titel, 1916' (the latter being his second release on Plinkity Plonk). However he still works as a designer, and creates music for dance companies and short films, as well as enjoying family life. His new release is a 28 minute EP with four pieces he created for a dance piece 'Refugium', based on the novel 'The Wall' by Marlen Haushofer. Originally published in German in 1962 and touted more rec…

    On their seventh studio album, Sightings don’t make any radical breaks from their past. Instead, Richard Hoffman, Jonathan Lockie and Mark Morgan continue the slow evolution of their vision, a sort of "industrialization" of rock. On 2007’s Through the Panama, the trio achieved their best amalgamation yet. City of Straw doesn’t really up the ante, but it stays right there. These 39 minutes run the gamut from chittering electronics to punk chaos. When saying "industrial" in reference to …

Crazy about the sound: the composer as a medium fHis bizarre way of composing earned Giacinto Scelsi not only fame and respect; he was also mockingly accused of dilettantism. Scelsi regarded himself not as a composer in the traditional sense, i.e. one to combine form, rhythm, pitch and sound in an intelligent way and note the result down on paper, but as a tool. His music was created during periods of meditative contemplation recorded by him on tape, to be noted down only afterwards. Eastern rel…

Composed and produced by Marc Behrens in 2007-2008 in Bergen, Oslo and Frankfurt am Main. Basic material recorded in Gloppen, Bergen, on Utvær island, at Brenndalsbreen glacier and close to Rosskleivvatnet lake, Norway. Sleppet originated from a sound art project in 2007, when six renowned artists (Natasha Barrett, Bjarne Kvinnsland, Steve Roden, Chris Watson, Jana Winderen and Marc Behrens) recorded sounds on a 10-day trip through the Norwegian Westlandet region and used the nature exper…

Comes in digipak with 12-page booklet. Volume 3 of this forum and magazine for sound-art in the form of an audio CD. It compiles contributions from artists who have chosen for the acoustics as working field, starting from the visual aspect and going to the musical one, then trying to promote the teachings of their sound art. The final purpose is to present it as a 'listenable exhibition'. So, a magazine to listen to. Featuring Carl Michael Von Hausswolff, Gal, Maria De Alvear, Miki Yui, Alvin Lu…

TransMongolian is a composition of unprocessed field recordings composed in soundscapes. I recorded these acoustic phenomena on my journey through Russia, along Lake Baikal, through Mongolia, China and South Korea to Japan. These countries do not only have very different landscapes and ways of life, they also differ in their sounds, a dimension which more often than not goes unnoticed. The 6 acoustic portraits reflect what I found to be representative of or very special about the countries.

Here are two men whose musical natures are obviously rich and their backgrounds complex - back to Stinky Winkles in the pianist's case, back to Amalgam and the Spontaneous Music Ensemble in the saxophonist's - but who reduce, in the critic/analyst's shorthand, to tiling or fabric. Tessellations. Moiré. Does that convey all you need to know about Veryan Weston and Trevor Watts, secure in the understanding that these are self-chosen metaphors, not imposed from outside? Needless to say, no, …

For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…

AWESOMEEEE!!!! The construction of this latest opus from C. Spencer Yeh's Burning Star Core comes from the collaging of sixty-six live recordings, captured over the course of an eleven year-period. The editing time for this monstrous undertaking was fairly substantial too, taking up two further years of on-and-off assembly. In addition to Yeh himself, the list of contributors takes in an expansive cast of notable noise and improv artists, including Hair Police's Mike Connelly, Trevor Tre…

    Trying to put the last 15 years of music into context, you’d be hard pressed to get anyone to agree on a single thing. If anything, this period has been a collective convergence of all things cool-sounding: naïve experimentalism, academic composition, art-rock synthesis, electronic nihilism/flagellation, and, well, everything else. Mark McGuire could muddy anyones interpretation of the contemporary canon with his buddies in the triadic mega-unit, Emeralds, his collaborative outings in Sun Wa…

CD reissue of the ultra rare Multhipla related (on its sublabel Fonia) LP from 1981 - the works of Giorgio Battistelli (b. 1953) are often linked to the theater, and even his instrumental works are highly dramatic, with various instruments and elements considered as 'characters' in a drama. For the past 20 years, 'Experimentum Mundi' has been one of the most-performed works of 'musique concrete,' i.e. music made with everyday objects instead of conventional instruments. In this work, 16 everyday…

the new creature by M.Gabola (A Spirale, Aspec(t), ASp/SEC_, Strongly Imploded) and Stefano Ferrian (psychofagist, Udus, FFATSO, de-noize). Razoj moves to the limits (ExtremeMetal/Elettroacustica/Free Jazz/PowerNoise, see the individual experience of the two musician); reduce the reality and generate the unthought, the chaos;

Specially written for the John Butcher Group, this is the first full performance of somethingtobesaid - recorded live at the Huddersfield Contemporary Music festival in November 2008. Chris Burn (piano), John Butcher (saxophones & pre-recordings), Gino Robair (percussion), John Edwards (bass), Thomas Lehn (synth), Dieb 13 (turntables), Clare Cooper (harp-guzheng), Adam Linson (bass & electronic processing).

Lovely collaborative project, result of the meeting of Italian cult band Larsen and Steven Stapleton’s ubiquitous creature Nurse With Wound. Almost 2 years of file swapping and occasional conceptual meetings led to a multi-headed collection of deformed sounds based on one long NWW piece and two Larsen tracks (that both bands have written specifically for this project) then deconstructed and rebuilt by each other into totally brand new opuses.Erroneous also features Neu! and Kraftwerk original me…

The first ‘proper’ widely-available album from Portugese composer and pianist Tiago Sousa, ‘Walden Pond’s Monk’ balances itself on the idealism and revolutionary spirit of Henry David Thoreau. While this might be initially hard to hear in an album of mostly solo piano, as the songs seep into the soul it becomes easier and easier to decode Sousa’s messages. There is a mourning, but hopefulness to these compositions, and in contrast to solo piano records from Gonzales or Goldmund it feels like an …

Eri Yamamoto released two recording in 2008, each of which—in different ways—demanded attention. In a series of duos with friends such as William Parker and Hamid Drake (Duologue), Yamamoto was expansive and free, readily finding ways to play beyond conventional harmony without sacrificing “beautiful” pianism. With her trio (Redwoods), she was more in the pocket, mining vamps and grooves for what they could say about the blues, but always keeping things intelligently sweet. If you’d barely heard…

Western Vinyl is proud to release “Music for the Ears” the first in a series of Small Music releases by Rolf Julius. With a goal of creating solitary sound environments, the Small Music series will culminate into a boxed edition of seminal works by this master sound artist. “Music for the Ears” is comprised of two long tracks of gently weaving tones exploring the possibilities of spatial experience. The cover image depicts Julius’ sound installation in a bamboo forest in Kyoto, Japan where his m…

Seijiro Murayama: snare drum, cymbal, sticks, brushes. Masafumi Ezaki: trumpet. Kazushige Kinoshita: violin. Recorded live by Taku Unami at Kobe Art Village Center, Kobe, April 12, 2008. Mastered by Taku Unami. Photo by Nobuhiro Sasaki. Includes liner notes by Seijiro Murayama in Japanese and English.

Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.

'Alessandra Rombolà: flutes, tiles & preparations. Rhodri Davies: electric harp & electronics. Ingar Zach: percussion, drone commander & sruti box. All music by Muta. Recorded by Fadi Tabbal on the 8th of april 2009, at Tunefork studio, Beirut. Edited by Ingar Zach, mixed & mastered by Giuseppe Ielasi. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh & Muta.'

Awesome solo release by a former Amuleto band member (on the die schachtel Musica Improvvisa box)...Wanke continues to amaze us with his sensitive, detailed and spacious sound works. "to r.s." follows up his lauded debut "Caves" on Sedimental with another stunner. For “to r.s.”,  Wanke uses electric and acoustic guitars, acoustic piano, objects and natural sounds. The 53 minutes of this unique piece divided in four parts combine static compositions, drones and looped music. Structurally viewed a…

Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…

“The word Ecotono is built from two roots. Eco (oikos/casa) and tono (tonos/ tensión). An ecotono, or ecotone, is a habitat created by the juxtaposition of distinctly different habitats; an edge habitat; or an ecological zone or boundary where two or more ecosystems meet. It is a transition area between two distinct habitats, where the ranges of the organisms in each bordering habitat overlap, and where there are organisms unique to the transition area. An ecotone region provides conditions of b…

The new record by Dominique Petitgand, Mon possible, gathers sound and musical pieces created between 2001 et 2010. Still composed of voices, words, noises, musical atmospheres and silences, the stories here get more enigmatic than on the previous records (Le sens de la mesure, Le point de côté, Le bout de la langue, also released by Ici, d’ailleurs…). The music, interpreted and composed by Dominique Petitgand (recorded with the sometimes subliminal of some accomplices : Marc Sens, Dominique A, …

Sven-ke Johansson : accordion, vocals. Axel Dörner : trumpet. Mats Gustafsson : saxophone. Per-ke Holmlander : tuba, trombone. Sten Sandell : piano. Matthias Bauer : double bass. Raymond Strid : percussion. Die Harke und Der Spaten [The Rake and the Spade] is a musical stage play with 8 scenes, for one singer/speaker and a musical ensemble. The tools - the rake and the spade - are presented during the performance in differente positions, serving as the starting point for the scenes, reco…