New Arrivals
Synchronator
Synchronator is a video and audio research project by Gert-Jan Prins and Bas van Koolwijk in an attempt to use a combination of current digital and analogue means in order to make more use of the characteristic visual qualities of such techniques. Included are the 2006 Synchronator video and nine new tracks. Original recordings were produced with the Synchronator device for PAL video. Although especially adapted versions of all tracks are included for flatscreen monitor, to properly experience t…
Interstices
Through these interstices, when conscience — this present to one’s self — falls asleep; through this tiny little interval between two instants, something arises, something you had never thought of; The erring ways of thought; through the cracks thus created, we lend our voice to the characters that rule over an unknown existence. These sounds are too rich of all their possible existence…
Dada Cinema
With Viking Eggeling : Symphonie diagonale (1921-24), Hans Richter : Rythmus 21 (1921-24), Hans Richter : Fimstudie (1926), Man Ray : Retour à la raison (1923), Fernand Léger & Dupley Murphy : Ballet mécanique (1924), René Clair & Francis Picabia : Entr'acte (1924), Hans Richter : Vormittagsspuk (1927) et Man Ray : Emak Bakia (1926). Contains a 36-page booklet about the films and the Dada movement, with texts by Philippe-Alain Michaud and Hans Richte
A History Lesson Part 1: Punk Rock in Los Angeles in 1984
Videographer Dave Travis grew up in Los Angeles where his dad worked as a cameraman for NBC and CBS news as well as TV shows such as “Chips” and “Fantasy Island.” When he was 15 his dad handed down to him an old video camera and he began shooting punk rock shows in Los Angeles. He eventually became a freelance video editor, working on projects such as Black Flag’s “Slip It In” video as director and editor, “1991 the Year Punk Broke” featuring Sonic Youth and Nirvana as editor, the Kurt C…
'Evelyn Glennie - Fred Frith. Touch the sound'
Subtitled A Sound Journey with Evelyn Glennie, German director Thomas Riedelsheimer's exquisite Touch the Sound is nominally a portrait of the Scottish musician known as the first full-time solo percussionist. Glennie is certainly a fascinating subject. Profoundly deaf since childhood, she disdains the use of hearing aids and sign language, relying instead on lip reading and, more crucially, on the use of all of her senses, especially touch, to hear with her entire body. The film reveals …
Trimpin: The Sound Of Invention
Trimpin: The Sound of Invention is an amusing exploration of the sonic world of an eccentric creative genius. Artist/inventor/engineer/composer Trimpin shuns the hype and hyperbole of the commercial art world -- yet his freewheeling sculptures and outrageous musical experiments are cherished by museums all over the planet. Filmed over two years, this documentary feature follows the artist/inventor as he designs a 60-foot tower of more than 500 automatic electric guitars; builds an ensembl…
Charisma X
A documentary film by Efi Xirou with composers George Apergis, François Bernard Mâche, Gerard Pape, Curtis Roads and featuring Françoise xenakis, Makis Solomos, Sharon Kanach, Mâkhi xenakis. Charisma X presents the visonary work and ideas of Greek composer and architect iannis xenakis structured around musical performances, interviews and testimonies from xenakis' collaborators and those with a deep understanding of his work. Musical performances and recollections are presented from percussionis…
Narratives1: Dreams
"Narratives" is a series of "music text films" that centre on the experience of music mediated through animated text. Kyriakides has developed this form over the years, encompassing about 15 works ranging from orchestral, chamber, to electronic music. In the next year Unsounds will publish the whole collection in a series of DVDs. The first edition: "Dreams", collects the large scale ensemble works - "Dreams of the Blind", "The Arrest" and "Subliminal: The Lucretian Picnic" performed by E…
Detroit & Buffalo, USA
amazing 3xLP set: "Memorable and probably unrepeatable two qbico u-nites rec. in Detroit & Buffalo in 2006. worths mentioning: Perry Robinson jamming with Faruq Z. Bey and Northwoods Improvisors, Muruga Free Funk Band in full glory with the lovely Belita Woods and members of P-Funk, like Louie "Babblin" Kabbabie from Lebanon or Treylewd, Perry too (audience got carried away and i saw people dancing on top of other people shoulders ?!) ! Odu Afrobeat Orchestra led by Fela's alumni Adeboye Adegben…
Directions To See A Ghost
“The Black Angels bring the aura of mid-1966 the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators everywhere they go, including the levitations on their second album, _Directions to See a Ghost. Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas’ rocker-monk incantations. But he knows what time it is. ‘You say …
Spiritual Jazz 4: Americans in Europe
Triple LP version. Housed in a deluxe triple gatefold sleeve with download card for the entire album. Jazzman Records presents the fourth volume in their Spiritual Jazz compilation series. It's well-known that throughout the 20th century, fed up with poor working conditions and racism in their home country, many American jazz musicians chose to leave the U.S. in order to live and work in Europe. What's less well-known is how their music developed and evolved during their time on the conti…
The Sound of Insects
'The Sound of Insects' is the Soundtrack for Peter Liechti's film with the same title without the narrative voice. The movie is Peter Liechti's documentary account of a man alone in the wilderness, committing suicide by starvation, and the subsequent decay of his mind and body. Norbert Möslang's original score for 'The Sound of Insects' received the Cinema Eye Award for Outstanding Achievement in Composing at the 2011 Cinema Eye Honors for Nonfiction Filmmaking and the Swiss Film Award 2010 for …
Magical Nights
3LP version. Munster Records presents the most complete anthology of the legendary Czech band The Plastic People Of The Universe. PPUS was formed in autumn 1968 in Prague by teenagers and former school-mates bass guitarist Milan "Mejla" Hlavsa and guitarist Jirí "Premek" Stevich. They teamed up with vocalist and clarinetist Michal Jernek and drummer Pavel "Eman" Zeman. Their increasing popularity attracted attention from Ivan Martin Jirous, until then the artistic mastermind of the legendary Pri…
Black Tar Prophecies Vol 4
While Grail’s studio records are expertly crafted affairs, full of expert production and cinematic flair, but the Black Tar Prophecies series has been the set of songs which has brought Grails to the forefront of the instrumental scene. Lo-fi and bared back, it gives the band a place to experiment outside of the norm. Volume 4 of the Black Tar Prophecies series utterly drips in dark atmosphere; opener I Want A New Drug starts with a tape recording which slowly descends into warbling, becom…
Viroulegu forsetar
LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…
Deutsche Elektronische Vol1
What's in a name? Good question. On first glance, Deutsche Elektronische Musik gives the impression that the pieces for Soul Jazz's new collection were selected for how they later fed into house and techno. But then there's that subtitle—"Experimental German Rock and Electronic Music 1972-83"—one which gently reminds listeners that much of the most fertile music from Germany in the '70s wasn't electronic at all. So why not Krautrock? Well, that doesn't quite work either: A title like that…
Tidings / Amethyst Waves
Mark McGuire has been a member of triadic mega-unit Emeralds since their inception. Besides contributing to their ever growing catalogue, he's also worked with Daniel "Oneohtrix Point Never" Lopatin as Skyramp and a prolific number of other solo projects. His most recent album for Weird Forest (originally released on Cassette by the Wagon label) has been hailed as his most definitive to date, crossing astral lines and psychedelic boundaries between noise squalls, lush-out synth washes and …
Kill For Love
16 Track Deluxe Double LP on Magenta coloured wax finally available, includes downloiad code redeemable from the label* At long last available for public consumption - Johnny Jewel and co make their loooong overdue return with a gorgeous new album. It's now five years since 'Night Drive' triggered an avalanche of copy-cats and even a film - Nicolas Winding Refn's 'Drive' - and although we were all blessed with Johnny Jewel's sumptuous 'Symmetry, Themes for an Imaginary Film' earlier this…
Old news #8
More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…
Progression
Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…