We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Inspired by the likes of the largely unknown first wave of continental European minimal electronic bands of the early ‘80s (Absolute Body Control, Twilight Ritual, Martin Dupont, Snowy Red), the seminal early industrial bands, as well as the emphemeral, psychedelic atmospheres of the British shoegaze bands of the 1990s, Xeno and Oaklander perform using entirely analogue synthesizers, sequencers, and drum machines to produce a highly-crafted, complex of form of moody, electronic pop music that is…
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
Schnitzler’s Zug is one of the most important and first electronic minimalist works that were published in the 70s. Almost simultaneously with Kraftwerk’s groundbreaking “Autobahn” Zug appeared on the legendary “the red cassette“. The release is rounded off with a remix of Con-Fan Stefan Betke aka Pole. Pole and Kassian Troyer (Radian) have mastered the record. Another remix is contributed by “borngräber and strüver“.
Tetuzi Akiyama - guitars. Johan Arrias - saxophone, electronics, no input mixingboard. Leo Svensson - cello, organ. Henrik Olsson - drums, electronics, piano. Artwork and screenprint by Peter Larsson. Mixed by Giuseppe Ielasi. Mastered by Daniel Karlsson. Produced by Johan Berthling. Album and songtitles are inspired by the lyrics of Moondog (Louis Thomas Hardin). Recorded in Stockholm 2006. Limited edition of 250 hand numbered copies. The cover is hand printed by its author on recycled covers c…
LP version. The is the second full-length release by Sweden's Andreas Tilliander as Mokira for the Type label. It's hard to believe that five years have passed since the release of Album, Tilliander's first outing on the Type label. Album marked the final stage in Andreas' development as a "laptop" artist, and since then he has collected synthesizer upon synthesizer and enough tape to make the boys in Berlin jealous. Ditching the zeroes and ones, Andreas set about piecing together a follow-up to…
Sabbath-esque riffs, putrid thrashing, animal howls, primitive blast beats, cheap keyboards, broken throat vocals, necro production, guitar solos, abyssic noise & a theatrical sensibility for the epic. LIMITED to 333 copies on multicolored vinyl. Exclusive artwork by acclaimed outsider artist G LANSARD. Features members of BURIAL HEX.
Not Not Fun's most form-destroying release from Robedoor. Seismic future-primitive energies on side-long track "Parallel Wanderer." Continues the incarnation of Robedoor featuring MG Gengras (Personable, Pocahaunted) on drums, moog, bass and piano. "Britt Brown, and Alex Brown unleash their latest Robedoor communications. 'Parallel Wanderer' is an epic drifter serving up ten minutes of raga-like drones before blowing the roof off it with crashing drums and upwards spirals of guitar. '(In The) Cy…
One of the key but underappreciated episodes in avant-garde jazz, Sun Ra's Atlantis sounds far out even today. Rather than a full-on assault on the senses, Atlantis is an exercise in build-up, with long, almost forlorn passages of Ra on electric keyboards setting a vast echo chamber for his Arkestra to spring forth within. Captured during one of the most adventurous periods for Sun Ra, *Atlantis* features the orchestral perfection of the best big bands of the century-and then proceeds towards mu…
Metz, France is teeming with great bands: Chevau, Feeling Of Love, Normals, & A.H. Kraken are just the tip of the iceberg. The ANALS sound is similar to the aforementioned bands in their abrasive, weird punk base, but this duo is more obliviously influenced by German industrial electropunk group D.A.F. (via Brainbombs) than their peers. Past singles have sold out immediately, and this is your first chance to hear this unique duo's entire recorded output. Incl. both songs from the Sweet Rot singl…
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.
"It’s been a long journey for Northern-Spy artist Collin Langenus and Tom Hohmann, like floating stoned on the back of the turtle that carries the world. Or primal scream therapy. That trip culminates with R.I.P., the group’s final release, and the first of Brooklyn’s newest indie label. A swan song of a group at the top of its form, flowing with ease through psychedelia, stoner rock, prog, Native American mythos, and even political disintegration. R.I.P. was mixed by sludge-riff wunderkind, Max…
While these performances occurred on opposite coasts, the source material is closely aligned in both concept and process. These works highlight Gregg's ongoing preoccupations with sound and setting, incorporating the focused blend of acoustic and electronic sources that Kowalsky is already well known for. 'Electronic Music for Square and Sine Waves' documents Gregg Kowalsky's contribution to the 2011 Activating the Medium festival in San Francisco. This commissioned piece continues Kowals…
Edition of 110 copies, vinyl only, one time pressing with download card. “Whereas most other music squabbles for your attention whilst it plays, Unraveling Designs is content to remain in your subconscious mind, gently seducing you in an unhurried manner. The steady swelling of opener Recognition is a welcoming crescendo of highly atmospheric textures, seguing perfectly into the bubbling Down From The Sea, which is certainly one of the most carefully conceived and expertly executed number…
Understand this: Yoga dispenses a sinister frailty of howling swellsin hissing static that combusts into crawling shock heaps, to the effectof Mayhem performing Twin Peaks incidentals in a prairie recordedby The KLF. A brief description casts them as black metal's answer to Throbbing Gristle. The texture-based rendering of their compositionssails them on a strange sea between song and sound effect as itbobs along the waves like a dead man s bottled message. Aspects ofGoblin rehearsals in dead hi…
Absolutely mind melting release from this consistently amazing American duo. This release has a very different sound to the superb drone recordings of their recent releases, yet it is still totally immense but really quite unexpected. This was previously issued as a tour-only CDR in a press of somewhere between 20 and 30 copies. Brian Pyle and Merrick McKinlay spent sometime recording legendary Humboldt based pianist Darius Brottman, who also happens to have a radio show before Brian's own show …
Limited edition of 250, with full color 23 by 33 poster designed and painted by G.Loli. Mutamassik (= tenacity in Arabic) is the musical avatar of Giulia Loli, who merges Egyptian percussions with hardcore breaks. The result, sometimes dubbed Sa'aidi hardcore & Baladi breakbeats is a mutant, syncopated form of instrumental hip-hop. The history of Giulia Loli herself is marked by fluid borders, being born in Italy of an Egyptian mother, moving to the United States in her childhood, staying in Egy…
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
**Limited edition of 300 copies on acid yellow wax with photocopied A4 insert** Rome, Italy's Sea Dweller make a gorgeous racket on their heavenly 2nd album of shoegaze dreampop. Returning to Upside Down Recordings after 2008's 'Underwater Town', they've seriously refined their sound in line with their too-obvious-to-mention influences. Head-flossing melodies made from reverb-effected and delayed guitar treatments swoon about vintage Alesis drum machines in clouds of old Crumar synths and…
Presented here for the first time on vinyl, Joe Colley's 'Anthem' LP gathers material from limited edition releases issued between 2001-2006. Side A presents Anthem a long form tonal study with contrasting climax. Side B edits together 4 shorter explorations culled from the Triptych triple business card cdr release and inserts a track from the 2001 compilation CD Coalescence. Mastered for vinyl by Giuseppe Ielasi. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket…
Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Lla…