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Absolutely KILLER new twelve from Vatican Shadow on Dominick Fernow's own, newly minted Bed of Nails imprint - his most direct dancefloor productions to date. Edition of 700* Bed Of Nails is a new label curated by Dominick Fernow of Vatican Shadow and Prurient fame. Operating from his recently consecrated L.A. compound - the label will focus on his reorientation towards industrial dancefloor rhythms and seductively isolated electronics. Fernow christens the label with 'September Cell', a…
"Vagabond American legend Carlos Gonzalez drops his first NNF full-length, and it's 10 of his greatest junkyard surf-slime tunes of all time. Edition of 500."
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
Detached from all objects" is almost completely spared from today's hysteria and is more foreboding and distorted as their first album "teslas aquarium". They operate with great pleasure in dissecting the vast possibilities of the song formats without losing any of the clarity. "eEure qual ist unser quell" exemplifies the keyboard virtuoso kubin truly is. He works as always with historical analog maschines, organ instruments and with sessile affections to the 60's electronic scene, "geniale dill…
A quartet of new songs from the ever-wonderful Alasdair Roberts - a follow-up to his long-player Spoils, released earlier in the year. The tone is carefully poised between staunchly traditional folk values and more modern arrangement styles; though Roberts' fingerpicking and unaffected delivery are faithful to the genre's purist leanings, there's nothing conventional about the songs' segmented structures or the often very minimalist arrangements. It's quite strange to hear such a seemingly old-f…
White vinyl LP release of saxophonist Albert Ayler's quartet with pianist Call Cobbs, bassist Steve Tintweiss, and drummer Allen Blairman performing in Saint-Paul-de-Vence, France in 1970 (LP 1 of 2). Just a few months before Albert Ayler presumably jumped to his death from the Statue of Liberty ferry into the frigid November waters of NYC's East River he was on stage for two energy filled nights at the Fondation de Maeght in Saint-Paul-de-Vence, France. Little did he know at the time tha…
The debut LP from eccentric ambient-psych pair Sherri West and Taylor Clark was recorded at a self-described "mountain fortress" in California, despite the couple generally residing in Tulsa, Oklahoma. And like their disparate locations, the duo dabbles in varying forms of weirdness, from the amateurish, Deerhoof-esque racket of opener "I Am A Pony" to the dreamier blips and bleeps of songs like "Particles," which evoke a Hawaiian vacation as narrated by Rod Serling. LAVA CHILDREN strikes a uniq…
Reissue of a classic tape from 1986. Bruno Cossano released 4 tapes thoughtout the 80s and appeared on various compilations such as the 'Hate's our belief' tape ion Aquilifer Sodality. Now for the firs time this Italian power electronics master can be heard on vinyl with some of his most powerfull and intense stuff.
Garbage freedom noise & riffage from Rochester gents John Schoen, R. Nuuja and Jason Finkbeiner. Liner notes are some sort of prose poetry (translated into arabic; including a reference to Armand Schaubroeck, no less) from everybody's batthroated hero Dylan Nyoukis
With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pete Kember…
Great 2nd full-length collaboration between Lee Counts, Matt Franco (of Air Conditioning, Holy Family Parish), and Jason Crumer. Acoustic and processed power tools on scrap metal. This record is more spare and moody than their first, lush and industrial, elegiac sanders and spareness building up and blasting away from somber to near rapture.
for almost 10 years, the québécois collective napalm jazz gets its hands dirty with its unorthodox approaches to improv.' 'mostly activ as a duo with erick d'orion and philémon they like to get different guests like for example a_dontigny, arnaud rivière, erikm or erik minkkinen. limited to 181 copies and coproduced with notype from montréal." (label info)
**Limited edition of 300 housed in handmade silkscreened sleeve. Tipped for fans of Atelecine, Carter Tutti Void, Factory Floor** Ninni Morgia and Silvia Kastel make their first appearance as Control Unit on Italy's freshly minted Backwards label. Guitarist Ninni Morgia is a respected member of the New York underground scene, known for his work with La Otracina for Holy Mountain and Ultramarine Records. His co-conspirator Silvia Kastel was a willing participant in his Ninni Morgia Control …
'Imagine the moment before the origin of the Universe, when nothing yet existed. According to the standard theory, our universe sprang into existence as 'singularity', a zone of infinite density, which is also what is thought to exist at the core of the 'black hole'. The result of its expansion is what we call the 'Universe' and it is also what this album is all about. The gate was opened one night in May, in a basement of Northampton, Ma. by Paul Flaherty on saxophone and Weasel Walter on drums…
Vinyl edition of this joyous improvised music drawing on South African roots and European free jazz from Chris McGregor and a group including Evan Parker, Louis Moholo, Barre Philllips, &c. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the pre…
These sample-based constructions incorporated sounds from free-jazz, new electronic-generated sounds, classical modernism & vintage geographical recordings. Discordant segments of wailing, top-end violins give way to clunking rhythmic passages of metal marimbas & tuned percussion; free-roaming passages of rasping, low-end bass & the shuffle of free-jazz recall the work of Prestige-era Moondog, as well as aspects of Harry Partch's instrumentation via mid- to latter-day period Tom Waits. Atonal am…
Salmigondis is a collective (born in 2006) of musicians and graphist designers. Free rock, psychedelic, noise Ludovic Renaud (keyboard, turntables, electronics), Jean-Pierre Barja (bass, keyboard, electronics), Jérome Declercq (saxophones, keyboard, basse), Mathieu Renaud (guitar, electronics), Jean-Noël Cognard (drums,objects, voice). Recorded in 2007. Limited to 150 copies.
"Norway's Bjorn Torske returns with his fourth studio album 'Kokning'. Opening on a playful note with a slow-building title track, Torske strums a lone acoustic guitar against a background of shimmering synths setting the scene for a highly engaging piece of work. Throughout the course of the album a wide palette of genres are taken in and adapted to the Skrangle-House style (an open ended take on house music stemming from the Oslo nightclub 'Skansen'), and dub looms large over much of the music…
There's a big sticker on this record saying it's one of Aquarius's records of the year. Now call me cynical but I might start doing that for everything just so we get our name mentioned on the front of every record. Genius. Don't know why I didn't think of that before. No Balls are ex Brainbombs and if you're not familiar with them they're a bunch of noisy Swedish types who did a top album called Burning Hell years ago which is a sludge masterpiece. From the same school of thought as Drun…
Australian Charles Curse's music is one of the weirdest things I've come across all year. On Rain In Skull, fragments of disjointed folk melodies move across a plain of wheezing chords, tape hiss, children's voices, ambient washes, amp hum, electronic glitch and bits of buzz in general. The contrast between downcast guitar playing and the physical claustrophobia-inducing weight of sound is equally perplexing and intriguing. It's all presented in a decidedly lo-fi environment but the sound constr…