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Strøm are Gaudenz Badrutt, pianist and electronic musician (1972) and Christian Müller (1971), clarinettist and electronic musician. Under the name of strøm the two artists from Biel mix since 2001 various ingredients: free improvisation with conceptual music, contemporary music ideas with free jazz explosions, down to earth, drifty energy with spherical sound. The duo mixes electro-acoustic chamber music skillfully with allusions to contemporary pop-aesthetics. Both musicians studied at …
The music of Mount Eerie has taken many forms (see: The Microphones) but it is always made by Phil Elverum. Lost Wisdom is an album that finds Elverum in a more collaborative mode than usual, working with two legends of music and kindred spirits, Julie Doiron and Fred Squire. Elverum and Doiron share vocal duties almost equally on the record, making it an album comprised of dark pop duets.This time the songs were recorded quickly and quietly during a surprise visit by Julie Doiron, keeper of t…
This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …
I can't listen to Kyle's music without thinking about Stars of the Lid. And for the same reasons I am reminded of Arvo Pärt, Brian Eno, and even Richard D. James. As such, Mr. Dunn's vocabulary is probably familiar to anyone who has heard any of those musicians. He combines violins, guitars, and other strings to paint long, gossamer tones, utilizes low frequency vibrations to generate weight, and creates forward movement with concise and appealing melodies and harmonies. On the other hand, Kyle'…
Fancy: a 17th century term generally describing a composition in which form is of secondary importance. Fancies were usually contra-puntal and in several sections. (The Oxford Dictionary of Music)Fancies (2009) served to reconcile previously unsettled material, based upon a scheme that condones disparity between its constituent parts. In the period since its completion, and subsequent issue on cassette, Fancies has come to represent an antithesis to what I originally termed ‘a work in parenthesi…
Constellazione Seconda is the follower of the Lombardi 1978 "Costellazione" a piano sound exploration based upon a map of sky constellation, planned as the first step of a large work focused on the exposition and 'performance' of constellations maps, planetaria and maps of the heavens. This new work breaks up into 21 short piano movements, concentrating on incredibly short staccato notes that sting violently between fractured harmonics leaving plenty of momentum-puncturing silences to really he…
Composed by Taku Sugimoto. Tetuzi Akiyama: guitar. Recorded live at Loop-Line on October 23, 2009. Recorded by Taku Sugimoto. Mastered by Taku Unami. Drawing by Taku Sugimoto.
Martino Traversa is a renowned Italian composer who studied at Salzburg’s Mozarteum, at the CCRMA at Stanford University and with Luigi Nono from 1987 to 1989. The CD “Critical_Path” presents for the first time ever a selection of his electronic music works, composed between 2000 and 2008.Beside being a prolific composer, Martino is a very active cultural promoter: he founded the Ensemble Edgard Varèse in 1990, with Luigi Nono's support; in 1991 he launched "Traiettorie", a highly-reputed intern…
CD version: Leon Dufficy is primarily known as guitarist in the hippie-jam outfit, Hush Arbors, but now he steps into his own as the driving force behind Winter Drones. Sounding like the perfect combination of fuzzed-out ambient drift, shoegaze swirl and propulsive pop sensibilities, Winter Drones have slowly gained attention in their native U.K. with a handful of obscure CD-R/cassette releases and compilation appearances. Earlier this year, the band's debut album, Blood In The Coffin, ca…
Welcome return for Robert Hampson with the first Main album in seven years, new on eMego. Hampson founded Main with Scott Dawson upon disbanding Loop in '94, and while their initial releases still bore traces of their space-rock origins, the goal was always total ecstatic abstraction, and by the time of the Hz series, completed in '96, they'd pretty much achieved it. Main's music has been called many things: industrial, noise, isolationist electronica, dub, drone; the truth it, it's all a…
ESSENTIAL RELEASE: The impulsive and electrifying Ata (1987) was referred to as "a kind of shifting of the senses" by the composer. The task of sketching N’Shima (1975) was actually assigned to a computer, whereas Metastaseis (1953-54) is devoted to architecture; the composition was derived from the bases of calculation used for the pavilion for the Brussels World's Fair of 1958 and is famous in particular for its glissandos and thickening clusters. Ioolkos, written for Donaueschingen in 1996, a…
this CD is an amazing achievement. Kjos Sørensen is a brilliantly gifted performer, but clearly an imaginative and creative one too. A very special issue, continuing BIS’s tradition of opening our minds and our ears.
This album is a single forty-minute track exclusively made up from recordings of waterfalls within America's Pacific Northwest. The source material was cultivated and mixed over a two-year period and takes the form of a monstrously powerful, ferociously noisy concrète piece. Menche has always situated his work towards the extremes of electroacoustic music and Kataract is no exception, but for all the turbulence and extreme frequency manipulation here there's a level of detail on show th…
Debut disc from the new collaborative project between Nathan Bowles (Black Twig Pickers/Spiral Joy Band) and Lisa Cameron (Venison Whirled). A real odd one this, lots of rattling and scraping of percussive objects creating 3 tracks of abstract improvised surreal sonic explorations. The sound is matched by what I can only describe as the weirdest sleeves I have every had the joy of releasing (and we've had some weird ones), but this one is far out, the guy at my local print shop looked baffled wh…
Ural Umbo is Reto Mder (Sum of R, RM74) and Steven Hess (Fessenden, Haptic) electrifying internal music through a broad spectrum of instrumentation. Horns, piano, organ, harmonium, bass guitar, strings, electronics, drums and percussion guide the formation of black, subliminal melodies and slow feedback accompaniments. Each piece consumes the organic and dynamically balanced process that created it. With a nod to 1960s horror movie scoring Mder and Hess displace sound from the veil of the supern…
Back in stock. Helge Sten, aka Deathprod, sat through over 30 hours of live material to compile this 70 minute collection - widely regarded as Supersilent's most subdued work. Often compared to the fusion aesthetic favoured by Miles Davis in the early 70's and the post-modern compositional structure of Stockhausen, the result here is once again surprising and breahtaking, new sounds unearthed around every corner, you get the feeling that the ground beneath you is about to collapse with the sheer…
With a mindblowing track gracing this weeks phenomenal ‘Gold Leaf Branches’ compilation, James Blackshaw's brilliant "Sunshrine" album is finally being made available on cd. At only 23 years of age, Blackshaw has already mustered up enough talent on the guitar to put many more renowned acts to shame. His gorgeous finger picked melodies on 12-string guitar are incredibly affecting and a stark contrast to the ragas and ragtimes of peer Jack Rose. Instead of concentrating on replicating a sp…
Wege translates as 'path' and it's a fitting title for the latest rendering from master percussionist and experimental composer Andrea Belfi. The albums' four pieces act as orientation points through some imaginary sonic landscape. Wege is Belfi's forth LP (the first with Room40), and stems entirely from compositions completed at two artist-in-residence projects in Austria (Hotel Pupik) and in Brussels (Q-O2 Werkplatz). The album is built around a cyclic electro-acoustic system, through which Be…
It was once easy to think of James Blackshaw as an inheritor of the Takoma tradition, a school of searching acoustic guitar playing pioneered by John Fahey, Robbie Basho, Leo Kottke, and others in the 1960s. But listening to the English guitarist's new album, it's clear it's not that simple. While echoes of those three and some of their contemporaries are still present in Blackshaw's music, these days you can hear just as much Terry Riley and Philip Glass in his work. His synthesis of acoustic e…