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Pyrolator

Pyrolator's Traumland

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LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in the USA. "We had a New York office," Pyrolator recalls. Not bad at all -- possibly the first and only German independent label to set up shop. "Sadly, it was short-lived." A shame indeed, but the costs were too high. Still, Pyrolator was able to take advantage of the label's sporadic expansion to stay a while longer in the city that, famously, never sleeps. And he made the most of it. Right place, right time. "I was searching for new rhythms." It was in 1983 that rap, electro and hip-hop emerged from New York to take over the world -- styles and approaches to music and sound which were not so alien to the Ata Tak crew. But: look back at the Pyrolator quote before this text. The opposite of what happens to be hip, wouldn't that mean steering clear of electronic beats? Which, of course, is what Pyrolator did on Wunderland. Instead of checking the hottest sounds in record shops, he copied out bossa novas, cha-chas and mambos in the New York Public Library for the Performing Arts and scoured stores and second-hand dealerships for sheet music. After these forays, he returned to his Lower East Side apartment and sat down at the piano to compose melodies and modify his newly-acquired rhythms. The foundations of Wunderland were laid. Pyrolator recorded birds and other animals, used hollow wood as a marimba and now, with his modified Latin rhythms, had the conditio sine qua non forWunderland. Modern technology (Emulator 1, serial number 13!) and hollow tree trunks, and melodies on a par with Ennio Morricone or Burt Bacharach. Includes five bonus tracks.

Details
Cat. number: BB160LP
Year: 2013

Format

Recorded and mixed Nov. 83 - Feb. 84. 180 GRAM REISSUE

Release notes

"Recorded and mixed 86/87 Ata Tak Studio Düsseldorf "Man Ray" is dedicated to Bart Stuyf and his robot arm. "Sleep Well" is dedicated to Martin Denny."

Tracklist
A1The Trophotropical Introduction
A2The Trophotropical House
A3E.V.E.
A4Djakarta
A5Whiteness
A6You Me
A7White Wedding
A8Castles In The Sand4:24
B1Ships Without Sails
B2Leaves
B3Man Ray
B4Sleep Well
Bonustracks
B5Ritual
B6Triggers Of Target II
B7Sao Paulo
Credits
Pyrolator
Computer, Mixed By, Music By
Milan Kunc
Cover [Front]
Frank Samba
Drums, Percussion, Drum Programming [Selected]
Kerstin Holzwarth
Layout [Reissue]
Carsten Friedrichs
Liner Notes
Gareth Davies
Liner Notes [Translation]
Willem Makkee
Mastered By
Jörg Kemp
Mixed By [Co-mix], Vocals
Anne Gold
Photography By [Back Cover]
Argee Gleim
Photography By [Liner]
Gunther Buskies
Reissue Producer
Thomas Worthmann
Reissue Producer
T.O.D.D.
Typography
Susan Brackeen
Vocals

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