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Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
This is the work of Rhodri Davies and Louisa Hendrikien Martin. Davies is extremely active in the experimental / improv / avant-garde scene, being a frequent collaborator, usually playing harp and electric harp. Elsewhere, Martin keeps herself busy in the fields of live sound and visual performance. The foundation of the album was a Harp improvisation which was then manipulated electronically, the artists then improvised along with the recording then edited and repeated the process. The r…
Decades before his time, political and musical revolutionary, Sun Ra, developed a new plane of cultural existence where black people were all-powerful beings from outer space, sending their intergalactic message through jazz music. Recorded live in 1975 at Cleveland's legendary jazz club, the Smiling Dog Saloon, when Sun Ra and his Arkestra descended on the city for a week-long residency. You can imagine how the uninitiated's jaw must have dropped when Ra and his 15 musicians marched out onto th…
"Suburban Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. Here Graveyard's Ben Hall and Lambsbread's Zac Davis create a monolithic one-sider influenced by too many private press jazz records and abstract instrumentalism. Davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. Ben Hall drums like a man with…
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
Repressed! "Roberto Cacciapaglia is an Italian electronic composer who's made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creatin…
Limited to 455 transparent vinyl copies, including remixes from Vatican Shadow, Roly Porter and Kangding Ray* Violetshaped is a collaboration between the enigmatic Violet Poison and Berlin-based artist Shapednoise. "Violetshaped Remixes Part 1" is the first of a remixes series divided into several parts. This first instalment features remixes from Roly Porter (formerly of Vex'd) following on from his acclaimed debut album for the Subtext label, Vatican Shadow - aka Dominick Fernow, owner …
First released of Malass aka Vincent Malassis. Project from experimentation and improvisation based on the research for organic textures and maximum musical expression. The purpose of this approach is to create a balance between noise, dissonance and melody. Thought as a filmic trip that allows emotion thanks to a sound design inspired from american minimalism and french concrete music. Ambient music mixed analogically in order to get a landscape of feedback, reverb and echoes which acts on both…
"Guitar drag by Christian Marclay is now being released on neon records. The record is actually the sound track for Marclay's video with the same title that was shown first at London's Hayward Gallery sound art exhibition "Sonic Boom" in 2000. The piece as well as Marclay has become an icon in sound art circles, and although the video can only be seen in exhibitions as an installation, it is widely known. The full 14 minutes sound track is released on a beautiful one-sided 12'' clear vinyl recor…
Much time has passed since the release of "Can't Illumination" in 2003, and Anna Zaradny and Burkhard Stangl meet yet again, now on each side of a vinyl record on the Bocian Records label. There were, however, many various encounters in various circumstances in between those two official events, and one of them is shown in the photos on the cover. This is hardly a chance meeting as the two compositions have more in common than it might seem at first sight. Take the misguiding beginnings, f…
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
A split LP with Harappian Night Recordings 6 reviews in psychopathic alchemy and Kommissar Hjuler Karawane from Hugo Ball. Limited to 300 copies. Yellow vinyl. "Der krazy Kommissar recites a Hugo Ball nonsense poem from 1916, written the same year Ball wrote the Dada Manifesto & founded the Cabaret Voltaire. Harappian is a one man UK bedroom string plucker & droner who cuts together, mimics, & plays along to his international records. He pulls off some pretty flamin' rock tunes here, full of t…
Project from Dominick Fernow of Prurient/Vatican Shadow and Kris Lapke of Alberich. "Released first as a limited 4 x cassette box set now condemned to vinyl. Among the trinity of electronic projects of Dominick Fernow's studies in anxiety and fear from the mythic natures of rainforest spiritual enslavement, the info wars of Vatican Shadow and the creator's observation of Christian Cosmos. Lightning drums pound the rhythms for lost souls as the fall from paradise abounds and the trumpets o…
Reissue limited to 200 copies, originally released as private press in a limited edition of 100 copies in 1977, this ia a Major historical reissue: Slit And Pre-Slit was Jim Shepard’s first ever release, privately pressed in an edition of only 100 copies in 1977 and mostly given away to friends and musical/cultural heroes like Lester Bangs, Todd Rundgren, Lou Reed, David Bowie, Brian Eno, John Cale etc. Its extreme rarity has meant that few have had the chance to wrap their ears around it, …
Absolutely KILLER new twelve from Vatican Shadow on Dominick Fernow's own, newly minted Bed of Nails imprint - his most direct dancefloor productions to date. Edition of 700* Bed Of Nails is a new label curated by Dominick Fernow of Vatican Shadow and Prurient fame. Operating from his recently consecrated L.A. compound - the label will focus on his reorientation towards industrial dancefloor rhythms and seductively isolated electronics. Fernow christens the label with 'September Cell', a…
Rerelease of Tochnit Aleph 034 LP from 2001 on CDR. Packaged in the original fullcolor LP Sleeve. Edition of 100 Copies. Pop are Peter Rehberg (Pita) & Zbigniew Karkowski.Data retrieved from the following Live-Actions:271097 @ Chelsea, Wien160199 @ ICC, Tokyo200199 @ Milk, Tokyo290199 @ Ufo, Tokyo200399 @ Webbar, Paris (PR)200399 @ Bunker 301, Tokyo (ZK)Edited on Twisted 2 & Subhuman Harddiscs @ Baby Studio, Wien, 200500A Product Of Power.
Lawrence English's epic masterpiece - finally available on vinyl for the first time. Strictly limited edition - Initial copies come on white vinyl* One of the most memorable and absorbing albums released by the wonderful Touch label in recent years, "Kiri No Oto" was first released by them on CD in 2008 and has spent much of the intervening time lodged in our minds as one of the finer drone/field recording albums to have been made this century. Kiri No Oto (a Japanese phrase meaning 'sound…
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…
Stargate is something in between pre-sleep Tetris Effect and Trance music in slowmotion: gated soft synth arpeggios smoothly modulate towards brutal supersawed patterns, disintegrating into ecstatic vocals. You are opening the doors of an Ibizia club at 5 am, the foam is all around and your eyes start twisting, your brain is gently stretched & pitched down. You are locked into the longest build-up ever. Unique, truly inspired, 100% uplifting music from the "Dawn of the Cryonics": watching …