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First released of Malass aka Vincent Malassis. Project from experimentation and improvisation based on the research for organic textures and maximum musical expression. The purpose of this approach is to create a balance between noise, dissonance and melody. Thought as a filmic trip that allows emotion thanks to a sound design inspired from american minimalism and french concrete music. Ambient music mixed analogically in order to get a landscape of feedback, reverb and echoes which acts on both…
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
The performance on this LP was recorded live at Roulette in New York last year. I have appreciated Knuffke's playing and music before, and I will do it again here. His tone is always full and warm, and he's a master at taking tough bends easily. The music is jazz in its purest sense : improvisational joy and emotional expressivity in a compact form. There is nothing but pulse in the pieces they play, even if the rhythms are not always explicit or when there are no patterns, the three musici…
You must live in tokyo to be able to follow the immense output of the soundburrier that is Masaya Nakahara, aka Violent Onsen Geisha, most of his work doesn't make it out of Satou Dan's Tatsunoya bar in Shinjuku, not because no one wants it, just because the tokyo noise scene seems to gather there late at night to forefil their pork anus - chicken paw needs, and Nakahara's last 40 cdr's were the ideal soundtracks for this ritual.the old skool dead pan electronics, plunderphonics, parodies, nois…
When Chris Corsano turned 6 years old, I already begged him on my wounded knees to record an LP for Ultra eczema. He played it cool, was clearly annoyed but remained polite. From then on (he is now 46) I would email him the same question daily. I slept in a tent in front of his house, sent him letters every week, had all his different cell phone numbers, I even gave him new clothes, though he kept wearing his fully blue outfit. Much like Michael Jackson, corsano, the last drummer on earth, alway…
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
LP version. A marked change had come over the forest, as if dusk had begun to fall. Everywhere the glacé sheaths which enveloped the trees and vegetation had become duller and more opaque. The crystal floor underfoot was occluded and gray, turning the needles into spurs of basalt. The brilliant panoply of colored light had gone, and a dim amber glow moved across the trees, shadowing the sequined floor. At the same time it had become considerably colder.The Crystal World, the third studio album f…
From out of the Great Republic of Texas, and a new side project from Tom Carter (Charalambides) and Brian Smith (Iron Kite) rises a lone star called Friday Group. In a seemingly appropriate gesture, the opening scherzo of droney solo guitar twang blows dusty debris across the speakers, as if a small sand storm in a remote part of Amarillo. With wind wrestling loose gutters and flat chimes, the first movement is almost a weird paean to Ry Cooder's desolate Paris Texas score. Axe attacks ho…
Xex were an all-synthesizer band from South River, New Jersey who recorded their debut album group:xex in 1980. Formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers CollegePerformed entirely on then-state-of-the-art Arps, synths and electronic drums – no guitars anywhere – group: xex aims for the future, but comes across now like a time capsule from the deepest, darkest Reagan years. Each song burro…
Tetuzi Akiyama - guitars. Johan Arrias - saxophone, electronics, no input mixingboard. Leo Svensson - cello, organ. Henrik Olsson - drums, electronics, piano. Artwork and screenprint by Peter Larsson. Mixed by Giuseppe Ielasi. Mastered by Daniel Karlsson. Produced by Johan Berthling. Album and songtitles are inspired by the lyrics of Moondog (Louis Thomas Hardin). Recorded in Stockholm 2006. Limited edition of 250 hand numbered copies. The cover is hand printed by its author on recycled covers c…
Remix albums might be the new live albums, but over the past few years, "sessions" have also come to prominence as a way for artists to reimagine or repurpose their music in a variety of different scenarios. Things like Daytrotter, La Blogotheque, Black Cab Sessions, "Don't Look Down" and other Pitchfork.tv shows, and AOL Sessions, have become the "MTV Unplugged" for the era of inexpensive digital technology, constantly shifting economic imperatives, and small-but-fervent online publ…
For fifteen years, Trans Am has forged a musical legacy that has consistently confounded those who would confine them to generic indie-rock labels and rather spoken for itself. Trans Am a-la 2010 is a band of veterans unafraid to contradict themselves, one that has grown stronger in its music and more confident in its identity over the course of now nine full length albums.
Originally schooled in the foundations of hard bop, cornetist Rob Mazurek, quickly surpassed the form's conventional limitations; his multihued electro-acoustic work over the past two decades has subsequently drawn inspiration from numerous genres besides jazz. Mazurek's unfettered creativity and stalwart leadership skills have thereby cemented his reputation as a key figure in the Chicago scene—primarily as organizer of the venerable Chicago Underground Collective and several other innovative e…
“The revered beard brandishes pick ‘n’ mix. Carrion Hut collects five very different pieces recorded between 2003 and 2007. “The Frosted Growth” finds Nyoukis in Dubbletwee mode, snarling and barking at his multitracked self. While on the side-long “Late Night Vocal Gravy”, Nyoukis is at his most composerly. The real diamond, though, is the text piece “Strange New Ache”, originally written for Inside Wino Lodge but left off the final cut. The text – read out loud, inverted and mangled, by…
Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production. 'Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital…
Don't lose control — dig Blues Control! Following a circular path in order to access the unknown, Russ and Lea nab chaos in a plastic cup and crush rock into diamonds, or something that looks like them anyway. Valley ho! This new record is like drugs for your ears.
Limited Edition of 400 copies, already out of print: Erik Skodvin, the crown prince of nefarious Nordic doomscapes, returns with another incredible dark ambient grimoire for the Type label. Kappe finds the Deaf Center member peering yet deeper into the sonic abyss, concentrating his efforts on four lengthy compositions, each one following its own distinct subterranean tributary. 'Tunnel Of Love' opens the set with a blurry swell of dense tones and funereal howling before eventually throwing in a…
Absolutely mind melting release from this consistently amazing American duo. This release has a very different sound to the superb drone recordings of their recent releases, yet it is still totally immense but really quite unexpected. This was previously issued as a tour-only CDR in a press of somewhere between 20 and 30 copies. Brian Pyle and Merrick McKinlay spent sometime recording legendary Humboldt based pianist Darius Brottman, who also happens to have a radio show before Brian's own show …
Oceans of Silver and Blood are Joachim Nordwall : Roland S1000 Modular Synth and Mark Wastell : 32 Paiste Tam Tam. This recording was made at Goldsmiths College, London on December 10 2007 by Jonathan McHugh. Mixed and mastered by Jonathan McHugh. Cover design by Alisa Wolfson. Released in conjuction with their performance at Lampo, Chicago, 07 June 2008. Limited to 100 copies.
This disc brings together the Sun Ra recordings "Cosmic Tones For Mental Therapy" and "Art Forms Of Dimensions Tomorrow" (recorded in 1963 and '61-'62 respectively). Cosmic Tones functions as a kind of blueprint for the sort of large-scale jazz weirdness that would inform much of Sun-Ra's subsequent works, featuring the woozy reeds of 'And Otherness' and the afro-jazz experiments of 'Thither And Yon'. On 'Adventure Equation' a space echo treatment on the recording which is reprised for the sax f…